GeekCast Radio
Blake Neely’s Arrowverse Soundtracks Review

About this Episode
This is Matt Verbois from La La Land Records
and you've entered the La La Land Lounge on GeekCast
Radio. Hello everyone and welcome back inside
the La La Land Lounge. Yep, that's right. La
La Land Lounge is back here on Geekcast Radio
presents Geekcast Radio Network, geekcastradio
.com, I am of course TF2 and Mike. I was supposed
to have this episode done back in May of 2018
and sadly life has gotten in the way and I've
always said that, you know, real life comes before
podcasting and everything else. Everything is
going well my wife Karen and I have had a lot
going on Between moving buying a new house all
that other good stuff But I am here today to
give you my thoughts on the Blake Neely latest
releases from La La Land Records this includes
Supergirl season 2 Arrow season 5 The Flash Season
3 and DC's Legends of Tomorrow Season 2 As I
said I Started to produce this back in May of
2018 But I never finished it sadly, so I'm doing
it now Kicking off I have to say Blake Neely
and the DC TV universe on CW, the CW Arrowverse.
Oh my god, I love this stuff. Arrow is a little,
eh, it depends on the season. And actually myself
and DJ Valentine from Simplistic Reviews podcast
are actually going back and reviewing every single
episode, or I should say every single season.
of the Arrowverse over on Remote Control, our
current TV podcast here at the GCRN. We've released
episode 42, magic number 42, 42 is the number
of everything and all that, where we discussed
Arrow season one and season two. I have not seen
that since it aired. Oh my God, going back to
that beginning of Arrow, wow. But yes. The score
is from Blake Neely. I want to interview this
man. I want to talk to him so badly. Oh my god,
I love this guy. I love the music and he and
his team do for the DC TV universe over at the
CW. Kicking off with Supergirl Season 2, we have...
a new Superman theme. It actually says in the
booklets, in the CD booklet from LaLanne Records
that Blake Neely asked, what's his name, Greg
Berlanti, do you want us to, you know, license
out the John Williams theme or do you want us
to create a whole new Superman theme? And Greg
asked Blake for a new Superman theme. I love
track one the Superman theme. I think it's really
really cool It has some nice beats in it. It
has some nice heavy epic music, and it has a
few low tones into it I just absolutely think
that's great It's super fun To listen to and
it flows into famous cousins working together
very nicely. This is track two and this Has a
fun vibe to it I've been watching Supergirl since
season 1 obviously and I've been watching all
these Arrowverse shows since 2012 when Arrow
debuted but Supergirl is a show that has slowly
become my least favorite of the CW programming
Arrow has gotten significantly better as of season
6 But Supergirl has been on a very, very steep
decline for me. However, I still love the music.
The music is wonderful. And Famous Cousins Working
Together is both an upbeat, fun theme, also a
very serious, dark theme at the same time. Another
track I like is the next track, First Day as
a Reporter. This shows you Kara's character.
This shows you her... direction this shows you
how she's going to make it as a reporter if she
does which she did obviously but first day as
a reporter has some very nice subtle tones in
it and I just am enjoying this so much I should
say this is a single disc release there are 31
tracks The total album time is 77 minutes and
13 seconds. Another thing I think Blake did extremely
well is the various themes for other characters
from the show. Like the Luthor's theme, track
16 off this. In Supergirl they mention Lex, but
Lex isn't showing up. Lex isn't Supergirl's nemesis.
I guess on a whole he is, but he's more Superman's
nemesis. But they have Lena Luthor in here, and
they have her mother, and all this and all that.
The Luthers are an evil, evil family, as far
as I can tell. Lena is kind of not that. She's...
Not all the way good, but she's not all the way
bad. She's not as bad as Lex, obviously. Um,
but the tones in track 16 give off the feeling
of being bad. And I just dig it so much. Track
17, Ms. Yes Pidlic, Kill Tipsy Zim. Um... It
always surprises me how well or how strangely
Any Superman, media, television, movie, whatever,
decides to incorporate Ms. Yes Pidlick. Superman
the Animated Series, we had Gilbert Godfrey voicing
him. In Lois and Clark, The New Adventures of
Superman, we had Howie Mandel playing him. I
don't quite remember the episode in Season 2
for Ms. Yes Pidlick off the top of my head, but
I do know, listening back to this music, it fits
the character. It's not fun, fancy, free. It's
fifth dimensional kind of fun. It's basically,
if you ask Doc Brown what he would think of fifth
dimensional thinking, that's what the track 17,
Mrs. Pidlick, kind of is to me. I think it's
fun. I think it's cool. And I just want to listen.
