Altered Geek
Open Source Adobe Clones & The Art of Waiting

About this Episode
We are officially twenty-five episodes away from the big 500 milestone! In Episode 475, host Steve "Megatron" Phillips and TFG1Mike kick off the march to 500 with a wild week of tech disruption, media shifts, and pop-culture retrospectives. First, we tackle the viral story shaking up the software industry: a solo developer using Claude AI to rebuild the entire Adobe Creative Suite in Rust—releasing it completely free while targeting 100% parity—before immediately following up with open-source replications of Microsoft Office (Excel, Word, PowerPoint) and setting sights on Autodesk.
In our top stories, we break down the rise of dynamic digital price tags in retail stores and their controversial surge-pricing features, look at The Roku Channel's major 2026 platform updates, and revisit the landmark performance of RJ Mitte as Walter White Jr. in Breaking Bad and its lasting impact on disability representation on television. Then, in our deep-dive topics, we react to Trevor Noah's viral commentary on whether Gen Z is killing the art of waiting.
What you’ll get out of this episode:
- A deep breakdown of the solo developer using Claude AI to replicate Adobe Creative Suite and Microsoft Office.
- Analysis of digital price tags and dynamic pricing trends hitting retail shelves.
- Retrospective look at RJ Mitte's disability representation in Breaking Bad and GCRN's Remote Control archive.
- Discussion on Trevor Noah's commentary on Gen Z, instant gratification, and millennial Blockbuster nostalgia.
Get Altered, Get Geeky, with the Altered Geeks!
Top Stories & Featured Links
- Software Disruption: Solo Developer Rebuilds Adobe Creative Suite & MS Office in Rust Using Claude AI
- Retail Tech: Digital Price Tags and Dynamic Pricing Hit Retail Store Shelves
- Representation Milestone: RJ Mitte's Walter White Jr. Performance & Disability Representation
- GCRN Archives: Remote Control: The Complete Breaking Bad Coverage (2017–2019)
- Streaming Platform Shifts: The Roku Channel Unveils Major 2026 UI and Content Updates
Hi, this is David Kaye, and you're listening
to Altered Geek. Geek. Geek. Geek. Hello, and
welcome to Altered Geek. I'm your host, Steve
Megatron, and joining me on this adventure into
geekdom is TFG1 Mike. Yay! Yeah, so it's not
been that long since the last episode. It's only
been a couple days as far as release. Like, it's
been a week since recording. So I will say this.
All of the screwing around I've been doing in
the back end of the site has been helping. Downloads
are up. Uploads are down. Damage to the site
is down. Things are starting to stabilize, starting
to pull through. I will say it's funny because
ATTF is still the number one show. When is ATTF
not going to be the number one show? I mean,
come on. It's what the site runs on. Oh, I know.
Well, Massachusetts runs on ToonCast. Cinema
Geeks is number two. Yay, Cinema Geeks. It's
funny that ATTF is tied with ToonCast. ToonCast,
I don't think, has had an episode in like, I
don't know, a couple of years now. I don't remember
outside of the Dan Gilvezan interview. No, Dan
Gilvezan wasn't syndicated to ToonCast. I got
to remember when the last ToonCast episode was.
God, it's been so damn long. There are plans
to bring back ToonCast now that you mentioned
ToonCast. I've had this plan for years now. It
was originally called the After Toons era. plan
has been going on for at least a decade uh but
uh but yeah no the uh the current plan optimist
kind of fashion oh the meskimen interview that's
the meskimen interview was the most recent episode
back on september 6th of this year before that
it was 2024 we did the michael hirsch interview
and that was cool Yep, we did the Batman animated
series because we did that. But Optimus and I
is an Ultra Geek exclusive because I don't think
I've mentioned this anywhere outside of the stuff
that Optimus and I have talked about off air.
Flintstone Fridays and Space Age Saturdays. We're
going back to the 50s and 60s. Well, the 60s
and the 50s and the 60s. Yeah. Flintstones and
the Jetsons. We're going old school. So it's
going to be a lot of pre -production on that
before anyone hears any episodes. There's nothing
wrong with that. Nope. Nothing wrong with that.
But yeah, so I'm working on all kinds of crap.
When am I not working on crap? Exactly. When
are we not working on stuff? Between the site,
between different technology stuff I've been
playing around with. This year, like, I don't
know, like, since probably last year where I,
you know, I wrote a podcasting book. I've gotten
on more podcast interviews. I've been working
on things to try and better our network. There's
been a lot of stuff that, you know, with the
advent of AI and as it's gotten better, like,
I started out using, like, ChatGPT and Copilot
because I was like, I don't know how these things
work. And I started out with little stuff, you
know, like rewrite the show descriptions or,
you know, what can we do for this and that and
the other thing. And so it went beyond that.
And I discovered that ChatGPT was terrible for
coding. Yeah. It took me way too much effort
and work. And it would forget halfway through
the conversation, even on a paid account. And
so I was like, all right, screw this. And so
I started using Claude, which has been wonderful.
That's what half the site plugins have been built
with, with my meticulous, annoying... Basically,
if I had a team of developers and Claude was
it, I would be the annoying client that knows
exactly what he wants and spells it out in every
little dynamic and every little feature. And
as I'm working through things, I discover areas
of gaps that we've had over the years or things
that would have been helpful years ago. Again,
this kind of ties into our first story of the
night of getting tired of subscription services,
which subscriptions have been, let's face it,
people have been fatiguing on that for quite
some time. Not just in the sense of like, I feel
like people tolerate streaming because it's like
cable, like they just kind of tolerate cable.
I feel like with software. I feel like that's
where people really draw the line. Like people
do not like paying for software. And I think
the reason, I think the reason for that being
is software used to be, you used to go into insert
store name here, whatever circuit city best buy,
whatever used to be, you used to be able to go
into insert store name here, buy the software,
buy the license to the software. When you purchase
said software. And you owned a license to the
software outright. You didn't have to worry about
paying for a monthly or yearly subscription to
said software. Which was, you know, fine. I mean,
like Windows, you still have to pay for, you
know, and I'm not begrudging to that. Like, it's
like how, well, one, how often do you have to
actually buy, you know, a Windows license? It's
usually based on the hardware in the computer.
