The Comic Concierge
Despicable Deadpool, Mister Miracle, Deadly Class, & More

About this Episode
Hi, this is Kevin Conroy and you're listening
to the Geekcast Radio Network. Hello and welcome
to the Comic Concierge Podcast. This is a weekly
recommend podcast where I look back at the comic
book week that was and talk about the most notable
books of the week. Up front, you must know that
there may be some spoilers. I will stay away
from the biggest plot points, the biggest surprises
that occur in the books, but if you're someone
who wants to know absolutely nothing about what
happens in the pages of their comics, take a
look at the show notes and you'll see a listing
of each comic I'll be talking about with timestamps.
You can skip any issue that you don't want to
hear too much about. I do start each week with
my recommendation of the week, and my recommendation
of the week is a little bit different than most
in the sense of I'm not just picking the best
book. I'm picking what I feel like is the best
starting point or the best book for anyone who
is reading comics that week, whether you're a
new reader, an old reader, someone who's getting
back in the comics, or a book that anyone can
understand. A starting point that doesn't feel
redundant is what I like to say. And sometimes
a starting point is not just about what you're
looking forward to it gets you interested in
going back to see what you have missed not because
of plot or story necessarily but There's something
going so right with the book or so right with
the characters that you want to see more of it
You want to see what led to this and that really
led me to pick this week's selection Despicable
Deadpool number 296 and I know that pulls a type
of character that has a lot of popularity There's
a lot of people who love him. He's one of the
biggest characters in Marvel His books do tend
to sell well to the point where Marvel on your
overused him for quite some time put him in every
book and it gave him like 14 different series
it became too much and I think you So a lot of
people started turning on him as a character.
They found him overly annoying. And ultimately,
the quality of all of his books suffered. They
weren't as good as they should have been. Though,
over the last few years... Jerry Dugan has been
doing something really special with the character.
Now that he's leaving the book, I think it's
really hit a high gear this last year. Honestly,
since Secret Empire, I think I talked about this
previously when I talked about this book, how
this is one of the few books that has elements
of that story still playing out in a meaningful
way. What it has been doing is examining the
relationship between Deadpool and Captain America
and utilizing how we treat our heroes, the dangers
of heroism, and how if we put people on pedestals
and we tend to overly idolize them, it can lead
to... a lot of issues, and that's kind of happening
with Deadpool. During Secret Empire, he was sent
to kill Agent Coulson, even though that wasn't
really Steve Rogers. It was an evil version not
to go down that road. But Deadpool followed through
with the orders that he was given because it's
Captain America. It's a man he respected, a man
that he idolized, a person that he treated almost
as a god in a way that could do no wrong, though
what we're seeing is that all people can do wrong
in some form or another. And now he's dealing
with the repercussions of it. And this, we see
Captain America come up and try to stop Deadpool
because Deadpool's also dealing with the fact
that he's been forced to kill and attack all
these different people because someone has his
daughter. So he's just been put through the ring
here over and over again. And there's been a
lot of emotional weight to this book for some
time now. Really highlighted in this issue with
the back and forth between Deadpool and Steve
Rogers, both of them come at the argument that
they're having with some really good points and
the fact that Deadpool was told and had to do
some pretty shady things for S .H .I .E .L .D.
in the past that were morally questionable and
this was not much of a leap compared to those
and you see that he feels used in a way where
like he feels that he can do certain things when
they want him to but when things push comes to
shove they don't trust him the way they should
even though he's put his faith in them. They
lack faith in him because of the sins of his
past. But again, Captain America brings up some
good points when we're asking if this is something
that is more of his own doing and his own inability
to get out of his own way due to how he will
tend to make the wrong decision or just act on
emotion. With a character like Deadpool, of course,
there are some great comedic bits that are...
peppered throughout. It's not just this dour,
emotionally draining issue. There are some comedic
bits, especially how he tries to one -up Captain
America and bait him into certain things. And
these are two of my favorite characters, so it
may be coming off as biased because I do like
these characters. Captain America is probably
my all -time favorite character. I've loved Deadpool
since he was first created back in the 90s when
he wasn't really much of anything of a character.
He just kind of looked cool and could kick a
lot of ass but didn't really have much in the
form of a character then he became this kind
of comedic breaking of the fourth wall and now
there's like another evolution and to me this
is the most dynamic he's ever been as a character
because he still has that comedic charm he still
is able to push things to limits that other characters
can't but you actually care about the plight
he's going through. There's a story being told
here, and you feel sympathy for him, even though
he's not a character that you typically associate
those emotions with. And I think Gary Dugan's
done a lot of this throughout his run, and I
think it's been very underappreciated. There's
some other issues that he's had where... Deadpool's
been working with someone who was suicidal that
was a few months ago and that was a really actually
might be over a year ago that was a really solid
issue and the way he approached that problem
and I'm really excited to see where he takes
this it's he's nearing the end of this run Scotty
Young will be taking over this title and again
I'm super excited to see where Scotty Young takes
this book, but that doesn't undersell what Jerry
Dugan has been able to craft here story -wise.
He's really taken Deadpool and said okay, let's
let's take the core of the character and try
to Expand upon it in ways that was not been done
before so as someone who's never read a comic
before if you pick this up I think you'll see
a side of Deadpool and Captain America that you're
not necessarily expecting It's pretty much has
everything you'd want in a solid book There are
maybe some plot threads you want to understand
if you've never read a Deadpool comic before
but enough is within the context of the page
where it doesn't feel like you're getting a lot
of Exposition for exposition sake rather they're
utilizing what happened to few of the argument
that they're having so it feels like a natural
conversation while still informing you about
Different plot elements that took place to lead
to this moment It's a challenging thing to really
balance those two and I think it's handled really
well In the fact that there's also a lot of green
action going in between you know how caps utilizing
his shield how Deadpool has used uses his healing
factor to trick cap into one of the better moments
of comics this week. So I think if you've never
read a Deadpool comic before, Captain America
comic before, even if you are a fan or if you
got away from both of these characters or this
title, this I think will show you that, oh wow,
there's something special happening in the pages
of this series and I think it deserves a lot
more attention than it's getting. So highly would
recommend picking up this issue as it's nearing
its end, but it's going out strong. So that's
a wonderful thing to see. The book that came
really close to becoming my recommendation of
the week was Secret Weapons' Owen's Story, which
is a prequel story to the Secret Weapons miniseries
that came out last year by Valiant Comics. And
for those that don't know, Secret Weapons is
this team of mystic characters that all have
powers that aren't necessarily going to make
the Avengers, or in this case, Unity, since it's
a Valiant universe. They either lack a lot of
power, or in this case, for Owen, he just is
unable to control it. His power - is the ability
to conjure up random items and the key there
is random. He never really knows when it will
happen at some times and what it will give him.
Like he might be in the middle of a fight and
wanting to get some sort of weapon to help himself.
