Green Lantern TAS, ThunderCats 2011, and Batman Mystery of the Batwoman Soundtracks

This is Matt Rebois from La La Land Records,

and you've entered the La La Land Lounge on Geekcast

Radio, where soundtracks live. You're listening

to the Geekcast Radio Network. Unleash the Geek

in you! uh... instrumental music from film tv

cartoons movies music all that stuff not near

not me anyway uh... lawland records is a soundtrack

company i've been doing written reviews for them

for three years now uh... and i needed to change

it up need to do some a little different so we're

gonna give you a little snippets of various things

and i'm gonna give my thoughts on on various

things i might have guests on here i'm taking

the first two segments that i didn't alter deacon

putting them in this episode you hear myself

Talk about Green Lantern the animated series

volume one two disc soundtrack and the thundercats

two disc soundtrack from all and records thundercats

2011 Cartoon that they put out and then you'll

hear myself and John takis takis. I forget how

he pronounces his name Talking about Batman mystery

of the Batwoman. So that's what's gonna be happening

here in this first segment If you like this,

please let me know I am at TFU and Mike on Twitter.

I do plan on doing more of these. They're probably

gonna be Once a month, maybe most likely here

on the Geekcast radio feed. I'm not exactly sure

just yet. It just depends I know I've got several

things in my back catalog that I would love to

talk about As I said, I've been doing this for

a lot of line records with the right the written

reviews for three years now. So lalalandrecords

.com, head on over there to get all the soundtracks

you want, folks, because that's where soundtracks

live. Up first, Green Lantern, the animated series,

and Thundercats 2011 score reviews. These guys

at the GCRN would make great Green Lantern Corps

members. Seriously. Who are these guys? Thank

you so much Mr. Josh Keaton as the voice of Hal

Jordan and Green Lantern the animated series.

My name is TF2 and Mike. Welcome to the La La

Land Lounge here on Altered Geek. And as I said

last week in episode 136 of Altered Geek the

La La Land Lounge is going to be my way of bringing

you guys soundtrack reviews from the soundtrack

label La La Land Records where soundtracks live.

Now originally I was gonna do Batman Mystery

of the Batwoman this week as my first review

here inside the La La Land Lounge on Altered

Geek, but looking back through my soundtrack

reviews on GeekCastRadio .com, I noticed that

Altered Geek would be going up on May the 6th,

so I looked at the soundtrack reviews that I've

done over the last three years for La La Land

Records, and I realized, hey, i reviewed green

lantern the animated series volume one and uh...

thundercats twenty eleven score uh... from all

and records three years ago as of yesterday may

fifth so i figured hey why not do an anniversary

recording i will be doing mystery the bellman

for next week i've already got that recorded

So folks, La La Land Records back in 2013 released

Green Lantern The Animated Series Volume 1. This

is a single disc release. It is 36 tracks and

even now going back and listening to it, I gotta

say I really dig this music. It is awesome, epic.

I went back and I watched a few episodes of the

GLTAS series in preparation for recording this.

and while i mean the music is amazing in the

show and it's amazing to listen to it outside

of the show i'd just absolutely love it uh...

i remember when i first got the cds three years

ago when i was listening to the g l t a s score

uh... i couldn't stop listening to it and i had

it on loop non -stop Couldn't stop listening

to it. Absolutely. Love it. I remember when I

first got the GL TAS score from all in records

was a Composer by the name of Frederick weed

man, and I wasn't never heard of the guy So I

did some research and didn't really help at the

time But since then since 2013 this guy has gone

fire with the DC stuff. He's done He did GL GL

TAS volume 2, of course, because he was the composer

on that series. He did Justice League Flashpoint

Paradox, Justice League Throne of Atlantis. He's

done a lot of stuff for La Line Records and the

DC animated stuff. But when I first heard him,

I'm like, who is this guy? Immediately right

off the bat, as soon as I started listening to

this again, what grabs me is the main title of

this, which is the Green Lantern theme. He put

together an amazing theme folks The main theme

is 36 seconds. It is so very very cool other

tracks that I like from volume 1 of this of the

release here Razor saves kilo og Rescue mission

st. Walker's destiny red empire I am mogo. I

am mogo cuz in the series It's Kevin Michael

Richardson voicing Mogo and it's just so awesome.

The theme behind it is just great. Aya's mission.

