The Comic Concierge
Silver Surfer: New Dawn Review

About this Episode
Hi, this is Kyle Higgins and you're listening
to the GeekCatch Radio Network. Hello and welcome
to the Comic Concierge Podcast. The podcast that
believes comics are for everyone, and the key
is finding the right one. This is another one
of my Concierge episodes where I bring someone
on and recommend a comic to them based upon their
interests in other fields. Today, I'm very happy
to have one of my fellow cinema geeks, Mad Fiddly
Sent. How's it going, man? Hey, Dan. We've, like,
never just had just the two of us on a record.
It's interesting. No, no. Now we know what song
to play for the intro for this episode. There
we go Yeah, that's first time and what we're
gonna be talking about actually it possibly to
two episodes We'll see how it goes the dance
lot and Mike already silver surfer with volume
one a new dawn But before we get to that, I know
with your background you have some comics background
We've you know, we talked about it on cinema
geeks previously but going into this, you know
What have what's your experience with comics?
We know what has gotten you into them gotten
you out of them Oh man, so I think what got me
into comic books was a childhood of the greatest
superhero cartoons that we've probably ever had.
I was born in the mid to late 80s, so I had the
Spider -Man, the Batman animated series, Justice
League Unlimited by high school, and there was
just a run of it. Constantly every year there
was something great. when I was in a Walden Books,
which might be a local store. I don't know, I
think it's a chain. No, yeah, I've been to one
before. It's been a while. I don't know if it
exists anymore. I think they got bought up by
Borders and I think Borders went out of business.
So there we go. I was in the D &D section right
next door. It was the trade paperback comic book
section. And I spied a Teen Titans graphic novel
by Jeff Johns. And it was like seven bucks. And
I read that and... And it was great. It was something
I didn't know that I ever really wanted. My parents
had bought me comic books when I was younger,
but I'd never really got hooked. But I'd watched
the Teen Titans cartoon, and now I have this
comic book, and there's even more there than
there was on the TV. Just as those came out,
I started picking up, you know, each trade, and
by about the fourth or fifth one, I had some
friends that were somewhat interested in comics,
and then we found a local comic shop that we
actually started going, and I ended up picking
up the floppies of that same series, and ended
up tracing them all the way back. I ended up
getting down to the first issue, which, by that
point, I was going to Comic -Cons, and I got
the first issue signed by Jeff Johns, and I actually
have a picture of when I met Jeff Johns at a
Wizard World... which was a pretty big moment
for me. But really what got me into comic books,
I guess, is community and conversation. And that's
also what got me out of comic books. Like from
from like 2006 to 2009 I want to say I was spending
20 to 40 dollars a week on comic books and It's
some of my best memories are from that time Like
picking up 52 and going out to lunch with with
a buddy and reading it right there in the in
the fast food place and discussing it like it's
some of my favorite memories, but by 2009 all
my friends had stopped like not having money
or not having time, and without that community
to discuss, I just fell out. I can't sit there
and read a comic book and then think about it
by myself and just be done. It just doesn't do
it for me. So like that's what got me out. Interesting.
I was somewhat similar to where when I was in
college is when I was in like full full tilt
with comics and then I moved away for most of
my friends and you know I didn't have the same
community down here so I was collecting them
but like you said it wasn't the same and there's
like message boards and things of that nature
but it doesn't have the same before I started
this podcast to force people to talk to me about
podcasts I guess about comics. Mean you could
force me whatever you want Dan. I love the things
Yeah, that that's so as of right now. You're
not do you pick up a trade here and there or
you're pretty much out of it full force Well,
I still buy every Star Wars one because I have
to keep up with Star Wars Continuity like I have
to have all of the canon stuff. I'm very particular
about that Beyond that, if something really grabs
me, when the New 52 happened, I actually went
to the comic shop and picked up just floppies
for a couple of months, and then beyond that
I bought the trades of the Aquaman and Supergirl,
but the thing that I knew about had gone away
at this point, because we're throwing everything
out except for Batman. So it was even more...