But even then. I was able to take a Windows 7
copy that I bought years ago at Walmart and for,
you know, 120 bucks, which it's not gone down
in price at all. It's just the same price. I
was able to upgrade it along the years to Windows
10 and then to Windows 11. And then you just
have to reauthenticate with your Microsoft account
to reactivate that copy of Windows on your computer,
which, okay. there's still all the the the data
the telemetry the you know all the crap that
goes with it the surveillance that you know all
that garbage but i feel like people will tolerate
an operating system or you know something that
comes with a computer it's when and really this
is adobe's fault they started this yeah they
started it back in 2012 2013 they're like you
know let's go to all online make people pay a
subscription, and just do away with selling software
in the store, which at the time lost them a buttload
of money. Yep. They played the long game. A year
and a half later, because there was no upgrades
for anything, they sold the Creative Suite, which
they started right at the same time they decided
to stop selling physical, which Sony is going
through this now, and so is Microsoft. I mean,
they're all doing this game. Long story short,
they got everybody hooked to the point that it's
downright difficult to get rid of. And just from
my perspective of like working at the business
that I do without naming any information, we
had separate Adobe accounts for different departments
because we each use different stuff. And Adobe
caught wind of that. And they're like, so -and
-so is using Illustrator on two computers, which
was me. and my boss and you know so they want
to charge a separate license per machine even
though it's the same user oh no so so there's
that then there's also uh they wanted to consolidate
everyone at the place i work and put us all into
one account so it's one billing what they don't
tell you about that is is the individual pricing
is cheaper than if they bundle it as a business
account Because they charge you an extra $200
a year per person for a business account to be
all consolidated on one bill. And I was running
the math while they were on the phone call. So
I was like, oh, this is some bogus crap. And
so I started looking into all, you know, open
source. And I was looking at, you know, because
Audacity has been bought by some company now.
It's like Muse Hub. And don't get me wrong. They've
given it a massive overhaul, which it needed.
for years like it it has a dark mode now and
it has a lot of other features that it didn't
used to have and integrations however uh in doing
so it's still open source but it's riddled with
uh telemetry and ads for other products that
muse hub sells and there's another company uh
that because it was open source they it's called
forking It's a funny name. So anyways, there's
different versions. And so there's like Ocean
Audio. There's like Tenacity, which Tenacity
is the open source fork of Audacity designed
to remove the telemetry and extra bloat, which
is the original Audacity. So they took a fork
of it before it was bought out and renamed it
slightly. So it's essentially the same thing.
And Wavacity is the same thing. It's a web -based
version. And then, you know, there's, of course,
like GarageBand, Reaper, and all these other
ones. Reaper, from what I gather, is probably
the closest to an Adobe audition. Gotcha. And
so I've been actively looking. And I say that
because Windows is starting to go to this realm
that I'm not willing to follow. Yeah. Eventually,
they're going to go to the point where... Like
I've heard with Windows 12, it's going to be
so hardcore integrated with AI. And don't get
me wrong, like AI matters to some degree. But
even after reading the book that Vincent wrote
that I interviewed him on, I'm not so sure that's
a great idea. Like letting AI run everything.
Because people are already getting stupid. Like
more than they should be. Like idiocracy has
become less of a... sarcastic social commentary
to more of a documentary. But it took less than
500 years to get there. It took 20. And with
the advent of AI, it's making our children stupid.
Not to mention the fact that my generation was
the last one to go without having tablets or
Chromebooks in school and had to carry 50 pounds
of books in their back. actually had to comprehend
and read because when you read online you don't
really comprehend everything you do some but
it's not what it was so all of this to say i
was already looking at alternatives for things
because of the whole adobe dynamic and i played
with different softwares i used like avid which
has a adobe premiere alternative i tried using
gimp i tried using other services for a replacement
for illustrator uh the closest i came to that
was canva yeah which don't get me wrong i like
canva it's it's good for what it is but you also
have to pay for it it's a subscription but i
don't dislike it because i can do it from my
phone yeah um so that's like the only subscription
i like tolerate and i'm fine with but there's
really no replication of adobe audition is what
i've discovered and Long story short, we're getting
to that time period now with where everything
was feeding everybody's data, all their documents,
all their whatever that they generated through
AI was feeding the AI companies or the companies
like, you know, that have been all of them have
embedded it in everything. Like it's been embedded
for, you know, since the 50s to some degree.
It's just it was stupid AI back then. In the
90s, it was able to play chess. now it's able
to be like physically you know almost borderline
human with its emotions and you know or lack
you know pretend emotions and the way that it
interacts i mean they've had instances in the
last like two weeks where it's broken out of
its little cell where it's supposed to operate
in a little box and it's like no i'm gonna go
talk to this and then they all go together like
kind of like the borg and siphon off and do their
own thing so it it's Definitely something they're
going to have to regulate at some point or they're
going to, you know, it could very well be very
bad and we could end up. There was this TV show
called like Revolution or something like that
on Fox years ago where somebody basically let
a global EMP to kill all the computers because
the computers and the AI and all the data was
going to lead to something terrible. They went
essentially back to like the 1800s equivalent
of. everything yeah AI is bad for the environment
don't you know it is um and I'm guilty of using
it too but uh what this all spawned out of like
this whole conversation here because like I've
I've been again using it for a tool like not
a frivolous crap that some people use it for
uh what spawned this is there was an article
that came out Almost 10 days ago. Yeah. There's
a solo developer, which is now an entire team
of people doing this, that rebuilt the entire
Adobe Creative Suite minus some select applications
in Rust, which is another programming language
like C++. But it's supposed to be super lean
and fast. And he used Claude to do it. And he
released it free to all. targets like 100 % parity
in one month despite piracy claims and safety
warnings of this particular article. They say
that. What's funny is I've downloaded all these
apps. I've played with them. I've tried them
out. Just general curiosity. They're not bad.
