The Pull Bag
Interview with Kelly Thompson on Kate Bishop and Marvel’s Hawkeye

About this Episode
This is writer Kelly Thompson and you've jumped
inside the pull bag only on GeekCast Radio Network.
I retire for what like five minutes and it all
goes to shit. Hello and welcome to So You Wanna
Be a Hawkeye, a new miniseries exclusively on
the pull bag and studio 2009 here at the GeekCast
Radio Network. This series is going to discuss
all things Hawkeye delving into both Clint Barton
and Kate Bishop in the comics and then in the
Hawkeye Disney Plus series premiering on November
24th, 2021. I am TF2 and Mike. Joining me is
Allison Sky Richards, who came up with this excellent
idea of a miniseries. Hello, Allison. How are
you? I'm doing well, Mike. How's things going?
I know. You almost said, how are you this time,
didn't you? I know. I really, really, really
tried to figure a different way to put it out.
So for those that don't know, Uh, for those that
haven't seen my Facebook or aren't friends with
me, I keep my Facebook stuff public. I don't
care. If people want to see it, they can see
it. I don't care. Whatever. But if we're not
friends on Facebook and you didn't see this,
I haven't really made a podcast announcement.
I've kind of alluded to it the last couple of
episodes, which at this point of recording are
probably not even online yet because I haven't
edited them yet. But my lovely wife, Karen Blanchard
is in the last throes of death. She is, um, Non
responsive completely. There's nothing they can
do She had a battle with alcohol she is and was
60 something days sober except for organ its
multiple organ failure is what she's dying of
liver and kidneys Well in order to get transplants
you have to be sober six months They said she
could make it that way and then it just kept
declining declining declining The last I knew
it was three months. And then when we put her
in hospice, a couple of days ago, as of this
recording, the hospice nurse, when she came to
check her in, basically said she has days, if
not weeks. November 5th, 2021. Add that to the
worst days of my life. And I'm sorry to bring
this entire show down because we have an illustrious
guest with us tonight. A returning guest, you
may know her. From her work on IDW Publishing
is Jim and the Holograms. That series still needs
to continue, damn it. Money More from Power Rangers
Pink, which I believe is a review that I did
with my buddy Jesse Raz and will be an episode
after this, I think. Marvel's Hawkeye Private
Eye, West Coast Avengers, which I have just started
reading. I haven't gotten too far into it, but
I'm loving it so far. In the current runs of
Black Widow and It's Jeff, welcome back to the
GCRN, Kelly Thompson. Thanks for having me, Mike.
I'm incredibly sorry to hear that personal news
of yours. I wish there was anything I could say,
let alone do. I'm so sorry you're going through
that. Thank you so, so much. Yeah, thank you
so so much hugs going through the microphone.
Yeah, the interwebs and popping out your speakers.
Oh, stop poking me in the side. Allison, what's
wrong with you? That is a whole separate podcast.
Allison poking people through speakers with sticks.
They're arrows. I sort of I'm sort of really
like that. And now, or that imagery that's creating
for me, this idea of what we're listening to
sort of being so powerful that it's a physical
manifestation. I sort of love that. It's very
gem to me. Yes, yes it is. It's very hologram
-ish. And the crazy thing is, and this is so
off the wall, and I know this is our episode
with you to talk about Kate Bishop and all that,
but because we've gotten into all of this, I'm
just going to let it ride. Uh, the other day
before Karen came home from the hospital and
before she got sent to hospice, I was sitting
here at my desk. I was just sitting here watching
something or preparing something. I don't, I
don't even think I was editing. I literally felt
a hand on my shoulder and I could hear my aunt
Rose who has been dead since 2003. I could just
hear her voice in my head, and I hadn't thought
of her in at least a few years, and immediately
I messaged my cousin Heather, who was her daughter,
and I'm like, when did your mom die? Wasn't it
sometime in October of 2003? And she told me
the, you know, the date and whatever. I'm like,
holy crap, it was a week ago. Like, wow, like,
you know, at that time, it was a week ago from,
and I'm like, yeah, so the whole... physical
manifestation of audio, I fully believe that
that's a thing. Well, not only that, but also
most Wiccans will tell you that the veil is thin
at Halloween time, so it's easier for you to
contact the dead. I don't like having conversations
with zombies, thank you very much. But I love
Jesus. I think he, I think he pronounces it.
Hey Zeus. Okay. So this is your baby, Alison.
This is all about you and your, your Hawkeye
love. Take it away. One moment. Go, go, go. Can
ripple across space and time giving birth to
new heroes. I can't go home till I fix this.
Look, I know this may sound weird, but I've dreamed
of this for as long as I can remember. When I
put that suit on, I thought, this is it. This
is the moment I become who I'm supposed to be.
Yes, so... Hi, Kelly. How are you? Hi, I'm good.
I'm good. It's great to meet you. Thanks for
having me on. Yeah, same here. It's it's been
fun like talking with you on Twitter for the
last couple. Hold on. Sorry. My cats are being
butt heads. I have that same kind of thing. I
feel you. Yeah, so um no it's just been great
talking to you for a while now almost like a
year or two over Twitter and finally You know
being able to put a voice to the picture Well,
of course, if you listened to my 2015 interview,
you would have heard her voice by now. Why are
you sleeping on all those great interviews? Too
many episodes. Yeah, there are. It's always funny
to me when I find I just went on a podcast for
the first time with, rather, I mean, with some
new people that I hadn't ever podcasted with
before. I just did an interview with them a couple
of weeks ago and I saw a lot of people um talking
in the response to them saying I was going to
be on saying oh my god does she do those interviews
I've never heard her voice before and all this
stuff and all I could think was I've done so
many podcasts. How have these people never heard
my voice? Like so many podcasts are on so many
different channels and platforms and everything
because I don't really do video or live appearances.
That's, you know, podcasts and interviews are
sort of all I really do. And it was just it's
a it's a funny example of how you think you're.
Broadcasting you think you're sharing you think
you're getting out to people and there's still
just huge swaths of them that have no idea what
what you sound like what you're doing what your
books are it's it's such a weird bubble to live
in with the internet where you feel like you're
reaching people and you are But there are just
all these people you can't even see. You can't
even know that they're out there. It's wild.
Yeah. Well, I also use my excuse that I've been
in grad school for the last three years. And
this year I'm in a teaching residency. So I don't
have time. I really haven't had time since 2017.
And on Allison's other podcast, which isn't on
the GCRN, the Fortress of Bailitude Superman
and Lois tapes, they tried to pawn it off like
she was on some super secret mission, like she
was going to go stalk Tyler Hawklund or something.
I did that at DragonCon? That was after you revealed
what your super secret mission was though. Yes.
I have two master degrees. Well, no, sorry. One
master's of fine arts with two concentrations.
One's creative writing and one is screenwriting.
Cool. Very cool. And now I'm going to become
a middle school writing teacher. That's interesting.
Yeah. It's like that's where I got my love of
writing and characterization. That's a very formative
time. I think you're right on the money there.
Yeah, and I, you know, being a student teacher
this year, you know, I'm seeing all these different
students, they're like, they're getting into
D &D for storytelling, you know, they're, they're
video gamers, and all of them are connected through
the art of the story. And I want to be able to
be able to look at all their different passions,
and teach them how they can encapsulate that
and use writing as a tool for a career in the
things that they love. No, I think I think that's
a I mean, I know schools changed a lot since
I was in elementary school, I'm sure. So maybe
it's a little different, but that was very true
for me. I think it was I mean, I'd always wanted
to be a writer since I was little. Like even
before I was going to school, I was like making
little books out of construction paper and stuff.