What's cool about the Green Lantern, the animated

series score here, the volume one is how much

Frederick Weidman put into music I mean don't

get me wrong I'm sure the guy worked his butt

off for it but just how much of actual musicianship

if that's even a word is in each track I mean

a lot of these tracks like the main theme Green

Lantern main theme that's 36 seconds it always

surprises me when certain composers doesn't matter

who they are get in so much in just that amount

of time Just absolutely love it. If you were

a fan of the Green Lantern animated series on

Cartoon Network, you owe it to yourself to check

out this score from La La Land Records. It is

currently out of print on their website. But

if you got it when it initially released, then

you know exactly what I'm talking about. Listening

to this music again and watching a couple of

the episodes to prep for this, like I said, really

makes me want to go through and watch all 26

episodes. again now. Can't recommend it enough.

Absolutely love all of the musical instruments

that are used. The different inflections. In

a lot of these tracks there are backing vocals

like I don't want to be inaccurate here, but

the closest thing I can think of is something

like a choir of angels kind of thing. That's

really the only I can compare it to but some

of the some of the backing vocals on it are just

simply amazing in some of the tracks You owe

it to yourself to check this one out folks. You

really really do sort of omens. Give me thank

the onsite Alright folks, so I just gave you

the rundown on Green Lantern, The Animated Series,

Volume 1, from La La Land Records. I am back

once again to talk about The Thundercats. In

2011, Cartoon Network launched a one -season,

26 -long episode series, Thundercats, a reimagining

of the original 1980s property. And in 2012,

Kevin Klish, or Klesh, or Klish, I don't know

how to say Kevin Klish's name, I assume it's

Klish. I could be wrong, I'm sorry. 2012 La La

Land Records released Thundercats, the score

to the television series. There are 26 tracks

from all of the 26 episodes and I remember when

I originally wrote the review and back then my

writing style, my early writing style for La

La Land wasn't, going back and looking at some

of those reviews and oh boy. I've really improved

over the last few years, but I Didn't know what

to think because back then Thundercats was still

kind of running on Cartoon Network and now obviously

it's no longer and I like the series I like certain

aspects of the series. I Love that Larry Kenny

is the voice of King Claudius Lionel's father.

I thought that was great, but the time when the

music came out and when the series was running

on Cartoon Network, I Didn't really I watched

the show but I didn't really watch the show so

I went ahead and I watched all 26 episodes in

order to record this and I've been listening

to the music all day long just like I'm a listening

green the Green Lantern volume one all day long

And I gotta say Kevin Kleich Did an amazing job

with this the first track? uh... thundercats

main opening theme it's only fourteen seconds

but there are hints of the original bernard hoffer

theme and then it kind of breaks into its own

thing i really dug it you know the homage to

the original bernard hoffer theme i'd just wish

it was a little bit longer like i said it's only

fourteen seconds for the thundercats main theme

other than that uh... The other 24 tracks are

music from each of the episodes. And I was surprised

at how varied it is. It's, you know, you have

your anthemic, big battle music and that kind

of stuff, and then you have like soft music.

Which one is it? It's, you know, when they introduce

the characters, the burbles in this series, it's

more like a fun -loving kind of, not really,

it's upbeat, but it's more of... Whimsical there

we go. It's more whimsical than the rest of the

music and then you know we get into tracks like

Native Sun trials of Lionel part one And Birth

of the blades Curse of Retilla survival of the

fittest hey, that's a Transformers line folks.

It's actually a title of one of these episodes,

but Kevin Kleich, the music in this that he's

composing and producing, all the instruments

fall in line and feel right to the music and

even listening to it outside the series, I do

dig it. I don't dig it as much as I dig the Green

Lantern animated series music, but it's still

cool. And I'm going to be finishing up watching

the Thundercats 2011 cartoon series for an eventual

Tooncast Beyond episode. But, you know, I've

watched like the first six or seven episodes

at this point and the show wasn't as bad as everyone

makes it out to be. Are there things that could

have been done better? Sure. But it wasn't god

-awful. The music is what I come to expect from

an action cartoon for this day and age. And I

just... absolutely thought it was a wonderful

piece of work. Kevin Kleist, I hadn't really

heard of him before this and I, you know, I was

looking on his website and all that and he's

really only done a few things. He did the music

for the short Tangled Ever After. He's done a

couple other things as well but I'm hoping, you

know, as it goes along the guy gets more work

because I mean he did a really well done job

here. There's... Parts of this that feel like

It's the old cartoon series and that's the coolest

thing about the music because we all know that

the old bernard hoffer 1980s thundercat me. I

mean, I love the thunder tank theme from that

series I really wish la la line records would

Release or somehow put out the original thundercats

music because we really do need that But this

20s 25 track single disc release from La La Land

Records by Kevin Kleisch is very well put together.

