ToonCast Beyond
Fleischer Studios Animation History

About this Episode
Beyond good, beyond evil, beyond your wildest
imagination! Welcome to Tooncast Beyond. This
is yet again another animation direction spotlight.
Which one is this? Fired. I know, right? I probably
should be fired, ladies and gentlemen. This is
the seventh, yes, seventh animation direction
spotlight, and this time we're going to be talking
about the Fleishers. Um, of course, IMT, if you
wouldn't mind joining me as TV's Mr. Neil. I
would gladly pay you Tuesday for a hamburger
today. Oh my god. I don't know if he is the best
or the worst sidekick ever. He has his moments.
Over in pixels the animation I bitched and bitched
and bitched in the Mario era about Mario being
obsessed with food and everything else but you
know sadly I don't mind that um oh god what's
his damn name? Wimpy. Wimpy that's right Wimpy
um I don't mind that I mean Wimpy's already obese
really he's just adding to his problem um But
yes, we're talking about the Fleischer's And
what I find really interesting we're gonna start
off in the now in the today and then we're gonna
go back to the past what I find really interesting
about the Fleischer studios today is that It
operates as a company which continues to hold
the rights to Betty Boop and associated characters
such as Coco the clown So I like that it's been
kept in the family. So often you'll see companies
like this, you know, be sold off to some giant
conglomerate and not have any of the original
family members in it. Eh, there's that. Flesher
Studios started, it was founded in 1921 as Inkwell
Studios, or out of the Inkwell films. Right.
So Inkwell Studios, you know what the first thing
I think of when I see that name? What? The Ink
and Paint Club. Ah, okay. That's the first thing
I think of when I see that name. And man Yeah
And man that that studio is it's been open 93
years Wow Holy crap For the Fleischer stuff.
I remember seeing a lot of Popeye cartoons, but
I never really as a kid paid attention to who
was doing The Popeye cartoons. You know what
I mean? Yeah. And even now, I hear the theme
song, but unlike the Looney Tunes stuff where
I actually look at the credits, I never really
looked at the credits for Popeye. And it's so
interesting that he was at Fleischer. He started
at Fleischer, didn't he? Yeah. And they have
two of the Biggest strongmen in pop culture history.
They have Popeye and Superman, right? They also
have Betty Boop. Oh Well, well really quick you
asked where Popeye started he didn't actually
start at those cartoons So he was originally
a cartoon comic book character comic strip character
that started in 19 1990 think and He was actually
like a bit character who was in a comic called
Symbol Theater, I think. And he eventually evolved
into the main character, and the comic's name
was changed to Popeye, eventually. So... Yeah,
I meant in animation, though. He started at Fleischer.
Absolutely. In fact, his first... I think his
first cartoon was in a Betty Boop cartoon. Oddly
enough. Oh, God. Olive Oyl is Betty Boop's sister.
Oh, no. What, um, what drew you to the Fleischer
cartoons? Um, well, it's not really that anything
specifically drew me to the Fleischer cartoons
because going back to when I was a kid, everything
was in syndication packages and you had, you
had, you know, the Hannah Barbera stuff, you
know, it's like you'd have Flintstones and you'd
have Jetsons in another package and then you'd
have Tom and Jerry and then you'd have like what
he put would pack her in his own package and
then he had Popeye and back then Popeye they
just mixed everything there was like the uh oh
let's see there was the Fleischer Popeye there
was the famous Popeye and there was one I think
in the 60s like god I don't remember I should
remember the name of the guy because I hate him
but uh there was a guy who had at a studio that
made some of the worst Popeye cartoons ever then
there was like a late 70s early 80s Hanna -Barbera
Popeye and those are like the the four main ones
and the Fleischer ones are the best of the group
because they're so well animated they're kind
of simple and and they got they have a lot of
like repeating cycles and everything but they're
really well drawn and the animation is really
top -notch in fact I think the Popeye cartoons
are the best black and white cartoons out of
any studio I mean you compare this like the porky
pig cartoons. These Popeye cartoons blow porky
pig away because they're just so funny and lots
of lots of really great funny gags and you know
just it's the one that makes me laugh the hardest
is when it's the first the first one where Sweet