He'll use his power and he'll end up with an
umbrella. And what this is showing us is a really
good concept in the sense of setting the story
where he's selling these different items at a
garage sale and they're asking him where he got
all these different items and what we see is
each story bit is a different item. It's a good
episodic way to... Get this background story
told and with a nice hook because it has you
wondering. Okay? What's this item words to come
and play? What's the story behind it? And it's
a lot of fun And what we're seeing is maybe some
sort of indication that although his power may
seem random a may not be as random his life and
what led him to the point he was at the beginning
of the first issue of secret weapons and We get
some background about him trying to work with
his family he tries to get this job with this
tarot card reader who becomes almost like a pseudo
mentor to him by providing some insight to his
powers or at least he's a she becomes a sounding
board to have some conversations and seems like
the one person that he can talk to about what's
happening and i just end up really liking this
book a lot of due to the art. The art is just
really well paced. The art is done by Raoul Allen
and Patricia Martin and I'm not sure where one
begins and the other one ends. It does seem like
they did a joint effort here because it's not
like one of those series where it drastically
changes styles from one page to the next. But
what it does have, the panel layout, there's
a lot a panel so each page probably has almost
12 in a way where you never see more than one
person in each panel so it reads really quickly
each panel focuses on one small detail bit by
bit so there's a really nice rhythm to it you
follow along and it just feels like it's going
in sync over and over again and by the end you
get to the next bit it's just a really well -crafted
story within how it's designed, and it reminds
me kind of of David Aja's style in the Hawkeye
series where, again, he would have a lot of panels.
The screen would be filled with them, and that's
the case here, where conversations are typically
happening in one panel and in the next where
you barely see two people together at the same
time. really brings your focus in on that exact
moment and lets you see what's happening without
being distracted with some of the other things
in the background. It just feels really welcoming
in that. Velm and that's what I loved about the
original series that came out last year and that
style continues here today and again with this
being a Zero issue in a wire being an origin
story. You don't need to know anything going
in this book You've never you never need to read
a valiant comic or really any comic and everything's
here on the page There are some things that happen
the background that if you don't know you may
be wondering Okay, what happened there, but it's
not necessarily pertinent to the story or own
story. It's really just seeing how life affected
him, and what's really great about Secret Weapons
as a series is that it focuses on the people
that never get their story told, and you find
out they're really interesting characters. There's
a lot to them, and I just love this idea, this
power. It leads to a lot of funny moments, but...
also like how it all kind of comes together at
the end. It's a lot smarter than I was expecting.
So I would highly recommend this. I would highly
recommend Secret Weapons from last year. I'm
hoping we get more of this and I just really
enjoyed these characters. So I'm happy to spend
any more time with them. So another book I would
highly, highly recommend is Mr. Miracle by Mr.
Rard and Tom King, which is operating on an entire
other level with everything else on the shelf.
I think this is going to go down as one of the
best comics. in this generation. I know that's
a high price to set, but it just is remarkably
crafted from the story being told to the art.
Mr. Art's art has been great. I love the Insurer
of Babylon, but this is... something that i did
not expect from him he's just on his game it's
amazing just the things that he's doing with
his again talking about panel layout of course
it's home king so of course it's a nine panel
grid but the way mitch erard utilizes that is
pretty impressive there's such a texture to his
work it just feels photographic but not ultra
realistic if that makes any sense where I love
just the texture on each page from the shirts
to the the background and I don't think I've
ever seen an operating room or in this case a
delivery room look as realistic or true to life
as it does in this issue and with that said this
is the issue in which Big Barda and Mr. Miracle
are trying to have their child. And that's the
story. And what I love about this series so far,
and there's so many things, but I love how it
takes the mundanity of everyday life with the
insanity of the New God's world and characters
and combines them. As someone who had a kid,
well, it'll be three years ago, and in only a
short few months, I just related so much to this
story because what you see is just a lot of waiting
and a lot of just hoping things will happen and
just also some fear and concern over any little
thing that could go wrong or any little beat
that's not sounding and it just it was super
relatable and I believe Mr. R just had child
not too long ago so I don't doubt that much of
that maybe made it into the pages of this story
but that's legitimately the the bulk of this
issue is the back and forth between Mr. Miracle
and Brardaha and there's this great running joke
of them trying to come up with the name of their
kid and it does get a little bit serious and
some major tension by the end. I think for some
people, they might find this a tad dull because
there's not much action here. I don't know how
well this would play for the general audience.
I think for a lot of people, they're just like,
I don't get it. It's just kind of boring. There's
nothing happening. But I just love the characters
that are on the page. And again, the craft here
is remarkable. The rhythm of the dialogue, the
Sense that nothing is happening. But in fact
a lot of things are being set up without you
realizing it it kind of lulls you into a sense
of Vulnerability because you're not really looking
for some major plot element. You're just okay.
What's what's going on here? But in fact, it's
really setting up I think something that might
be ultimately devastating and I don't want to
give away anything Well, I can't really give
away anything to a book I haven't read yet But
I have the sense that knowing mr. Miracles biggest
gift is his ability to escape any trap or any
type of contraption I guess the the question
then becomes like how do you create something
that he can't escape from and I think the answer
is by creating a world that he doesn't want want
to escape from and I just wondering how much
of what we're seeing is real what is fake and
sometimes that could drive you crazy because
it feels like it's pointless ultimately if you're
just if it's a all dream by the end I don't think
that's the case I don't think we're gonna wake
up and find out oh he was dreaming the entire
time or he's inside Doc's dark side's head but
I do think there's more at play here than we
know, but ultimately that doesn't really matter
because if there isn't more here, that's okay
because I feel like there's enough here just
on its own without an additional piece to be
a satisfying series and just being incredible
in what they're putting together. I know this
is not necessarily for everyone. Again, this
is not a book I would say if you never read a
comic before, start with the Mr. Miracle series
because it's very much within the comic book
realm. It's very much commenting on the craft
of comics to begin with. and I think what it
does really well cannot be fully appreciated
if you've never really read the series or read
anything regarding the new gods before or read
a comic before. It's like Watchmen. I think Watchmen's
a bad idea to start there and a lot of people
do. Not saying it's up to that level, it may
be. In the future, it's hard to really quantify
something that's still going on compared to a
book that's been around for over 30 years and
has set the standards for a lot of different
things, but... When I'm looking at the best series
that are out right now, for me, it's Mr. Miracle
and then everything else comes after that, at
least when it comes to ongoing series. So I love
this book. I love what's going on here. It's
just remarkable. Every time it's a Mr. Miracle
week, I get extra excited because I know I'm
going to see something and read something that
just makes me realize the power of comics as
a medium, as an art form. All right. Well enough
of me lauding the praise and accolades of Mr.
Miracle. Let's move on to another book with coming
to me number one Written by Zach Thompson and
Lonnie Miller, Pencils by Piotr Kowalski and
published by Black Mask Studios, another new
series by Black Mask. So this is, I think Zach
Thompson was responsible for one of the best
series last year with the Greggs, which is this
trippy story about cannibalism and the homeless
person out to save the world in a way. It's hard
to describe, but I would highly recommend that.
And knowing that I was really excited for this
series and seeing if that type of success be
replicated with this book and overall for a first
issue it did not hit me nearly the level of that
book maybe my expectations were too high there
are pieces here that i think could lead to a
good book but ultimately i think what i was a
little bit down by was i felt like it didn't
sell its concept enough to get me invested and
the basic premise is that this new procedure
was created that allows people to share consciousness
like you can upload yourself into another person
that person is the host, you can see things they
see, you can feel things they feel, think through
their memories and you can share moments together,
but ultimately the host is a person that is in
control. And there's some early complications
with this process, but it goes throughout the
creator of this and someone eventually shows
up and wants to use this process, but the thing
is she doesn't have anyone she can hook up to
or... share this with, so he steps in to help
her out for different reasons. And I guess why
it didn't ultimately work as much as I was hoping
for was because I felt like I didn't see the
reason that a procedure like this would necessarily
need to exist. I feel like why would there be
this desire to go into the headspace of another
person? I mean, there's perhaps some reasons
for that. explanation that, you know, people
would enjoy that type of experience because it's
something that is remarkable, but I don't know.
