The Pull Bag
Interview with Matthew Rosenberg on Hawkeye Comics and the Disney Plus Series

About this Episode
Hey, this is Josh Keaton, and you are listening
to the GeekCast Radio Network. Hi, this is writer
Matthew Rosenberg, and you've jumped into the
pull bag, only on the GeekCast Radio Network.
We're fighting an army of robots. And I have
a bow and arrow. None of this makes sense. Hello,
and welcome to So You Wanna Be a Hawkeye, a new
miniseries exclusively inside the pull bag and
on Studio 2009 here at the GeekCast Radio Network.
This series is going to discuss all things Hawkeye,
delving into both Clint Barton and Kate Bishop
in the comics, and then in the Hawkeye Disney
Plus series, premiering November 24th, 2021.
I am TFU and Mike, and joining me is Alice and
Sky Richards, who came up with this excellent
idea of a miniseries. Hi, Mike. How are you?
I'm here. Well, I hope for that. But we also
have an amazing, phenomenal comic writer guest
today, Matthew Rosenberg. You may know him from
the current run of Batman Urban Legends, Joker
Puzzle Box, and Four Kids Walk into a Bank, the
last of which is being adapted into a feature
film with Picture Smart. Welcome, Matt. Hey,
how's it going? Thanks for having me. It's going
great! So, before we dive into spitballing about
the Disney Plus series, why don't you tell us
about your history working with the original
Hawkeye, Clint Barton? Yeah, sure. I always try
and do dates, and then I'm terrible with dates.
I was going to say I started working at Marvel
and then I have no idea when I started working
at Marvel. So I started working at Marvel a bunch
of years ago and very early on Hawkeye has always
been one of my favorite characters since I was
a little kid and was definitely a character that
I kind of set my sights on and was trying to
write and trying to get into things and into
books. I kept sort of asking about Hawkeye, trying
to write him in things and trying to put him
in different things I was writing. And eventually
he started appearing in The Punisher when I was
writing The Punisher. And I wrote, then I started
writing a series called Tales of Suspense, which
Marvel asked me to do, which was a Hawkeye Winter
Soldier team -up book. Yes, I'm gonna come back
to that one in a minute. Okay. And from there,
I... wanted to keep going on on Tales of Suspense.
The sales were not what we needed to do to do
that. And so I, you know, I said, well, can I
do a Delhawkeye book? And they were very excited
about that idea at that point. And I sort of
pitched it and we started to get it going. And
then I got whisked away to the X -Men corner
of the Marvel universe and had to spend all my
time sort of. putting out a bunch of fires there
and and doing a bunch of things that were really
fun and and there was a There was a bunch of
like different things going and different ideas
brewing and a bunch of different people taking
books and so there was a lot of like Finishing
other people's books and and mixing up timelines
and so it took a lot of time and so I couldn't
do the Hawkeye book And then finally, when my
time on X -Men came to an end, I circled back
and said, yeah, I really want to do that Hawkeye
book now. And so I did a book called Hawkeye
Freefall there, which is a mini -series with
the great Otto Schmidt on art. And my first thought
in my head as soon as I see the title, and it's
been in my head all day long, because I actually
tried to read the thing before we started. I've
been trying to read it for the last eight hours
as of this recording, and I just... There's been
a lot of stress lately. But anyway, like I keep
looking at the Hawkeye freefall title and all
I can hear in the back of my head is free falling.
Sure. It's all I can hear in the back of my head.
Solid, solid song. A classic, a classic if you
would. I actually didn't name the series Free
Fall. That was actually a suggestion from Alana
Smith, our wonderful editor on the book. We were,
the title I wanted to use Marvel did not like,
and we were going back and forth over and over
sending each other titles. And finally Alana
came in and was like, Free Fall. I was like,
okay, sure, let's go with that. But it was not,
it was not a me suggestion. What was the title
you wanted to use? I wanted to call it Hawkeye
colon It's Not Funny Anymore. That was what I
wanted to call it. Which I thought was a very
good title and a lot of the Marvel writing staff
thought it was very good and I think a lot of
the Marvel editorial and sales staff did not.
So as these things often go, the creative side
and the sales and editorial side don't necessarily
see eye to eye. I think often the editorial and
sales side are correct and know what the audience
wants. But the creative side gets excited about
things that aren't good ideas sometimes. And
this was maybe one of them, but I still like
that title. Yeah. And that would have fit Clint's
personality a lot more too. Yeah, yeah, I mean
I think I wanted to do the idea like There'd
been a bunch of Hawkeye books that were were
that are great that I love that are pretty goofy
and I wanted to sort of Dog whistle the idea
that we were gonna go take it someplace darker
by the end So like start off a little goofier
and then by the end it gets pretty heavy and
so I thought it's not funny anymore was a good
a good joke and also yeah fits with Clint's personality
of just like, you know, one of the themes of
the joke is that he's One of the themes of the
book is that he's taking jokes too far that he's
like messing with the hood as a joke and everyone
sort of Gets it and then it's like this is a
very dangerous person to be messing with and
he just won't let it go until it's a war so that
was my idea was to call it that but Free fall
is a good title as well when I was happy to call
it that Yeah, well Coming back to Tales of Suspense.