Pea shows up and he's he's taking Sweet Pea to
the uh to the zoo and there's all these funny
gags with the animal like Sweepee gets into the
elephant pen and the elephant's just barely missing,
trampling on Sweepee. And there's the one where,
or the same episode where Popeye has to wrestle
an alligator and he does the alligator wrestling
where you rub the, you get it on its back and
you rub its belly. And then the alligator gets
up and lays Popeye down and rubs his belly and
Popeye falls asleep. And that I think I laughed
the hardest out of any cartoon. Yeah, these are
such great cartoons and I think 1929 or so they
or maybe what maybe later than that they did
three short or actually they did three shorts
that were like they were double real so they
were like um Well, they were more than double
like they're almost triple length But they were
two real cartoons and they made three of them
and it was like this trilogy of color specials
It was the first time Popeye was in color those
those are like the best and I think you should
put those in the show post because they're all
public domain anyway so you're not getting into
any trouble if you show them on the site so yeah
those are really neat like the one where he meets
Alibaba in the one where he meets Sinbad the
sailor that's the funniest one I think yeah what
I remember about Popeye is As a kid what I remember
about it without Going back and watching some
of them which I did before we did this I mean
I saw the Alibaba one I saw the sin bad one and
Almost I really remember is it's either I Don't
think it's Fleischer, but it's um It's later
when he has the the three nephews They saddle
him with three nephews and or three sons or something
They basically pull a Donald duck on him. Yeah,
they do and They're talking about eating the
spinach and the kids don't want to eat that.
That's what I as a kid That's what I remember
from Popeye But going back and watching these
really as a kid watching the Fleischer Popeyes,
what I remember the most is just a constant Battles
between him and Bluto over olive oil And I'm
sorry the hell kind of a name for a woman is
olive oil I just don't... I like that she's just
a twig, and for some reason you have to use two
clowns fighting over her. I don't get it. And
they make... I know in certain ones, Bluto was
more... fat than muscular, but in some of these,
Flasher ones, he's... He's muscle bound. He's,
he's, he's not, you know, obese. He's not, you
know, out of shape. And it just, I don't know,
like the ones where he's shown to be fat and,
you know, not your, your average typical guy.
Well, not the the the strong, you know, big muscled
guy. I can kind of see why Olive wouldn't want
to date Bluto, but it's one of those things where
it's it's a little strange and it just I don't
know. The love triangle between the three of
them is just so weird. It really is. I think
my favorite Popeyes are him and Wimpy and Wimpy
always dealing with the hamburgers. My favorite
thing about the about the old Popeyes is just
they let that voice actor oh Man, I wish I don't
have his name here But that guy they would just
let him ad lib like crazy like you watch those
cartoons Popeyes lips are not moving He's not
he's not he doesn't even appear to be communicating
and that guy's just ad libbing like crazy Mm
-hmm, and it's it's always funny The Popeye's
a Voyage 2004 Popeye and Son 87 Popeye meets
the man who hates laughter 72 1980 Jack Mercer
Jack Mercer. Yeah, and you know what that guy
voiced Popeye from From the very early cartoons
all the way until the Hanna -Barbera era he voiced
that character right up to the 80s and The first
cartoon that he wasn't the voice was Popeye and
Son. Right, right. And he might have been like,
he might not have been in the very earliest Popeye
cartoons, but he was in there pretty quickly.
Other Fleischer properties such as Betty Boop.
Oh my God. I hadn't thought of Betty Boop until
she showed up. Who framed Roger Rabbit honestly
like I hadn't seen him by the time I was nine
years old and 89 I had not seen a bitty boop
cartoon. I I don't think in a long time and 88
I should say there's one Roger Rabbit came out,
but the fact that Mae Questel was able to reprise
like Reprise in who framed Roger Rabbit for that
one scene, right? because she was the original
Betty Boop. That's awesome. Yeah. Um, the other
crazy thing about her is she is, um, um, uh,
the aunt in, uh, uh, she, she, she's uncle Louis's
wife and Christmas vacation. I, I cannot believe
they got the voice of Betty Boop to be this basically
aunt who is just off her rocker and not all there.