Like, I had me wondering, like, what would propel
this type of thing from existing? What would
really make people interested in getting invested
in like this? And I think by the end we see pieces
of why that happens but as a first issue I was
like I don't I don't understand this it doesn't
necessarily have the same appeal as I was hoping
for but there are some good characters here I
think it ends on a strong no in the sense of
what what's coming next obvious comparisons to
something like the matrix because the procedure
very much looks like that but a little bit more
organic rather than technological but I don't
know I'm I'll we'll keep with this book I'll
keep moving forward again maybe There was something
there. I simply was not picking up but I liked
it. I didn't love it It wasn't really what I
was hoping for that doesn't necessarily mean
other people may not enjoy it So I like I said,
there's enough here to keep me going and I think
that ultimately my goal with most series is to
go at least three issues because Sometimes it
takes longer to tell stories like this because
this is a high concept. This is something that
you can't necessarily Explain within one issue.
So it's just really the first chapter I'll keep
going with it and I'll report back to see if
my enjoyment increases or maybe if my initial
apprehension was correct Speaking of books. I'm
keeping going with even though I didn't love
the first issue Cold War number two Brought to
us by the wonderful people over aftershock comics
who've been putting out a lot of great different
books with different publishing teams and the
reason I didn't love the first issue was Although
the concept had a lot of promise it was this
idea of people froze themselves for different
reasons and they hoped to wake up in a future
that got better but things actually got worse
and they found out that they've immediately been
drafted into this army and now they have to survive
among a lot of chaotic different creatures and
it seems like a world that's consistently at
war and it's it was An idea that I, you know,
I think we've seen obviously something like Demolition
Man comes to mind, but it's much different. The
thing that was hard for me was that comprehension
-wise when it comes to the art, it was lacking
in a lot of different ways. It was just hard
to follow what was on the page. A lot of the
character designs lacked a lot of detail, which
I'm fine with, but everyone... looked exactly
the same. They had the same helmet, same uniform,
so it was hard to differentiate people, and there
was a lot of people that you just met immediately.
You did have one major character that was this
ex -cop. And when the focus was on him, it worked.
But when it got off him, it was hard to really
grasp everything else. And I think that's similar
with this second issue. It gets better. There's
a different character that this focuses on. It's
an older woman who you would think would be one
of the first people to die, but she's actually
a huge badass. And we find out why we get her
origin or we find out her life before this occurred.
But again, everything else around that was a
little bit hard to follow. Same issues that I
had previously, like the art style I like. the
look of the art style for the most part. There's
a lot on the page and we switch perspectives
so much it's hard to keep things straight and
there's a lot going on and we get a sequence
where we get like this machine that they're wearing
shows them past memories which I like that moment
but overall when it's in present day it wasn't
working for me as well. I guess I just don't
know what's happening which is Ultimately what
you need for books to work is knowing the the
basic premise of things that are occurring It's
okay to have some mystery but when each page
or different pages lack a lot of comprehension
or there's just not enough detail to get you
to fully Understand what's occurring it can be
problematic and maybe that's the point behind
this. It's not always I think it's getting better
And I think I'll stick at least with one more
issue, but I just I don't know I ultimately I
find it a chore to get through which is not something
you want to say what the book it's just like
there's pieces here that work I love the backstory
that we get with this this woman and We see that
she's had a kind of a unique life and she becomes
like a mob enforcer in a way those pieces work
a lot so when it's working it's working really
well but when it's not working it is challenge
and the exact opposite what i want with a comic
book unfortunately so it's not one i necessarily
could recommend maybe by the third issue will
all click for me and again maybe there's something
i'm simply not picking up that i should be but
uh cold war number two is unfortunately not what
i was hoping for not the improvement i was looking
for for the second issue All right, let's move
over back to Marvel. We talked about Marvel with
Deadpool We're gonna have a little bit of a Marvel
block here with New Mutants number one dead souls
I should say written by Matthew Rosenberg who
has been doing a lot of great stuff for Marvel
So it had me excited for this book because I
am a fan of the New Mutants I'm glad to see them
getting another title I think it's very clear
that this was meant to kind of correspond with
a mute the movie that was supposed to be coming
out Because this time around the New Mutants
are this paranormal investigation team that I
think correlates with the Movie in how it was
supposed to be this horror film and I like that
idea though Even if the movie is not out even
if it's one that is a shameless plug for a Marvel
movie. Sometimes that can lead to a good comic.
I like the cast of characters. Magic, Strong
Guy, Wolfsbane, Richter, Boom Boom. You know,
if you're a new Mutants fan, X Factor fan, X
-Force fan, a lot of those characters are appearing
here. And the idea makes sense. It's like X -Files
with mutants. That's kind of cool. It starts
off strong where they go to this... Small town
that seems to be overrun by zombies but as the
story progressed I felt like it just made me
went a little bit too fast where we were going
from one thing to the next and I really wish
it made me stayed within that first story a little
bit longer because the how it's ended and the
kind of the Resolution was a little bit anti
-climactic. I will say but I do like this cast
of characters. I do like this overall premise
I think Matthew Rosenberg has a strong idea of
all the different voices for this group and It
takes this this group of characters that have
really not been used that much in the pages of
x -men comics and puts them together and puts
a Good team behind them. So I think this could
be something really great. I love how it ends
It seems like it's a almost like a stranger things
reference. It seems like we're getting a lot
of that recently, but If you are a fan of horror
books or you like paranormal investigation type
of things, this might actually work with you.
I was hoping it'd be a little bit stronger. It
wasn't maybe meeting my highest expectations
just because I've been liking so much about what
Matthew Rosenberg has been doing. But considering
how much X -Men are in need of some good X titles,
I think this is a good addition to that line.
It's probably the second best X -Men title right
now, which is more of a testament to the... current
state of the x -men books rather than the quality
of this series so yeah you can't win them all
but i'm at least getting having positive vibes
and i hope this maybe leads to an ongoing this
is only currently a mini so maybe if there's
enough success this ends up being something special
or without even the movie tie -in we can get
more of this and i like to see what matt rozenberg
can do with some of the other x -books he did
the phoenix miniseries as well. I'd like to see
them get an ongoing and really take over maybe
X -Men Blue or X -Men Gold or Uncanny X -Men.
I miss the fact that we actually don't have an
Uncanny X -Men title. Maybe that I'm changing.
We are getting a fresh start soon. Who knows,
but for now this works. So let's keep it going.
