All Things Transformers
Interviews – Josh Burcham

About this Episode
This is artist Josh Berksham, and you're listening
to the Geekcast Radio Network. This is Megatron,
and you've found the all things Transformers
frequency here at the Geekcast Radio Network.
Join Steve and Mike as they unleash the beast
in you and discuss all things Transformers. Excellent.
Yes. Hello and welcome to the latest Geekcast
Radio Presents interview that will be syndicated
on all things Transformers, the Beast Unleashed
podcast, and of course, The Pullback. I am one
of your hosts, TF2 and Mike. Joining me, as always,
Steve Megatron. Hello. I simply have a penchant
for intelligent conversation. Sadly, in almost
12 years, you've never found that with me. Tonight,
we're joined by that compelling colorist, the
artist extraordinaire, Mr. Josh Burcham. How
are we doing tonight, guys? Good to see you.
Nice to meet you. Yes. Absolutely. Very interesting.
This is going to be an interesting conversation,
folks, because in case you didn't know, Josh
is currently the full artist on IDW Publishing's
Transformers Beast Wars. I want to say ongoing,
but I don't want to – I don't know what it is
yet because sometimes IDW will be like, oh, we're
going to do Transformers Galaxies and it's the
next iteration of Spotlights. And then, oh, wait,
no, it was a limited series. So while I love
IDW and I love everything they do, I don't know
what to call this series because I don't know
if it has a specific end point or not. I hope
not because I want you guys to be – have jobs
and give us – creative awesomeness and everything
else. Right. It's technically billed as an ongoing,
but I think, I mean, just like any of the other
ongoing series, they're just kind of playing
it by ear and see how long sales will let us
continue. But yeah, we don't really have an end
point in mind just yet. Awesome. Very cool. Very
cool. All right. I'm going to pass it over to
Steve to start the interview and let's get going,
Steve. So. Uh, where did you grow up? I actually,
uh, yeah, I'm native to the Pacific Northwest
here. I was born in Oregon, uh, raised partly
in like, uh, the Vancouver Portland area of Washington,
Oregon. And, uh, yeah, I'm here, central Oregon,
just kind of here in the Northwest. Nice. So
did you always want to be a, uh, artist for comics?
Honestly, not really. Probably not until about
high school did it really pop into my head. I'd
always been, I guess, quote -unquote, an artist.
Sketched and drew and doodled here and there
before I can remember. But I didn't actually
take it seriously until about high school age.
I was taking some graphic design classes. kind
of pushing, not really pushing, but letting you
know that there's creative opportunities for
careers and stuff like that. I was right about
the time that Dreamwave was coming out with Transformer
comics too. So everything was kind of intersecting
and like, Oh, maybe I can do this someday. Yeah.
I remember those days of, of Dreamwave. So yeah,
that, that resonates with me as well. Right.
Yeah. So tell us the story of how you broke into
the business. Yeah. Like I said, around high
school, I was probably about, I probably had
the idea of doing it like right around 16 or
so. And I was getting back into art, getting
back into drawing. But at the time, I didn't
really have a way to kind of put it online. And
that's where I, right around there is kind of
when I found. the online message boards and stuff
like that. And so I was like, there was a pretty,
pretty big fan art community back then. You know,
a lot of the people who you see drawing books
now, Nick Roach and Casey color and Andrew Griffith
and all those guys, we were, we were all posting
on these boards at the time. We were just fan
artists, you know, and you know, I wanted to
be a part. And so I didn't have a way to put
my drawings online. So I found another way to
contribute, which was doing the digital coloring
with Photoshop. Photoshop from my class. And
so I was doing that. We did some assignments
in graphic design class that was kind of comic
book related and kind of intersected. Like I
mentioned, Dreamwave was popping up. And so right
there is where I kind of discovered the similarities.
Like, oh, what I'm doing here is like pretty
much the same process they're doing for comic
books. I thought about pursuing that. And one,
the thing I did back then, AOL was, you know,
America online was still the thing. And I thought
for the heck of it, you know, I'll, I'll do a
search. I'll type in dreamwave, you know, what
could, what could happen. And you know, when
you're looking for profiles or whatever, and
a couple of names popped up, one of them was
whatever, but one of them, he was a guy, he was
actually like a production manager at dreamwave
productions. And. So I just instant messaged
the guy. I was like, hey, you know, I'm Josh.