But it was in I think sixth grade that I wrote
a short story. We all had to write them for some
project or something. And my teacher was like,
you wrote this and like she I mean it was like
I'm sure it was terrible but I was in sixth grade
but it was to her for my grade level it was incredibly
creative and she was very surprised by it and
she was very encouraging and I think it was probably
the first person that made me think oh maybe
I have you know this is what I want to do this
is what I love but nobody's told me I'm any good
at it before like you know that was the first
time and Like, obviously, I got there eventually.
So, you know, thanks to her for sure. Yeah, same,
same. I my first fiction story was in seventh
grade. It was like semi fan fiction because I
took the characters from. from the movie My Girl,
and I threw them into the movie Toy Soldiers,
which are completely two different genres. And
then instead of having terrorists, I had aliens
invade. And so that was my very first one. And
my teacher, she loved it because I didn't stop
at the one page limit. I think I wrote like,
and this is handwriting out, at least 10 pages.
Yeah, that's funny. Let me tell you what, I low
-key love Toy Soldiers and never in my whole
lifetime did I think it would be a movie that
anyone ever brought up to me on a podcast, which
is hilarious. I will also say that, yeah, that's
a very formative time. I think that's a pretty
cool time to be catching kids who are really
figuring out who they are and what they're into
and their creativity being really boundless.
Right after that year, I moved and we moved to
a much bigger city. I had always been in advanced
English classes or honors classes, whatever.
When we moved, the teachers were like, you know,
she's in a much bigger pond now, you know, so
do you want her to be the dumbest in the smart
class or the smartest in the dumb class? And
my parents were like, well, we don't like how
either of those sound, but okay, I guess we want
her to be the smartest, which I appreciate that
so much in my parents who are incredibly lovely,
supportive people who I'm sure only didn't want
to, they didn't want me to ever be hurt, but.
In retrospect, I hope they look back on that
and go, why weren't we trying to challenge her?
Because like, why didn't we have faith in her?
Like, when I hear that story, I find it funny,
but it's a little disappointing. And of course,
the end to that story is that within the first
week, when my parents went to the teacher conference,
the teacher was like, she needs to be in my honors
class. I don't know what she's doing in here.
And they were like, oh, good. There was like,
there was a bit of a concern. And so yeah, so
I got moved to the honors class where there was
a lot more creative writing going on and that
was that was a big class for me that was what
eighth eighth grade ninth grade and that was
a big class for me where I really I think it
was eighth where I really started to push into
creative writing a lot so again a great teacher
who recognized that I had a passion for it and
was really encouraging yeah I I didn't get a,
like my mom supported me a lot. My brother and
my dad really never understood what the whole
writing thing was about. But when I got to high
school, all I wanted to do was write and that's
all I did in any of my courses. And so my math
teacher realized that I was writing an 80 page
Western in my notebook instead of doing my algebra.
And he just looked down here at it and he's like,
okay, first of all, horses weigh more than 400
pounds. Secondly, you're going to need to see
me after class. Third, I'm taking this because
I want to read it. Wow, that's nice. That's nice.
We have very similar trajectories because in
high school, I did all my comics writing. whole
books of it and sometimes screenplays. I wouldn't
say I ever finished a screenplay because even
back then, I was so interested in dialogue. It
was mostly just scenes, but I didn't know how
to format it because it was before the internet.
I didn't know how does it look, how's it supposed
to look. Whether I was trying to describe actions
in a TV show or a movie or whether I was trying
to describe a panel, I just didn't know how you
were supposed to do it. I would just see in my
mind what I thought it was. and then I would
just write what I thought the dialogue should
be. And I wrote reams and reams, filled multiple
was a repeat, and then French 2 and French 3.
My French is very bad as a result, and I have
a lot of really, really terrible early Kelly
Thompson dialogue that she thinks is great. Wait,
wait, wait, wait, wait. You mean to tell me you
can't say that you're truly outrageous, Jim,
in French? Probably not. Truly outrageous. Those
are tough, tough words. I mean, I can say like,
my name's Kelly. You were friends, like stuff
like that. How do you get to the library? The
only Spanish I remember is what I learned from
watching Encino Man and that scene with Brendan
Fraser in the Spanish class. That's funny. I
wanted to do similar with the comic book stuff,
but I had a art teacher when I was taking art
and trying to learn how to draw comics who basically
told me that I wasn't going to get to go anywhere
with my writing. I should just work on art instead.
And I was just like, well, okay, you're going
to be the villain in this novel and I'm switching
classes. That's funny. I think I had very encouraging
all through high school, all through those years
we were talking about and then through to high
school, I was in creative writing and I submitted
to the literary magazine for the high school
and things like that. I think I only got one
or two pieces in, but I was very encouraged.
She was a very, the creative writing teacher
in particular in high school was really great.
It wasn't until I went to college, which I ended
up eventually transferring to SCAD, Savannah
College of Art and Design, to focus on sequential
art. But the first college I went to was the
University of Arizona, which is not a particularly
great school. I mean, it's fine, but. you know,
and they didn't have a particularly great art
program. I was sort of an art major, but I was
also thinking about being an English major. And
I had this basically an English 101 class, and
I not only hated it. But the teacher, he was
terrible. He was uninspiring. And he was totally
uninspired by my work, which, you know, that's
fine. But I will say it was shocking how much
that derailed me. I mean, I would say that that
teacher, after having a lot of teachers who really
supported me and encouraged me to keep trying
and keep working on it, that guy being desperately
unimpressed with me, really set me off a path
where, I mean, set me back years, I would say.
Which is not, I'm not trying to put all the blame
on him. I mean, a lot of that comes from, you
know, as a person, you have to learn how to take
in what people give you and use what you can
and be strong enough to believe in yourself and
push forward even if not every person is like
rah rah rah because not every person is going
to be whether they're just dicks or whether they're
genuinely just don't think you've got it but
you know you got to be you got to be stronger
than that for yourself if you want to make it
through some creative industries like we're in
so Kelly, I swear we have got like the same trajectory
for a very long time because my English 101 class
and I had a teacher who was I was trying to learn
and interpret poetry and she was very much a
Your interpretation must match my interpretation
or you're doing it wrong. No, that sucks. Yeah.
And like to the point where my classmates were
even defending my interpretation of a poem and
she still gave me a C at the end of the year.
And that just threw me off the entire English
program. I didn't want to be bothered with it
anymore. And I went to journalism instead with
the communication so I could still write, but
But yeah, any any career I could have gone through
college with my writing was shot. Yeah, going
back to it like 20 years later. Yeah. But I mean,
I don't know about you. But when I look back
on that, my regret isn't that I took that class
and that he swayed that that he didn't like me
or didn't like my writing or whatever. My regret
is that I was too easily swayed. I had so little
confidence in myself that I couldn't even handle,
you know, one person sort of being like, no,
you don't got it, you know, and so I really let
his criticism valid or not just sway me so much
and I if I could go back I'd still take that
class but I just make different decisions afterwards
you know yeah that that said I ended up at SCAD
which is where I should have been anyway and
you know it was great and obviously I eventually
made it here and it's going pretty well so you
know I can't be too regretful about it but um
I think it's great that you're going to be teaching
kids at that formative age. And I think it's
great that someone who's had very similar experiences
to what I had, ups and downs, as far as that
goes, that's going to make you a great teacher.