So that's actually the comic that I was introduced
to your writing through. Okay. And you also kind
of sailed my ship for the for the Clinton Bucky
ship, you know, Witterhawk. Sure. And then I
kind of loved how you brought it back, you know,
with sneaking Bucky into free fall for the one
issue. And now Kelly has gone back in the Black
Widow and kind of done a a homage to you by having
the trio back together again in her first six
issues. Yeah, yeah. So, um, so I was going to
ask, like how, so were you involved with Kelly
at all in kind of going back on that relationship
and, and helping her with it? Or is that all
on her? No, that's all on her. Uh, me and Kelly
are super close. She's one of my best friends.
So like we talk about our work with each other.
I mean, almost daily. And so, you know, when
I was working on Tales of Spence, she really
liked it. And I really liked her Hawkeye run.
And, you know, we sort of talked about those
books a lot. And, you know, and she was the one
she was one of the people who kept being like,
you have to do your Hawkeye pitch, like you have
to make do your book, like stop, you know, stop
doing other stuff. And so when I had the chance
to do Hawkeye again, she was like, super supportive.
And like, you know, we talked about the book
a lot, and I sort of bounced ideas off her. And
so when She started doing Black Widow, she was
like, are you doing more stuff after Freefall
with these characters? And I was like, not right
now, no. And she was like, do you mind if I run
with it? And I said, no, go for it. The one thing
we don't see eye to eye on is I'm a big fan of
the Hawkeye purple costume, and she is not as
much a fan of it. I don't think she dislikes
it, but she likes the more modern costume. And
so she was like, I'm going to ditch the purple.
And I was like, no, you have to leave it. But
she wouldn't. But I understand it. That's you
know, Kelly's going to do what Kelly's going
to do. I can't stop her. It's her book. Yeah,
it's it's his formal where I think is how they
put it now. Yeah. Yeah. Yeah. So no, I mean,
she told me she was going to do stuff. And, you
know, she showed me scripts and art as it was
going. And I was, you know, Kelly's the best.
So I was super excited to see what she did. And
She's been doing awesome stuff in Black Widow
with that trio, so it's very fun. Yeah, and I
actually, looking right over my shoulder, I have
the spread from issue six open on my wall framed,
which is where they show Hawkeye up on the beam,
shooting the arrows down. they do as the girls
are fighting the soldiers underneath yeah and
you know I just felt that that was a perfect
representation with him because you can actually
see how fast he's firing the arrows and everything
in that yeah yeah that's a very cool sequence
for sure now when you got to the end of freefall
though you kind of left Clint at a crossroads
you know where you know he was could go back
to being a hero or he could, you know, start
touching back on returning to his villain origin
if people looked at what he did depending on
the lens they looked through. Sure. So if you
got a chance to write with Clint again, where
would you want to take him? Well, Freefall was
a funny thing because there was a lot of crossed
wires, I guess, is the polite, delicate way of
saying it with the book. It was announced as
a miniseries. It was announced as an ongoing.
People didn't really know what it was. And then
I think there was actually an error where it
wasn't in the previews catalog when it came out.
And so stores didn't know it was coming. all
this stuff so there was all these sort of like
weird it was sort of a cursed book from go but
i'd always planned for to do more of it and then
it came out and uh uh you know it did fine it
didn't do amazingly well and then covid hit and
uh it was one of those books that they paused
they didn't pause it but they were they went
to digital only for it and then uh the hawkeye
fans were amazing and and really supportive and
Made a big made a big ruckus and politely which
is always important and Marvel being the heroes
that they are put the rest of the issues in print
and and so we were very lucky for that and very
appreciative but My plan was always to keep the
story going in one way or another and I actually
ended up talking to Marvel a bunch about when
they were like there's not gonna be more freefall
of What we were gonna do and I had a whole other
pitch that was gonna be Hawkeye is sort of a
darker hero, not darker because he'd still be
Clint and be funny and whatever, but more of
a treading the line of legality a lot closer
to towing the line of what's legal and what's
not was going to be the big thing. pitched it
as a Heroes for Hire book and it was going to
be Clint sort of running an operation with Night
Thrasher funding it and them kind of teaming
up to to rob. The idea was that they would be
robbing villains and sort of just hitting them
economically, shutting them down and funneling
their money into like social programs and good
causes. Sort of a continuation of what he was
kind of doing in Freefall to the hood. But like
on a grander scale. Leading up to my idea was
my pitch was that he would try and take down
the kingpin and of course feel miserably but
But that was gonna be it is that he was gonna
be sort of doing this thing where people were
heroes knew that he was still Clinton a good
guy But that he was breaking laws and robbing
people and sort of doing things in a much sketchier
way But we just couldn't get that traction for
that book. I think it just wasn't the right time
and you know the editors I showed her to were
super enthusiastic but it just couldn't get off
the ground and then you know the pandemic things
were weird and they didn't know where books were
going or who was doing what and so it it just
never happened so that's why I was really happy
that Kelly was like I want to run with this stuff
a little more because it didn't you know she
gets we get some closure on some of the things
and sort of her take on it it's a little different
from where I was going to go but that's sort
of the fun of Marvel really Well, if the audience
and the Hawkeye fans bring in some new MCU fans
into the fold You know, you never know you they
may come back and revisit it on you and then
we'll get to see this because I really want to
see this Yeah, I mean I would love to do it at
some point You know, I love Clint so much. He's
one of my favorite characters in all of comics
And so, you know any time if Marvel ever was
like, oh come to a Hawkeye thing I would I would
always be there to do it But there is a Hawkeye
book now that's launching very soon. That's a
Kate book. It's Marjorie, I believe? Who's writing
it? Yeah, it's based on Kate Bishop. Yeah, it's
a Kate book. I forgot who's making it. I know
some people I know just read it and said it was
fun. It's Marakee, and I'm probably butchering
the name, but Marakee Nidge Camp. Yeah. That
sounds about right. Yeah. It looks cool. The
cover art was cool. The teasers were cool. I'm
excited for it. I think it had Phil Noto cover.