daunting to try to get into that alone. Well
now it's all back, kind of, so it's, you know,
it's with Rebirth and all that. Which has been
kind of helmed by Jeff Johns, like he's been,
he hasn't written a lot of comics, but he's been
like the person that was like overseeing it all,
for the most part. That kind of brings us to
Silver Surfer, and I recommended a number of
comics to you. A lot of them were fantasy based
because I know you're a huge fantasy fan, but
really the reason I did Silver Surfer was mostly
because I know you're a huge Doctor Who fan,
and the dance slot has made no qualms about the
fact that this very much is taken from... the
framework of a Doctor Who type of universe. I
mean, even someone like myself that's only watched
a little bit of Doctor Who can see just the similar
feelings and similar characters and things of
that nature. So I was curious based upon that
how much you enjoyed this first volume of Silver
Surfer. Oh, man. It's so Doctor Who, even in
ways that may not be intentional, because the
older iterations, from the 60s and 70s, he was
a way more violent character, not against killing
and stuff, and then by the early 2000s, they
switched the character over to this more pacifist
character, who's just an explorer rather than
a, I'm gonna right every wrong no matter what
I have to do. And so the Silver Surfer's whole
herald past is very - similar in that way this
first volume I enjoyed it it was great but I
feel like it took a bit to get off the runway
so to speak it was kind of a slow build it was
good throughout and then by the time it got to
that last one like the which was like a backup
strip from a from like an all -new Marvel thing.
Like that last story was just like perfect. It
was like we were where we needed to be. We had
had all the setup that we needed and it would
just work for me really well. I loved that last
story. Yeah, it is very, I mean for the first
bit of it, it's really I think kind of establishing
the relationship between Silver Surfer and Dawn.
And I will say this because I've read through
this entire series and if we continue going through
this, there's like five volumes I think at this
point. What dance lot is done is really he puts
a lot of bread comes into his final story, which
is kind of amazing, which we can eventually get
to how it all kind of correlates to one another.
It's one of the best stories to reread, which
is, you know, doesn't really mean anything to
you. But I can kind of understand the slow build
because it very much is like getting you acclimated
to this different type of. Style, I love Mike
already art. I know a lot of people don't because
it's very There's a certain aesthetic that is
maybe not super appealing It's not a type of
aesthetic you typically see with a superhero
comics all that much though. He's written written
a lot or drawn a lot of Marvel books, but I Could
see where the the slow build to that once it
once it kind of gets the ground running in here
He's they're off exploring the galaxy. It kind
of hits a new gear It's an interesting comment
that you don't feel like he does a lot of super
we not you know suited for superhero maybe but
like it feels like he's drawing so much on Jack
Kirby like like not only like Like the art style
itself is kind of like a modern Kirby, but like
the poses are straight out of Jack Kirby's old
word Oh, yeah. Yeah, I mean, I mean I guess I
shouldn't say that he did ecstatic in the 2000s
I've been the Kevin Smith retrospective and he
was actually in that for a period of time He
did like the credits for mall rats. You see the
man -man comic Okay. Yeah, it is a very retro
feel to it, which I know some people don't have
don't have the huge appeal for. I personally
love it, but there's almost like a weird lack
of depth at times, just the way the characters
work, but I feel like it works really well. And
just like the timeless quality of his art, this
is pretty phenomenal. His character designs and
especially Don, like he has a certain way he
draws, like they're called like all red girls,
I think they're something of that nature. And
like just the facial features, the lips, they're
very like, you know, timeless retro feel to them.