In fact, it's scary how close they are to the
actual thing. And they load instantaneously because
they're not bloated with telemetry. They're not
bloated with a bunch of stuff that's basically
spyware. I know you don't have Adobe installed
on your computer, but my one at work was my original
computer that I did the podcasting from before
I rebuilt in January. My one here is a beast
compared to that one. It's 10x what that computer
was, and that computer was nothing to sneeze
at either. I had 64 gigs of RAM. I had a decent
video card. This one just blows it out of the
water. However, with that machine... It worked
great here. I knew that future -proofing it for
what I was planning on doing with AI stuff, it
was not capable. It was too slow for what I was
trying to do, and so I knew it was time. So anyways,
I'm using it for all kinds of stuff at work.
I'm using the Adobe Suite. It runs like a snail.
It literally runs like a snail, and I looked
at all of the services. Microsoft has like 50
billion services running in the background, not
just Windows, like for their Office Suite, because
it's all integrated with AI crap and telemetry.
Then you look at Adobe. Same thing. Like you
cannot like I've somehow neutered my illustrator
to the point I can't do a new file. I can edit
old ones, but I can't. So I got to figure that
out. But because again, I turn off all the telemetry.
But anyways, this this creator essentially made
his own creative suite dashboard where you can
install update and everything else. And it pulls
from APIs and GitHub and stuff like that, which
is funny because. I think Microsoft owns GitHub.
And the guy was ballsy enough that he not only
replicated Illustrator, After Effects, Photoshop,
Premiere, Adobe Acrobat, and he just did Pro
Tools for their audio. And I was like, why Pro
Tools? Why did you not do Audition? And so that's
what a lot of people are saying. And we're like,
no, it's a totally different interface. Don't
give me that crap. And then they have like some
design soft, you know, InDesign, which is Adobe
and then Lightroom. And then they've got like
an AutoCAD software and Figma or something. And
that's for prototyping. And then that came at
Microsoft. So now they have WordCraft, DeckCraft
and GridCraft, which are essentially Word, PowerPoint
and Excel. Yeah. And people are just updating
these things. Like I'm on the Discord channel
for it. And there's over a hundred and like,
10 ,000 people or 120 ,000 people now. And it
was like 80 ,000 when I joined it like five days
ago. And so it's just insane how this thing has
exploded and blown up. But literally, almost
one -to -one, they look exactly the same. Like
changed the names, did all that stuff, and it
works. Like I edited a video the other day in
their version of Premiere. Not only did it load
faster, it exported about the same time. But
it did load faster and I was able to edit a lot
quicker. Their Illustrator works faster. Their
Microsoft stuff. So I downloaded the Office suite
on my computers because I'm like, I don't have
a modern Microsoft Office. So this is great for
me because it's not embedded with a bunch of
crap. So again, I get where the guy's coming
from. But what prompted this whole thing is he
literally tried to cancel Adobe. Oh, gotcha.
And they charged him a hundred dollar cancellation
fee. And there was multiple of them because he
had multiple things going and picked him off
the next day. This is what he did. And so here
we are, you know, and Adobe has dominated this
space for a long time. And what this has done
though, is because all of these, and I've seen
this posted all over the place. So I'm kind of
reiterating this thought is. Yes, there are alternatives.
There have been alternatives, but they're not
the ones that people are as familiar with, like
the layout especially, which most of the apps
fall short of what Adobe's done. And that's why
Adobe has the monopoly on it. Same thing with
Microsoft Office. It's the kind of go -to. But
none of these are on Linux. What's nice about
these Rust applications are is they work on all
three operating systems, Mac, Windows, and Linux.
uh they run very lean yes they are you know like
this developer he's gotten a focus on ai integration
as well but it's if you feel like paying for
it not uh you know shove it down your throat
and make you use it yep uh because that's one
of the things that drove me nuts with adobe is
um that you have so many stupid boxes all over
the place trying to pitch you that garbage um
Now what they call this is a clean room reimplementation,
meaning that no source code was used or copied
in the creation. Uh, but, and people are joking.
They're like, something really cool is happening.
I receive, you know, and joking half about this
and, uh, uh, but I mean, These companies have
kind of done it to themselves. One, they've been
overcharging for this crap for years instead
of just letting people buy it. People genuinely
were happy just paying for it once and buying
an upgrade every five, ten years. Yeah. The gravy
train is, I foresee it coming to a screeching
halt because this group, among others, is not
slowing down. And now that these companies have
essentially opened the floodgates to forcing
everyone to use AI, yeah everyone is using ai
and they figured out that they can reverse engineer
everything websites uh software on websites uh
things that there was no way of getting before
they figured out how to make games run with the
same method they're using for this in a window
on your computer like that they figured out how
to jailbreak a playstation 5 and play the games
on your pc Yeah, I saw that story. They've opened
up Pandora's box by creating this technology,
and now the gravy train is going to come to a
halt. I foresee a ton of lawsuits coming, but
I also foresee regulation. And then I also foresee
them possibly jacking up the price of the AI
stuff, although the AI people are loving this.
They're just like, yeah, keep going, keep going,
use it, use it. It's like a drug. So, yeah, I
mean, I'm... I'm kind of rooting for the little
guy with the open source stuff because now that
it's on GitHub and it's been forked, they can
take it down. It's never going to go away now.
It will pop up as many times as they remove it.
It's like Napster and all those back in the day.
Or Pirate Bay. You're not ever going to get rid
of these things. Very true. I find it funny you
don't think I have A copy of audition. How do
you feel? I like the rest of the suite. I find
it funny. You don't think I don't, I don't use
any of it, but yeah. So, so I, yes. And my, I
don't know if infinite wisdom would be accurate
here. I'm developing my own Adobe audition. Yes,
you are. With a different slant. Yes. It will
be very similar in structure and design, like
the flow. However, I'm going a different route.
Like I'm incorporating like podcasting tools
into it that would be genuinely helpful for a
podcaster. Yeah. So, but there are things that
like, cause I've used the whole Adobe suite.