He's great. So, yeah, I hope people pick it up.
And, you know, Hawkeye's a hard book because
Hawkeye has a very passionate audience, but it's
a small audience in comparison to, you know.
your caps and Iron Man's and Thor's and people
like that, but So it's always hard to explain
to people like well a Hawkeye books a hard sell
and you know everyone sort of looks around and
it's like all these people love Hawkeye and I'm
like, yes people really love the people who love
him really love him and But that's not Always
the big enough audience to to maintain a book
on its own strength. So yeah But I hope the new
book does really well, that would be awesome
Yeah I really hope so. I mean, especially with
how the MCU is kind of starting to lead toward
having Thunderbolts again. Yeah. And, you know,
being that Hawkeye has comic history with the
Thunderbolts, you know, being able to have a
comic series that maybe goes along with it where
he could be part of it again. You know, that
I would love to see. Yeah, yeah. A Hawkeye. Thunderbolts
show, Hawkeye Thunderbolts book would be cool.
We toyed with that idea when I did a Thunderbolts,
a good three -shoots Thunderbolts thing, and
we were going to have Hawkeye on that team as
sort of a like, you know, got caught, had broke
some laws, got caught by the kingpin and was
forced on the team. And it just, for where we
were going to go with the story, it felt like
really dark place to take Clint in a book that
wasn't. where he wasn't the focus you know it's
like it's okay to take Clint somewhere dark and
sort of put him through the wringer if it's his
book but in another book it's kind of just feels
cruel so uh we ended up not using him for this
for that for that Thunderbolts book but obviously
it was uh something that I was pushing for for
a bit, but then it didn't make sense. And you
got Bobby for Forceworks, but you didn't get
him in there either. Yeah, yeah. You got Bobby
for Forceworks. You know, Forceworks, we were
we were weighing like the original Forceworks
team, West Coast Avengers, like all that stuff.
And I really I love Bobby and and always like
to use her. She appeared in my Punisher run to
alongside Clint and I think she's a fun character
who's very underused. So I was really happy to
get to write her in Force Works. But yeah, again,
another character that it's like, it's really
hard to have her have her own book. It's hard
to get a Mockingbird book going. She had the
excellent one a few years ago, but. Yeah, I was
gonna say, I know your name is on the spine of
the Mockingbird series for book volume two. No,
that's not me. That's Rochelle Rosenberg, the
colorist. Oh, okay. Yeah. Because I kind of thought
maybe that you had been in that issue, the one
issue where Clint was in it. No, no. I don't
think I had anything. Wait, did I have something
in that tray? No, I didn't. No, I think that's
Rochelle, the colorist. Okay. Yeah, I think she
colored that book. A common... all the time at
cons, people want me to sign her books and her
to sign my books. We have to always be like,
no, I didn't work on this. And you know, one
in every 10 people is like, that's okay, you
can still sign it. Okay, sure. I'll sign it.
I didn't work on it. But yeah, let's go. I don't
think she does the same. I think if she doesn't
work on it, she says no, but she's the best.
She's great. So when you were preparing to to
take your first stab at Clint's writing. What
were some of the things that you looked back
on previously that brought some inspiration to
how you were going to approach it? Yeah, you
know, I always try and sort of dive in and jump
around to like the different eras. And I think
for me, I think the fun of doing Marvel is like
sort of the synthesis where you find all the
different takes and sort of put them in a blender
and take the parts that work for you and come
with something new and then add a little of your
own things. So for me, obviously the Bendis stuff
in New Avengers and Avengers was really big.