All right. Well, we had one Matthew Rosen book
for Marvel. Let's go to another with Punisher
222. The Punisher storyline with him having War
Machine's armor continues as he faces off against
an evil dictator and his army. I've been liking
this story a lot so far. It's been an enjoyable
romp just seeing the Punisher go to town on some
evil people. I don't know what that says about
me, but seeing the Punisher just annihilate some
evil military and corrupt politicians in a comic
book form just seems to scratch the right itch
at the moment in time. Who knows why that is,
but it seems to be working really quite well
and this seems like it's nearing its end. I will
say though that it is getting to the point where
this is getting somewhat tedious in the sense
of it's like playing a video game with the cheat
codes on where you feel like nothing bad can
happen to you. This does seem like it's nearing
its end though, because Frank Castle just goes
headstrong into an entire army and does what
you would expect Frank Castle to do. There are
some great facets to it. I love how he uses the
top of a tank in some fun ways. So that's a lot
of fun. I do think it ends in a point where it's
like, okay, well, it seems like this idea is
not gonna go on for much longer. It didn't overstay
its welcome too much. So that's a good thing
because it's guessing where it's gonna lead will
eventually be Punisher being the Punisher again.
I know there are some Punisher purists who thought
this. book maybe went a little bit too far or
wasn't true to the character. I can't speak to
that. I've read some Punisher. I'm not an aficionado
on the character, but when it comes to pure entertainment,
when it comes to enjoying a comic, this has been
consistent for me. This one was probably the
least enjoyable just because I felt like this
idea is going as far as it can. But I'm glad
to see Matthew Rosenberg on this title. And I
really hope we get to something next in the next
arc or where he takes it where now I want to
see Frank Castle just being Frank Castle again.
I like this idea, but eventually, you know, when
you're reading a Punisher book, you do want to
see the Punisher get to that point. So I want
to see, you know, how did the repercussions of
everything he's doing here play out moving forward,
especially, you know, pissing off Nick Fury.
He doesn't necessarily lead to good things in
most cases. Speaking of pissing off people, Doctor
Strange, it's almost his superpower. Doctor Strange
and his Damnation storyline continues. What we're
having is we have the normal Doctor Strange title
and also the Damnation title and there's two
stories happening concurrently where we get one
piece of things happening and last issue of the
Damnation story, Wong went around to construct
a team that... could go off and fight against
Mephisto, where this Doctor Strange is showing
the other half, showing us how Doctor Strange
ended up becoming what he did at the end of that
book. So it's a little weird taking one step
forward and going one step back at the beginning.
I thought it would get a little bit annoying,
but I feel like they do compliment each other
really well. Where things aren't getting overly
redundant, they tend to sum up each issue with
within one page which is good but I would say
like I just don't understand why they didn't
just have one continuous series or just make
this all into one arc like why they're doing
it the way they're doing it I don't know what
that benefits really except for having two different
titles but it doesn't seem like it's necessary
to to splinter them off so much when this is
just one general book Ultimately though, like
that's really semantics or that's just not as
important when it comes to the quality of the
story. And I just really like this story, Mephisto
becoming this mob boss, but here it's really
about strange and seeing him interact with a
lot of different characters. A surprise character
from his past shows up, along with some people
he's not truly fond of. but they're there to
help and I just like this idea. I love where
the voice that they're really crafting for the
character of Doctor Strange, he can be somewhat
formless. People don't necessarily know how to
write him at times and they tend to like overdo
his intellect or make him so much into the mysticism
where you don't feel like he's an actual person.
This I think has him have this sort of arrogance
to him. with a sly sense of humor, but it's not
like he's Tony Stark. He doesn't feel like he
is trying to be someone else. So I think he is
becoming his own character in a lot of ways.
There have not been a lot of great Doctor Strange
runs in until really recent memory. Jason Aaron
took the series and was doing great with it.
And now Donny Cates and Nick Spencer have come
have kind of continued it moving forward. And
I just I'm really looking forward to where this
goes next. I did the idea of Hell on Earth and
just I love what I love about Strange as a Character
is how he tends to take a lot of chances and
sometimes they work and sometimes they don't.
Sometimes they'll save the world and sometimes
they'll bring hell on earth and we're seeing
that here last story. He saved the world and
here you know hell on earth is literally happening
as Mephisto is taking over Vegas so maybe he
improved it who knows. So I love this book. This
is not really an issue you can jump in if you
have not read the other series so far because
so much of this like I said is built upon these
two books going back and forth but It's a lot
of fun, great art too. It looks gorgeous and
I'm really looking forward to where this goes.
I think it's nearly wrapping up. I think there's
probably only a few more issues. Sad to see Donny
Cage leave this title. I know Mark Wade will
be taking it over soon. For now though, I'm just
going to enjoy this for what it is. Alright,
I talked about how we're in the lack of great
X -Men titles, which brings me to Astonishing
X -Men Number 9. And I'm not going to say this
is an awful book, but I thought it started off
really strong or at least had Potential of being
okay. This is finally the X -Men book I've been
hoping for but I found a lot of the story choices
questionable at best But what I think is mostly
lacking from this book is the team itself feels
like there's no Cohesion here not in the sense
that they need to always get along or feel like
a team But their interactions aren't there what
I love about my X -Men titles or are the characters
and how they relate to one another Here everyone
feels so splintered and you know, I'd love the
idea Bishop and Gambit on the team, but I feel
like they don't even realize they're on the same
team as the story's been progressing. This idea
of Mr. X or how they're utilizing Charles Xavier,
I feel like it should be more important the idea
that we would have Charles Xavier back in the
fold in any form, but it doesn't feel important.
It doesn't seem like the story feels like it's
important. The other piece, the Prometheus piece
of the story, that element, I actually... do
like. It's weird where I'd rather the book focus
on the villain than the heroes of the X -Men
characters, and I'm picking up an X -Men book,
but Char -Soul is just not writing them in a
captivating way, or utilizing their dynamic as
a team in a way you would want an X -Men book
to be executed, where everyone has their space,
everyone feels like they're their own character,
and they use their differences to construct some
interesting dilemmas or relationships where this
has all been really pure action from get -go,
and with that, it doesn't really slow down to
let these characters converse with one another.
So we just keep moving from one thing to the
next, which at least keeps the pacing moving,
but when it comes to building the characters,
even though these characters have been around
for a while, still every X -Men book has a different...
idea when it comes to how the team comes together
or how the team executes on on the on the field
or on the playing field or Just as people and
that piece is missing for me So it doesn't have
me coming back like I don't feel like I get excited
as I should for a book like this nature You know,
they've had some amazing artists on the series
I like to our soul as a writer But the X -Men
are a unique set of characters that not everyone
can write like I love Jeff Lemire But when he
was writing X -Men, it just didn't work or something
about them, you have to kind of embrace the ridiculousness
in a way that doesn't shy away from how odd and
how just broken they are, but at the same time,
not allow the craziness to overtake your book.
It's a hard dilemma. Like when you go... back
and read Chris Claremont's book it's very soap
opera like in a way and that tends to actually
work best for these characters you know we have
a lot of relationships I mean the infamous love
triangle of Wolverine and Cyclops and Jean Grey
but that's a lot of what people remember regarding
the series and I think with this having no type
of interplay with the characters you don't get
what you want with an X -Men title so I don't
know if this is going to survive the refresh
but ultimately it's one of the other X -Men titles
that just is mediocre at best. All right. Well,
let's go away from Marvel and head over to the
land of DC with Hal Jordan and the Green Lantern
Corps number 40. And man, am I loving this story
arc, this idea of the Green Lanterns and Zod
and his family going toe -to -toe, head -to -head.
