ToonCast Beyond
Inside Out Review

About this Episode
Hey you guys, this is The Mask, and you guys
are listening to the Geekcast Radio Network.
And you know what? You are smoking! Hello and
welcome to episode 80 of ToonCast Beyond, brought
to you by the GeekCast Radio Network. I am one
of your hosts, TFG1Mike, and joining me is Eduardo.
Hello, sir. Hey, how's it going? It's going.
And in between our X -Men coverage, we are going
to be talking about a very emotional Pixar film.
Inside Out is what we'll be talking about. I've
never shared with you my motto for what I consider
to be the Pixar motto, have I? I don't think
so. Yeah, well, for me, with Pixar movies, especially
those directed by Pete Docter, I think that the
motto should be, Pixar, your tears sustain us.
Oh, boy. Yeah. If you're not crying like a baby,
we're not doing our job. Exactly. Your tears
should be paying for our kids' college educations
forever. Pretty much. Absolutely. So when did
you first... Well, this movie came out two years
ago, but are you that big of a Pixar fan? You're
like, oh my god, I have to go see this in theaters.
No, but I am a Disney fan. My wife is a Disney
fan. So, of course, new Pixar movie. We had to
go see it. Had to go see it. Had to. Had to.
And just, wow, we should have. It's like I warned
people. I warned people about Coco with this.
And it's like, yeah, bring tissue. Actually,
I said it plural. I said tissues. Exactly. if
you've got an issue here's a tissue um all right
so i i'm the same i'm kind of the same way i'm
a disney fan i'm a pixar fan to a certain extent
there are several pixar movies i do not like
at least pixar did not almost kill me so there's
that dreamworks when i did that spotlight way
back when on this podcast uh season when originally
tooncast beyond was going to have nine different
quote -unquote seasons where we talk about various
things from a specific genre of cartoon thing,
and one of those was going through, at the time,
all of the currently released DreamWorks films.
I think by the time I hit Flushed Away, I was
done. Like, I never wanted to watch a DreamWorks
movie ever again. But yeah, anyway, I am a Disney
fan, I am a Pixar fan. Pixar is so much better
than, obviously, some of the DreamWorks stuff.
I don't think I saw this one in theaters. If
I did, I don't remember. It's been too long at
this point. Too much crap has happened in my
life, and too much crap and too much good stuff
has happened in my life for the last two years
that I don't remember seeing this in theaters.
I remember seeing it on media and whatever else,
so there's that. We do have Just the Facts, folks.
We're going to get to our segment monkey from
the Great White North, JT from Saskatoon, for
Just the Facts. We'll be back after this. Hey
guys, it's JT from Saskatoon here with a Just
the Facts on Inside Out. Riley Anderson is a
little girl growing up in Minnesota and inside
her head are joy, sadness, fear, disgust, and
anger. Five basic emotions that guide Riley as
she experiences her life. Joy acts as the leader
of the group, directing everything so as to keep
Riley happy and carefree. As a result, sadness
is often shunned by the rest and kept away from
the control console inside their HQ. Riley's
experiences are converted into memories in the
form of colored orbs and stored in her long -term
memory every night as she sleeps. Her core memories
are stored in hubs that power emotional islands
that form her personality. However, after turning
11, Riley is uprooted from her happy life and
moves with her family to San Francisco when her
dad starts a new business. The move does not
go well for the family, their possessions are
lost in the move, and their new home is old and
in disrepair. And Riley begins to feel neglected
by her father, who is too busy with his new business
to be there for his daughter. These poor first
encounters lead to Riley crying in front of her
new class and embarrassing herself, after sadness
touches the control console. This creates a sad
core memory, and Joy tries to get rid of it in
a panic, causing her, sadness, and the other
core memories to be sucked out of HQ and into
the maze of Riley's long -term memory. With joy
and sadness gone, anger, fear, and disgust attempt
to maintain Riley's emotional stability, but
they ultimately fail and anger makes the decision
to influence Riley to go back to Minnesota, thinking
this will cause her to make new, happy memories.