Thank you. And hopefully one day I am going to
get some of my stuff actually published. I'm
sure you will. Maybe one day they will let me
come and play with a Hawkeye. I mean, I never
thought I would, so you never know. Well, speaking
of our favorite Hawkeyes, why don't you tell
our listeners a little bit about your history
of working with our favorite Hawkeye, but not
the Hawkeye. So, Kate Bishop and you, what's
going on? Hawkeye was actually one of my early
projects in my tenure at Marvel. The first thing
I started doing at Marvel was a co -write with
Kelly Sudokanick on Captain Marvel and the Carol
Corps, which was part of that Secret Wars story.
And then I did some A -Force, which I took over
from G. Willow Wilson. She'd had some family
commitments or something come up, and so she
wasn't able to complete the book. So they brought
me on. And so that became sort of my first big
series. It was a for the first couple of issues,
but then it was mine. But of course, that got
canceled at 10, and so we were done. But at that
time, ever since I had worked with Sana Amenat
on Captain Marvel and the Carol Corps, I had
been talking to her about Hawkeye, because even
before I got the call to do Captain... Captain
Marvel and the Carol Corps, I had been developing
a pitch called Hawkeye Investigations, which
was supposed to basically pick up sort of from,
even though Jeff Lemire had had a short run in
there, it was sort of supposed to pick up off
of the fraction ideas with Kate in LA as she
was trying to be an investigator. And so that
was the basis of the pitch. and Sona really liked
it and she was really interested and for a while
the timing wasn't right and then eventually we
got there and she's like okay we're gonna do
it like let's you know we're gonna make it happen
and so she started developing the pitch with
me. You know, I think that that book was really
strong. It was perfectly cast with Leonardo de
Romero Leonardo Romero drawing and Michael Walsh
was our alternate artists for when Leo needed
breaks and then we had Jordi Belair colouring
and it was just really just perfect Charles Beecham
was our assistant editor And we got a lot of
development time on that book. I think it's one
of the reasons that it works so well from issue
one. It just knows what it is. And you either
like that or you don't, but it's very confident
about what it is. And it's particularly confident
to me, considering that was my third book at
Marvel, basically. Like, you know, I hadn't done
that much there. And so to launch that book and
have it come out so strong, I was really proud
of us. And I loved working with Kate. She's one
of my favorite characters. I think the voice
is just wonderful. But the best thing about it
was working with Leo and Jordy and Michael and
Sana and Charles. It was an incredible team.
We had a really great time. So we did... We did
16 issues of Hawkeye starring Kate Bishop, the
last arc co -stars Clint as well, as does there's
a Generations issue that happens. Yep. Sort of
in the middle of the run or toward the end, I
guess, the back third. And then we sort of spun
out into an unofficial Hawkeye spinoff with Kate
Bishop reassembling a West Coast Avengers team.
And we got about 10 issues of that before we
lost it, too. But, you know, 26 issues. Well,
27, if you count generations. That's a pretty
good run on a character. It's definitely these
days. It's definitely. solidified her, I think
pretty permanently as one of my ultimate faves.
So I actually like have all four of those books
sitting right on my desk right now. However,
the Hawkeye Private Eye trade paper only goes
up to 12. There's a second volume. They just
released it. Yes, they just released it. I think
they call it Let's see, I'm trying to picture
the cover in my mind. I can't do it Let me see
if I can last the computer You're talking about
the digest size, right? Yeah. Yeah, they did
a Cuz they just the second volume the second
volume which if you already have West Coast Avengers
You maybe don't want to get but the second volume
has the last issues from The from this from the
Hawkeye series and then it's got the first four
issues. I think of West Coast Avengers Would
that be Hawkeye go west? Yes. Thank you. Okay.
Yeah Yes. Yes. Okay good because then I will
have to go see if I can find that one at my store
tomorrow because while I was at my store last
Saturday, I picked up the Marvel verse Hawkeye
trade paper back at digest size that came out
and and it has generations as the last one. Oh,
you're kidding. You'll have to look for that.
That's cool. I didn't know they were doing that.
That's really fun. I sort of hoped that would
end up in these. You definitely need a little
bit of a primer to understand that last, if you
haven't read Generations, a big character is
a part of that for the last arc. of our Hawkeyes,
so I sort of hoped it would get collected in
ours, but it does make a lot of sense to put
the first bit of West Coast Avengers in there,
so. Yeah. Yeah, but Generations actually I think
is probably the first one of yours I read. Oh,
you know what? I'm lying. Generations is in this
Hawkeye Go West. Yeah, it is. It's Generations,
Hawkeye 13 through 16, and then West Coast Avengers
1 through 4. So that's good. That's great. Well,
awesome. I will look for that. Um, because I
want the rest of the of your private eye run
because I know that this is the one that I keep
seeing, uh, images of on, um, there's this like
hourly Clint Barton bot on Twitter that I let
pop up because it always makes me laugh. And
they keep showing the images of, uh, you know,
Kate fighting Kate and Clint's there trying to
figure it out. And I'm like, This is not in my
book. This is not in my digest. Where is this?
But no, I'm gonna have to find that bot that
seems adorable. Yeah. But no, so but no Generations
was the first one I got because I found it right
after I'd read the the stuff with after Steve
Rogers died. And Kate and Clint met while Clint
was in the flag. And I was just like, oh, I need
to find where their first meeting was. And the
comics actually directed me to Generations instead
of what would then happen later in the New Avengers
when they met. So yeah, I was just so that was
the first one I really really read of them together
and of yours. That's funny. I really loved it
because they're like the same age almost in similar.
I mean, it's hard in the Marvel universe because,
you know, they never want to pin down people's
ages. But yeah, they definitely feel like they're
at similar points in their career, at least right
young in their career for sure. Yeah. Yeah. And
you just like. You could see how that you know,
you you see through that through their other
stories, you know how they're like siblings but
here you get almost that whole like Level of
them being equals Completely without having that
that that sibling relationship there. Yeah, and
I just loved that Yeah, I am. I'm a big fan of
their dynamic. I You know when I would go on
interviews back when I was doing the book, a
thing I would get asked a lot was what makes
Kate Bishop different than Clint Barton or what
makes Clint Barton different than Kate Bishop.
There's plenty of things you can point out, but
I just don't think it's as interesting as what
makes them the same. The reason they both have
the Hawkeye name is they have these ineffable
qualities that are just I don't know, they're
just key to Hawkeye, sort of always getting up,
you know, like that determination, that force
of will, you know, the ability to stand next
to gods with a bow and arrow is crazy, but they
just sort of do it, you know. Them always being
injured and having band -aids all over them is,
I think, a great joke that leans into a much
more serious thing that we all don't talk about,
which is maybe you do need to be strapped into
a mental hospital if you think you can handle
things with bow and arrows that gods can't handle.
But I love that about them. I love that wildness
in them that they've got a cheery disposition
as a default. But one of the big things that
I Talk about when i talk about this run of kate
that i did was that. You know in in my fraction
and david asha's hot guy is so together right.
She seems way better than clint in a lot of ways
like he's a mess and she seems like a very cool
kid who's got her shit together. But to me, but
then when Annie Wu comes in and they move Kate
off to LA, the tone really shifts. And I have
not talked to Matt fraction about this, but my
personal take on this is that it's because when
we're seeing Kate in New York, it's really Clint's
book. And we're sort of seeing her through his
eyes. But when she goes to LA, she no longer,
we no longer have that perspective. We're seeing
Kate more as she sees herself. Uh, and so because
our book was not going to have Clint in it from
the go, that was the, the take I felt we needed
to lean into. And man, did I have a good time
with it. It was, uh, you know, she's just like
a really incredible character who you just can't
help but root for. And, um, you know, I'm not
really into the whole, which is the better Hawkeye
because they're both great. They're both great
in similar ways and in different ways, you know?