Yeah It's made all the more apparent because
like she's got a lot of detail and silver surfer
can't just can't have a lot of detail Which makes
him look otherworldly. It's a great it like the
art like really serves the book Like I got no
complaints about the art. Yeah You mentioned,
you know, we talked about the the Doctor Who
piece of it. Does it like do any of the like
the plots or like the characters outside of Silver
Surfer and Dawn feel from that world like you
know as a newbie to that I really don't know
but I was curious if you're like oh wow I can
correlate that character with this Doctor Who
character or you know this very much feels like
this plot from from that Doctor Who story like
I actually I don't think I could I can point
out any that direct correlation which almost
makes it better to me where it's like oh this
is very inspired by but it's definitely not just
stealing it's like he didn't just put the master
in here like there's no there's no daleks in
here may you know maybe the uh the guys who are
who are kidnapping champions from around the
world like that might be out of some 80s story
that i haven't seen yet but like it doesn't feel
Like it's like it's really thieving in any way
just inspired in the best ways to become the
best kind of story. Yeah, that's good. I was
always because it's always that thing where it's
like the best form of flattery is what is it?
I can't think of a saying imitation. But I don't
like you said, I think it's certainly imitating
it or, you know, influenced by it. But I think
really where it seems to correlate with that
a lot is the way it kind of. The plots and the
conflicts resolve itself, you know, usually with
a superhero story It's like whoever has the most
power or you know hits the hardest but there's
more of an like intellectual solving of a puzzle
or something of that nature or like some sort
of like human quality that tends to actually
be the the way that they solve whatever, you
know conflict that they're trying to come to
whether it's like, you know getting the heart
where Set up where you think the one person is
the bad guy or you know the person that they
need to save but in fact that you know that Yeah,
that world that they go to and you find out like
why it was created because they kind of stole
the heart from that one character I just think
it's interesting like how they solved all those
different quandaries, but did it in a more intellectual
way? Yeah, because I feel like silver server's
got to be a hard character to write to be interesting
because Toe to toe, he can beat almost anyone.
But beyond Galactus and the other heralds, there's
very few people who can stand up to him and be
an interesting fight. just because he can just
he the power cosmic can do almost anything that's
like it's thing like you even posted up a page
on twitter just like yeah like it was written
in the time where i don't know i feel like forethought
wasn't the best thing in comic books uh back
when the first five times a fan has reported
encounter someone they just like die and so there's
not a longevity to it from the 60s and so like
this power cosmic where it's like yeah i can
show up and i can do almost anything but there's
one more guy who's strong So to make a story
that is interesting and dynamic, I mean, it's
a Superman problem all over again, just in a
different universe and on a more cosmic scale.
Yeah, yeah. I do like, you know, you mentioned
that the one thing where, why can I breathe?
It's the power cosmic. Why can I understand?
It does very harken back to that 60s style where
a lot of the details weren't necessarily explained.
And that was OK. I mean, obviously, it was a
different audience back then, but. It opens the
door for more interesting exploration into things
where everything doesn't necessarily make sense,
and we'll especially get that in Volume 2, which
we'll get to, which gets into some even like...