Meanwhile, joy and sadness are wandering the
memory storage and come across Bing Bong, Riley's
childhood imaginary friend. He suggests they
ride the train of thought back to HQ, but the
ride is cut short when Riley falls asleep. They
use her dreams to wake her up and to continue
their trip, but are derailed once again when
one of her personality islands collapses and
Riley steals her mom's credit card to run away.
Joy abandons Sadness at this point, believing
that she will only hurt Riley further. But on
her journey back to HQ, Joy and Bing Bong get
stuck in the memory dump. Breaking down, Joy
starts to lose hope, but rediscovers a forgotten
sad memory that became happy, prompting her to
realize Sadness serves a very important function
after all. Her resolve restored, Joy and Bing
Bong attempt to escape from the memory dump with
the core memories, using Bing Bong's wagon rocket,
only to realize they are too heavy to make the
jump. Bing Bong nobly sacrifices himself by jumping
into the memory dump, allowing Joy to escape.
She reunites with Sadness and apologizes, and
together they make their way back to HQ. They
discover that anger has destroyed the control
console, rendering Riley depressed and apathetic.
To the surprise of the rest, Joy allows Sadness
to reinstall the core memories, turning them
sad, which in turn snaps Riley out of her funk.
Returning home, Riley breaks down crying, apologizing
to her parents, telling them that she misses
life in Minnesota, which her parents acknowledge
and reciprocate because they miss Minnesota too.
As Riley processes this, a new island starts
to form, representing her acceptance of her new
situation. As we end the film, we move forward
a year, and we see Riley is now happy once again,
having adapted to her new home, making new friends,
and discovering new hobbies. All of this has
happened under the direction of the five emotions
who are now working from a new console, allowing
them all to contribute to Riley's emotional growth.
Released on June 19, 2015, Inside Out is the
15th film made by Pixar, the production company
behind Toys R Us and Monsters, Inc. The film
was directed by Peter Docter, who also directed
the 2009 Pixar film Up, and contributed his own
story ideas and concepts to the scriptwriting
process. The five emotions were voiced by SNL
alum Amy Poehler as Joy, Phyllis Smith as Sadness,
Louis Black as Anger, rather appropriate when
you think about it, Bill Hader as Fear, and Mindy
Kaling as Disgust. The cast also featured Richard
Kind as Bing Bong, Caitlin Diaz as Riley, Gene
Smart and Kyle MacLachlan as Riley's parents,
as well as the Red Hot Chili Peppers' Flea, the
legendary Frank Oz, and Pixar mainstay John Ratzenberger
in other various roles. From conception in 2009
to its 2015 release, Inside Out took almost six
years of development, the script alone taking
four years by itself, according to the director.
The film was produced on a budget of $175 million
and eventually came away with $857 million at
the box office, making it the 14th most successful
animated film of all time and the 7th most successful
film of 2015. Critics were united in their praise
of the film, many calling it a return to form
for Pixar. The overwhelmingly positive reviews
and praise for Inside Out have generated a Metacritic
score of 94 out of 100 and a certified fresh
98 % satisfaction rating on Rotten Tomatoes.
Honestly, Inside Out is one of the Pixar movies
that I identify with the most. The story of conflicting
emotions, having to deal with unwanted changes,
and the creation of new memories is one that
really got to me. It's a beautiful film. It lets
kids know that it's okay to be sad sometimes.
No, I'm not crying. Shut up. This has been Just
the Facts for Inside Out. I'm JT from Saskatoon.
Back to you guys. We are back. Thank you so much,
JT from Saskatoon, for just the facts on Inside
Out. The plot of this movie is really interesting.
Exploring a child's emotions. I don't think I've
seen that before, at least in animation. Not
in a Disney -Pixar kind of scale. Yeah, it's
something that's Pixar's... bread and butter.
Taking objects that don't have human feelings
and giving them human feelings. Whether it's
cars, whether it's Toy Story, whether it's this
movie, and even whether it's A Bug's Life. Yeah.
Absolutely. Because we all know ants is better.