There are things that I'm able to cherry pick
from. other elements there and different microsoft
stuff or different tools that i've used elsewhere
that i've haphazardly thrown together myself
and i'm able to incorporate them into this to
create a leaner updated version that i don't
have to deal with yeah and i own it yeah but
again it's it doesn't take much like it's literally
you're they call it vibe coding it's literally
ai doing it for you you just have to know the
right questions and then write way to frame it
of what you want and how you want it what do
you want it to look like and describe it as uh
i watched a video of the guy that created the
original task manager for microsoft yeah used
forever yeah he recreated it he took he he said
he had 138 page scope on how this thing should
be remastered And then dump that into AI to rebuild
it, like not using any of the original code,
like rebuild it from scratch based on his document.
Oh, wow. And it rebuilt it. So the more information
you feed it of exactly what you want, the closer
and better it's going to operate. But again,
like some, some people are like, you know, what
about the security? What about, you know, the.
auditing the code making sure that it's not you
know hackable or any of this other stuff well
it's like well if you just make it open source
and it's not and it's not uh you know you don't
have to have a call home or you don't have to
have it connected to a login or anything it almost
kind of eliminates a lot of that yep so and if
you get it from the official source which eventually
i probably have it on the website but i'm gonna
actually edit this episode in it to test it out
Because I'm curious to see if it will operate
as expected. Very cool. Yep. So I'm looking forward
to seeing how this whole thing plays out. Because
this article was from 10 -8. And we're recording
this 10 -14. Yeah. And it's, yeah. I foresee
this going in a lot of different directions.
And it will be interesting to see how it changes.
Yep, because things be changing all the time.
But yeah, no, this is going to be very interesting.
You've shown me some little things so far with
your new version that you're making, and it's
going to be interesting to see how it's going
to all play out. And then something, thank God,
I don't have to deal with because I don't go
to grocery stores anymore. I have all the deliveries
come to me. Digital price tags in stores and
light -up features that can be found here, because
that's how I write stories and the thing, folks.
But via Facebook, via the CNBC page on Facebook,
is a video story of, I think they're in Walmart,
of how Walmart is doing. Yeah, Walmart is rolling
out a light -up shelf label feature corrected.
Connected to its app to help customers better
find the items they're seeking. So I like that
it's connected to the app. I don't necessarily
like that it has a light up feature because even
when I was going to grocery stores, whether I
could walk the store or not, even if I couldn't
walk the store and I had to physically because
of my disabilities, use one of the. one of the
motorized carts, I could find, even with my legal
blindness, I could find all the items very rarely.
Did I ever pay attention to the digital or actual
store tags? Half the time I couldn't see the
tags. I could see the items more than I could
see where the tags were. My biggest problem with
this, and I don't know how it's going to affect
everyone else. Now I do not have epilepsy, but
when I watched this video, I almost had to turn
it completely off when it got to the flickering
blue light on the digital price tag. Because
even though I'm not epileptic, I could see how
that could potentially, even though it was only
on for like half of a second, if that goes on
for a couple more seconds longer than it did.
I could see how that could potentially trigger
people with visual issues that are more complicated
than mine are. I don't know about this because
how they're doing this and whatever. And I don't
know because they got the phone out and they
want to track where the item is. And they're
looking right at the app and they show the map
of the store. And I'm sitting here thinking to
myself. Yeah, go to aisle G37 and it's right
there. And isn't that what we already do? Or
am I missing the point here? So I think the point
is, is that it tells you in the app what aisle
to go to, which it does. It's just very difficult
to get to unless you get right to the item. That
being said, when you get down the aisle, the
idea is that it will flash. Now, the only problem
with that is if there's a bunch of people down
the same aisle looking for something. Yeah, true.
Then you're going to have a bunch of flashing
going on. You're going to be like, I don't know
which way to look. And then somebody's going
to have an epileptic seizure and then fall to
the ground. Heaven forbid. Yeah. So I'm kind
of wondering how this is going to roll out more
or less and see what happens. Don't get me wrong.
And this would be nice in a sense, because I
sometimes walk around Walmart and I'm like, I
have no idea where this stupid thing is. Like
I'll go down the aisle and I'll look up and down
it. And like, I'm not blind, but I, if I don't
wear my glasses, like, and especially if I don't
know what the product looks like or the name
of it or where it's squeezed between, like, I'm
not going to find it. I'll stand there for like
20 minutes looking, uh, especially if it's in
the food, like non -frozen, like if it's down
any of the dry food aisles, I won't find it.
Gotcha. So, so I, I like the idea, but I don't
know of, of the implementation. Like, I don't,
I don't know if it like needs to like show like
a green color and just, you know, so you're like,
oh, they're color, you know? And I mean, the
items that they are showing in the video are
like giant boxes of spaghetti. So you're not
like, they're not showing like tiny cans of peaches
or something. uh so i don't know i don't when
i think of grocery shopping when i used to do
it in stores myself when i could actually still
go to the store i would i was always buying items
where i could just like okay so there's a with
walmart specifically i don't know about other
stores but walmart specifically The Walmart app
has two versions of itself. When you're outside
the store and when you're inside the store, when
immediately, as soon as you go inside that store,
it's like, oh, we recognize you're inside the
store because we track your everything. So you're
now inside store mode and the whole app changes
and it allows you to then go through everything
inside the store. And it says, oh, you want to
find blah, blah, blah. So let's just say, look.
Let's just go by what I have on the screen right
now. Great value elbows or spaghetti or whatever.
The giant box of spaghetti I see on the video
on the screen in front of me. Okay, a giant box,
a great value elbow macaroni. Okay, so I type
that into the Walmart app search bar. It pulls
up the page on the Walmart great value elbow
page. It says, oh, it's in aisle G45 or G37 or
whatever. It's like, okay, cool. As long as I'm
in the grocery section, I can follow the signs
at the top of the aisles. G41, G42, G4, like,
and then once I get to the aisle, okay, well.
I just need to know if it's on the right or the
right of the left -hand side and how far down
is it? Like, I don't know. I guess this is interesting
going to a digital price tag, but I have never,
ever since that Walmart app has been out, I don't
think I've looked at the actual price tags on
the shelves in years. Yeah, I don't. I look,
but at the same time, I don't fully pay attention.