Only problem, like the Green Lantern Volume 1,

I just looked on the La La Land Records website

and the Thundercats 2011 score is out of print

as of this recording. But if you got it when

it initially came out and you're listening to

it now as I'm talking to you, all of this just

goes to show you that there are some... 80s franchises

that can be rebooted very well and The music

to this holds up Still today after four years

for three or four years since thundercats went

off the air Absolutely love it. So folks that's

gonna do it for the La La Land lounge this time

around in episode 137 of altered geek I am TF2

and Mike join me next week when I tackle the

mystery of the Batwoman Make sure you head over

to LalineRecords .com where soundtracks live.

Now, back to Steve Megatron and the rest of the

episode. Alright folks, that was Thundercats

2011 and Green Lantern in the Animated Series

Volume 1. I will be doing Green Lantern in the

Animated Series Volume 2 at some point. Now here's

Batman Mystery of the Batwoman. Hi, this is Kevin

Conroy, and you're listening to the GeekCast

Radio Network. Hello and welcome to the La La

Land Lounge here on Altered Geek Unlimited on

the GeekCast Radio Network. I am TFG1Mike and

this is the second La La Land Lounge segment

in Altered Geek. Last week I did Green Lantern,

the animated series, Volume 1, and Thundercats

2011 because it had been three years since I

originally wrote those reviews. And I mentioned

to you guys that I was originally going to be

doing Batman Mystery of the Batwoman last week

since... La La Land Records released it about

a month ago or so. And we are here now to do

that. LaLaLandRecords .com, where soundtracks

live. Head on over there, folks. I cannot say

enough good things about La La Land Records.

They have a ton of stuff. This one is a little

special now, because I figured, oh, hey, why

not increase the output? And I have a special

guest for the first time in the La La Land Lounge.

I have Mr. John Takis. Hello, sir. Hello. Glad

to be here. Yes, for those of you who do not

know who or what John does and is Go back and

listen to the other two interviews. I've done

with him One for the he -man set and then the

original one we were I think we were talking

about Superman was back when Superman the animated

series volume one So we are here to talk about

mystery of the Batwoman and I was kind of shocked

when when I got the email from wall and rick

as i get on their email list you know those emails

that they send out saying hey this is what's

being released and you know like that kind of

stuff so i'm like oh batman mystery of the batwoman

that's awesome and i get this and i look at it

and i don't even look at the for the the original

26 tracks that make up the film's score. I just

immediately see track 27 and 28 chase me, and

I'm like, oh, finally. Thank God. Well, we didn't

want to leave that off. You know, it's always

been a part of the home video releases. And so,

yeah, we weren't about to miss that opportunity.

Nope. So talk to me about working on this really

quickly, working with Lolita Romanis and the

rest of the people getting this one done. From

a production standpoint, working with Lola Day,

it came together pretty smoothly. This is a release

that, this is a score that she's wanted to see

out there for a long time. It's one of the most

requested scores from the Dynamic Music Partners.

You know, when they meet fans at conventions

and through correspondence, you know, it's...

So it's something she's been keen to do for a

long time. And we were looking at projects to

release last year and things that we were going

to put in development. And MV suggested this

one. And yeah, we jumped on it. She had all of

the high -res audio ready to go and so it was

just a question of putting together what we felt

would be the ideal listening program for fans.

And as I say, it all came together very smoothly

and it was a real pleasure to work on. I have

a long -standing hesitation to this film. there's

only two things that I don't like about mystery

of the batwoman and Luckily Kyle Higgins when

he was on his Batman Beyond run kind of made

up for it Over at DC Comics the the one thing

that really really bugs me as far as plot of

the movie is the whole Bruce and Barbara relationship

No, no, no, no, no, no. And if anyone's read

the Kyle Higgins, Batman Beyond 2 .0 or Batman

Beyond Universe, whatever you're gonna call it,

either in single issues or trade, you'll know

that I believe it was his third volume, Mark

of the Phantasm, that he did where he actually

went back and told the story. Basically elaborating

on that one scene that's in this movie And you

know basically creating a relationship for them

and the whole fallout between him and Dick Grayson

and all that stuff So that's the one thing that

that nags at me with this movie The other thing

is the the Cathy Kane character the Batwoman

character the Twala I'm like this is Twilight

before Twilight. I'm like what? It's the only

thing, only two things that bug me. Anticipating,

I think, the millennial idea of, you know, every

generation has their own weird catchphrases.