That's the one DreamWorks movie I'll say was
so much better than A Bug's Life. That had Sly
Stallone, didn't it? Yep. As a giant ant. So
this movie... Basically, it explores Riley at
the age of 11 and her emotions and all of that.
They show these emotions and Riley's memories
as this whole factory. Her emotions are split
up into different islands, which I think is cool.
She and her parents move to San Francisco for
her father's new business. That's it, San Francisco.
You've officially ruined pizza. Yeah, I'm sorry.
I gotta agree with Anger on that one. That's
not pizza, dude. That's a lot of things that's
not pizza. I don't even think a turtle of the
Teenage Mutant Ninja Variety would have pizza
in San Francisco. Like, uh -uh. Well, at least
not the broccoli thing. Yeah, so, yeah, Anger
is my favorite. Yeah. It's Louis Black. I mean,
how can you go wrong? Perfect. Well, the voice
cast was spot on. Like, I like the choices for
the voice cast. Absolutely. Definitely. Yeah,
voice cast, you have Amy Poehler as Joy. Phyllis
Smith as Sadness. Louis Black as Anger. Bill
Hader as Fear. Mindy Kaling as Disgust. Which
is really, really fun. You've got Richard Kind
as Bing Bong. Oh, God. Oh, Bing Bong. Mark from
Mad About You. Mark and Fran. Oh, Lord. That's
an oldie. That's an oldie and a goodie. You got
Yoda in this as the subconscious guard, Dave.
Yep. Frank Oz. You know, Disney now owns Star
Wars, which means they can call up the Star Wars
actors and be like, hey, want to be in this movie?
Yep. And you got... You got John Ratzenberger
as Fritz. What's a Pixar movie without Cliffy,
right? Oh, yeah. That's probably in his contract.
It's like, you know, I was going to go skiing
with my family. Nope, you're doing this Pixar
movie. But, you know, I don't have to be in it.
You are going to voice this guy on the street,
and you're going to love it, sir. You got my
soul, don't you? Yes. Yes, we do. Pretty much.
um what i loved is is because this is based around
riley's emotions showing the emotions of her
father and her like showing the parents emotion
it's just seeing how different worlds the two
parents are living in with their emotions like
absolutely love that well well it's stuff like
it's one of those things where you laugh because
it's like Yeah, that's probably exactly what's
going on in our heads. It's like, she's talking
to you, say something, say something! Just nod,
just nod! Nod, yeah. Yes, dear. Yes, dear. Exactly.
Or the wife closing her eyes and there's the
handsome Latin guy with the helicopter. It's
like, yep, I'm sure that's happened. I'm sure
there are a couple of times I... geek out too
much and my wife has the guy with the helicopter
in her head it's like yeah i know that's happening
i know that's happening i i accept it i accept
it i'm okay with it so basically what happens
here is is that joy she's the main emotion main
character i guess you could say out of the emotions
and she wants everything to be Shiny, happy people.
Nice, nice. Nothing bad ever fucking happens.
You're not living in the real world, Joy. And
they all, like, heaven forbid sadness do anything.
Like, oh my god. It's the end of the world if
sadness touches the controls at headquarters.
And sadness touched a control. Everybody freaks
out. Sadness leaves. Joy has to go after her.
yada yada yada leaving anger disgust and fear
back at headquarters to have some sort of i don't
know what the hell they're doing back there some
sort of office party or whatever they're they're
trying to keep it they're trying to keep the
whole thing together because joy is pretty much
the one that keeps it all together anyway i do
like the journey that joy and sadness go on With
going into the long -term memory and, you know,
rediscovering Riley's kind of long -forgotten
childhood kind of a thing. In the beginning of
the movie, when they have the interactions between
the emotions and the effects of what they do,
like out in the real world, like, you know, Riley
doesn't like something or whatever else, disgust
goes in there, hits a button, and it ends up
making Riley make a face or whatever. I like
that. I think that's funny. I think Anger could
use his own animated series. You'd have to have
Lewis Black on standby all the time. As we're
recording this, Star Wars The Last Jedi came
out and there's been some controversy. Hell,
you could do an entire multi -part episode of
Anger just being like, Damn it, why'd you do
that? Damn you, Lucasfilm and Disney. Damn it,
George, quit screwing with the movies. Yeah,
there you go. Anger watches the prequels. Metachlorians!