Stranger characters and how like why would they
be aliens anyways, but I do really love the sense
of humor That's in this like dance a lot does
have a very unique sense of humor like he obviously
is real Well known for his work in spider -man
of course like that's a book that is has a lot
of humor in it And he did she Hulk and this you
know you see that too I mean there's even like
a reference to the three stooges which you know
I was not expecting to see in a silver surfer
book, but I think just that tone of it it does
feel like a like a slight modernization of like
a stanley type of book minus just endless exposition
that you typically provide oh man i guess the
worst thing about those old books is that they
would they would be nothing but words and they
like didn't tell you anything yeah i was recently
rereading you know the fantastic four which will
dance a lot ironically will be or serendipitously
will be taking over in a few months and uh going
back and reading the first few volumes of it
and it's interesting it's uh different it's a
very different style but it definitely Seeing
that reading that and then coming back and reading
this first volume like okay I can see what he
was kind of going for he kind of did an amalgamation
of like all these different types of styles and
created its own unique thing. It's just like
the perfect melding of approach of art and it
just I don't know it's something that just ended
up being rather special and unlike really any
Silver Surfer book like I know huge Silver Surfer
fans and I'm like I don't know if they would
like this because it's such Unique type of take
on the character that is unlike, you know, that's
Jim Starlin type of stories It's much more, you
know It's not as action -packed. It's more dramatic
in a way that the stories themselves even though
they're taking place in galactic level Places
and galaxies far away they ended up being rather
small even when we get to the what one of the
final stories before the with with the nightmare
guy and like it's just Then in Cape Cod and I
don't know. I just I like how they utilized on
in her world to humanize the character so surfer
it makes sense and it worked effectively. Yeah,
like the the play is great since I don't know
how much background you have with the character
silver surfer or you know or more of all in general
and this does have like a lot of references to
different things and you know from some of them
eternity and all these other. worldly characters
was ever hard to kind of get your bearings of
everything considering like all the different
you know there's not exact references or callbacks
to stories but it certainly i think has some
assumption that you know how the marvel universe
functions yeah i've got a pretty pretty great
understanding of the marvel universe i like to
think I'm the type of guy who when I get into
it I get a little too into it so when I got into
comic books even though I definitely focus DC
a lot more than Marvel I would still buy plenty
of Marvel and what I didn't read in comic book
I would probably read on the internet because
there's there's plenty of great resources to
figure out like like you know like hey I need
to know who Eternity are and I know you need
to know how the universe is in it both a thing
and a person and I need to know about the eternal
judges maybe like there's all there's all kinds
of like especially when you go into the heavy
cosmic stuff like you're gonna get from a silver
surfer or the eternal is there eternals you have
the eternal yeah like all of those you're gonna
have a lot of weird cosmic stuff so like I'm
pretty well versed I can't say that I've read
a a nightmare story before but like he looks
familiar And it's like I feel like they did a
good enough job getting you introduced to the
things yeah, you know, I know I'm assuming like,
you know, like who the defenders are and And
things and they kind of like we talked about
like the origins of silver surfer, which are
retouched upon here But they're not I don't think
you necessarily have to know everything about
them, but I think it helps certainly a little
bit Like I I don't know everything about the
original Galactus story, right? I didn't know
that silver server got sequestered to earth Like
I knew that he turned I knew that he blew up
the machine or whatever that the Galactus was
building To eat the planet, but I didn't know
that he got stuck there like and you know I know
some of the defender like I had yeah enough to
get by and I feel like What I didn't have they
did a good enough job filling in One thing we
see with this first volume too is like because
it's more isolated in earth we get a lot of you
know other characters kind of show up the guardians
of the galaxy and which is what I'm like I don't
know because it's like the agent venom which
I know is like a something people might be confused
by it's like why is that venom and why does he
look like it's weird but uh and then obviously
Dr. Strange and the Hulk like we mentioned did
you feel like their presence at all felt like
Unnecessary or like forced in or did it fit within
the story for you? As weird as it sounds like
the Guardians of the Galaxy are the ones I would
expect more because they're the ones that are
out there in space But that felt really like
a little weird because it was just like they
just did like a three page pit stop but like
dr. Strange and the Hulk Who you know who were
teammates, uh, you know of the silver server