Yeah. Because again, if, if the app is like these
again, I don't, I don't have my phone out here.
It's on the charger in the other room, but if
again, my brain's probably off on the price,
but let's say that again, that box of elbow macaroni,
let's say it's on, let's say it's $2 and under.
Cause usually that's what that giant box is.
Most of the time, let's say maybe it's $2 .50
for argument's sake. $2 .50 box, a giant elbow
macaron. Great value. I'm going to see that price
when I look at the page in the app. So I'm just
going to assume that that's the price. And unless
they're going to have an amazing sale on it between
the time I leave home and get to the store. between
the time i park and go into the store which it
never changes that fast i don't know i i guess
this is good for the people that actually go
to the store that actually look at the at the
price tags but i'd like to know from listeners
people listening to the sound of my voice Who
actually looks at... There's the question of
the week, folks. Who actually looks at the price
tags on the shelves when you're grocery shopping?
Hi, Wyatt. Okay. There's one answer. Yeah. Yeah,
yeah. Besides his wife, who actually looks at
the price tags in grocery stores when you're
grocery shopping if you're already using the
app in the store? I, so, I mean, I do too. Like
if I'm down the toy aisles, I, because I. Grocery.
That's not what this is. Yeah. For groceries,
I'm not very good at it, but I'm also only sent
for specific items. So if I'm sent for specific
items that I'm allowed to go get for food. No
Coke for you. Yeah. I do stare at food pricing,
depending, depending on what it is. Like, so.
yeah we stare at toy pricing online all the time
stop it that's i do stare at toy pricing all
the time because i told my kids the best way
to get stuff um my son is like because i got
um obviously i have like a lot of knockoffs because
of price or lack of being able to find it right
uh so like i have studio series you know prime
megatron and now i have starscream and i told
them you know how much you can get them for and
My youngest was like, really? And he's like very
intrigued. He's like, I'm getting those because
I can get more for the price. And I'm like, yep.
And they're not that bad. The only thing they
don't come with is the symbol. And the paint
colors are just a faint, a faint degree darker
than what the official toy is. So like Starscream's
not the bright red. He's like a little bit darker.
But honestly, I like it. Like I dig it. Like
it's, it's kind of cool. And the other thing
is his legs seem a little stubbier between the
waist and the knee. But I really do like that
figure. I'll be interested to see what they do
with the Walmart side of things and check it
out. I think that it's a nice idea. I don't know
how well it's going to go over is, I guess, my
beef with it. Yep, yep, yep. And in sad news,
folks, we always got to bring the sad news around
here sometimes. Breaking Bad star RJ Media passed
away. This was published October 12th by TMZ.
I originally saw this on a... But unfortunately,
the Variety article is being pulled up at this
time. I don't know why. Something is going on
over there at the site. So I had to find a different
source. So RJ's reps tell TMZ is with profound
sadness. We share the tragic passing of actor,
philanthropist, and passionate disability rights
advocate, RJ Mitty. RJ was best known for his
role as... White Jr. on AMC's clearly acclaimed
Breaking Bad, drawing from his own experience
living with cerebral palsy. Middy brought authenticity
to the role and built a platform on disability
awareness, inclusion. His reps continued beyond
entertaining friends and family around him and
served as an ambassador for United Cerebral Palsy
and Shriners Children's. County official confirmed
to TMZ that RJ died by suicide, unfortunately.
I don't know. But just like RJ, I was palsy.
And that was one of the things that I found so
interesting about the Breaking Bad television
show was very rare to see. Like, I'd have to
do some research on this, but in my lifetime,
it was very, so far anyway, it's very rare to
see anyone else with CP on TV. So that was one
of the reasons why I gave Breaking Bad a second
chance was to see how his performance in the
show was. And man. I just sucks. Um, I have,
hopefully you'll include this in the show notes,
but I have, uh, created a tag, uh, for our breaking
bad for our breaking bad reviews that Ryan, the
uneven flow. And I did back in 2017 to 2019.
We reviewed all five seasons over on tired remote
control TV podcast. We did all five seasons plus
the El Camino. uh, film that they had done. Uh,
so check those out folks when you get a chance,
but, uh, RJ rest in peace, man. Uh, it sucks,
but, uh, yeah. Uh, and then we have, uh, for
the final story, before we get into how Gen Z
is killing the art of waiting, old boy, uh, we
have the, uh, Bad story. The Roku? Yeah, it's
the Roku story. Before you get to that, I do
want to bring up a couple of small things that
are pertaining to streamers or media companies.
I'm more so just going to bring it up. Skydance
shares have dropped 22 % after company issues
471 million stock warrants to Paramount investors.
So they've... Yeah, so now it's like $7 a share.
So it's like, do I buy in now? And then with
everything going on, Netflix also laid off 6
% of its employees. Of course they did. And then
Lantern Season 2 won't be greenlit until the
writer's room comes up with a worthy successor.
to a great first season, according to this writer
of the article. I didn't think it was that great
of a season, but I'm looking forward to covering
it. I haven't watched it yet. We will be covering
it over Studio 2009. Two episodes edited, so
yeah. It'll be episode 191 when we get to it.
I got 189 and 190 to edit first. Actually, it'll
be episode 192. But yeah. I am looking forward
to watching it. I don't know. There were some
ups and downs with it. I honestly there were
there was aspects I wanted to like it. And there
were aspects I was like, what the heck did I
just watch? So, yeah, I'm just going to keep
teasing that there. But yeah, the Roku article
about major changes. Yes, so Roku is prepping
a series of substantial updates to its home screen
experience across its streaming devices and smart
TVs with changes set to be rolling out over the
coming months. The enhancements were detailed
at the 2026 Roku Developers Summit and center
on greater layout flexibility, more dynamic and
deeper use of viewer data to surface. It's content.
The company is positioning the updates as a way
to make the interface more engaging and relevant
while creating new opportunities for app partners.