Metafreakingchlorians, are you kidding me? That
would be funny. That would be so funny. What
else about this did you like or didn't you like?
Was there anything that you didn't really care
for out of this one? Well, okay, well, first
of all, we gotta, like, turn back a little bit,
because before the movie was, you know, the usual
Pixar short, and this one was called Lava, about
a singing volcano. Volcanoes should not sing.
Yeah, I just, my thing is that... I'm like, OK,
so we have a singing volcano. This guy is watching
everybody hook up around him. And, you know,
here he is, poor guy, you know, not getting any.
And then it's like what just what gets me is,
you know, he's singing. It's like it's like that,
you know, that that version of Somewhere Over
the Rainbow, that's kind of Hawaiian. Right.
Right. It's like I hate that song. I hate it
because it feels like every time I hear it, it's
something depressing. Like they use it in the
movie 50 First Dates. I hate 50 First Dates.
I think it's the most depressing thing I've ever
seen in my entire life. Oh, come on. That movie
is funny. No, it's depressing because this poor
woman can't remember anything. Like imagine all
the moments. It's like every day is this. slog
because she has to remember shit but that's the
point that's the point of that movie though because
she meets him and he wants to make her remember
every day so he goes about doing all these things
to be able to have like by the end of the movie
they're on the boat in Alaska she wakes up first
thing she sees is the videotape and she remembers
so she's okay for the day like you know no but
it's like no because it's like You know, she
can't even remember that she has a kid. It's
like, God, that's sad. Okay, so now I'm going
to throw you under the bus. Are you telling me
if Trish got into a car accident and she lost
her long -term memory and she only had short
-term or whatever it was that Lucy had, like
all that stuff, you mean to tell me you would
not? Make her fall in love with you every day
for the rest of your lives after that? Okay,
oh, well, yes. Yes, yes, I would. Okay, of course
you would. That's the same thing. That's what
that movie is. Okay, there's one thing about
real life. Another thing about movies. Like,
I'm one of those that I like to, that with a
few exceptions, I like to kind of get away from,
you know, I don't like to be depressed in film.
So, like, for example, The Descendants with George
Clooney and that Divergent Girl. Shailene Woodley
or however you pronounce her name. Oh yeah, it's
a good movie, but wow, it's depressing as hell.
And I think that uses that thing of somewhere
over the rainbow again. You want to know what's
really depressing as hell? You said Descendants.
The first thing I thought of was that stupid
Disney crap. I had a feeling. I had a feeling.
But the other thing for me is I think the kicker.
The kicker for me with somewhere over the rainbow,
the tropical version, has to be the TV show ER.
because they killed Anthony Edwards' character,
and his death scene is pretty much set to that
song. So I'm just like, okay, yeah. Yeah, no,
I'm done. I'm like, I can't. I can't listen to
the song because I'm like, oh, shit, who died
now? What horrible, depressing thing. So that's
kind of how I feel about Lava, is just... You
know, it's just the fact that there's this happy
song, but it's him basically being lonely as
hell. And, oh, there's a female volcano. Oh,
wow, that's cool. Oh, shit, but he's slowly sinking
into the ocean. It's like my wife started crying,
and I'm just looking at this, and I'm like, what
is with this emotional trauma? The hell, dude?
What the hell, Pixar? So it's like we get a happy
ending, but I'm like... You almost made us think
that this was going to end with our singing volcano
dying. What is the matter with you? What is the
wrong with you that you did this? Seriously.
Seriously. I mean, yes, I'm like, the happy ending.
I'm not going, woohoo, happy ending. I'm like,
yeah, you damn well better give us a happy ending.
Yeah, you're not going to give us no freaking
depressing ending with the freaking volcano just
crumbling to dust on the ocean floor, unloved.