And honestly, I don't think in a way that Clint,
especially, he needs his anchor points, and Kate
is one of them. Like, Kate and Bobby and Natasha
are his three anchor points, and you can't survive
without them. Yeah, I definitely think that,
you know, it's one of the things that bothers
me when, you know, because it usually comes from
Clint vans to sort of hate on Kate Barton or
Katie Bishop. And I just Clint would be so mad
at them. I mean, I know that's like a weird thing
to say but like You say you love Clint more than
anything Clint would be so disappointed in you
for like ragging on someone he loves I know that
sounds a little unhinged because obviously these
characters aren't real but I guess my point is
People treat them like they're real They treat
them so much like they're real that they're willing
to attack real people who make comics in order
to get their point across And if that's true,
I mean, just step back and be like, man, Clint
Barton loves Kate Bishop. He thinks she's amazing.
He would never want me to say shit about her.
Like, it's terrible. And Kate wouldn't want that
either. It's one of the reasons I've always fought
the whole the better Hawkeye for either of them.
I think it's dumb. There was a little bit of
that in the advertising and some of the stuff
for our book when it came out and I never liked
it and I wanted to talk to them about like, let's
lean away from this. Why are we? Like, Clint
fans don't have a book now. Why would we, why
would we try to, you know, it's all good natured
fun, but like some people aren't going to understand
that. Like, so we should just back off of this.
But, you know, again, it was my third book at
Marvel. Like, it takes a while for you to get
the confidence to be like, I don't think we should
do this thing that you guys think is a good idea,
even though you've been making comics forever.
And I just came here. So, but yeah, I'm not a
fan of the whole trying to make them compete.
They're great. They're great. They fill different
roles. They fill similar roles. I love them both.
Yeah. And I can just see Jeremy Renner's facial
expression right now to any of those people who
tried to do that. Yeah. Well, he does have the
resting murder face. Yes, he does. He definitely
looks a little grouchy sometimes. Well, he actually
talks about how his daughter's friends, you know,
used to be the kids would be afraid to come up
to him at Marvel events because he always looked
angry. That's funny. That's funny. But but no,
I agree with you because, you know, I've noticed
that, like, especially the last like 10, 15 years
of social media has allowed fandoms to talk with
each other. And yeah, we've lost that. that brain
to post filter. People do that with celebrities
in their relationships. How can you say you're
a fan of this person if you're making death threats
to the person they love because it's not you?
That's weird. Social media, it's like anything
else, right? It's this greatest thing and it's
also the worst thing at the same time. It's opened
up so many doors. It's brought so many people
together. It's sort of changed the way you can
have conversations and sort of who has power
in those conversations. But it's also opened
us up to this incredible world of toxicity and
people hiding behind the anonymity of it all.
I don't really know. I rely so much on social
media, so I can't be a person who would say for
my career and also just for my connections and
the people I know. Almost all of my good friends
are not people who live anywhere near me and
so the way I connect to them is through the internet
and you know stuff like that so I it's it's hard
to say that it's a bad thing because it's also
brought you all these really good things but
you know when you see some of the harassment
and some of the disgusting stuff that goes on
it's so sad and so upsetting that that people
Want to behave this way when they're given the
chance. I I think that's the thing that deserves
me the most about it. It's Yeah, exactly reason
why I've always afraid because I have so many
You know celebrity friends just from people who
I've known growing up and people who I've met
at conventions and stuff that You know, when
I want to make a new friend, like when I was
trying to approach you for this, I didn't want
to come off like I was bothering you because,
you know, I value, you know, our Twitter relationship.
I didn't want to come off as like a crazy family,
like, hey, be on the podcast. Coming to Twitter
in 2022 relationship statuses. I've never, I've
never understood the whole, you know, because
someone doesn't like what a comic character does,
attack the creator, give them constructive criticism,
say what you like, what you didn't like, but
don't attack the person that's giving you the
content. Like, that's not... Yeah. I miss the
letters to the editor, you know, way of doing
things because you had the editor in between.
Yeah. Yeah, I mean, listen, I think that it's
it's a weird thing. It's it's a weird thing that
you can become sort of some low level famous
thing. But you don't really have the protection
that comes with, you know, people who are actually
famous. And so it's I don't know. Again, it's
a greatest weekend. It's a greatest, best thing
and a worst. thing at the same time because that
veil coming down between creators and readers
it creates so much cool shit but it also opens
this avenue like you can't you can't filter what
comes through once you open that gate and so
it's like all this stuff is the greatest. And
I mean, listen, I've been incredibly lucky. I
have great fans. People are nice to me every
day on Twitter and say incredible things to me
that are just I don't even can't even believe
they're being said. And I've gotten pretty good
at tuning out the harassment and muting the right
accounts and stuff so that I don't get too much
or I don't see too much. But, you know, it's
just it's sort of relentless, you know? Yeah.
Come on. So let's what back over to to to talking
about fictional people So now that uh Now that
you know, we've started seeing I think there's
three trailers out now for the Hawkeye series
What are some of the things that you're kind
of hoping from? the history of fractions comics
that you kind of want to see them bring over
into the MCU? I don't know that I have any specific
things because when it comes to adaptation, I'm
just interested in it being done. I don't know
what's the adjective I want here. I want them
to be smart. I want them to make smart choices.
I don't care if the choices are always completely
consistent with things I knew before. I'm interested
that they're consistent within the new work,
that they make sense, that they're earned, that
I can relate to them, that they're emotional.
I think a good example of this would be the Black
Widow Yelena sort of family dynamic. I mean,
that is a drastically changed origin story for
Yelena Belova, as anyone who's a fan of the characters
know. She and she and black widow are sisters
of a kind because they're red room graduates
but you know in the comics they were enemies
more than friends most of the time and even though
elena's gone through a lot of evolutions including
in my own book. You know they never had the dynamic
that that that the movie shows but i found. that
dynamic in the movie, incredibly powerful. Like
they really earned it. I felt for them. I attached
to them. And I loved them giving her this really
dysfunctional family. You know, one of the through
lines in the films for Natasha has been that
sort of found family idea of her finding the
Avengers and to a lesser degree, you know, fury
and shield and stuff like that. And I I saw some
people saying that her having a family undercuts
that, and I completely disagree, because I think,
first of all, the first family was a found family,
and so that only emphasizes the fact that she
might look for that again, that she had that
once, and it was great. It might have been constructed
by the Russian government, but it still ended
up being incredibly wonderful for her, and it
was desperation when she lost it, right? The
fact that she would go out and look for that
again and know that her life was missing something.
How would you know that even, you know, without
having seen it? I mean, I think we all know how
to search for family in a way, but I don't think
it undercuts it at all. I think it reinforces
it. And I love that. So, you know, if you had
asked me before I saw the movie, I wouldn't have
said, oh, they should be a family. And if you
had told me they were going to be a family, I
would have been like. I don't know. I hope they
make it work. That's definitely not what the
comic says, but it was great. It was great. It
completely worked for where they need the characters
to go. It worked for setting up all those stakes
and laying out a great story. That's what I want
from Hawkeye too. I want them to find their way.
Yes, it's cool if stuff I've done or stuff from
The Fraction Run makes its way into it in a really
tangible way where you're like, oh, I recognize
that or I remember that or those are the same.
great bits like I mean that'll be really fun
but mostly I hope they just carved their own
path you know and made something great yeah I
love what you said about the found family because
like one of the things that I really wish that
I could get like in novel form or or something
from the MCU is that time period when Clint introduced
Nat to Laura and the family because you, I mean,
you can see how close Nat is to his two kids.