Aunt Bethany, that's what it is, Bethany and
Louis, that's what it was. Oh, in 33 she started
providing the voice for Olive. That's interesting,
1933. Let's see Alzheimer's disease she When
was it? Age of 89 doesn't say exactly what year
here. I'll say She died in 1998 You know, I love
the Betty Boop cartoons they're just Between
them and, I know this isn't Fleischer, but between
them and the red hood cartoons, the wolf in the
red riding hood. Right. Oh my god, this is so
amazing. Fleischer's has had a lot of stuff over
the years. Arguably their two biggest are Superman
and Popeye. Right. those I can't believe there
are only 17 Superman shorts right I just cannot
I mean Superman was huge and I just can't believe
that that they were only only had 17 shorts Superman
was a huge step up from Popeye I mean they they
increased the quality quite a bit when they start
to make Superman cartoons yet you could still
kind of tell that they were the same studio I
still remember that very first episode because
it's such a... The very first episode of the
Superman Fleischer cartoons is him going up against
the mad scientist in the castle on the hill that
has this evil bird and everything else. This
mad scientist is going to destroy this city.
It really reminds me of one of the Gossamer Bugs
Bunny cartoons. Yeah, it does. It really, really
does. But I still love it. I think what I love
most about the Fleischer Superman stuff is just
how well... The the wink wink nudge nudge was
done when it came to Superman being Clark Kent
like you You hear Lois and Perry off to the side
saying something about Superman and Clark Kent
Clark's never around when we need him and blah
blah blah and you'll see Superman on screen just
kind of wink and then run off to To either be
Clark or you know, whatever else. It's just it's
so funny It's just absolutely so funny I think
that was my outside of the 78 film The Fleischer
Superman cartoons was my first exposure to Superman
outside of the 78 film and obviously Super Friends,
but I Don't remember ever seeing a lot of the
old TV series for Superman I mean, I remember
Batman because it was so so Campy and so there
and so in your face and it's interesting that
at least to some people in You know the mainstream
that Batman's kind of everywhere now and Superman
still around he's still everywhere as well, but
it seems like the popularity has shifted Between
the two and Batman's kind of in the lead right
now. Yeah, they kind of go back and forth were
you talking about the the superman uh theatrical
serials like uh one with no um because i don't
know the the the tv series the 50s tv series
adventures of superman uh not to look that up
it was with um oh i don't remember off top my
head uh yeah i i don't remember Speaking of Batman,
these shorts actually inspired Batman the Animated
Series quite a bit. Oh, absolutely. Absolutely,
that and the 89 film. Yeah, but they really went
for the style of this cartoon over pretty much
anything else. Right, right. Yeah. And the sad
thing about the Fleischer Superman is that This
is actually around the time that Fleischer fell
apart. So it started at Fleischer and ended at
famous studios, which is not one of my favorite
studios. The famous Popeyes are kind of not good.
I mean, they're acceptable, but it's less about
visual gags and more about like, you know...
You know working up to Popeye getting spinach
and just beating up Ludo for I don't know we're
hitting on olive for some reason And they're
just I just don't find them as funny Yeah Whereas
like in in the Fleischer's it's just amazing
Like I said, it's so simple and yet like sometimes
they would just do this do some of the most amazing
animation like in one of the one of the extra
length episodes that I was talking about there's
one where they they have Popeye hanging from
a rope, and he eats the spinach and he beats
up this fish that's about to eat him, and then
he spins up the rope, and as the rope is wrapping
around his body, if you watch the animation,
they aren't just running a loop, they're actually
showing how the rope is wrapping around and around
his body, and there are no two frames that are
the same. It just gets more and more complex
as the rope around his body is getting bigger.
bigger. It's really incredible animation for
the 1920s and 30s for Christ's sake. And it's
like stuff that you wouldn't even see today.
Like they would never do that today except for
like I don't know CG animation where like you
could actually like I guess program a routine
in the computer to do that but they would never
do that traditional. No not at all. Not at all
Yeah, you know looking on Looking it up on Wikipedia
to jump back to Superman for a second here. I
was thinking of Bud Collier but the one that
that came up was the It Come on back button The
adventures of Superman 104 episodes six seasons
It was George Reeves But I mean I Just remember
what I was saying about this was I remember seeing
the specials on that 14 disc Giant DVD set they
did for the films and I remember seeing the special
feature they you know talking about the history
of Superman and how on the TV show he used a
springboard for flying and that and that kind
of thing and and like This is what I was saying.