Hell no! Like, that's my feeling. So yeah, it's
not that it wasn't a cute little short, it's
just that, yeah, having my wife crying next to
me and just kind of watching frustratingly as
this guy is happy singing while the potential
love of his life is up on the surface and he's
almost dead on the ocean floor, I'm like, what
the fuck, man? Really? The hell? What's the matter
with you? And yeah, well, I'm not letting the
movie itself off the hook. Okay. Well, because
what do we get? It's like, hey, I hope you don't
mind me jumping ahead. Go ahead. Go ahead, go
ahead. Because yeah, in the film, at one point,
we have joy and sadness getting separated, and
joy ends up in... with Bing Bong and, like, this,
I don't know, well of lost souls thing. Like,
basically, in this bottomless, in this giant
pit that is supposed to just make things be gone
forever from your memory. And, you know, they
find, like, this little... contraption and they're
trying to use it to like jump up to the ledge
and they're trying to use happy thoughts so they're
singing this song that Riley used to sing when
she was a little kid and it's like oh you know
they can just if they just get up there they
can make it no everything's gonna be okay but
they keep missing and then you have this look
of realization from Bing Bong that uh oh we're
gonna have to jettison some weight so that scene
comes on and I'm like oh no no no no no no no
no no no no no no no no fuck you No, no, no,
no, no, no, no. You're going to have Bing Bong
do a sacrifice play. I'm like, fuck you. Fuck
you, Pixar. What the hell? And all I can think
of is, denizen some waiter will never make it
back to Cybertron. You heard Astro Train. Yeah,
there you go. What's it going to be? Yes. I say
survival of the fittest. All in favor? Aye. Against?
Nay. The ayes have it. Yeah. Yeah, basically,
that's what happened. We had to jettison some
weight things, so it's like, hey, kids, look
at Bing Bong sacrifice himself. He's dead now.
Goodbye. And I'm just like, what the... I'm like,
damn it, man. Damn it, Pixar. It's not the character
that I really dislike or like or whatever, but
anytime any Richard Kine character gets to get
killed, I'm happy. hate all of his role like
mark mark on mad about you is the most annoying
television character of the 90s he's more annoying
to me than urkel is he more annoying than janice
which janice the one that dated chandler bang
on friends yep i wouldn't know because that entire
show pisses me off i hate that show I'm going
to have to find you a YouTube clip of Janice
from Friends and send it to you. I'll put it
to you in this context. Mark on Mad About You
is more annoying than Phoebe on Friends. And
Phoebe's pretty annoying. Actually, I like Phoebe
a little bit. So yeah, Bing Bong sacrifices himself.
You know, just kind of like how, you know, other
sacrifices are made in 7, 8, 9 and all that stuff.
Well, we don't know about 9 yet, but... I know.
I'm an evil Sith Lord. Yeah, well, you probably
already have people on the internet now like,
yeah, we don't know about 9, but you better not
kill 3PO! Damn you, Disney! You better not blow
up R2, you know? Oh my god, you and I are numbed,
eaten by the Rancor. What is the matter with
you? They can have 3PO blown up as long as nothing
happens to R2. I'm good. I like R2. Because R2
and BB -8 need to, you know, have more adventures
together. R2 -D2, BB -8, buddy cop movie. Yep,
pretty much. Absolutely. So who's going to be
like the really, who's going to be like the straight
man who's going to be the one that's like crazy?
Mel Gibson crazy. Um... Hmm. Yeah, it would probably
be R2. As the straight guy or the Gibson? The
crazy. It would probably be R2. Have you seen
all of the... I think I showed these to you last
time we did a podcast together. The Star Wars
blips where it's mainly BB -8, but it's animated
stuff with them. doing various things with BB
-8 and R2. No, you didn't show me, but somebody
else has shown me that. Oh my god, I love those
things. They need to do more of those. I love
that so much. You have no idea. So do you want
that instead of Legends of the Force? Legends
of the what? Legends of the Force or something.