And so being able to see her having that family
again, and then she gets the Avengers family
on top of it. You know, just seeing how that,
how her whole evolution from when Hawkeye was
sent to kill her to the point where we first
meet her, you know, and how that goes through.
And a lot of it is basically from Clint's influence.
Yeah, yeah. I mean, I think to me, I've got no
problem with the family in the movies for Hawkeye.
I think it's interesting. I think it was sort
of a fun swerve. But I do think that it wasn't
as well earned. to me as the Black Widow movie.
Maybe that's just because it got sandwiched into
an Avengers movie. And so that's how we learned
of it. I think probably, like a lot of fans out
there, it took me a minute to sort of warm to
the idea because we had had no hints about it.
They dropped it in as a complete surprise. And
for most people, they saw the relationship between
Black Widow and Clint in the movie, and they
thought, oh, they might have been lovers at one
time. They might be again. And then you're like,
oh, no, this is a very different situation. And
that's not going to happen because she's part
of this family in a non -sexual way, in a non
-romantic way. And so I think that one doesn't
work quite as well, though I think it's worked
better over time. And I will say that the smartest
thing they did about it was Like you said, really
showing that Natasha was really integrated into
that family in a really powerful way. Like that's
Auntie Nat, you know? She loves Laura. They're
all very thick as thieves, it feels. And that
was a really smart move because that really softened
the blow. I mean, I know that didn't for some
people, but for a lot of people, it softened
the blow that like, oh, well, maybe they're never
going to be together romantically in this universe,
but They're never gonna not be important to each
other like this sort of almost transcends that
in a way which I do think in the final you know
in the end game I do think we really saw that
a lot of us including me are very mad that Natasha
was the one who died in that scene, but it's
a great scene and it really highlights you know,
the strength of that relationship between those
two characters. Yeah, I still cry every time
I watch that scene. Have you been watching What
If at all? I haven't. I know. I know they sort
of righted that wrong. I'm using air quotes here.
I heard that. I heard that through the grapevine.
Oh, yeah, I cried through that episode, too.
You should watch What If because it's solely
based on the MCU stuff. It's not directing from
the comics. Oh, that's interesting. I didn't
know that. Yeah, it is solely through Marvel
Cinematic Universe, Marvel's What If, and I don't
want to spoil it, but Allison, you know what
I want to say. Oh, I know what you want to say.
And that widow and that future and whatever happens
in there. Well, who knows? Maybe they could be
romantically linked. You never know. Yeah, but
no, there's three there's you're going to you
end up having three separate Natasha's and three
separate Clint's. Not all at the same time. But
yeah, but no, it's it's really good. But one
thing I was thinking about with Hawkeye's family
and with now knowing that Yelena is being told,
you know, you can go avenge your sister by going
and killing Hawkeye kind of thread that they
had at the end of Black Widow. And I'm kind of
hoping that Yelena having heard all the stories
that that that Natasha talked about clit during
the movie will make her actually want to learn
about her sister instead of avenging her sister
yeah i mean listen i'm excited just like anyone
to potentially see a fun hawkeye hawkeye white
widow fight um that'll be fun uh, it'll be fun
the way I always like superhero fights, which
is make it cool, make it brief, have them get
past it. Like I don't want them fighting each
other for long. So I guess that that's a definite
concrete hope I have for the show is I'd like
to see them fight and then I'd like to see them
quickly move past that and work together or,
you know, for the common good of, of Natasha
or the people Natasha cares for coming together.
So yeah, I hope that that's I mean, there's also
a thread where I'm very happy if she's smart
enough to avoid the fight. And like you said,
you know, really really think about what Natasha
would have wanted and approach it from a different
angle. And I think that they are writing a more
nuanced Yelena than we frequently seen in the
comic. And I sort of include my own in that she's
a very like, strong personality who sort of a
little bit goes off half cock sometimes. So You
know, we'll see what they do there. I'd be fine
if she avoided them fighting and just took a
different angle I think that would be smart,
but if they do fight I just hope it's very cool
and brief So now here's here's a fun one for
you and it's not on our script Mike so don't
worry about that So there are two directions
I can see the MCU going with how they've been
playing these TV series I can see them either
going and having a West Coast Avengers or a Young
Avengers based on the characters that we've gotten
to see. Which way would you want to go if you
could join as a writer? Well, I mean, I think
I'm just way too biased. I think if they were
going to do a West Coast Avengers that involves
my girl Kate, probably they're going to be looking
at my book. And so selfishly, I really like that.
And certainly if I was going to be involved,
I really like that. I do think that the format
of our West Coast Avengers series with the confessional
interviews and stuff. They could have so much
fun with that. I think it could be amazing. But
if I take myself completely outside of it, I
think the heat's probably more on Young Avengers.
That was very popular, not just some of the original
stuff back when Kate was... creative, but also
the Caringill and Jamie McKelvey stuff is so
cool. I think if I was Marvel, I would want to
push. Our team was very diverse in West Coast
Avengers, but it was less forefront. I tried
my best. I got some of it in there. I didn't
get as much of it as I wanted in there. I think
some of that falls on me. Some of it's not. I
do think the sort of youth would be more in the
West Coast or in the Young Avengers. I mean,
people have been wanting that book back for so
long and to see it come alive with all new young
characters like the next generation, that makes
a lot of sense to me. Yeah, because I mean, we've
already seen, what is it? We have seen, obviously
we're going to see Kate. We know we have Cassie.
The kid who would play Iron Patriot was in Falcon
and Winter Soldier. And we had the child versions
of Billy and Tommy already in Wandavision. Isn't
America Chavez going to be in Doctor Strange?
Didn't I read that? Yes, you're right. She is.
So, those seem like the pieces to me for building
a Young Avengers. West Coast Avengers, you could
certainly spin it out of Hawkeye, but I don't
know why you wouldn't just spin another Hawkeye
out of Hawkeye, whether that be Hawkeye and Hawkeye
or Hawkeyes or Clint leaving the title to become,
to let it be Kate's or Kate leaving the title
to become something else. I don't know. It wouldn't
make a ton of sense. You know, both Young Avengers
and West Coast Avengers have the name in it.
If for some reason marketing doesn't love the
name Young Avengers, which I can sort of see,
I could see them going with calling a Young Avengers
West Coast Avengers, but keeping it more, you
know, or maybe they'd hybridize it. Maybe they'd
take a little from both and create something
new. That would be fun. I mean, putting it on
the West Coast and using Young Avengers. characters
plus maybe a confessional aspect reality show
thing element to really getting in there. Like
all of that stuff could be fun. There's so many
options. I mean, listen, when I look at the I
love the Marvel films. I think they're incredible.
I think they're an incredible feat overall. So
many of them. So many of them are good. Not all
of them, but so many of them. They come together
in a way that makes you care about these characters
so much because you end up spending so much time
with them. I mean, the death of Tony Stark in
Endgame hit me like... so much harder than it
deserved to. Like it's a comic book movie and
people always come back and all these things.
But, you know, I've been living with this guy
through multiple movies for so long and I really
love that character. And so it really was earned
that that pain we all felt. And the biggest,
so I love the MCU, but I do think that what we're
seeing from the TV side is really exciting because
Wandavision feels completely different than Winter
Soldier and Winter Soldier feels completely different
than Loki and Loki feels different than Hawkeye
feels like it's going to be and you know, so
that ends up being That ends up feeling more
like comics to me, you know I mean because for
the superhero movies They really have to pigeonhole
themselves and I think that's deliberate and
it was smart and I've got no problem with it.