I love Brian's take. The Matt fraction, David
Aha, Hawkeye Book obviously is a big influence.
But I'm a big fan of like the first Hawkeye miniseries
the Mark Grunwald mini and The old like Avenger
spotlight solo Avenger stuff like that was some
of my favorite comics when I was a kid I would
like go find back issues of that stuff And even
you know, even back then which is like that that's
in 19 early 90s late 80s book I don't know. I
was like buying buying them in the dollar bin
when I was a kid, but That stuff even was still,
I mean, it was a Hawkeye book, but they couldn't
sell a Hawkeye book. So there was a stealth Hawkeye
book. It was called, you know, Solo Avengers
or Avenger Spotlight because they needed the
Avengers title. We actually toyed with calling
when we couldn't find a name, Hawkeye colon,
the Solo Avenger was going to be. was one of
the names I suggested. I wanted it to be the
solo Avenger or Hawkeye, the worst Avenger. And
they were like, we really don't want to call
one of our characters the worst Avenger. And
I was like, but it's a joke in the book. And
they were like, yeah, we get it. And I was like,
okay, well, I think it'd be funny. But so like
all that stuff, like going back to the early
Hawkeye stuff and then jumping around and you
know, those were sort of the big touchstones
for me. I really like. You know, honestly, I
like all the Hawkeye books. I really like Jeff
Lemire's, I like Kelly's, I like Jim McCann has
a great Hawkeye and Mockingbird book. I like
all that stuff. Fabian Necesa has a Hawkeye book,
but the big ones for me were definitely Fraction
and A -ha, Bendis's stuff and Mark Rynwald. Those
were the big sort of ones that I sort of studied
and took notes on. This is the first Christmas
we've had together in years. I love you guys.
I'm making up for some lost time. Authorities
are wondering if the masked vigilante who terrorized
the city's underworld is back. The past is caught
up with me. Should we be worried? No, no, it's
nothing. I'll be home for Christmas. I promise.
When I wore this suit, I made a whole lot of
enemies. You're a Hawkeye! Who the hell are you?
Some people have actually called me. The world's
greatest archer. Are you one of those people?
Hey, Dave. I should be back in a day or two.
Hang on a second. Things have gotten... more
complicated. Now speaking of Fraction, now it
feels like for looking at the Disney Plus series
and the trailers that we've seen come out, that
it's pulling a lot from Fraction's run. Yeah,
that's what it looks like. So what are you looking
forward to seeing them having translated over
from Fraction into the MCU? You know, I love
that story. I'm very curious because David's
work on that book is so iconic and so unique
and beautiful and, you know, he's just such a
master artist. I'm very curious to see if they
sort of pay tribute to that or try and, you know,
directorially try and match some of that. I think
he'd be very hard to go step -by -step with.
He's a very sort of idiosyncratic artist. But
I'm very curious if it's just going to be narratively,
you know, obviously character design and stuff
owes a lot to David and David's run. But I wonder
if we're just going to get a narrative version
of that story or if there's going to be more
visual cues. That's very exciting to me and obviously
I want to see Lucky. That'll be very fun. But
you know, I think for the most part, just the
way they stylize it will be very interesting.
And I hope they keep it exciting. Yeah, I was
really excited when they took the picture on
set with Jeremy in the purple, more modern suit.
Yeah, yeah. You know, just seeing that makes
you realize they're finally, you know going to
give him You know some of these aspects of his
comic character that we really haven't seen much
of beyond what they Brought over from the Ultimates.
Yeah. Yeah and then part of me also realized,
you know Out of all of the characters, we don't
know his childhood story because they've given
us pretty much everyone except maybe Bruce Banner.
But we have no history of Clint for MCU beyond
when he recruited Natasha and knowing that he
had married and kids. So I'm going to be curious
to see what of his childhood is going to be popping
forth. That, you know, they really focused in
the comics with the circus and Barney and seeing
all of that. Yeah, yeah. That would be really
fun. I think he has such a fun, unusual origin.
for for the marvel universe i think it's it's
very like it it makes clint stand out in a good
way he honestly like he has a very like deep
you know he has a very dc -esque origin really
like a lot of dc characters come from the circus
so it's it's very uh you know it's it's always
fun to have clint as the sort of oddball that
he is yeah i think that'd be really fun to have
barney in there and sort of You know, anything
to sort of give Clint more. I always like him
in the movies, and I think he's really good,
but he's not as fun as he is in the comics. And
I think giving him a history and trying to make
him a little more fun could go a long way, for
sure. Yeah. I retire for what, like five minutes,
and it all goes to shit. What are some things
that you hope don't come over from the Fraction
comics? Wow. I don't know. I don't know if there's
anything that I hope doesn't come over. I think.
No, I mean, I really like those books so much.