It's like Outside if it wasn't for the Fleischer
cartoons my first exposure to Superman would
have been Donner's 78 film It would not have
been anything other than that. Well, it really
shouldn't be Super Friends, anyway. Well, yeah,
Super Friends. It's like how many episodes that
I'm just fighting weather. That or how many episodes
is it just Darkseid lusting over Wonder Woman?
Or just Wendy and Marvin. Say typical Saturday
morning, you know, you can't have them like actually
doing anything violent So you have to kind of
find a way to do Superman and Batman while not
actually doing the things that Superman and Batman
actually do It's like they can I guess Batman
can throw a grappling hook, but he can't punch
the Joker Yeah, yeah no punching allowed but
he can meet Scooby -doo Yeah, we were really
off -topic. Why is your studios? Yes, why is
your studios? Yeah, and I guess what happened
to the studio was It's kind of a long story but
short of it is that the brothers weren't getting
along and I guess they were hemorrhaging money
and they they actually had to sell out to Paramount
Paramount basically took over the studio and
it became famous and You had said that that that
the Fleischer studio actually continues on but
I think that's more of like a Like a holdings
company. It's not the actual studio. Yeah, the
studio became famous and Yeah, and made some
terrible puppy I'm sorry. I just don't like those
cartoons. What do you prefer better Popeye and
color or Popeye and black and white? I would
say black and white but um One caveat on that
is that they had colorized some of the black
and white cartoons and Some of those are hit
-and -miss like I know like most the the popular
opinion is that like Popeye and colorized black
and white Popeye No, but like some of them came
out. Okay, and some of them really weren't very
good at all So yeah, I guess I I guess I sort
of side with the people who like are purest and
want black and white But some of them are okay,
I guess That's not counting the the three color
specials where they were in color to begin with
Yeah, and those were actually pretty cool because
you notice they had like 3d sets in there They
had they had actually built little sets and they
put the animation on top of it in sort of a weird
I'm not even sure how they did it. It was like
kind of what it kind of looked like Roger rabbit
ish, but it also The way they were built they
kind of look cartoonish anyway, and it didn't
look weird so you have you have Ludo and pop
by walking around these sets that are built in
clay and whatever else, but they look like they
belong it's they Really did a great job on those.
Mm -hmm. Yeah I wish we had you know something
today um that had Popeye and like something like
Roger Rabbit that made it make sense for all
the cartoons to come together um I know they've
done several commercials where several different
like 80s cartoons have come together and stuff
but um it's It's still not. I really want to
see a lot of these old cartoons kind of come
together in some sort of way, even if it is just
some ad. I'm trying to remember what ad that
was for like a bunch of cartoons all came together.
It was like Popeye and a bunch of Hanna Rivera
characters and the peanuts and Grapevape and
Voltron. It was probably. I don't remember what
that was a commercial for. I think I think it's
MetLife. Oh, really? Think it is met life because
it had peanuts in it and usually when you're
talking met life The peanuts are not far behind
yeah I'm just trying to see if if I'm right here
I don't know. Yeah, but I could have sworn it
was a MetLife commercial. See, when you make
stuff like that, it kind of builds a sort of
a Saint Elsewhere theory where all the cartoons
exist in one universe and all you have to do
is find all the places where they cross over.
If anyone out there knows what the Tommy West
ball theory is. It was from two years ago. It
was... It was MetLife. They're all in a field.
It's Peanuts, He -Man and Battle Cat, Peppy,
Speedy, Scooby, Mr. Magoo, Quickdraw and Yosemite
Sam walking hand in hand is strange, Marvin the
Martian, Elroy Jetson... Grapeape, Richie Rich.
Richie Rich has Daphne in his limo. Voltron,
yeah, it was MetLife. It was the Everyone commercial,
that's what it was. It's just so, so hilarious.
Something like that would be interesting to see
with a lot of the old stars, it really would.