They made very big smash -em -up classic action
movie set piece superhero movies, right? But
on TV, you can do something a little different.
Like this is our magic one, and this is our investigators,
and this is our, you know, and so you can see
all those different sides. Like this can be sci
-fi, and this can be romance, and this could
be a detective story, and they can all still
live within the Marvel universe in a really beautiful
way. Yeah. Yeah, that is. Very true. And the
thing that I like what Marvel is talking about
with these TV series is that even though they're
like mini series in a way, they're not saying
that this they're not saying any of these series
are over. They just list them as season ones
because they've said if they ever do have an
idea for another story within their mini worlds,
they want to be able to come back to it. I would
love to be able to see some crossovers between
them. I was telling Matt the other day when we
did his interview that it's his dang fault that
I'm into Winterhawk as my favorite strip of all
time nowadays, and I want to see the Bucky Clint
team up. Especially since MCU -wise, they've
got a lot more in common in MCU than they do
in comics. Yeah, but you know, I'm not sure you're
gonna I mean, I guess it's possible they do that.
I mean, I would love it because I thought we
weren't ever really going to get that dynamic
between them because clearly that was the Sam
dynamic. They were taking that dynamic and applying
it to Sam. And I loved it. I really, really loved
it. And I like that they grew through it in their
season. But I'll be honest, it was more fun for
me when they were sort of sniping. sniping at
each other and being annoyed with each other,
but trying to get along. That had more crackle
to me than just, oh, hey, we're really good friends
that support each other. I'm not saying I don't
want them to be really good friends who support
each other. I do. But there's a lot more crackle
and pop in the other thing. And so part of me
is like, well, maybe since he and Sam are good
now, we could port him over and he could have
that dynamic with Hawkeye. That'd be great. My
guess is that's not gonna be a direction they
go. Well, that's what fan fictions for Grayson
in there and then you got a whole keg of things
going on. Hey, that is my freaking fan fiction.
I know it is I know it is Kelly I don't know
if I've told you but I actually write what I
call my circus bros world which is the world
where DC and Marvel are like the same world,
and Clint and Dick knew each other during the
circus, when there were no circuses. Oh, that's
fun. So yeah, so we have Hawkeye and Nightwing,
you know, every now and then going into a case
together. But yeah, so now. Also, now that we've
seen some of these trailers, what is the one
thing you've seen in the trailer that just got
you really excited for how this series is going
to go? I think casting Hailee Seinfeld, that's
an incredible, smart call. There are certainly
a lot of different actresses that I'm sure would
have been great cast, but she is absolutely one
of them. I just think she's going to nail it.
So that is a thing. I think the other thing that
I really respond to, and especially the new trailer,
I love a sort of Christmas special, a Christmas
movie. I mean, you know, Shane Black loves to
integrate Christmas into his big movies. I always
love that Die Hard is, of course, the quintessential
Christmas movie that's not a Christmas movie
that is a Christmas movie. So I think that's
very fun. I mean, I wanted to groan in the best
possible way at the bows pun. Like, I mean, that's
felt so comics. I loved that. This holiday season,
the best gifts come with a bow. So I think they've
got a lot to go to to go to speak for them so
far. I think what we've seen is pretty great
so far. Yeah, I just I love the scene where they're
driving and they're going through the arrows
and Clint's just like Not this one. Not this
one. Here, take this one. And then it explodes
the trust of bro. She's like, she's like, you
have arrows more dangerous than this. And that
look, that look that Jeremy Renner pulled off
on camera. That was Clint. That is my face. Yeah.
That whole that whole scene was of course, incredibly
encouraging. I mean, Hawkeye three. by Matt Fraction,
David Aja is one of my favorite comics of all
time. Maybe the perfect comic book, single issue
comic book. So to see them playing literally
with ideas in that issue is really fun. That's
a very high bar though, so I hope they nailed
it. I do too. That's a perfect comic. And also
using the frozen daiquiri mixes as ice packs.
Yeah. Yeah, man, maybe there will be fake frozen
peas or something in one of those boxes that
they send out. They do those PR boxes sometimes.
I got a couple of them. They were very cool.
Oh, gosh. Yeah, the WandaVision one had a TV
tray and a little glass, like a little cups,
two cups, I think. It was so cool. I also got
the Winter Soldier one. which had more candy
in it, which was fun, but nothing that left as
big as an impression as like the TV tray ideas,
which was so clever. How do I get on these lists
for these things? Well, I didn't even get the
Loki box. So what I would say you probably have
to do, I think. The only thing I can, I don't
know how I got on the list. I think maybe because
I'd been writing Scarlet Witch recently in Star.
So maybe that's why I got on the WandaVision
list. And because I'd been writing Winter Soldier
in Black Widow, maybe that's why I lucked out
and got those. But I'd also written a little
bit of Loki in Star and that didn't get me on.
So I don't know what the bar is, but they're
pretty, they're pretty exclusive. These things,
I assume they go out to creatives and other sort
of similarly placed people, I would guess. Yeah,
because DC did one for fandom where they sent
out the video game for Gotham Knights, sent out
these boxes to different influencers. And it
had like a court of owls mask and like this,
like all these like little tidbits that would
be revealed for when they released the official
game trailer on fandom. And I'm just like, I
hate you all. I want one. Honestly, I think the
last thing I really got around on here, because
we talked a lot about the show and your history
with the Hawkeyes. But why don't you talk about
the things you're working on right now, like
your little baby land shark and then the most
recent Black Widow issue that I'm angry at you
about still. Yeah. So let's start with Hawkeye
adjacent things. So It's Jeff is a basically
silent comic that I've written with the incredible
artist Guri Hiro. It's on the Marvel Unlimited
Act. and people are loving it. Jeff has become
a very special star, especially on TikTok. And
it's amazing. And Kate Bishop sometimes shows
up as do other little superhero guest stars.
And I'm also writing Black Widow, which sometimes
stars Clint and Bucky, among other people. Kate
was in a recent issue, but she's not in the new
arc. And so that was issue 12 just came out and
that's the start of a new arc. So if you've been
on the fence about getting on, that would be
a good place to jump in. We've got a really incredible
flashback issue for issue 13. that I think is
really exciting, especially because Jordi Belair
turned in these absolutely mind -bending colors.
They're so incredible. So that's exciting. And
I'm also writing Captain Marvel. We're having
a crazy historic run. I'm working on 36 right
now. I just saw the final inks on 35, and they
are so freaking cool. Sergio Davila is an incredible
artist, and he's really killing it on there.
And what else? So I've also got a sub stack.
Oh, I'm doing Amazing Spider -Man. I'm part of
the team writing the new Amazing Spider -Man
book. My second issue is out next week. Sara
Pacelli art, Nolan Woodard colors. He's amazing.
And then I'm also doing this sub stack thing
where I'm going to be producing a couple comics
that released digitally via Substack, but before
those come out, they've not started yet. The
first one's called Black Cloak with the incredible
Meredith McLaren. The second one, I don't know
if it'll be the second in order, but is a book
called The Cull by Matty Adelius, my former Jessica
Jones collaborator at Marvel. But before the
books even come out, we're doing a lot of really
fun posts that are about like, Comics creation
and behind the scenes stuff and process and we're
having a really good time. We're building a little
community over there. It's really great If you're
you can sign up for free and like see if you
like it And then if you want you can subscribe
there will be stuff behind a paywall at some
point But so far most everything's been free.