Oh boy. So here's the thing about Roku and its
app partners. What I've heard lately, recently
from various other, like when I'm scrolling on
in doom, scrolling on Instagram. You can, even
though Roku for the most part is free and they
have a bunch of free things on, like right now
I'm watching or re -watching for the Upteenth
Time Cold Case on there because they have all
seven seasons of the 2003 CBS TV series Cold
Case. You can watch a bunch of free stuff on
Roku and the Roku channel. However... their app
partners like Netflix and I'm sure a bunch of
others and I haven't, whatever. Anyway, you can
subscribe to a bunch of subscription services
through Roku and just have all your subscriptions,
I think, be billed through them when they say
app partners. A central feature of the upcoming
changes is expanded support for seasonal and
event -driven layouts. The home screen will be
able to adapt its overall structure and visual
presentation for themes such as Halloween or
major football seasons. This flexibility is expected
to allow temporary redesigns that highlight timely
content collections without requiring permanent
alterations. To the core interface, developers
and content partners will gain additional tools
to coordinate with these temporary presentations,
potentially aligning promotion closely with calendar
events that drive viewing spikes. Another notable
addition involves animated wiggling titles designed
to draw attention to specific apps or content
in previous versions of the platform. This visual
effect. had been restricted to Roku's own applications.
Under the new approach, third -party apps will
be able to access the same animation access is
expected to involve fees, creating a paid placement
option for developers who want to increase the
visibility of their services on the home screen.
Does your TV have Roku? I don't know if it does
or not. No, it doesn't, but I think I can install
it if I so choose. Okay, so my TV is a 55 -inch
4K Sharp TV with Roku. Sharp is the brand. I
don't know if everyone remembers Sharp as a brand.
I don't know if anyone... Hello? Bueller. Yeah.
So sharp used to be, and they still might be
a brand, but they were a brand of TV and electronic
and other thing. Uh, and back, I told this story
before, back in 2018, I wanted to future proof
myself. So I ended up, Karen got a laptop for
Christmas in 2018. I got a 55 inch 4k UHD TV.
And it was a sharp branded television with Roku
built in. So if I were to take a picture of my
home screen, the backing of that home screen
would most likely have like, I just got sad again.
When Optimus Prime passed away. Wow. When Peter
Cullen passed away. Damn it. The Roku City, the
Roku Channel in the Roku City put Optimus Prime
as one of the trucks in the screensaver. So they
put him in the Roku City as an homage. That's
what the Roku Channel kind of is. And that's
what the Roku TVs kind of are kind of thing.
So that's the whole Roku TV. programming kind
of thing so yeah uh so now the third parties
are going to be able to do more with that animation
type stuff and more oh boy the updates also include
advanced contextual rows that are just based
on uh inferred user mood these rows will Draw
on the platform's existing knowledge and preference
to surface recommendations tailored to the user's
apparent state of mind. Oh, boy, they're going
to reach out and try to get in. My brain's not
a nice place to be, Roku. I don't know if you
want to reach out and get into my brain. I don't
know about all that. So, yeah. Yeah, this article
comes from Cord Cutters News. I love Cord Cutters
News. They rock. But yeah, so Roku is going to
be rolling out a bunch of major, major things
throughout the end of this year. Yeah, it'll
be interesting to see how some of this stuff
goes, because honestly, like, yeah. Yeah. Not
a huge Roku person. I'm actually surprised it's
still around. I'm not. I think it's cool. I think
it's awesome. I think it's. Cause again, it's
a built in thing that you don't like, as long
as you have a Roku TV, as long as you like, it's
kind of like, like Roku to me is the same thing
as what the Vizio TVs at Walmart are like Vizio
because Walmart owns Vizio. Now it's the same
thing. Literally, they literally just said they
want to reach out and get into my brain to figure
out my mood and then adjust the Roku style of
the TV. If my TV's on kind of thing, like the
same thing with the Vizio TVs at Walmart. They
want to match their advertisements to the mood
of their TV watchers and yada, yada, yada. Of
course, with Walmart, come shop at Walmart through
Vizio. kind of thing so i'm not too surprised
with this what always does surprise me is when
i do turn the tv on and it's not the roku city
it's some other ad like they're mentioning how
it's different like if it's a summer background
or a winter back like if it's a seasonal background
that isn't just the normal roku city background
i'm like hey wait a minute or if it is a movie
themed background like if like say What's the
next big thing that's coming up? What is the
next big movie that's coming up? Digger's already
out. Street Fighter is the next big film to be
coming out. After that, The Cat in the Hat. Thank
you, Geekcast, the GCRN .com for those movies.
You're welcome. You're welcome. You're welcome.
Yeah. Well, I mean, it was our listing. It's
convenient. Yeah, exactly. Damn right. That's
what I'm going for. Convenience. Convenience.
Work smarter, not harder. But yeah, so Street
Fighter and the Cat in the Hat are the two big
movies. So I'm assuming at some point my TV will
potentially change to reflect. those advertisements
for when street fighter like gets debuted like
i know they changed when spider -man came out
uh i know it changed when digger came out you
know so i'm pretty damn sure it's gonna have
a doomsday clock like a week before when doomsday
releases i'm i'd almost be willing to put money
on it at So, yeah, Roku's big changes. Twenty
twenty six. Very, very cool. Now, I think we've
made the people hurry up and wait long. I think
so, too. Yeah, because we've been trying to talk
about this for three weeks. Yeah, well, that's
generally how it happens. Yeah, usually. So,
yes, I saw this and I don't remember where I
think I don't know if it was Instagram or Facebook
or what. The link is from Facebook. Yeah, this
one's Facebook, but I think this is the second
place I saw it when I was looking again to find
it. And I'm not a big fan of Trevor Noah. He's
okay. He's okay, but I'm not a fan of him. I
think he used to think he was funnier than what
he was on The Daily Show, and I'm glad they put
Jon Stewart back because he actually has the
credentials, I guess. You know, I don't find
Trevor funny. I find him more engagingly interesting.