And I know we've gotten way off topic here, folks,
but Fleischer Studios... amazing stuff that they
put out absolutely love it even today it's still
very enjoyable and very funny I mean the Popeye
stuff is just it's just so funny the Popeye stuff
might be the earliest cartoons that dealt with
bullying I don't think they dealt with bullying
I think they were It's like we're talking about
a time when like none of these social issues
were really a thought in anyone's mind It was
just like what is the funniest way that we can
make pop? I beat the shit out of Ludo Well, yeah,
but I mean, you know you take it in today's Standard
and crux and look at it that way. Yeah, but then
tech technically Bluto was a bully Yeah, then
you get you get the cynical people who are like
well Popeye was just preventing You know, Bluto
from raping Olive, and I'm like, dude, don't
look at it that way. I hate when you superimpose
social issues on Holder. Okay, no, I don't look
at it that way, but I do kind of see it as Bluto
was the bully. Yeah, I'm just, you know... Popeye
had to be the hero. I'm just I'm just afraid
of opening that can of worms It's like once you
go down that road then other people like oh,
there are other social issues we could talk about
All right, um All right, so that has been this
episode of tune cast beyond You know Fleischer
Studios amazing amazing stuff coming up next
we've got Walter Lance that's gonna be all you
buddy had to give the history lesson on that
cuz I Until you mentioned the name. I don't think
I've seen anything that they've done Yeah, Woody
Woodpecker is kind of falling out of favor. That's
really weird because there was a time when like
that was a staple thing you would have like the
classic cartoon blocks. It would be like Flintstones,
Tom and Jerry, Woody Woodpecker, and Popeye.
Just like two hours of, pretty much anywhere
you lived. Someone had like a two hour block
where it was like those four cartoons all stitched
together. And of the four, Woody Woodpecker is
the one that's fallen into total obscurity. And
I'm not sure why. Yeah, and it's kind of sad
though when you think about it, I mean cuz Woody
Woodpecker cartoons were hilarious. They were
funny Yeah, I mean they kind of they kind of
went to the the same way that Popeye cartoons
went but not as bad Like some of the later Woody
Woodpecker cartoons are kind of left, but there
are certainly a lot a lot of funny ones And I
think I could be wrong about this but wasn't
Chilly Willie blocked in with him. Yes See, I
used to love the Chilly Willy stuff as a kid.
Wasn't that supposed to be Chilly Willy in one
of those Bugs Bunny cartoons where... No, it
wasn't, but I think it was supposed to be a ripoff
of Chilly Willy. It was very similar. Yeah, the
penguin who wants to go home but got left and
Bugs has to take him to the South Pole. Oh, I'm
dying! it's like oh god you get to the south
pole and turns out the penguins from hoboken
new jersey god so hilarious all right we are
gonna get out of here folks we will see you next
time here on tooncast beyond Cheers, spinach.
If he gets through fast, kids, we'll go and hook.
But we don't like spinach. Spinach can make you
strong enough to do impossible stunts. You can
even play the piano like... reaches of the universe,
there once existed a planet known as Krypton,
a planet that burned like a green star in the
distant heavens. There, civilization was far
advanced and it brought forth a race of supermen
whose mental and physical powers were developed
to the absolute peak of human perfection. But
there came a day when giant quakes threatened
to destroy Krypton forever. One of the planet's
leading scientists, sensing the approach of doom,
placed his infant son in a small rocket ship
and sent it hurtling in the direction of the
earth just as Krypton exploded. The rocket ship
sped through star -studded space, landing safely
on Earth with its precious burden, Krypton's
sole survivor. A passing motorist found the uninjured
child and took it to an orphanage. As the years
went by and the child grew to maturity, he found
himself possessed of amazing physical powers.
Faster than a speeding bullet. More powerful
than a locomotive. Able to leap tall buildings
at a single bound. The infant of Krypton is now
the man of steel. Superman! To best be in a position
to use his amazing powers in a never -ending
battle for true justice, Superman has assumed
the skies of Clark Kent, mild -mannered reporter
for a great metropolitan newspaper. Has Wendy
been in yet? Don't mention that Scallywags name
to me. He's a moocher and lives by his wits,
but I'm wise to him. He'll get only what he pays
for. He can't chip me.
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