I'd be happy to see them sort of, you know, kind
of pay tribute to any of it. And, you know, the
fun thing is always like about the Marvel TV
and film stuff is seeing how they take the bookstories
and tweak them and reinvent them and make them
work for the screen so like even stuff that I'm
not as In love with in the books like I sort
of still get excited about seeing that on the
screen because I'm like Well, how are they gonna
approach this? How are they gonna deal with?
These things that didn't work for me and and
and they're very good at I think they're very
good at finding things that that didn't 100 %
click but are now in continuity and just sort
of ensconced in the history of these characters
and finding them and finding these good ways
to sort of massage them and make them work. And
so I can't think of anything in the Matt and
David's run that really didn't work for me. I
really do love that run. But just on a bigger
scale, I think anything that doesn't work, I'm
always like, well, let's see how they handle
that, is always a fun kind of thing. Yeah for
me the only thing I could think of is I'm not
sure I actually want to see like dog cops on
a television screen It's like I love the idea
of this show and his obsession with it But at
the same time I really don't want to see what
it visually would look like like him watching
a TV with it on uh -huh That's fair That's like
the one thing I kind of am like, I don't, I don't
really need the visual there. Yeah. Well, I think
that's fair. Well, it'll be interesting. It'll
be interesting to see if they throw that on there.
That's a funny gag. We're still friends, right?
Now, you know, if you could write an episode
on the Hawkeye show, just knowing kind of what
They're going for for the season. What would
you want to what part of it? Would you want to
really be involved with? If it's based on the
you know, if we're pulling stuff from Matt and
David's run like yeah Obviously the issue that's
from the POV of the dog is the one you want to
write like that's the most fun the pizza dog
issue is, I think, the way to go. I would love
to write that. Yeah, it's the Eisner Award winner
one, isn't it? I think so. Yeah, I think I'll
try it. It's just so iconic and different. Like
even in the comic, it's so, you know, even in
comics where you feel like they should be taking
risks and doing weirder stuff more often, it's
like you just don't get a lot of stuff like that.
And when you do, it's really striking, and they
really hit it out of the park. It's not just
that they took a chance, but that they really
went for it, and it's great. I would love to
see the show do that, you know? Good job, Hawkeye.
Go get your arrow. All I want at this point is
forget Hawkeye and Bucky. I want Hawkeye and
Grayson. I want Hawkeye and Nightwing. That's
what I want. That's my fan fiction world that
I write over and agree on. Yes, I know. Yeah
They came from they came from the same circus
they were rivals now they're best friends. Yeah,
that's a fun one. They They're not in any of
that Like the the crossover stuff. I feel like
there isn't I don't remember any like of this
crossover books having them No, the only crossover
I have of them is like the Avengers Justice League
one and that is where I think it's Ollie wakes
up having a dream or or one of them wakes up
having a dream where Clint and Dinah are together
uh -huh and It's like for two pages, but it's
the one moment where Clint is actually a member
of the Justice League, so I think he is the only
Avenger who can actually say in their comic credit
that they've been shown as a Justice League member.
That's great, yeah. I'm writing a book at DC
now called DC vs. Vampires, which I'm doing with
my buddy James Tynan, and then Otto Schmidt,
who did Hawkeye Freefall with me. And it's a
really fun book and it's dark and it's crazy
and it's weird, but I'm trying to make it fun
and Otto, he just naturally draws things that
are full of life and humor in a way that doing
a weird horror book with him is such a fun challenge
because... everything he does is so beautiful,
and you're like, no, this has to be horrific,
Otto. The idea came from James. It was a book
that James wanted to do, and James is very Bat
family -oriented, and he's a big Bat fan, obviously,
and just loves that stuff. And when I came on
board, I immediately was like, there's not enough
Green Arrow in this. We need more Ollie. We need
more Dinah. And so... immediately like we started
reworking it from like the minute I like the
day I came on board I was like needs more ollie
like right away let's go so I'm really excited
because I get to work with Otto on an ollie Dino
story that also has you know Batgirl and Nightwing
and Batman and Constantine and all these other
awesome characters that I love but it is it is
stealth It's funny because I think the cover,
the first one, we had a cover that didn't have
Ollie on it. And by the time we were a certain
way into the arc, Ben Abernethy, who's the editor
on the book, was like, there's so much green
arrow in this. We need to put him on the cover.
And I was like, all right. I wasn't going to
tell you that this was a stealth green arrow
book, but it's a stealth green arrow book. Let's
throw him on there. Well, honestly, can I tell
you, when I saw you show the first cover on your
Twitter feed, that's when I turned around and
went to my comic book store and had it put on,
because I'm like, oh my gosh, Batman and Ollie.