I think yeah, I really like your process junkie
Ones that you've been showing lately those that's
that whole subs subset has been really, really
thoughtful for me when I'm going in and trying
to think about things to share with my students.
Thank you. Thank you. Well, I'm doing one coming
up. There's an interview next week with Lee Jarbet
about Captain Marvel costume stuff. And then
I will be doing a post maybe next week or it
might be the week after that that's got script
samples from a whole bunch of different creators
so people can see the different ways people do
it. They'll just be short samples like two or
three pages or something, but enough for people
to get the idea of like, oh, this is how Kelly
Thompson does it, but this is how Matt Rosenberg
does it, and this is how Saladin Ahmed does it.
So I think that stuff would have been so valuable
for me to have as a kid. you know, as a teen
trying to figure it out. In my French 3 class,
not knowing how to structure a comic, it would
have been great to be able to go online and see
the different ways people do it. Yeah, I'm just
pulling up the one that you sent out. Well, no,
this is the one from two hours ago that I haven't
read that one yet. But you had one where you
had a couple of your characters, like, in comic
book form, talking to you about what that would
be. Yeah, yeah. Yeah, that's a good time. Yeah,
we're having a lot of fun. We're trying to build
a little community over there. I mean, I think,
you know, nobody's under the delusion that you
can bring all your Twitter followers over there
or, you know, anything like that. But I do think
going back to the thing we were talking about
before about how toxic the anonymity can be.
You know, a lot of creators, even before people
started getting these Subsec Pro offers, that
means you can actually pay people to help you
build, make comics. Before that, a lot of creators
were going over there because they want to stay
in touch with the people who want to know about
their work and their audience. Like, it's so
valuable to us and so important to us, but you
don't always want to do it in that toxic environment.
So a lot of us had already, not that we were
abandoning Twitter, but that we were like, well,
let's try this. This is a way to help build another
audience. Especially now with the pro deals,
I think it's even more important. It's an experiment.
I'll be shocked if I end up with 5 ,000 newsletter
subscribers, free or paid. I'll never come close
to the Twitter numbers. You also don't need those
huge numbers, like the people who are really
engaging with you and really interested in what
you're saying and want to talk about things.
That's not 40 ,000 people. That's some much smaller
number of people. And those are the ones that
are important. So like two people on a podcast,
one who had the idea and the schmuck who just
hosts it. Not a schmuck. Your words, not ours.
And randomly, what do you think of the difference
between Substack and Patreon? Because I know
that that's two different ways that a lot of
creators are able to talk with their fan base
one on one and share. Yeah, I think Patreon's
great. support several myself i think the big
problem cuz i looked at doing a patreon at different
times like especially when i was thinking about
like our ways that i could raise the money to
write this other novel that i wanted to write
i've never got the time and blah blah blah but
patreon is so art driven. To me like it doesn't
really feel like blogging which is sort of what
subset feels like like blogging going directly
into your inbox i would say subset feels very
much like a. platform for writers. So it feels
very natural to me, whereas Patreon didn't really
feel that way. That said, obviously, Substack
is having to up their game, they partnered with
that panels app and things like that. Because
by the very nature of Substack feeling at home
to writers means it's not as at home to posting
comics as you'd like it to be, but I think that's
changing. I'm already reading two books on the
panels app through, it's like what, Shibsodarsky's
public domain, I think, or no, I think it's Jeff
Lemire's Fish Flies is on panels and so is James
Tinian's blue book and they look incredible they
look incredible so i'm really i mean they look
good in the newsletter to but if you prefer you
know an app that's more gear that way specifically
that's a great avenue and i'm excited to see
that developing specially since my comics are
coming soon. That's good because i've that's
the one thing i've always struggle with patrons
i don't feel comfortable navigating the the app
and how. you know, people want visual on there
and, you know, I just end up throwing pictures
of my cats because that's really all I got. Yeah.
Yeah. Yeah. I would say that that, you know,
while Patreon and Instagram and things like that
lean very heavy to image news, newsletters like
Substack and, you know, there's a million of
them, there's MailChimp, there's all sorts. They
certainly lean more toward the written word.
But it doesn't stop you from wanting a lot of
great images in every post, so. Yeah. It's been
a while since your cats have shown up, hasn't
it? Well, I've only been putting them in the
sort of weekly, like the sort of roundup that's
like. Not about a specific thing, but has a bunch
of categories like here's what's upcoming and
here's what's whatever that's got a cat section,
but it's funny you said that because I did think
maybe I should just be putting a cat photo at
the bottom of every one of these regardless of
what it's about like as a joke. So maybe we'll
do that. I've certainly got enough photos to
last several years. So yes, you can always do
a mirror universe version of Jeff and just call
them F. I have a little shark head costume, you
know, I could send you to that. You could have
them walking around like that doing Jeff poses.
All right. So, uh, final question. So Kelly,
with your intimate knowledge of both the Hawkeyes
and their world, do you want to be a Hawkeye?
Hell yeah. Awesome. Matt was like complete opposite.
Wait, why wouldn't he want to be a Hawkeye? Maybe
I didn't understand the question. Rosenberg.
Rosenberg, yeah. No, why though? Why didn't he
want to be a Hawkeye? I think it's because the
amount of... Oh my gosh, you're going to have
to pull up the clip. Do you want to be a Hawkeye?
Wow. I'm going to say no. I'm going to say no.
The sad thing is if there was any superhero I
would be, he's probably the one I would be. But
no, I don't want to be a Hawkeye. You don't want
to fall off roofs into dumpsters? No, no, I don't
want to like, you know, I don't want to barely
make it out of every fight. That's not a good
way to be like Thor shows up and sometimes he
just clobbers everybody and leaves and he looks
great. He doesn't even break a sweat. Like that's
a that's a good one to be. I mean, you know,
except for the fact of when he goes up against
force fields and, and thank God this podcast
is explicit. Holy shit. Hey language. The other
question we need to ask you and we need to work
this into future things. Alison, if you did want
to be a Hawkeye, which trick arrow would you
want? Trick arrows are so hard. Um, You know,
I I like just a good old -fashioned like gas
arrow like knockout gas Like that's just a good
arrow. That's just useful. You're not hurting
people bad It's good for stealth. It's funny.
Like that's a good arrow like, you know Explosive
arrow has limited use like boomerang arrow has
almost no use like There's a lot that are that
are like very specific, but I think knockout
gas, that's just always useful. Definitely not
this one. You don't have to say definitely like
that. I think it had to be something with the
amount of, you know, pain injury. No, he's right.
Matt's I'm doing the fan answer, but Matt's doing
the actual answer where you thought about it.
Yeah. Which we talked a lot about you also while
we were interviewing him and he was like gushing
about how you're his best friend and how much.
you know, you mean to him and how much he enjoys
reading your stuff. He's amazing. Matt's amazing.
We're BFFs. I'm a big fan of his work and more
than that. That's one of the best people I've
ever known Like sometimes he'll say or do a thing
and I'm like, I don't know if I can be your friend
like you're too good Like you're just so much
better than me and he's not trying to be better
than me. He's just a really good dude Ed Brisson
is our third musketeer there in that little our
trio and He's a pretty good dude, too. Although
he's a Canadian. So of course he is right? Yeah,
that's kind of like, you know part of their their
their nurture. Yeah, I'm very lucky to have Matt
and Ed. Comics can be very lonely. It doesn't
have to be, but it can be. And gosh, without
their insight, whoosh, I'd be lost in the woods.