That's the one track off this that I think I
could listen to on repeat. Absolutely love that.
I also like Mon -El's True History, Track 22.
Giving the history of Mon -El and the Daxomites
and all that and everything else, I think Blake
did an amazing job with this track to show where
the character came from for Mon -El. the history,
where he is now, and where he's going in the
future. There are other tracks on here that I
do love, like Fighting Superman, that was a fun
track. Check this out, folks. If you've been
watching The Supergirl Show, if you like it,
if you don't like it, give the music a try, because
the music is really, really done well. And I
absolutely love it. I'll be back after this.
You're going to hear a selection from one of
my favorite Supergirl tracks and as well as a
selection from Arrow Season 5, which is up next.
Hi everyone, now that we've talked about Supergirl,
let's jump on over to Arrows Season 5. Talking
about the Season 5 soundtrack from La La Land
Records and Blake Neely. It has 29 tracks, a
total album time of 77 minutes and 41 seconds.
This one is really interesting. Like the first
four season soundtracks, I absolutely love them.
I've been very vocal on my disdain for the Arrow
Show from Season 3 to Season 4 and even partially
of Season 5. That still does not take away from
the fact that Blake Neely's score for this show
absolutely makes the show great. Here in Season
5 we have tracks like Back with the Vengeance
slash Meet Tobias Church. We have Bratva Brothers.
We have Team Fights Church slash Wild Dog Taken.
Prometheus' theme. So it begins. Who is Vigilante?
Who is Vigilante is very friggin' cool. I absolutely
love that. Invasion of Old Enemies and Friends,
which you'll hear right here. Because I love
that track that might be my favorite track on
the disk We've got Laurel not Laurel between
the two laurels and all of that and everything
else because the I think it's earth to Laurel
Lance the black canary. It's a whole thing Cemetery
confrontation is interesting the Talia connection
track is great Your son is dead is strangely
haunting And the final track, Blown Away. Now,
I'm kind of skipping over these tracks, some
of them. I'm not telling you about all 29 tracks
here. Blown Away is the final track, because
at the end of Season 5, they blew up the island.
What I love about Blake Neely's scoring for Arrow
is how dark at times it is, because Arrow is
a very dark show. It's a very serious and sinister
type of show at times. What I also enjoy are
the lighthearted moments that... it can have
and the touching moments that it can have like
when Quentin Lance goes to rehab track 11 off
of this disc has some really really powerful
tones in it and all of the musicians that Blake
Neely works with to craft these scores are just
absolutely amazing so If you've got the Season
5 score from Wildland Records, what are some
of your favorite tracks? Let me know and I'll
be back with The Flash Season 3 after this. Alright
folks now it's time to get flashed. Oh wait That's
not something anyone should say is it? The flash
season 3 Yay, hey, I love the music from season
3 of the flash from Blake Neely as always and
his team This has 27 tracks total album time
is 77 minutes 10 seconds it's a single disc release
it also includes the best team up ever slash
things got worse and the invasion uh... crossover
music very very cool uh... the flash is easily
my number one show out of all the cw shows well
it was once legends came along legends is kinda
taking my top spot but The Flash and Legends
are kind of tied up there with number one for
me, and as you all know, for those of you who
have been listening to any of my podcasts for
the last 10 years, I usually don't do ties. I
make a choice. But I love both The Flash and
Legends of Tomorrow equally. I like the Legends
music just a little bit more, and I'll explain
why in a little bit. However, The Flash, season
three, this was the Savitar season, this was
the... Alchemy and Savitar and all that and everything
else. There's a little bit of Gorilla Grodd in
there. There's a little bit of H .R. Wells in
there. Obviously Vibe comes in more with Cisco
and all that and everything else. I love this
music. There are plenty of tracks out of these
27 that I would gladly listen to over and over
and over again. The Flash Season 3 is Just might
be my favorite score out of all three seasons
of the flash Maybe I don't know that season one
score was pretty pretty awesome So tracks on
this that I love HR Wells, which is track seven
It's just fun quirky music because HR is a fun
quirky guy It's very very cool Let's see. I love
the best team up ever slash things got worse,
which is track 11 and Track 12, which is the
invasion crossover music I absolutely love it
when Blake Neely has a chance to combine all
of the CW superhero themes. From Arrow to Supergirl
to Flash to any of it. I love it when he melds
it all together and makes it seem like it's all