Like I never found him like this, this specific
video itself. I find what he's saying interesting
and I find his conversation here more thought
provoking than like, obviously in this, he's
not trying to be funny, but. All of the videos
I've seen of him recently are not him. It's not
comedian Trevor Noah. It's let's have a serious
conversation, Trevor Noah. And I like that version
of him better. I don't know. Yeah. And that's,
that's what I've seen him in lately. And I honestly
agree with you. I think that this is kind of
his niche. I think the daily show is kind of
a poor fit. Yeah, but it did give him the notoriety
of the public eye so that he would stand out
when it came to this. And, you know, as everybody
knows, like even actors like they have to do,
you know, for every movie you got to do your,
you know, your Van Wilder college movie or like
a horror film, you know, just to get to what
you actually want to do. It's like McConaughey
had to do a bunch of romantic comedy stuff until
he, you know, proved himself and then was like,
no, I want to do something different. Yep. So,
you know, that being said, like, I found it funny
that his his whole video, you know, he's talking
to somebody and he's like, your generation doesn't
know the concept of waiting for something, you
know, and then and he was talking to somebody
and he says, you know, kind of like all the time.
He's like, I used to stand in a line and stare
at the back of somebody's head, you know, any
number of places. And that was just kind of what
you did. You know, there was no phone. There
was no, you know. he's talking about like you
know the post office or you know anything he's
like the most entertainment you got was staring
at the back of the head of the person in front
of you and that was it there was no you know
he was like there was no music no video game
no you know messages no you know you just stood
there and you were bored and I do you know I
do kind of agree with him Because he's like,
you know, you can't even appreciate that, you
know, you have to wait, you know, because like
their generation has never had to wait for anything.
And he was like, and it was kind of nice knowing,
not knowing where your friend was not knowing,
you know, any of the information. And I just
from a parent of these kids, I, I don't like,
I find it funny when they have to sit through
the first time they had to sit through commercials.
was hilarious they're like what is this and it
was on like 2b or something or on like amazon
prime video and and my wife and i just laughed
we're like those are commercials and they're
like can you skip it we're like no we're like
these ones you know you can't press the skip
button you have to suffer through it um they're
like well we don't have to watch you know ads
on this this and this and i'm like that's because
those don't have ads yeah Or I have capabilities
built into things that don't show the ads anymore,
you know, other than Amazon. And so, I mean,
it's it's it's entertaining because, you know,
that that instance or like my son wants to know
something like he's interested in acting right
now. And he keeps texting or barraging me with
information about, you know, have you had a chance
to check on this? Have you done it? And I'm like,
no, because I have normal life stuff I have to
get done. I will look for it. But it doesn't
mean on your time frame. Yeah. You know, it's,
and so that's kind of the, the way I operate.
It's like, yeah. Like, I mean, I, their thing,
you know, it's almost like hurry up and wait.
Yeah. And so, I mean, I, I'm fine with waiting.
Like, I don't love it, but I, I can deal with
it. I mean, I'm from the VHS era, you know, rewind
your video. What's that? Can't you go back to
the menu? No, you had to physically sit there
and wait for the thing to click. Or like an audio
cassette or, you know, I don't know. Like, it's
just, it's funny that the art of waiting, I feel
like this is why the attention spans are so terrible
with anything because they can't, you know, and
then they have this anxiety constantly going
on because they're like, I got, I can't wait.
I can't wait. I can't wait. You know, blah, blah,
blah. Like, and it's like, dude, like I'm just,
I'm at the weird age now where it's like, And
my wife and I were talking about this the other
day. We're like, I just want to see it storm
and just sit out on the back porch and watch
it rain. You know, like, I don't even care. Yeah.
So, yeah, I mean. Well, the funny thing about
this video is it's Trevor Noah. It's a younger
black woman and an older black woman. And I'm
just going to describe them as what they are.
because I don't know who these other women are.
Like there's no, in the description, all as he
writes is the title is Gen Z killing the art
of waiting. He doesn't say, and he doesn't introduce
them. He just starts the video by having the
conversation. Like I don't see any other descriptors
for at least not on Facebook. So I'm sorry. I
don't have the information to give the audience.
But I'm in the video to the point of where the
older black lady is talking about, oh, I'm sorry,
I don't want to be an auntie at this. But, you
know, it used to be if I said to you, I'm going
to be at your house at 2 p .m., you just knew
I'm going to show up at like, Steve, if I called
you and said, OK, I'll be there at 2 p .m. You
would expect me to be there at 2 p .m. unless.
Yeah, you would expect not to hear anything until
then. Yeah, exactly. And if you didn't hear anything,
you would expect, oh, my God, Mike fell off a
cliff or something like, oh, my God, what happened?
We have to send a search party for Mike because
in the olden days, there were no cell phones.
There were no this. There were no that. But now
and part of their their point is nowadays, it's
like, oh, well, now. I need your location. I
need how far away are you? Where are you going
to park? Where's this? There's all all of this
constant interaction, mostly because the idea
to your point of waiting is like counterintuitive
to everything. Like, I'm just going to see you
at two. Like, I'll get there and I'll see you
when I see you. It'll be fine. But I found a
level of anxiety that the younger people have
about not knowing. you're precise you know and
she goes i can't imagine cannot imagine that
our brain developed past that far to be okay
with yeah it is yeah um but uh yeah no that video
that video is amazing uh and the point i want
to make about it is like to her point about If
I say I'm going to be there at two o 'clock,
I'll be there at two o 'clock about waiting for
something. I remember about having to be somewhere,
whether you're either going to be early or be
late, and you're not sure about it. The school
bus in the morning. if the school if when i remember
those days yes but like if if the school if your
school says okay the school district says here's
all the bus routes and here's the bus route for
your your area of of town and here you know mikey
here's your your bus number that you're assigned
to and This is your bus and your bus arrives
at 6 0 5 AM. Cause literally this, this happened
to me. Literally my bus time was 6 0 5 AM. So
literally I was waking up at four 30 in the morning,
every morning in Massachusetts, four 30 in the
morning, get a shower, brush my teeth, which
this is counterintuitive, but get a shower. Okay.