And here we see Kyle Rayner with the other Green
Lanterns who've rebelled against the Guardians,
facing off with one another. And this is full
of some fantastic art, some great action, but
also some great character moments. what we see
here is that Kyle Rayner actually has the ring
that Hal Jordan forged himself and is giving
him a type of attitude, a type of feeling that
is different from him as a character. He has
much more willpower than ever before. And what
we're seeing is these two teams face off against
one another. And what I love about this is that
There is some legitimacy in the gripes that Zod
is bringing up as a character. Like, he's making
points that, hey, you were not there for me and
my family and my planet. You failed us and we're
just trying to survive here. It's the Green Lanterns
are in a way in the wrong somewhat because, you
know, they're not necessarily going out and destroying
another world. They are ruling this world and
they're being treated as gods by these people.
These people want them there or perhaps they
think they want them there. That's the question,
but Obviously, it's still Zod, and he still has
some evil scheme behind this all. There's some
also great moments with Guy Gardner and the One
Punch gag that always is brought up here and
there, but I just think this is a lot of fun.
The art is phenomenal. It has the colors that
you want within a Green Lantern book, like the
greens pop off the screen. It just looks amazing.
I've been liking a lot of what DC has been doing
since Rebirth. This series started off strong.
But I think it's up there with the best books
DC is putting out week in and week out. This
storyline in particular is probably the best
the series has had thus far. It's just the idea
of them going against a villain that is not in
their normal repertoire makes it a lot more fun.
It's not like they're fighting another colored
lantern. It's them going against Zod in a powerful
Zod nonetheless. So I love this series. It's
been really a lot of fun. I cannot recommend
it more. Alright, let's keep it in DC but go
to their new age of heroes with sideways number
two I actually caught up with both of these issues
this week and I'm liking what this series is
doing the obvious allegory would of course be
that of spiderman where you have this young kid
get these different powers and he's dealing with
that high school life and of course keeping everything
secret from his friends and family for the most
part and This power though is different in the
sense of he's not having the ability to swing
or web swing but rather he can teleport and basically
create these rifts to travel to different places
and he's still kind of learning his power along
the way. Last issue ended up with this massive
being showing up saying that he is breaking the
laws of physics and must be punished and this
continues that moving forward. I was kind of
disappointed in the way that that resolved itself
rather quickly. Well, it resolved itself somewhat
as there's clearly much more to be told there.
It's building into something more. I thought
that would be, you know, the focus of this issue,
but it really isn't. I do like the fact that
this is a book that we see in a character of
this nature actually get injured there are some
repercussions from him making bad choices it
does feel like there are a lot of obvious choices
that they're making to try to make this today's
youth of course he has a youtube channel of course
he he is you know videoing goproing everything
he's doing i mean it makes sense if you're having
a character of this nature in today's world in
today's society we still don't know fully how
we got to this point it's coming off of the heels
of metal which we have not fully read yet So
that's always a problem, but it doesn't necessarily
matter We know he's getting secret powers because
of something that happened there and he's learning
how to deal with them But it's a very very familiar
setup in a way. It's not rewriting the book It
seems to be what they're doing with these characters
like like with damage She was a whole clone or
is highly related to that of spider -man I hope
it does break away from that a little bit more
where it where it can still forge his own identity
and not kind of rely on that comparison. But
at least the power in the character doesn't necessarily
feel like Peter Parker. He's not, you know, a
clone in that nature where he doesn't have exactly
the same setup. We also see that they are attempting
to build the rogue's cavalry for this sideways
character already. We're getting another villain
or another counterpart to that of sideways. And
that did seem like a little bit of a forced storytelling
moment where you have a hero and a villain Somehow
end up at the same time at the same place, but
that is comic book logic. You'll have that here
and there So I like this book. The art is fantastic
I know the big thing with these new age of heroes
books is it's supposed to make artists matter
the art does look gorgeous and a lot of the layouts
how it uses the powers and how a lot of the full
page spreads work for this type of story and
I Enjoyed those moments the most so I like this
I think It's probably one of the better new Age
of Heroes. Really the only one I have apprehension
towards is damage, which feels like it has not
formed its own story yet. Maybe issue three will
be better, but silencer. The terrific first issue
was okay. This has potential to be really good,
too. I don't know how long these characters are
going to last. They do feel like they'll be a
flash in the pan and eventually go away because
we have so many of these things happening. DC
has a lot of things going on with other imprints.
So do these characters get lost in the shuffle?
That's a possibility. but I at least appreciate
the attempt to create new characters because
it's something that's so hard to do in comics
to put an effort towards exactly that. Maybe
they work, maybe they don't, but so far so good,
so. Okay, let's leave the world of DC and go
to the world of Boom Studios and to one of my
favorite series from last year that is nearing
its end with Grass King's number 13 Matt Kent's
story about this Kingdom that existing in a small
town. It's just full people trying to get away
from the world But the world does not want to
get away from them and now everything is really
coming to a head the police and the grass kingdom
are facing off against one another. And I can't
help but read this and think back to things like
Waco or situations like that. Now, the difference
here is that the people of grass kingdom are
not a cult. They're not evil. Maybe some of them
have some moral quandaries that are less than
ideal. And maybe they do have some past that
they would rather forget. But these are not people
I think that are actively looking to do harm
or hide the various actions. They're just people
looking to get away. and maybe some of the things
I do are questionable, but it's really an explosive
issue. This is a book not full of action. It's
been mostly a character drama with some bits
here and there, but this was a full -on action
issue, which made those ones stand out so much
more in a way. Helicopters, getting involved,
it was really intense. I was not expecting that.
I thought this would be more of a slow build.
I didn't expect it really just to go deep in
as much as it did. We do get more background
with the serial killer that seems to be... going
around town and maybe in grass kingdom may not
and you see this conflict within grass kingdom
itself as they are trying not to be the aggressors
in one hand but some of them other people don't
feel that way so i just really love this book
it's a it reminds me of something like brig's
land or this idea of of characters trying to
find themselves in a world that they just don't
understand it doesn't understand them and each
issue is given a lot of background from different
characters it's something like scalped or Southern
Bastards comes to mind as well where there are
not a lot of heroes here, but you do have a lot
of dynamic characters that have Different motivations
and you really don't have one specific person
to overly root for because everyone has that
has their problems But certainly it's just a
captivating story and I think it's one of the
most underappreciated titles currently going
today I don't know why it's again again art style
that may not work for everyone almost watercolor
ask So that might turn some people off, but I
thought the characters themselves. I love the
design a lot of great beards It has a very 70s
aesthetic to it And I would again recommend this
and I would not recommend starting with issue
13 because this will not make sense whatsoever
But go back and read the first few issues and
this is it's nearing its end So you can probably
buy and trade and only a few months or so So
it's a great series sad to see its end But it's
been one of Booms best books and last year was
one of my favorite titles It'll probably be up
there again this year as well Another series
that is coming to an end is Judas by Booms Studios
as well written by Jeff Loveless and art by Jacob
Babelka. I apologize again if I am saying that
incorrectly but man this series again talking
about surprises this was another big surprise
for me I I didn't know what to expect with this
the idea of doing a Judas book and when when
religion is tackled in comics it's not necessarily
done in a way that is building upon the messages
within the text that it is talking about it's
often deconstructing those ideas showing kind
of problems or playing them out in a way that
makes you look at some of those passages differently
or in some cases goes to the extremes and does
things that are against many of the ideas that
they're based off of thinking something like
hot damn for example by idw which is this book
about hell and it is very outlandish and some
probably may say sacrilegious or something like
lucifer where they're not necessarily books that
about theology really they use obviously pieces
of that but it's more about taking that and trying
to force it into a real world not necessarily
looking at the text of the Bible or what have
you and teaching it or trying to see how it placates
in a different type of story where Judas is much
different it's something I don't think I've ever
read anything like this in the pages of a comic
before it's not a biblical story but it has a
biblical message but not in a way that you feel
like you're being preach to like I think a Christian
that is devout could read this or an atheist
that despises religion could read this for the
most part if both are at least somewhat open
-minded and get something out of it maybe those
what they get out of it is vastly different but
I think ultimately though they would walk away
from respecting the title as someone that finds
themselves in between that I just thought it
was a fascinating story and very moving by the
end of it it's just again I like Seeing something
like this exists. I don't know how boom this
out or why they put us out It doesn't seem like
something that would fit into their normal mode
but they do take a lot of chances and this book
it was something very different and how it kind
of looks into the idea of forgiveness looks into
that story of Jesus and Judas in a way that is
in line with the biblical text the biblical story,
but also expands upon it looks into you know,
what exactly is saying here what what is really
being done and even using actual scripture to
build much of its story, but not in a way that
feels offhand. It just, it increases it. It provides
almost more meaning if that's, again, I apologize
if that's sacrilegious, but providing more meaning
within this text. So I highly recommend this
series, like I said, if you're someone who can't
stand anything religion or you have a very specific
way you feel like religion should be handled.