I'm not sure I ever actually heard this one in

real life, but it might have been, I don't know.

This is the only place I've ever heard it. Other

than that, I think the movie is very solidly

put together. It's an interesting, fun story.

I wasn't expecting there to be three Batwomen.

Oh, OK. So spoiler alert. 2003, right? Yeah,

I think what's interesting is that it was a fun

movie, you know, it was very self -consciously

kind of moving, you know, a way of kind of bucking

the whole grimdark trend, you know, it was saying,

you know, oh, we've had all this kind of angst

and darkness, and so, you know, why don't we

lighten it up a little bit? And, you know, I...

quote in the notes about the producer, the director,

let's have a little more fun with it. Let's bring

a little more lightness back to it, which isn't

to say that it doesn't have its serious and dark

elements, but it's interesting that they went

in that direction, especially when you compare

it to something like Batman Beyond Return of

the Joker. I remember there was some backlash

when this film came out just because people were

very primed for that kind of dark... angsty,

you know, brooding Batman story, and they got

something a little more lighter and a little

less, you know, world -shattering instead. But

I think it's aged well. Yeah, it has. Like I

said, I, you know, I was originally going to

do this about, you know, a week ago when I first

started this segment here on Altered Geek and

the La La Land Lounge, all that stuff, and I

went back and I watched the movie again, and

I'm like, okay. Other than my two grapes, I've

already mentioned that it's it's a solid story

It introduces the Batwoman character nicely and

you even say in your notes and this is obviously

factually correct She had never this is the first

time she was ever animated the funny thing for

me is with the movie and the whole DC animated

universe continuity versus the the incontinuity

of the shows and the way the show like you know,

you had Batman Beyond in 2000 in 1999 then you

had Justice League in 2001 also, so If you just

go by the continuity of the show this technically

happens before Bruce builds before old Bruce

gets the bats the the bat beyond suit So I'm

thinking oh She kind of inspired him a little

bit Because if you look at the batwoman suit

folks, it's pretty much a gray version of The

bat beyond suit except it's a little bit more

Dracula esque the mask. That's got the red logo.

Yeah. Yeah Yeah, but we are here obviously to

talk about the music. I've had this thing on

repeat for the last week. Very sensual soundtrack

because the movie has a lot of sensual points

in it. The main title is real. I just love the

way that that opens. It's nice and soft and it

just kind of brings you into it and then What

I like about Lolita's scoring on this is that

she has She she mixes the soft tones in the action

scenes very well. Yeah It's a very a very nice

sound palette that she's working with in this

score. Yeah and the different themes for each

each of the ladies that do batwoman and Thank

God this is I think the only thing Kelly Ripa

did voice acting It's a great. It's very memorable

theme, you know, I think a lot of in a lot of

the discussions that, you know, you would go

back and you read a lot of reviews of the film

and they will point out that theme. It's a very

striking theme and it's central to the score.

It's not a hugely theme driven score. Otherwise,

it's it's, you know, mood and atmosphere. But

there's, you know, you've got a few appearances

of Shirley Walker's Batman theme. But really,

it's the the the mystery of the bat. woman main

theme is kind of the the spine of the score and

the album now on here because you are here and

you were the album producer for this this is

a little bit different of a segment this week

folks since since John is here as a guest it

lists the main title obviously is track one and

then on the bonus tracks it has the main title

film version so yes what's difference. The difference

is the quote of the Shirley Walker animated series

theme. Okay, which is something that I understand

they they wanted to have on the screen so that

the Batman theme would play when the the Batman

You know word Batman appears on the screen for

the album listen, you know Lola wanted to present

the theme in, you know, a kind of its pure form

And she had a version of that and so we used

that to open the album And then we put the film

version at the end just so that the theme kind

of bookends the album Yeah, but that's the difference.

It's only a few seconds difference yeah it's

uh the film version is 213 the album version

is 202 so uh i don't want to really hit a sore

spot here but doing research for this i can't

believe it's been 10 years since surely passed

Can you believe it? Yeah. I was reading your

again, Lowland Records does amazing on their

liner notes, folks. They get people like John,

people like Jeff Bond to write these amazing,

like I haven't seen liner notes like this in

decades on any of this stuff. It just, it's just

so amazing how you guys put that together. But

I was reading there and I'm like, Oh, wow. I

can't believe it's been that long. It's hard

to believe. It'll be 10 years this November.