Like they felt normal because I felt more like
a doctor strange story than a silver server story
anyway Yeah, yeah, so like the the ones that
were more like the ones I expected to be there
less ended up feeling and fitting more properly
Yeah, I felt like for the guardians of galaxy
They were just there to be on the cover because
it's like I think this was out when the movie
was really hot or around that time so it's like
yeah, let's throw them on the cover so that we
can sell some bucks and They didn't really do
much. I don't remember if they ever play another
role within this. I get kind of lost when it
comes to like the different eras of Marvel because
this was all new all different Marvel now and
then there was like all different and there was
like all new all different and it was I don't
know. It's hard to keep track of all the different
relaunches when it comes to Marvel but but you
know I did like the interaction between you know
Doctor Strange and especially when they first
appear and there was that great scene of like
the guy driving by in the truck and then backing
up and then you know, Hulk pretending that he's
Banner the entire time, but I thought that flowed
a little bit more, made a little bit more sense,
and how it was built where the Guardians of the
Galaxy kind of just came out a little bit of
left field, and I'm not really sure I understood
what exactly they were doing. I thought that
was gonna lead to something, but it didn't really
lead to anything as of right now, at least by
the end of this first volume. Yeah, and I enjoy
that he draws the Hulk in the classic style just
fitting even more into that art niche You mentioned
like the the last story. Did you did you read
this and you read the physical form, right? Like
not the digital copy. Yeah. Yeah I was curious
cuz like I have the digital volume in like the
the last story is done in what they call like
infinite comics I'm so not even sure what that's
supposed to mean, but it's like One panel per
page. It was weird reading it. How was it presented
in the actual like physical form was it just
a normal comic? Yeah, yeah, it just looks like
I couldn't tell that there was anything different
about it Like if they hadn't posted the name
of the thing I would have just assumed it was
you know issue number six. Okay. Okay. I was
curious cuz it like what reading and digitally
it It operates a little bit different where like
you'll have the panels and then it's you know,
it's meant for I think The panel reader it's
like designed for that and it the way it presents
itself So it's a little it was a little odd to
get because I would I would be I'd be missing
panels because I think I read this already But
actually the words are changing just the panels
work and I was like, that's all I was like, how
do they do that in the physical form? But I guess
I just handle it normally you mentioned like
that's where the story really started to kind
of kick in for you was that you know because
of the you know, the fact that you have that
one where it's like full of creepy creatures
and you know a little bit more out there was
that Why is that piece worked a little bit more
for you than some of the other stories? So the
characters know each other and they're interacting
like that rather than trying to rub against each
other in weird ways because he's an alien and
she's not. I'm a sucker for anthropomorphic characters
and so when you've got like these ferret people
and a dolphin person and a turtle person like
it just it's very charming and then you've got
these sharks where like shark people wielding
uh like old timey flintlock pistols but they're
actually laser guns i love that like absurdity
silly funness to it but then like it's also got
like a moral quandary sort of situation a lot
like you would see in like a star trek which
i i love star trek too And it's like, can the
silver surfer who's got this past, you know,
just enjoy life? And he has to figure that out
while deciding whether he's hiding his past.
Well, deciding how long to hide his past from
this character, because everywhere they go, everyone's
like, oh, no, it's the Herald. And she's like,
oh, is your name Herald? Like, yeah, yeah. And
and so like, I feel like this finally like it's
finally hit its stride by this last story. Yeah,
yeah. Like you said, it was a lot of setup to
like, okay, this is what it's going to be. You
know, it's like the pilot before the second,
you know, the pilot, that's good, but it just
really gives you the idea of setting the stage.
And then that last issue was like, okay, now
we're off and running. But I do like a lot of
the little like fish out of water, like how she
thinks she calls the board to me. Like, like
you think that's, she thinks that's its name.
And these little things that you certainly, I
think a commentary on just the absurdity of comics,
but I think it works. Well, it's great because
she's not reading it. So she doesn't know where
those spaces are like like it's a level of Self
-awareness that I wouldn't have expected that
I love and like what it when Silver Server sees
her twin and thinks she's a scrawl like I love
how How comic books it is and how aware it is
that it's comic books Yeah, it's like approaching
breaking the fourth wall, but never quite getting
there it's like right there on the edge and you
know but it never like, it's actually like then
pointing at the camera and saying hi, but it
gets pretty close. It's a little more subtle
than your Deadpools. Yeah, yeah, exactly, exactly.