Maybe that would bug you, but it's also a gorgeous
looking book as well. It's four issues. It just
ended. I think this is the definitive end. So
I don't see more coming. It should be coming
out in trade shortly and usually boom trades
aren't too expensive. So if you're looking for
something that takes the medium of comics and
tells a story that is not superheroes, not, you
know, this will be in futures. This is it. All
right, well that's it for boom studios for this
week We're gonna head over to the world of image
as image has a new number one series again this
week last week They had some huge titles with
oblivion song and Gideon falls Infidel may not
have the name recognition of those titles. This
isn't a Jeff Lemire series This isn't a Robin
Kirkman series, but I have to say Quality wise
it's an argument of being right up there with
them and hopefully that will Hold some weight
as well and that more people will get behind
this book because it's one that I think has potential
of being something special The premise is you
have a Muslim family, although their grandmother
is not Muslim and somewhat against them practicing
and but she does it in more subtle ways at least
we see in this book and they're living in this
town just trying to go along with their lives
and generally much of it is set up as that is
the major dilemma there are some horror elements
that creep in here and there especially from
the opening and we come to find out that they
actually reside in a building That had a mass
murder or a bomb went off within within that
location And because of that many have moved
out and many don't reside in there anymore But
you have a few families including this family
or a few people still are staying there Though
it seems some things may be lingering well beyond
or from beyond the grave as they say Overall,
it just has a creepy vibe to it. It has a good
setup. The characters seem interesting the characters
at least have a dynamic that is it. complex outside
of the horror element, which I think only adds
to that element where you can care about these
characters and feel like there is drama here
without the horror stuff with it. It also just
the art has a good look to it. It's unique. It
has a sense of realism, but there's a lot of
heavy shading, but it's not too dark and bleak.
So I'm liking what I'm seeing. A lot of great
imagery overall, and there's some imagery of
certain Monsters and ghouls or what have you
it's or ghosts perhaps, but it's very different.
It's not like the same type of Imagery we tend
to get over and over again. So not much sheer
story wise It's clearly a major setups just kind
of showcasing where exactly this will be going
But I'm liking where that's heading like is it
going to be the level of Gideon Falls? No, I
think those are two of the best people at their
game doing a great comic But this is really solid.
I enjoy this a lot if you're a horror fan You
could do much worse than this, believe me. Let's
go to another book that is sadly overlooked and
maybe because it is based upon a series that
existed in the 90s but is still going and that's
Matt Kent's Mage the Hero Denied issue number
seven. This series is actually my first experience
with the Mage books and I was hesitant to start
them because knowing it's been around for some
time and maybe that's why a lot of people aren't
reading them as well. They keep jumping in to
this. so many years later could you can understand
and follow everything that's going on and I'm
here to say that yeah you can I like I said I
I've never read another mage series but from
the beginning I get I've never felt lost, everything's
been explained enough, and it does feel like
this is the beginning of a new story. And yes,
there are elements of past stories that are lying
within here, but it doesn't feel like they're
necessary that you know them. In fact, this almost
could be its own thing. If this was the only
mage series to ever exist, I still think it would
just be as effective storytelling wise. This
is issue number seven, and things are starting
to get a little bit more real. As they say, the
quest is beginning as... Kevin Maschick is continuing
his search for the Fisher King while his wife
and kid are off in danger without his knowledge
and without their knowledge in some ways. And
what I love about this book, for those who don't
know, Kevin, his main power is the fact that
anything he grabs he can make into Excalibur.
He's a mage. He has magical powers. He's married
to a witch. They live in a fantastical world
and the other piece is that this feels like a
90s comic in a good way It has that old indie
style Similar to that of Mad Men back in the
90s where it doesn't feel like they're modernizing
things unnecessarily It has a good nostalgic
feel even though I don't have nostalgia for this
property But I like the characters and just the
idea of that aging superhero or the aging character
trying to get back in the game or trying to relive
his old days or Balanced the life of family with
the life of what he was in his youth for some
reason that that Retains to me that relates to
me. Maybe that's a sign of more things than I
like to admit But I've been enjoying this book
so far. It seems like at the end of this things
are getting a little bit more intense You know,
you could probably pick up this book and get
enough and see if you would enjoy it without
Reading the previous issues if you do I'd also
just say take a look at the art because it might
be a style like I said that for me I enjoy others
may feel like it feels too dated and isn't right
for today's world or what have you but I think
it's fitting on the story and something of a
departure from normal comics and sometimes that
can work and I feel like it's working here. Today's
theme seems to be underappreciated comics and
that theme continues with slots number six which
I think is the most underappreciated comic on
the stand today. I think this is one of the best
comics consistently since it has come out but
no one really is talking about it. No one is
mentioning it. It's not selling well even for
an image book. It's not selling well and I don't
know why that is. Dan Pazezian is a pretty...
well -established, well -respected comic book
artist. And he doesn't do a lot, but when he
does things, it usually is high quality. Maybe
people have forgotten his name, unfortunately.
And it is somewhat of a throwback type of storytelling,
throwback characters that maybe don't work for
someone today. It's also just straight drama
for the most part, though somewhat of a sports
movie, oddly enough. You know, there's no monsters
here. There's no magic. There's no fantasy. These
are just human characters dealing with human
- drama in a crazy world of Vegas and unlike
you know the Dr. Strange's damnation story. This
isn't a hell on earth, but we do see some characters
that you think are on their way there, for sure.