So I take it since you say all your friends live
far away from you, you're not in New York? No,
I used to be, actually. Right as my career started
taking off, though, and people started asking
me to come to meetings in New York, I moved to
Portland, Oregon. That's convenient. Complete
opposite. I'd been in New York for about 11 years
when we left, and I was pretty burned out. That's
a city for ... Uh, the rich, the young and the
beautiful, as far as I'm concerned. Like, and
I was none of those things at that point. So
I was ready to, uh, just have things not be so
hard, you know? Like it's nice to be able to
park your car without driving around for, I kid
you not, three hours. Oh, I know perfectly. I'm
from Yonkers originally. Oh, there you go. You
know. Yeah. So I know all that. Yeah. I mean,
it would be nice if you just had a pair of earrings
that you could just magically tap and everything
just happens. You could just wave your arm and
then this portal appears in a star shape in front
of you. I mean, when you said that, I was going
to say, well, if that existed, maybe I would
live in New York. But no, I mean, I'd live somewhere
even further away because you could just go wherever
you want. You have your own little island and
then you have your portal transportation. I would
really like to go to New Zealand, so maybe I
would do that. like spirit twins or something.
I don't know if it's ever gonna happen though,
man. That is a long ass flight. I don't know.
I don't know. But it's worth it though, from
what I've been told it really is. It's supposed
to be worth it. I mean, listen, it's like number
one on the places I'd like to go on this planet,
but I am supposed to go to Hawaii next summer.
And I've been before. And I was doing the math
for how long that flight was. And I was like,
I don't know, man. This is going to be rough.
It's been a while since I have had to do anything
as bad or worse than LA, New York. The pandemic
has definitely made me even more. Leery of that
kind of thing. So yeah, I didn't want to fly
when I went for my graduation So I drove from
Nashville to Colorado Yeah, I took advantage
of it. Like I made sure I had extra days off
From when I was going to be driving so that way
I could like, you know stop in in Santa Fe. That
was my big one. I wanted to stop in Santa Fe
and, you know, stopped at a couple other places
along the way. But there was this one point where
I realized if you're driving during the summer
along Route 66, don't expect to find a hotel
room. Yeah, that happened. I think a lot of that's
the pandemic go to that happened to us. We, we
drove this summer because I didn't want to fly.
We were for the first time in a year and a half,
we were getting to see my family, everyone was
getting together at a house in LA. And we drove
because I didn't want to fly. And we encountered
that to like everything being sold out on the
road. So yeah, I hear you. But there's this like
one point between Santa Rosa and Santa Fe that
I had like at one o 'clock in the morning and
no ambient light whatsoever, clear sky. I pulled
off enough to the side of the road that I wouldn't
get hit by a car coming by, turned off my headlights
and just stood outside and stared up at the sky.
I've never, because I grew up in New York, never
seen that. That's incredible. Yeah, it's incredible.
It's been a really long time since I was far
enough away from a city and light pollution to
really see that. But, you know, I grew up part
of my time in Colorado and in Utah, and there's
a lot of really beautiful open spaces out there.
It's pretty incredible. Where did you where did
you go to school in Colorado? Western Colorado
University up in Gunnison. Oh, yeah. Yep, I know
Gunnison. Yep, they have a, it's a low residency
masters of creative writing. That's cool. And
they do, you can do creative writing for genre
fiction, for screenwriting, for poetry, for nature
writing, and now they have a one year certificate
for publishing as well. Wow, pretty cool. Pretty
cool. Congratulations. Thank you. All right,
guys, I got to go. We went a little long here.
I got to get back to it. But thank you so much
for having me on. I had a great time. Absolutely.
You could just swim from Portland to Hawaii and
then from Hawaii to New Zealand. I mean, it's
a straight shot down the North Pacific. This
might surprise you given some of my history here,
but I'm very afraid of sharks. You were like
my new favorite person. Well, you already were
a favorite person, but you're like my favorite,
favorite person now. Yeah, I, you know, sometimes
you create a thing you're afraid of to fall in
love with it. I don't know that I've actually
softened on real shark. No, you know, I have.
I have. I'm probably still equally afraid of
them as I ever was before. But my position on
them has certainly softened since creating Jeff.
So there you go. That's great. Well, guess, Mike,
that you got to take us out then. Thank you for
joining us here inside the Pull Bang and On Studio
2009. If you'd like to get in contact with us,
leave feedback for the show. There are several
ways to do so. Visit the website geekcastradio
.com where you can comment on all of our posts
and listen to all our content from the last 13
years. Send us email to feedback at geekcastradio
.com. Here are all the ways you can listen to
us nowadays. Apple and Google Podcasts. Leave
us reviews, please. Spotify and any other podcasting
client you choose to use. Follow us on Twitter
at geekcastradio is for the network at its ITS
Studio 2009 is for the studio. And at the pull
bag is for the pull bag. I'm at TFG and Mike.
Kelly, what is your Twitter? At 79 Semi -Finalist.
What is the story behind that? Is it a quick
one? It's pretty quick. It's simply, you know,
by the time I got to social media, Kelly Thompson's
a really common name. It was all taken up. And
so I knew I needed to sort of brand myself. And
it's one of my favorite songs from one of my
favorite bands called The Bad Plus. And yeah,
it's a song called 1979 Semi -Finalist. And yeah,
I think it's also sort of a state of mind. It's
sort of an idea of you're a semi -finalist. Keep
trying. You know what I mean? Like, don't give
up. Keep pushing. That kind of vibe. Absolutely.
What about you, Allison? What's your Twitter?
It is AllieSkyRichards, A -L -I -S -Q -I. R -I
-C -H -A -R -D -S, and I can never now not sing
the Mickey Mouse theme song. M -O -U -S -E. I
really can. Become a fan on Facebook. Go to facebook
.com slash GeekCast Radio Network. You can also
check out Studio 2009 podcast and the pull bag
over there as well. Join us next time when we
will be doing So You Want to Be a Hawkeye Some
More with the next guest. I don't know who the
next guest is going to be off the top of my head
because all the script says for me is November
stuff because it's now November 2021, folks.
For now, I am TF2 on Mic with... Ali Sky Richards
and Kelly Thompson. As always, dive into the
pullback at your local comic book store and make
your great escape into comics. Come on! You're
a Hawkeye! Who the hell are you? I'm Kate Bishop.
You're a kid. My god as always make your greatest
game into comics and You changed it don't change
my ending You did dive into the pullback at your
local comic you did that's Take two Oh Well,
I didn't read it that way back then Good outtakes,
folks. Good outtakes. Whoo! We're out of regular
arrows. What do you mean, what? Oh, my God, trick
arrows? Look, not this one. All right, you don't
have to say definite ones like that. Not this
one. This is too dangerous. I'm using this one.
Be careful. I was torn, Karen. They're not regular
arrows. Mini, mini, mini. Come on, come on. No.
You've just heard the latest episode of The Pull
Bag, the GCRN's first comic review and discussion
podcast. There are several ways to get in touch
with us and leave feedback for the show. You
can visit the website geekcastradio .com where
you can comment on the episode and all of our
different podcasts. You can rate and leave a
review for the show on iTunes. Be sure to leave
us feedback. Become a fan of us on Facebook,
facebook .com slash The Pull Bag. Send us an
email, feedback at geekcastradio .com, follow
us on twitter at ThePullBack and at GeekCastRadio.
So until next time, make your great escape into
comics and unleash the geek in you.
No chapter markers for this episode.
Hosts