I need this. Yeah, I'm really excited. It's very
fun. And I think there's good ways to have fun
with Bruce, but a story like this, it's very
hard to make Bruce fun. because it's end of the
world stuff and he is the most sort of driven
and relentless about that stuff. And so having
Ollie, who also is very serious and very, you
know, determined when he needs to be, but also
is a little funnier and a little more willing
to like make quips and stuff. it's really fun
to play them off each other. I literally was
just writing a scene for them last night that
I was like, oh, this is exactly the book that
I want to be writing right now. So I'm very excited
for that stuff. But there's no Clint in it. Yeah,
no. Otto, I know occasionally on his Twitter
feed, he has this like little world that he draws
from, which is like Clint. Bobby, Ollie, and
Dinah in it. Yeah, yeah. They're like always
double dating sort of in his mind. Yeah, they're
always double dating. And they're, you know,
showing the similarities between the two couples.
And yeah. But my favorite one is like this one
where the boys are beaten and like bandaged up
and the girls are sitting on the bed behind them,
you know, just chatting, not a single scratch
on them. Yeah. Yeah, the auto is very he's a
big Bobby fan and when Hawkeye when when he took
freefall You know one of the first things he
said to me he was like Bobby's in this and I
was like, yes But if that's not she's not the
romantic interest. She's not in it a lot and
he was like Very sad, but I was like night nurse.
We got night nurse in it Like this is Clint's
thing and if we were gonna keep going it was
gonna be like there was gonna be more Bobby to
it and I said to him I was like, you know if
we got past six like Bobby has a bigger role
for sure because it's sort of the All the women
who who love Clint and sort of you know have
to look out for him all the time and take care
of him will all sort of be stepping in to form
a like my idea was that they're like a sort of
task force to stop him before someone nastier
stops him from doing it. And so I was like, there's
going to be like a Mockingbird leading a team
kind of thing, an anti -Clint team, but done
with love. Task Force Barton. Yeah, there you
go. So we didn't get to that. So I'm always sad
for Otto because he loves Bobby so much. But
I was like, well, I'll get you lots of Dinah
in this book. uh comes comes out he's gonna be
happy he's happy in the end so yeah well that's
good to hear i'm now now knowing that you know
i'm going to be seeing auto with uh with ollie
and dina i'm like super now excited yeah yeah
we uh you know we haven't shown a lot of the
cat like the the dc versus vampires book is really
fun but it really expands out in a lot of ways
so like You know, people keep being like, oh,
is this Batman versus everyone? And we're like,
no, it's not really about Batman. Like he's just
on a bunch of covers because that was stuff was
planned early, but it's really not a Batman book
as much as it's a DC Universe book. So, but yeah,
Dinos ended a bunch for sure. I have a question.
Yes. Is Batman on the cover because Batman sells
the most? Yeah, I'm sorry. I couldn't if you
want me to edit that out I will but I could not
just not ask that it's not a you know people
people are always like Weirdly cagey about it
and it's like well. He's the most iconic superhero
character in the history of superheroes This
is Kevin Conway, and I am the goddamn Batman
He is the lead in the best -selling comic like
yeah, they use that like Marvel has a bunch of
characters that all will move the needle when
you put them on a cover. DC does too, but not
like Batman. Batman is in a league of their own.
So yeah, they throw Batman on the covers whenever
they can. you know if it makes sense he's not
he's in the book and he does things he is a central
character and the bat family are very very important
and pivotal but uh yeah i mean if it comes down
to it and and we have a cover meeting where they
go should we put you know uh john constantine
on the cover or batman like i can say john constantine
but they'll be like well If we put Batman on,
the book sells better and that's better for you
and everybody. And, you know, at the end of the
day, we want readers. So people who get very
excited about Batman. I mean, it's the same thing
with like the Joker, that it's like, this is,
you know, I write a Joker book at DC and people
are always like, oh, I'm so sick of the Joker.
Why do they keep doing this? And it's like they
keep doing it because it's the most popular villain
in all of comics. So you could be sick of it.
But while other people are not, they really like
them. So don't sit on other squee. Yeah, and
I have to be honest. I have not I need to catch
up on your work Sure, but I have seen and I have
read the solicits for puzzle book and wow That's
one way to take the Joker Yeah, it's a that's
a really fun one. It's very I'm I'm always sort
of shocked that they let us do What we're doing
because it's a very weird It's a very weird book
just in the context of all of comics like You
know, it's it's short stories and with an unreliable
narrator, but it's all connected and yeah, it's
it's a it's a fun one That's really weird and
I'm really happy but you know I think the Joker
is also like just such a versatile character
like people tend to think like oh There's like
the Joker means a certain thing and it's like
it really doesn't like I'm drawing a lot from,
like, you know, 1960s Joker. I'm drawing a lot
from, like, the TV show Joker and Golden Age
Joker, as much as I'm drawing from any other
era. And it's like, these are very different
characters. Like, there are a lot of different
iterations of those characters that I think are
all really effective, so. Ooh, this could be
a fair fight after all. And who wants to see
that? I really like writing the Joker. I think
he's very fun. Well, I was going to say before
we wrap up, you know, we've got these 19 issues
you've got coming out within the next two months.