All right, was there anything else about this
first volume that you wanted to discuss or anything,
the topic regarding it at all? I do want to point
out, like, and I hate to be another person who
does this same, I don't know, complaint. I listened
to some of your previous episodes and someone
else brought this up. This one's a particularly
difficult one if you're holding it to know what
panel comes next. Because there will be two -page
spreads that'll just be like, you know, three
panels. There'd be nine panels, right? And like,
they look very similar, and it's not obvious
whether you're supposed to read all the way across
the double. the double page spread or or just
one page at a time and I encountered problems
with that in the first volume maybe three times
and like I I don't know I feel like a seasoned
comic book guy and like when I get tricked by
that or I have that flub like it it bothers me
probably more than it should was that like specifically
I'm thinking of like the the story with dr. strange
and hulk where you have the two double page spreads
or this where There are like four six panels
up. There's three rows really and the last row
is the interaction between Hulk and dr. Strange
and the two above are all the panels that with
with with Dawn and in Silver Surfer with their
interaction was was that the panels that you
had trouble with I wasn't sure if that was the
one because those were two specific double -spaced
spreads where you kind of had multitude of stories
going on in the same page You know I think that
actually that those might have been the problem,
but I know what happened in the second book too
So like I know that that's not the only thing
but like Yeah, I mean it's like it wasn't enough
to turn me off in any way But like it's just
it's something I encountered that I figured I
should bring up so that it's not just up 30 minutes
of us going Hey, this is a really good book and
I enjoyed it Yeah Like I said, I think there's
a lot of people who would read this and not like
it because it goes for a certain style and Approach
that it's not universal and I'm surprised that
you know I like it when Marvel does give freedom
like this to to some of their creators like I've
listened to some interviews of dance law and
talking about the series and where it kind of
came from and it was they do these writer summits
and kind of just came up through conversation
with other writers and Pitching I think he was
pitching something else or pitching it for someone
else and then He ended up taking over on writing
it and then someone mentioned Mike already and
it just all kind of Went together really well,
but I could see for a while a lot of people would
read this to me Like it's kind of weird. She's
carrying an evil monkey at one point like I don't
understand what's happening And like I said,
there's not like a lot of action like I love
Mike already as an act as an artist But I would
say like he he's best search for a story like
this if you're having like a action -packed fighting
sequence His art doesn't flow that well and when
it comes to that, it's it's a little bit more
staticky for the most part There's a lot of power
to it. But it's not like I think that might be
sometimes to why some of those panels that you
had or Coherency with them can be off because
he he just filled the page with a lot of things
But with that it can get kind of disorienting
at times Like I don't know. That's one of the
things I actually love about comic books is Like
the the the way different artists can approach
things differently. Yeah Yeah, I think it's all
about consistency and kind of making sure the
right style flows with the right story like I
I don't think you could do the story this same
art with like a, like a Tardy McFarland just
throwing a name out there. Like I don't think
it would work as well. Maybe I'm wrong, but with
a Michael Redd, it just, I don't know. It's just
like the perfect mixture of, it's like almost
like if Wes Anderson did a superhero story, that
type of aesthetic. Maybe I'm wrong and people
are getting angry at that type of idea, but it
just reminds me, just the retro feel of it, just
how it's so uniform at times, but. Like, I tend
to prefer styles like Mike Allred, the more cartoony
styles like the Darwin Cooks, the Chris Sammies,
more than like the realistic tick, but for the
right story it could work. But yeah, anything
else before we bring this episode to a close?
No, no, I think I've said my piece. Alrighty,
well, if more people wanted to get in touch with
you and follow what you do, what would be the
best way to do that? I'm like on Twitter at Fridley
sent like if you want to talk about comic books
or Star Wars I would love to discuss anything
with any of your your listeners And if you want
to get in contact with this show you can do so
by hitting me up on Twitter at me revolt the
show is also on Facebook and Instagram to search
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this week. Remember that comics are for everyone.
The key is finding the right one until next time.
Thanks for listening
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