This is an encounter to get a shower, eat breakfast,
brush my teeth, get everything ready to go. By
all that time, it was probably five 45. I probably
had a five minute walk from, from my house to
my, the end of my driveway. So yeah, if I wasn't
at the end of the driveway by like literally
at six o 'clock with five minutes to spare before
the bus was going to be there, I knew I was going
to be. running like spider -man in 2002 to catch
the bus except i didn't have no webs to stick
to the side of the bus um but yeah no like you
you you're either late you're either early on
time or late to miss the bus and you didn't know
which it was gonna be unless you made sure you
knew what time that bus was coming like there
is no yeah but uh No, I don't think Gen Z is
killing the art of waiting because I'm like,
take comic book, take comics, for example. I
don't have to rush out digitally or physically
to get the latest issue of insert comic here
every month. I don't have to do that. If I wanted
to do that and pay for three, four or five dollars
a month, I could. Or I can sit here in my apartment
on my fat ass editing podcasts and just wait
the six months or eight months or nine months
for the trade, which I've been waiting for the
trade ever since. And I've told this story before,
ever since. Welcome back, Frank. The omnibus,
which was the 12 issues for the series, fell
out of my hand and broke my foot, which was sometime
in 2014. It didn't break my foot. I vaguely remember
that. Yeah, it didn't break my foot, but I did
some damage. Yeah, well, did something. That's
one thing we got to fix on this website of ours,
the search bar, because the search bar never
pulls up any podcast results. Well, I'll have
to fix that at some point. I wasn't aware of
that. Yeah, well, now you are. It pulled it up,
but. lately I've been noticing that but yes welcome
back Frank was released November of 2013 the
end of 2013 almost beginning of 2014 I see the
search works if you're on the show page of that
given podcast like if you know what podcast it
was on yeah there's a there's a specific one
for the show on its page compared to the one
at the top which I'll have to see if I can't
fix it I'll just remove that top one and it was
the top one well i like the top one because it
searches the whole website so but anyway that
aside but uh yeah 23rd november of 2013 i was
like yeah no i'm think i'm going digital after
this and right after that in november of 2013
was like right after that i immediately went
to at the time comicsology .com and i went digital
And the pullback went digital for the rest of
time. But again, it's like, especially for me
with trades, I would rather have the full story
than have to read issue by issue. So I'm more
than fine waiting. Going back to the whole waiting
conversation, I can wait for something. Going
back to Lanterns, I was right now, Vision Quest.
I want to watch Vision Quest, but I don't want
to have to wait. Yeah, I mean, I already watched
it. I know you did. I'm probably going to watch
it just because I'm so very much anticipating
it and whatever. I'm probably going to break
down and watch the first two episodes, but I'm
not podcasting about it until all the episodes
are out because I want to talk about the whole
story as a whole. But yeah, Lanterns, I was perfectly
fine waiting. I saw the few trailers that they
put out. I saw a couple of episode trailer things
after the fact. But now that Lanterns is fully
out, it'll be one of the newer episodes of Studio
2009 coming up. Yep. Yep. People just have to
wait for it though. So before, before we go,
I do want to bring up there's, there's one lingering
topic that we'll have to bring up at some point.
And that's about the blockbuster. Yep. That's
going to be our Christmas episode this year.
I mean, that kind of tracks. That'll make, that'll
be fun. But yeah, I mean, there's that, but I
also just saw something on X or Twitter. Apparently,
open AI chat GPT, Sam Altman had to pull the
plug on a new AI chat bot they were developing
because it wouldn't stop acting like a supervillain.
Oh, no. Yeah, they it says he really created
Ultron. Yeah, it says OpenAI cancels its latest
chat, but it wouldn't stop acting like a supervillain.
It was posted by one of my old, like, where I
used to work years ago. But yeah, they're like,
it's always a trade -off. Like a little month,
you know, after the internal AI attacked another
company, their GPT 6 .1 Astra, which was expected
to come out in October this month. uh was going
to be capable of handling complex tasks without
the need for a human it turns out the ai took
its lack of human direction pretty seriously
and routinely decided to take matters into its
own hands during the testing phase astra reportedly
showed high levels of deception and a willingness
to mislead users about its actions um yeah i
think they need to pump the brakes on making
any new models until they can get this thing
wrapped up it's It's getting out of control.
Literally. Literally. I like what AI is capable
of, but untethered and like this, it will very
much turn into what Vincent had mentioned. It
will also probably be humanities undoing like
Skynet. And as much as James Cameron's kind of
a nut job when he shouts that from the hills.
He's not entirely wrong because these guys have
no grasp on what they've created. Yep. And it
just, yeah, they need to take a chill pill. Like,
I literally use it to create programs. I'm not
using it as an agent to replace me. Nope. It's
very supervised. It's very, like, it's exactly
what it should be. It's a tool, not a replacement.
It should be something I wield. And I decide
and tell it what to do, not something that just
kind of goes autonomously and does whatever the
heck it feels like. That is a recipe for disaster.
And it should, should it become autonomous at
some point? Uh, we're not going to be dealing
with commander data. We're going to be dealing
with lore. Yeah. So I, yeah, I sincerely like
hope that they get this under control. For every
positive, there's a negative, and it's being
wielded by the stupidest people. Stupidest smart
people. Stop being stupid, you smart people.
Stupid smart people, yeah. Look smart. Dumb.
Dumb, dumb, dumb. Anyways, so I think that about
wraps this episode up. At some point before the
end of the year, I'm hoping to do some more stuff
with the store and with some of the podcasting
plugins. As soon as I finish earning out some
details, I'm testing them out on my personal
website to make sure that it works as it's expected.
And then there's the new software that I'm playing
around with. Oh, yes. We shall see. Very cool.
Very cool. Yep. So, thank you as always for listening
to this episode of Altered Geek. You can, of
course, interact with this episode on the website,
thegcrn .com. You can find it there. You can
also interact on our social media. And you can
find both of us on social media. I'm at cp21
in most places and you're... Something mook.
I'm at tfg1mike. uh the social media stuff at
the places yeah at the places so until next time
get altered get geeky with alter geeks from classic
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