Yeah. Why don't you take some moment and just,
you know, give us a rundown of everything you're
working on right now and where people can, you
know, basically send you money. Well, it doesn't
go to me. I hope people give money to their local
comic shop. But I'm going to miss things and
feel like an idiot. So starting. This month,
the end of October, I'm launching two books at
DC. The aforementioned DC vs. Vampires, which
is me and James Tyne and Otto Schmidt doing a
full -on vampire invasion of the DC universe,
like anything goes, sort of chaotic, carnage
-fueled. romp that I'm very excited about. And
then I'm also doing the same day a book called
Task Force Z, which is me and Eddie Barrows doing
a Red Hood story about Red Hood leading a team
of zombified villains. It's sort of a suicide
squad, but they're already dead. And then...
Right after that, I'm doing a run on Detective.
I'm doing the backup stories for Mariko Tamaki's
excellent detective book. But me and Fernando
Blanco are doing this story that I don't know
how much I can talk about. I guess there's solicits
are out. It's sort of a story of a little boy
who could have been a robin. growing up in Gotham
but just always like a sort of a sliding door
thing where he's just outside of Bruce Wayne's
grasp to save him. And so he's a little boy who
falls through the cracks and finds the other
side of Gotham. And that's a 12 issue thing that
I'm doing that I'm very excited about. It's also
in Detective Comics so that's such a cool honor.
Then I have the Joker puzzle box which is out
a few issues throughout. I think three issues
are out now which is a very fun weird one like
I just said and then What else am I doing and
then the only other big thing I'm doing a couple
issues of Filling in for James Tynan on a couple
issues of his Joker series. It's me and Francesco
Francovia Doing sort of Jim Gordon tales back
in time. So we're doing a sort of a killing joke
era, Jim Gordon. We did an earlier issue. I did
issue five, which was me and Francesco doing
a sort of Batman year one tale on Jim Gordon.
And so now I'm doing a couple that are that are
more closer to like the killing joke era that
that sort of time period in his life. And then
I have a new creator on book coming out November
10th from Image Comics called What's the furthest
place from here? That is me and my buddy Tyler
Boss, who I did a book called Four Kids Walking
to a Bank with. And yeah, it's sort of a post
-apocalyptic coming -of -age story about gangs
of children wandering the wastelands of America
after the end of the world. And just one of their
gangs goes missing and they have to sort of set
out to try and find her and figure out what happened
to her. It's really fun. We're really proud of
it. It's sort of something I've been working
on for four years. So like, I'm very excited
to actually have it coming out. It's one of those
things where you work on something for so long
that you lose all perspective on whether or not
it's good or worth your time. And so for the
last year, I've kind of been in having low grade
anxiety about it all the time, but then... we
finally have it announced. So I got to send it
to a bunch of people and I sent it to a bunch
of creators and they were all incredibly sweet
and nice and supportive and really enthusiastic
about it. So that made me feel good. And maybe
the audience will buy it and also be as enthusiastic
as other comic creators were, I hope. So I've
been seeing a lot of, you know, people you know,
talking that being excited about it on the internet.
So yeah, hopefully that's going to result in
going to comic book stores and grabbing it. Yeah,
I hope so. We're trying to do some like cool
things with it. We're really playing with the
medium a lot. And me and Tyler really pushing
ourselves and you know, we made the first issue,
the first issue 64 pages and the next bunch of
issues are 48 pages, we're trying to give people
their money's worth and give them a big story
that doesn't feel like a bunch of other stuff
they've seen before. So Yeah, I'm really excited
about it and I hope people do pick it up and
give it a chance if they liked anything else
I've done or even if they didn't, sure, let's
say that. I hope they give it a chance because
I think we worked really hard on it and that's
worth something, sure. To help you remember,
I kind of went to one of these websites quickly
that's like, who's writing what right now? And
it's got you listed still writing Legends of
the Dark Knight. Oh, so yeah, I wrote that that's
an anthology book. So I just wrote one issue
of that which came out today yesterday. Issue
six, yes. So yes, that is correct. That is in
my list of current projects. I wrote Legend of
the Dark Knight 6. Me and Keon Torme did a Batman
killer croc story in a flooded Gotham. And that's
half of the book. And then the other half is
a very cool Solomon Grundy story that I really
liked a lot. Yeah. Now, it seems almost all your
work right now is DC. Do you have anything in
Marvel like with Spider -Man? No. I'm not doing
anything in Marvel at the moment. DC kind of
filled up my plate. And then I have some creator
-owned stuff. I have the image book. And then
some other creator -owned stuff I've been working
on. Yeah, it's just the way the cookie crumbles
that DC had a bunch of stuff that I couldn't
say no to. And so that's where I landed. I did
write a little bit of Spider -Man last year.
I co -wrote. five issues of Amazing last year
with Nick Spencer. But that was it. I don't have
anything coming up for Marvel right now, no.