It's like the little Star Wars shorts that have
the different heroes. They focused a lot on the
female heroes. No, just give me the robots. That's
all I need is the robots. You don't need more
Ray, you just need more of the robots. Alright.
I mean, we could probably use certain robot parts
on Ray, but anyway. Yeah, that went dark, didn't
it, folks? Okay, inside out, Pixar. Forget talking
about making Ray a Borg. She would be the Borg
Queen. Oh, jeez. Talk about some first contact.
Yeah, you're handling those emails, buddy. Emails?
What emails? We don't get emails here. Right.
Whatever you say, dude. I don't even remember
the last time I got an email to read on air.
I don't even remember the last time I got a new
iTunes review for this show to read on air. It's
probably like four years ago at this point. Is
anybody even listening to this crap? They probably
are. They probably are and trying to find a message
board to just seethe in rage. Thankfully we don't
do that. What's this we, Kimo Sabe? No, we as
in the GCRN, dummy. Yeah, we don't have a message
board. We have a forum for staff stuff, but if
people want to comment on the post, which nobody
ever comments on any of my content that I put
out, so it's not like it really matters. Do you
want a hug? No. We're talking inside out. We're
talking emotions. Do you need a hug? My inner
Louis Black is just exploding with... With anger
and resentment at this point, folks. I've been
at this almost ten years. Anyway, Inside Out,
it's a great little film. I do really, really
enjoy it. Any negatives it does have, the positives
outweigh it by a million. Well, and I mean, I
gotta be honest, any negatives that I might have
with it are born more just out of, again, the
fact that Pixar... Pixar wants to make you feel.
They will make you feel things. It's unavoidable.
It's unavoidable. It's your destiny. You're going
to feel things with a Pixar movie. Bring tissues.
Hug your loved one. If you didn't see it with
your loved one, I don't know why you wouldn't.
As you're walking out the theater, give them
a call. Tell them how much you love them. Just
say how much you cherish them. Pixar is going
to make you do that. Pretty much. Yeah. Yeah.
And the other great thing about this is the Michael
Giacchino score. Oh, yeah. His Pixar stuff is
so good. I mean, he just does such a great, great
job. And the score for this is so fun. It's just
such a good, good score. What would you give
Inside Out 0 -5 for a rating? I would say a 4.
A 4. And by the way, I do sympathize with the
clown at the party. When we get into his emotions
and it's like, four years of drama college for
this. believe me as someone who's someone who
tried their hand at performing yeah i i i do
i did have those moments of like i studied drama
i you know i've been on stage what the f yeah
yeah sad drama clown yeah well then there's the
goth the uh the goth kid yep all right folks
i know it's been a short -ish long -ish journey
here of emotionally filled, charged stuff. We'll
see. I don't, I don't, I don't think, uh, I don't
think anybody would want to hear us like just,
you know, crying and just being like, Oh my God.
Yeah. No, that's why I love anger so much. Cause
he's the comedy of the movie. Yeah. We're going
to take a quick break, come back with final thoughts,
and teasing up the next episode after this. We
talk. Hello, Julie, what the heck are you doing?
Trying to make our spot sound more exciting by
adding explosions. Yeah, I'm pretty sure you
could have got the point across with sound effects,
not the real thing. Download the show on iTunes
or at simplisticreviews .blogspot .com. I'm sure
your insurance company will cover that. No, they
won't. No, they probably won't. All right, folks,
we are back here on ToonCast Beyond episode 80.
Quick notes before we get out of here. There
are no future plans for Inside Out or any Pixar
sequels for their past films because they want
to go in a new direction and create new and whatever,
and that's great. Well, no, we are getting some
sequels. Not for Inside Out, according to what
I'm hearing here. Okay, no sequel for Inside
Out, thank God. But we are getting Wreck -It
Ralph 2, we're getting Incredibles 2, we're getting
Toy Story 4. Okay, yes, those, but... But yeah,
beyond that. Yeah. In a July 2016 interview,
of course, this was last year, but obviously
it's changed a little bit. President Jim Morris
said that while demand for a sequel is high,
the company has committed its resources to several
original movie concepts from June 7th, 2019 onward.