And it's full of despicable characters who don't
do great things. They're all super flawed. You
know, the main character is trying to reestablish
relationship with his song, and he tends to do
things the wrong way and ends up getting the
right result, no matter he locks himself into
things or he trips over himself, yet somehow
doesn't fully fall. And that has been portrayed
here. I just love the world it's been building
since the beginning. The art has always been
gorgeous. It looks fantastic. So much is going
on on the page, from the acting, from the staging
to just the locations. They feel real. They don't
feel like the typical Vegas. It's like Vegas
during the daytime, which in itself just feels
dirty looking at it. It has a grungy look. If
you took this and you looked at it, you're like,
oh, that's got to be Reno, right? Because it
looks so dungy and not as... Romanticized as
Vegas tends to be but this is I think more of
the old -school Vegas thinking like 70s era Whereas
like run by the mom though This is mostly taking
present in present day and in the backdrop you
have a lot of this boxing story going on But
it's not really a boxing movie or boxing boxing
comic. I should say it's not It's just a piece
of the puzzle as the father and son are trying
to relate with one another, and if anything,
an allegorical comparison to the way they are
as people where he's a boxer, his son is an MMA
fighter, and they don't necessarily get along
for a lot of different reasons. I'm not going
to spoil it, but there was a great moment in
this which involved the sports montage and the
outcome of it was worth the entire thing. I just
feel like it does wrap up rather Quickly and
there's not many loose threads or any story elements
that didn't come to their natural conclusion.
Just seems like it kind of hit fast forward in
the last bit. I don't know if there will be more.
This seems like it should be the last issue.
It could continue though if it really wanted
to, depending on how things go. But I do like
how it doesn't have easy answers to all the problems.
It doesn't, nothing, not out, not everything
is solved by the end in a good way. So I would
highly recommend once this is out in trade, which
should be shortly, there's only six issues as
well. So I don't think trade should cost too
much, but it's a gorgeous book, and it's something
that shows you how old -school storytelling can
still exist in comics today, so highly recommend
this as well, and probably will go down for me
as one of the best series of this year when everything's
said and done. All right, we go to one of the...
best series to one series that just continues
to disappoint me unfortunately and that's verse
number two the first issue of verse which is
harder to say than i thought it would be was
a book that looked gorgeous but had a story that
was so flat and hollow and offered not much of
anything. I was hoping that the second story
would give me more. It did give me more but not
nearly enough. I walk away from this still feeling
like the biggest thing that is missing from this
book is character. I don't feel like I have a
character I have yet to really care about or
really know much about. This at least gave us
more information about this world this takes
place in. It is chaotic. It seems like it's really
at its last legs. almost 1984 asked what the
type of control people have and these War games
you if you want to call them that or use almost
like a distraction or some almost like a currency
in order to get other things accomplished Really?
It's not necessarily a war to end Conflict it's
a war it for entertainment purposes And we've
seen things like that in the past which is fine.
But again, I think the problem is I don't really
care about many of the characters Everyone seems
very stereotypical that the main character is
like this kick -ass take no prisoners sergeant
Although the way this ends, it's like, okay,
maybe that was just purposely setting things
up in order to make this character into something
you wouldn't expect because by the end, he's
not who he was in the first issue. So that's
the benefit of the third issue, which I think
I'll still keep going with it because. It could
turn things around and really expand upon that
character make them make him into something That
makes this book worthwhile and at least lives
up to the art though This book didn't this issue
didn't look as stoic as the first issue. The
first issue just had this gladiator gladiator
quality to it this one didn't part of it because
you had actually gladiators with the crazy helmets
and stuff like that this one more futuristic
tack with without that so I'm hoping we get more
cool costumes which is I know kind of petty but
I did like that in the first issue still these
are Rupert's art still great to look at don't
get me wrong it I think there's not a stage here
for really to elaborate more on what happened
with the first book. And ultimately, even when
the art is working at all cylinders, the story
that's there doesn't come close to it. It's sad,
actually, to see a book which looks so gorgeous
and has good texture to it within the art not
have much when it comes to story. It ends up
just being a planned, generic type of book that
doesn't give you much outside of a familiar concept
executed. poorly. So yeah, this has to go down
as one of the more disappointing series. I loved
the previews of it. I thought this could be another
great image book that would be a huge hit for
them. But so far, not much here. Again, by third
issue, if this doesn't improve, I think this
is a book that is worth dropping. A book that's
definitely not worth dropping is that of Deadly
Class, and Day Class 32 has come out, and man,
I love this series. This series holds a special
place with me, similar to that of East to West
that I talked about last week. Both of those
opened the doors for me to new books and are
really responsible for me doing a podcast like
this. one of the people that would go to superhero
books first. East to West and Deadly Class just
opened the doors and I'm like, oh man, if there
are more books like this, I'll be Happy Camper.
I don't know if there's more books like Deadly
Class, I don't think there is, but this book
is still getting better and better 32 issues
in. It's now, things go crazy in this issue.
And what's great about this book is that it ends
up being this major love letter homage to Frank
Miller, especially in the 1980s. Both directly
and indirectly it's literally set in the pages
and the art of course Wesley Gregg's art has
a lot of homages especially to the Daredevil
run of Frank Miller and how did they utilize
the hand? It's very much similar to this book
but there's a lot going on a lot of chaos in
this issue as all these different threads are
coming together and really a lot of violence
in this book as people some people are taken
out in some brutal ways and I feel like it's
only the beginning as we come to what feels like
another conclusion but who knows what I love
about this book too is that not too recently
it added a bunch of new characters More than
halfway through the series and that's usually
a death knell trying to refigure a book add a
new characters Usually that's a sign that okay.
Well, this is not going well with those new characters
I think I like more than the original characters
in a lot of ways, but Seeing them all interact
now with issue 35, it just all seems to make
sense and I'm really loving this book. Wesley
Quegg's aesthetic is something that I will never
tire of. He can draw violence like no one else.
This has that 80s feel without feeling like dated
or out of place. So I highly recommend this book.
Do not start here if you never read an issue
of Deadly Class because nothing will make sense.
It's a story that's been building for years.
By the first rate, I think you can probably get
it for 10 bucks as most image first trades are
see if you like it if you don't love the first
trade I say hold on though because it gets better
as I mentioned it gets better and better and
these characters have really got into something
much more deeper than I anticipated and the more
it's gotten away from like the classroom setup
I think it's it's only improved Don't know how
many issues is left in the series I try not to
know because I feel like when you know the end
point in a way it can impact the way you're reading
a story because I know this is the last issue
or I know there's ten more issues when certain
things happen it almost takes me out of the book
not because of the series fault but it's like
when you're watching a TV show and you think
oh they have the killer but you look and see
oh there's 30 minutes left so this can't be the
killer because how else are they gonna fill this
30 minutes similar with that with comics with
superhero comics don't have that problem because
they're gonna keep going no matter what happens
with a book like this if I know 38 is the end
issue I think it could impact my knowledge of
it so that's really just my excuse if you're
wondering why I don't know when a book ends because
I really don't want to know let's go back to
Marvel and go into their Star Wars titles starting
first with Star Wars Darth Vader number third
I was against them doing another Darth Vader
series. I thought the first Darth Vader series
ended at a good note. There really wasn't much
more to expand upon. And what I liked about that
series is that Darth Vader was used sparingly
and really represented how much of a badass he
is. This goes back even earlier. This is a prequel,
but a sequel to the prequels because it happens
in between. Revenge of the Sith, but before New
Hope, as Darth Vader is establishing himself
as Darth Vader. And that actually is a great
idea when you think about it, because we know
Darth Vader, we know who he is. When we see Darth
Vader, he's already established as the biggest
badass in the galaxy. But how did he get that
way? How did people start respecting him? It's
not just because he showed up next to the Emperor
in this black... cape and helmet and people like
well that's a dude i need to respect he had to
earn it and we're seeing him do that with this
goes to the planet that ammo akmar is from which
ironically is also the planet that they're currently
in in the star wars series right now so i don't
know if that's on purpose if they're going to
correlate with each other storytelling wise or
happening in two different timelines so i don't
think so there might be pieces here that have
picked up but I'm liking this a lot more. Darth
Vader has visited the planet because it's not
behaving like it should. And there's rumors that
there is a possible Jedi that is helping them,
helping this planet out. And he's there to stop
that because it seems like his goal is to go
around and killing any of the remaining Jedi.