I'm just a fan. Well, you're in good company
right now with that. Sure. So yeah, I guess the
last thing I gotta ask is, Matt, with your intimate
knowledge of Hawkeye and his world. Do you want
to be a Hawkeye? Wow. I'm going to say no. I'm
going to say no. The sad thing is, like, if there
was any superhero I would be, he's probably the
one I would be. But no, I don't want to be a
Hawkeye. You don't want to fall off roofs into
dumpsters and stuff? No, no. I don't want to
barely make it out of every fight. That's not
a good way to be. Thor shows up and sometimes
he just clobbers everybody and leaves and he
looks great. He doesn't even break a sweat. That's
a good one to be. Um, I mean, you know, except
for the fact of when he goes up against force
fields and, and thank God this podcast is explicit.
Holy shit. Hey language. The other question we
need to ask you and we need to work this into
future things. Alison, if you didn't want to
be a Hawkeye, which trick arrow would you want?
Trick arrows are so hard. You know, I like just
a good old fashioned like gas arrow, like knockout
gas. Like that's just a good arrow. That's just
useful. You're not hurting people bad. It's good
for stealth. It's funny. Like that's a good arrow.
Like, you know, explosive arrow has limited use.
Like boomerang arrow has almost no use. There's
a lot that are very specific, but I think knockout
gas, that's just always useful. That's a good
one. That one's too dangerous. That one's too
dangerous. Are there any ones that aren't dangerous?
Jeremy's facing that one where he's just fighting
his lip and looking away. I'm like, yep, nope,
there's Clint. Yeah. That's a good bet for sure.
Where can the people find you online, sir? Sure,
so I have a Twitter and it's Ashcanpress, A -S
-H -C -A -N -P -R -E -S -S, no, it's not dot
com, it's just Twitter. It's at Ashcanpress.
I think I have that for everything. I have it
for Instagram and I have it for Facebook. I just
always forget to use those. I'm on Twitter more
than I'm on the others. And then I have a newsletter.
which is sub stack dot Matthew Rosenberg dot
com or sub stack dot com slash Matthew Rosenberg.
Some permutation of those words, however sub
stack formats it. I have a newsletter that I
send out where I talk about my work. I'm going
to start doing it more frequently and go in depth.
One of the things I'm hoping to do next year
is go through a lot of my books and sort of show
some behind -the -scenes stuff and some pitches
and and process stuff and and just give anecdotes
sort of issue by issue on on stuff that I remember
and you know, I I mentioned that some people
and I mentioned online and a bunch of people
were like Oh, are you gonna do Hawkeye? And I
was like, well, yeah, I would definitely do Hawkeye
so hoping to do next year is sort of go issue
by issue of Hawkeye and sort of talk about the
process and you know, all the little inside secrets
and, you know, we have a bunch of deleted scenes
and stuff that I would probably like to show
at some point. Awesome. Anything else you want
to ask him, Allison, before I run through the
outro? No, I am just very thankful that you that
you said yes and came over to join us for the
day. Oh, no, this was a blast. Thank you so much
for having me. This was super fun. Absolutely.
All right, folks, that's going to do it for us
here inside the pull bag and on Studio 2009.
Honestly, between the two podcasts, there are
way too many Twitters and Facebooks and whatever.
All the links will be in the show notes. Where
can the people find you online, Allison? I am
at Twitter at Allison, at AllieSkyRichards, A
-L -I -S -K -Y -R -I -C -H -A -R -E -S. I am
at TF2 and Mike, make your great escape into
comics and we will catch you next time here Inside
the Pull Bag and on Studio 2009. Hi, my name
is Dr. Andraela Namendi, clinical psychologist.
And I'm Brian Ward, nerd. And we want to invite
you to listen to our new podcast, The Arkham
Sessions. It's a podcast dedicated to the fun...
And geeky... Analysis of Batman the animated
series, episode by episode. We pay tribute to
the writers and the stories of the animated series.
While also exploring the very real psychology
behind Gotham's robes. And maybe even its heroes.
All of this and more... Each week... On The Arkham
Sessions. at underthemaskonline .com. Look, I
know this may sound weird, but I've dreamed of
this for as long as I can remember. When I put
that suit on, I thought, this is it. This is
the moment I become who I'm supposed to be. I
remember the day I thought the same thing. You
know, this life you want to live, it comes with
a price. Well, there's also things you gain.
Like trick arrows in a cool costume. I'm sorry,
Kate. I'm not a role model to anyone. Yes, you
are. As far as I'm concerned, we're in this together.
Do you mind getting that? My mom canceled my
credit card. We need a car. Oh, can we take this
one? Man, this thing is beautiful. We're not
smashing a 72 challenger. Come on. Let's go.
Get over here. I need you to drive. What? I don't
want to drive. Come over here. No, you drive.
I shoot. I'm not hearing you. You drive, OK?
Not this one. All right, you don't have to say
definitely like that. Not this one. This is too
dangerous. I'm using this one. Be careful. I
was born careful. They're not regular arrows.
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