So pretty much after 2019, no more sequels. You
know, I got my incredible sequel, so I'm happy.
Yeah. When's that come out? Next year? Yep. Yep.
Yep, they already have the teaser out for it.
Oh yeah, that's right. Yeah, I remember seeing
that. Did you know that there is a lawsuit thing
with Inside Out? Really? On June 19th, 2017,
Denise Daniels filed a lawsuit against Disney
and Pixar for breach of contract. Daniels had
been working on a creative project, The Moodsters,
with a theme similar to Inside Out and had discussed
prospects of a TV production with Disney and
Pixar. She's two years too late, honestly. Like,
really? Seriously? You may have been talking
with them and they may have taken part of your
idea and ran with it, but it's Disney fighting
their lawyers, fighting them in general. You're
not going to win. Yeah. Worst, like, okay. The
best she could hope for is that they do, they
do like something under the table and, you know,
just toss it. Yeah. Yeah. But it's not, uh, it,
Yeah, you're not – the best you can hope for
is, yeah, is that because they're not going to
be going, oh, crap, this woman wants to sue us.
They're going to be like, okay, yeah, whatever,
okay. Because, I mean, hell, if they could –
okay, if they could weather – if they could weather
– a lawsuit saying that Lion King is a ripoff
of Kimba the White Lion. Yeah. If they can weather
that, they can weather this. Yeah. I mean, it's
not that I don't feel for her. It's not that
I side with the Mouse House. It's that this is
just the reality of it. Absolutely. Well, that,
and I mean, come on. Like, if, what's his name
that tried to sue? the fast and the furious franchise
saying he had the idea first or whatever, whatever
the hell that was. You're like, if he can't win,
this chick isn't going to win against Disney.
I don't know. Uh, you got anything you want to
promote here in 2018 since we are in the new
year at this point? Well, um, okay. Well, uh,
still, you know, keeping it reals and let's be
reals is still going strong and we've got some
cool stuff in the new year. Can't do any details
yet, but also I have something really cool that
should be coming out soon. Again, I can't...
As we record this, I don't have the go -ahead,
but believe me, I think as soon as I have, I'm
going to share it on TFG on Mike's Twitter and
with the Geekast Radio Network and everything,
and hell, maybe even be able to... Talk about
it, like, actually in depth, like in one of the
podcasts or something. Cool. Maybe even get some
people to come in with me. Cool, cool, cool.
But, yeah, there is some cool stuff coming up.
I mean, that's all I can say right now. Awesome.
Thank you for joining us here on ToonCast Beyond.
And of course, we invite you to get in contact
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Follow us on Twitter at ToonCast Beyond. At GCR
and ToonCast are the show Twitters. I am at TF2
and Mike. You can also follow at GeekCastRadio
for all the other network updates. What is your
Twitter? Yep, still going by WhiteBalloonKing.
W -H -T -B -L -L -N. King, because why? Twitter
only gives, like, only so much for characters,
so I couldn't do the whole thing. Had to take
out some vowels. You might want to check now,
because I think they increased their character
limit on the actual posts for Twitter. They might
have changed it for the usernames, too. I think
the at... I'll need to check on the at part.
I know that the actual name part that they've
extended it, like I actually played around a
bit with my name, called myself Eduardo and Friar
the first. Actually, that's a Game of Thrones
thing, but yeah. I'll have to check that. See
if I can finally add those missing vowels or
if they're going to be like, nope. Nope, it's
set in stone. Screw you. This isn't Wheel of
Fortune. You can't buy any vowels anymore. Pretty
much. Become a fan on Facebook at facebook .com
slash geekcastradionetwork. We hope you enjoyed
this episode of Tooncast Beyond and wish you'll
join us next time when we will be giving you
our thoughts on X -Men The Animated Series Season
5. For now, I am TF2 and Mike with Eduardo and
Friar. Thank you for listening. Until next time.
What makes us like we are anyway? Gamma rays,
pollution, ozone depletion, television, progress,
lousy luck. You sure make a lot of noise.
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