And I like this. This is, again, this is a stepping
stone issue. It's the end of the last arc just
ended, beginning of the first arc. Not a lot
happens here, but enough to get us ready for
the next issue. I like the surprise. It has me
wondering who exactly will Darth Vader be facing
off against? Is it someone we know? Is it a new
character? I don't know. This has been a more
later series than the previous one. More action
-based, not as heavy storytelling -wise. Which
makes sense because Darth Vader is the only real
major character in this outside of the Emperor,
where that Darth Vader series had Dr. Alphra,
who now has her own book. This has been just
Darth Vader for now, so I don't think you want
to have too much dialogue or too much drama because
Darth Vader is not designed to be this multi
-layered character. He's meant to be the most
evil person in the world, and that's okay. I
do love the opening though, and this series has
a callback to the ending. of Revenge of the Sith
and it's really phenomenal to look at and I think
a good parallel to what's happening here. So
I really like this book. I think it's one of
the better Star Wars books that are out right
now. Not loving the current Star Wars title as
much as I would like to, but this has really
whetted the appetite for more Star Wars books.
So this is probably the one I would recommend
out of all the ones that Marvel is putting out
right now. Another book I would love to recommend,
but I don't think I can is Star Wars Thrawn number
two I like the first issue well enough. I should
say I never read Thrawn novels from the 1990s
or whenever they were released and now they're
taking that character and putting him into the
comics and I know people were upset because the
Marvel Universe or the Star Wars universe said
all the extended universe stuff doesn't really
exist. We're doing it all over again But they
seem to be taking this wrong story and actually
keeping that piece of it, which is fine I think
I'm not a person who cares about that stuff on
all honesty continuity extending universes. I
don't really care tell me a great story I don't
care if it's continuity or not all that matters
to me is that I enjoy the book or enjoy the story
that you're telling with that said I think the
problem with this and it seems to be a direct
adaptation from that novel is that there is not
enough adapting going on you see this a lot with
people who write novels and come over to comics
they just don't understand the medium as well
as they think they should and they don't realize
that comics are a visual medium first and There's
a reason why that you need to allow the pictures
to tell the story. This is so bogged down with
so much unnecessary dialogue where everything
is being overly explained and it doesn't feel
like a story that's suited for a comic. It is
simply dialogue based and it's not exciting dialogue
to be honest with you. If maybe you're a huge
Star Wars fan and love all these pieces, it's
just a lot of things being explained and Thrawn
could be an interesting character, but every
move he makes has to be laid out in such detail,
it's hard to really get invested in what's being
said. It's one piece of expository dialogue to
the next piece of expository dialogue and not
much exciting underneath and not much again happens
with this. The art is kind of drab as well. There's
not much really going on. Most of this is taking
place in the confines of inside a spaceship,
which is not what I love Star Wars. I love Star
Wars. Love the worlds. I love things outside
of those spaceships. So it's just hard to really
get through this book, at least this issue. And
I think, like I said, ultimately, you just need
to know when to let the art tell the story. You
need to know when less is more. And maybe you
don't need to do everything directly. I just
feel like this is a book that has the intention
is in the right place, but it's execution is
just off because it's not understanding or fully
grasping how this medium works and because of
that the story is not nearly working for a comic
as it probably would for a novel or what have
you so it's it's not awful but it's not nearly
as remarkable as I would hope as someone who's
never read a throng book. I don't walk away from
this thinking, wow, what a great character. I
walk away from this thinking, man, that dude
likes to talk about every little thing that exists
possibly. It's like a bad Bond villain, but not
as exciting, so. All right. Last book for today
with Vampirónica number one. Man, Archie is going
all out with these type of books. Last week we
talked about Jughead the hunger number three
that made Jughead into a werewolf and now Veronica's
a vampire. Which, you know what? I'm thinking
I'm liking this more than Jughead being a werewolf
at least. This for a first issue is just kind
of going into why Veronica is a vampire. We see
here appear and kick the ass of what seems like
a zombie or some sort of vampire emerge and we
see oh wow she has a different look to her is
she a daywalker or why is she having sharp teeth
and we see the backstory of that has some of
that Archie drama of course that love triangle
piece that has made Archie such an infamous and
notable series since I don't know the 50s but
By the end of it, things are a little bit different,
and we have a little bit more of a monster feel.
It's fun, it does what it needs to do to set
the stage and say, okay, this is what this story's
gonna be, this is how it's gonna be executed.
It's not as gory as some of the other Afterlife
with Archie or even Jughead, The Hunger. It's
more old school vampires, which is kinda cool,
which I think is in sync with this Archie universe.
So I'm liking that. So I like this book, it's
not one that is ultimately amazing or anything
like that, but for first issue, the ultimate
goal is okay, provide a premise that has promise,
provide characters you can get invested in and
do it in a way that shows that there is more
room for this story to be told. All those checkboxes
are hit here with this first issue. So I'm liking
it. I'm going to keep with it. And as the other
Archie series like Afterlife with Archie and
Sabrina are itching out to every six months to
seven years, it seems like. I'm glad we're getting
something in between that's enjoyable to read.
And Vampironica number one is a pass for me and
a recommend for me. So ending this week off on
a high note with another recommendation. Alright,
well, this is the end of this week's podcast
to give you a hands up of what's to come this
week I'll be sitting down with Greg Bepler of
my own talking in circles podcast or our own
back in the day Which I promise you will have
new episodes out shortly sometime soon. I promise
don't hold me to that It might happen. Maybe
won't it probably will I think it will maybe
we'll see but we'll be talking about one of the
best comics out today Another Jeff Lemire book
who knew it's almost like there's a theme going
with this the series and this could this podcast
so far. We'll be talking about Black Hammer.
I'm excited about that. We have other podcasts
down in the works as well. So there's a lot to
be excited about. Again, if you're enjoying what
you're hearing, if you're enjoying what I'm talking
about, please send some feedback. You can do
that by emailing at movieorbolt .com. Rate us
on iTunes. Rate us on whatever... podcast app
that you use, the more we subscribe, gets more
people out there, share on Facebook, you can
go to GeekCastReady .com. I also plan on putting
out some more articles each month. I'll be doing
my favorite comics of each month, along with
some more catching up with the classics where
I'll be looking at some classic books that I've
yet to read and reading them for the first time
and giving my thoughts on them and seeing if
they are worth the hype that they've been given
or at least if they hold up as well as I think
they should or people think they do. And that's
been a lot of fun. I've had a lot of those art
in off -site already from Zaga the Swamp Thing
to Sandman to Iron Man Doom Quest and the ones
I'm currently working on are Walt Simonson's
Thor and there's some other things in the works
that I didn't want to get into quite yet but
get excited because it's coming. But as always
remember that comics are for everyone, the key
is finding the right one. Thanks for listening
and we'll see you next time. Can't let...
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