This November will be the 10th. And yeah, so

certainly her presence has, you know, and her

birthday was about a month ago, back in April.

um... so yeah uh... it sure surely is always

uh... a presence on the releases you know we're

always you know thinking about the the ways in

which even on a release like this she did not

work on this score this the score was was purely

loaded with monica uh... but she uh... she does

quote shirley's theme a few times and and of

course uh... you know it's all part and parcel

of that wonderful batman animated series legacy

yeah and and you kind of have to i mean it's

not just It's not just her quoting Shirley's

theme, it's whenever Batman shows up, at least

in this, at this point in time of the DC animated

universe, it has to be that that it's his hero

theme. It's it's his. Yeah, yeah. It's all part

of that continuity, right? Yeah. I mean, you

know, if you look at this score and you watch

the movie, look at the differences that Lolita

gives each of the Batwoman for their own theme.

For when they're out of the cost when they're

out of the costume. They've they've got they've

got kind of different The the most well -rounded

is probably the the Bruce and Cathy theme Yeah,

the the main love love connection there. That's

that's a really lovely really lovely theme and

some great Woodwind performances by John Joachim

Absolutely, I think my favorite outside of we'll

talk about chase me here in a minute, but outside

of that I think my favorite one is probably the

main title and and the bat signal and it's not

just because the bat signal has the btas theme

in it but just anything to do with batman's gad

the batmobile the bat site anything to do with

the gadgets is like uh when um when all in released

the danny elfman scores the the big danny elfman

box a couple years ago it's like batmobile and

batwing themes. I'm like, oh yeah, I'll have

those on. I'll put those in my library. I have

this whole library list of actual licensed songs

that I listen to. I'm like, I'll throw that in

there just to see where and when it's going to

pop up. But Mystery of the Batwoman, the score.

People, regardless of how you feel about the

movie, listen to the music. The music is awesome.

It is very, very well done. Oh, I just say yeah,

I absolutely agree I I think that it may surprise

some people because there's a lot of Interesting

kind of depth and texture that you get on the

album. That's kind of obscured in the film I've

heard this for many people who've listened to

it. They said oh gosh, you know, I never realized

it would be be so engaging it's it really does

have a lot of As I say depth and and good texture.

I like the the tracks you mentioned. I I also

really like Some of the more romantic material

as I say where she can kind of, you know spotlight

some of those solo woodwinds I like the the big

kind of epic confrontation with bane that bane's

demise where you know brings the chorus into

it and this is kind of huge music. I mean it

was It was one of um, it may be uh, uh lola's

first, um Big, you know solo feature uh... project

certainly it's it's it's her first big feature

solo score release mom and uh... yes she really

you know went for it and poured her heart into

it and i think you definitely hear that on the

album you do and you know watching through uh...

so i'll say this all the time in the segments

now folks who have been saying for years i had

in order for me to accurately Whether I'm writing

an interview or sitting here talking about it,

in order for me to do something with the music,

I need to hear it in its context first. So that's

one of the reasons why I wanted to go back and

watch the movie. And you're right. With the movie,

you got the vocals, you got the sound effects,

you got all that stuff. And sometimes the music

will get lost, which is kind of sad, but. You

know, it's just a fact of the business. Yeah.

Yeah, absolutely. And that's one of the reasons

why I love soundtracks so much is that I can

I can hear that that main title, you know, I

can hear that and I can then go and listen to

it and then just take myself through track by

track and listen to all of it and remember the

scenes of the movie and everything else. Us before

we get out of here. Let's let's talk about chase.

Yes. I love chase me. It's great, isn't it? Yeah

For those who don't know it was the short film

That that accompanied mystery the batwoman on

its video releases and it's it's it's essentially

it's a silent Movie, there is no sound effects.

No dialogue. It's all music It's kind of done

from from kind of Catwoman's perspective. So

it's jazzy and playful and and just it's all

kinds of fun Yeah, I think the coolest things

that they did with this one is the Is the When

it first opens and you have the bat watch and

I'm like Seriously, I remember when I first watched

this one on the DVD when it got released I'm

like, yeah I get a screen cap that and make that

a background because the whole Image of the bat

watch and then the two of them kissing at the

end But the the the five minute and I think it's

555. Yeah. Yeah Well, yeah plus the end credits,

yeah, but the main track track 27 is the whole

is the whole crux of the feature. Just the way

that Lolita did the action and the romance in

this one track alone, and we can sit here and

talk all day about the other 26 tracks from the

actual film. But the way that she intertwined

it and it's basically most of this short is Bruce

getting away from All of the women in his life

for all the women that want to be in his life.