one big theme and that is so cool and I can't
wait to hear more. Vibing with gypsy track 16
off of this might be my favorite track off of
this Because it's just so damn cool the vibe
it has pun intended is interesting the Instrumentals
on it are something like I've never heard before
and that's what's so cool about the CW superhero
music from Blake Neely I also love track 23 Killer
Frost I also love Track 27, which is the final
track, Barry's Sacrifice. It always comes back
to Barry, because obviously he's the central
character. Ha! Central character, central city,
ha ha ha. Yeah, I know, I'm not funny. I love
Track 5, Jump Start Your Powers, because that
was a cool thing, where he had to figure out
how to reinvigorate his speed force thing. What
was so cool about season 3 of the flash that
I remember it now is How they began it they began
it with Wally They began it with rival versus
kid flash and that was so cool that basically
track one off of this is All about Wally West
as the flash absolutely love that Check out the
flash season 3 from well and records It it's
amazing folks digging into this again after so
long because I haven't listened to these scores
in a while at this point like I said earlier
in this episode I tried getting this done back
in May of 2018 but due to circumstances just
couldn't but going back and listening through
to these so I could record this man I love this
music Blake Neely could do the Folgers coffee
ad music or something and I would absolutely
love it. It doesn't matter Blake Neely is to
television as to what Brian Tyler is to film
scores for me at this point So I will be back
in a moment with Legends of Tomorrow season 2's
score and how one track on that score almost
had a personal Note for me, so we'll be back
after one of my favorite tracks from the flash
season 3 And finally we have DC's Legends of
Tomorrow Season 2 score from Blake Neely from
La La Land Records. I love the Legends scores
because they can do so much because there's so
much going on in Legends of Tomorrow and Season
2 is no different. Absolutely love it. We kick
off the disc with swashbuckling through a French
Chateau. Super cool upbeat high intense music
absolutely love it One of my favorite tracks
off of this and you would have heard it in the
beginning of the podcast you'll hear it again
here There's a 44 second bit in meeting the Justice
Society of America I said earlier in the podcast
that this was going to be a personal moment for
me My wife Karen and I at the time we were getting
married or planning our wedding I was trying
to figure out a way to get Steve Megatron and
P. Concord Michael like giving everybody not
just them but all of our our guests and things
like that entrance music and This 44 second bit
from meeting the Justice Society of America would
have been the coolest thing for those two guys
to walk into Check it out. I'll be back in a
moment Alright folks, also off of Season 2, I
absolutely love the Shogun track, the new Captain
Appointed track, Outlaw Country. Legends of Tomorrow
does really, really cool Wild West type things,
and Outlaw Country is no different. Outlaw Country
as well as Invasion, the Invasion crossover.
We also have... Mississippi 1863 Confederate
zombies I'm no fan of the zombie stuff at all
but wow did Blake Neely and his team nail Western
zombies or Confederate zombies kind of thing
it's so cool you should really listen to this
it's very very interesting I also love the Chicago
way. I recently just moved to Chicago a year
ago now and I've always loved the city. I've
always loved the culture that Chicago instills
in everyone and this track, the instruments on
it are so badass and it takes you back to a different
time. If you're not watching Legends Tomorrow,
folks, what's wrong with you? Give it a try.
It's an absolutely amazing show. There's so much
variety in it within the four seasons that they
have so far. We just started season four, but
the three that are out so far, each season is
so different and they have the team come up against
so many different things. Blake Neely and his
team on this music, as well as Flash, Supergirl,
and Arrow. and all the crossover musics. I absolutely
love them. I think they're great. These are scores
that I will listen to for the longest time, especially
the Legends ones. Absolutely love it. Can't wait
to hear more. Again, I have to apologize to Matt
and Michael and everybody at Lonoland Records.
This took me a little while longer than I was
hoping to put out, but life was happening to
me. I know they understand that. And coming up
next week we celebrate the 30th anniversary of
Die Hard, which is not a Christmas movie. I will
explain that next week, but we're gonna take
a look at Michael Kamen's Die Hard release score
from La La Land Records next week here on the
La La Land Lounge, only on GeekCast Radio Network.
Tune in next week, and I will catch you later.
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