I Was really hoping Vicky Vail would show up

some Well, you don't know she could have been

one of them, right but yeah i mean and this remind

you know when this came out i'm like oh hey it's

it's almost got him too yeah yeah sure because

at the end of almost got him that's what catwoman

says because everybody's telling the stories

of you know how they almost caught batman and

And I just, I absolutely love chase me. I really

love this score. I wasn't, not that I wasn't

expecting to not enjoy it, but I wasn't expecting

to enjoy it as much as I do. It works extremely

well as pure music. I mean, the, the, um, the

the short that she was given to it is very kinetic

you know it's it's got a really nice rhythm to

it it's kind of that you know economy of storytelling

they have to make their point you know in in

a five or six minute space so they do it very

efficiently and the music likewise uh... just

kind of moves along at a really nice clip and

and hits all these moods and and it's just bam

bam bam right on cue uh... yet pulls you right

along uh... i i i like it an awful lot All right,

before we send it back to Steve and the rest

of AGU's episode this week, what have you got

coming up on your plate? Oh, gosh. It would take

me another 20 minutes just to tell you about

all the cool stuff that's coming. Probably most

of it I would... be risking some serious bodily

harm if I were to spill the beans. Just tell

us the most recent stuff that you can actually

talk about. Well, the thing that I can really

talk about, because this one has been informally

announced. is Batman the Animated Series Volume

4, which is going to be a two CD release. It

is going to release the remaining, I believe,

nine scores from the original. 65 episode first

production season of Batman the animated series

they went and did you know 20 more afterwards

but the First production season was 65 episodes.

We released most of that material now. We're

releasing the rest of it It's going to include

a section called the Arkham archives which is

going to have all the little odds and ends and

unreleased tracks and Source cues and tidbits

and some things that people never even knew existed

until now And yeah, we're working to get that

one out this summer. And I couldn't be more excited.

But yeah, that's that's we've got a lot more

great stuff in the works. So definitely stay

tuned. Yeah, I'm still waiting for Justice League.

That's that's the one thing I want from them

is Justice League and Justice League Unlimited.

Hope springs eternal, my friend. Alright, where

can the people find you online? Are you on Twitter

any of that stuff? Oh, yeah, you can find me

at at John take us calm J o h n t a k is calm

Although I have been remiss in updating the blog

aspect. You can usually see my current project

off to the left sidebar I'm on Facebook and on

Twitter. It is at John take us so Awesome. Alright

folks, that's gonna do it for this week here

here in the La La Land Lounge. I am not sure

what I'm doing. Oh, next week. Yeah, next week

I know what I'm doing. Duh. I already said this.

It's going to be Flash Season 1 and Arrow Season

3 since those two scores have the Flash versus

Arrow Parts 1 and Part 2 for both of the second

discs on those from La La Land Records. You can

head over to LaLaLandRecords .com right now and

as of this recording, autographed copies supposedly

are still available for Batman Mystery of the

Batwoman. I will have Steve put the link in the

show notes to head on over to the website to

pick up the scoundrake. If you've seen the movie

before, if you want to experience the music outside

of the movie, please go pick this up. You really,

really do want to check this out, especially

if you've seen Chase Me. That's, that's... Know

it's the main film is supposed to be the thing.

I'm sorry. That's just the one It's like when

you guys put all the new the the news cues and

the Joker like all the source cues It's the chair

is the cherry on top, right? Yeah, pretty much.

It's the cherry on top of the Sunday. So We're

gonna head out of here and all in lounge. I will

catch you guys next week Thank you so much John

for taking the time to chat with me my pleasure

We will catch you next time. Thank you everyone

for stopping by the La La Land Lounge here on

GeekCast Radio. If you've enjoyed this, please

let me know. You can follow me or message me

on Twitter at TFG1Mike. That's really the best

way or you can go to Facebook .com slash TFG2Mike.

You can do that or post on the website on GeekCastRadio

.com. Thank you so much to Matt Verbois from

La La Land Records for giving me the opening

promos for this. And yeah, that's the Lawland

Lounge for this episode. Tune in next time when

we will be talking about the Flash Season 1 score

and Arrow Season 3. And for that episode, I will

have Steve Megatron on with me, so we're gonna

be flashing Arrow next time, folks. Make your

great escape into soundtracks? No, that doesn't

sound right at all. Unleash the geek in you,

and we will catch you next time.