I do fan art. Love the Transformer books, you
know, blah, blah, blah. I'd love to get your
thoughts on, like, my work. And I was probably
about 17 at the time. And emailed him some samples.
He said, yeah, sure. I'll pass them on to my
art director and, you know, we'll see. And I
heard back. They gave me some pointers. They're
like, you know, if you could work on this and
that. We think you can be on the right track.
And so, you know, long story short, I kind of
went back and forth. And they were like, we can't
really hire you until you're 18 anyways. You
know, you're not really the legal age. So I was
like, okay, cool. So I was like, I got a year
to practice and get better. And so I did. I practiced.
I redid a bunch of sample pages for them, sent
them back. And I think it was a few months after
that, really. that I got my first offer on a
project, which was the profile books for the
Armada series. And yeah, from then on, it led
to War Within and then I followed the license
over to IDW and been with it ever since. Very
cool. Very cool. Yeah, I actually remember picking
up most of those comics. Yeah, right on. So you've
been a colorist on the IDW Transformer comics
since 2005. So if you had to pick, what was your
favorite project in the previous IDW Transformer
universe before this one started? Yeah, yeah.
I think probably, gosh, what's my favorite? I
don't know. Probably the Wreckers trilogy, I
guess, is probably one I'm pretty satisfied with.
overall and it's one i i really got to like experiment
with color wise you know i tried different styles
for each metal which was you know hit or miss
i guess depending on who you ask you know some
people like some more than others but uh i had
fun and just that idw gave me the the room to
to experiment and try new things different color
styles really cool and so i love That series
holds a pretty cool place in my heart. Working
on the first season of More Than Meets the Eye
was super cool too. Another kind of similar thing
where they just let me do whatever I wanted.
For better or worse, that first season kind of
has its own distinct look to it color -wise,
which I'm pretty proud of. I think some people
did too. Those two series, I guess, probably.
Yeah, that first season. Oh, boy. Man, you don't
want to get caught by some shadow play. Yeah,
for real. No, no, no, no, no, no. You know, it's
funny that you're – it's not funny that you're
a native of the Pacific Northwest, but my – I
have to say it this way just because of – governmental
reasons. My ex -wife and I moved out here a year
ago, so quite literally we could have been your
neighbors because we're in downtown Vancouver.
Yeah, yeah, I noticed that. I remember you saying,
like, seeing on your page that you're moving
to Vancouver. I was like, oh man, I used to live
there. Yeah. Did you grow up reading comics and
at what age did you first remember reading or
noticing them? I never did grow up reading them.
I had like the occasional you know my mom would
go on a garage sale or something like that and
she'd find like a couple of the old like Marvel
Transformers stuff or even some random like Batman
comics because I was really into Batman as a
kid as well and I just kind of had them I flipped
through them but I never thought anything of
them just because they looked really corny to
me and so I never really gave comics you know
you know paid any mind uh not really until like
i said when dreamwave was coming back and they
kind of put you know transformers comics back
in the general consciousness of everybody and
uh i was like oh this is this is what comic books
look like now like this actually looks right
yeah yeah i didn't really have any interest in
going out for really any yeah like any desire
to to make comic books, I guess. I mean, I get,
I mean, my mom tells me I used to like make my
own. I don't really remember, but I guess maybe
it was always destined to be. There you go. Hey,
you know, you gotta have a destiny. You gotta
chase that dream, right? Yeah. Right. Whenever
the dream, you know, catches you by the wave,
uh, as a reader. And I want to preface this as
a reader. And. No offense to the people you work
for. We have to ask you the age -old question.
DC or Marvel? Yeah. I think probably before,
like the MCU, you always catch me saying DC because
I never knew much about Marvel stuff, aside from
maybe the Spider -Man cartoon in the 90s. Right.
It was just also unfamiliar to me, but Batman
was always my guy. you know, the Justice League
cartoon and all that kind of stuff, too, growing
up. I guess I probably always leaned DC back
then, but now that kind of marvels, giving me
a new interest, I'm kind of like, okay, maybe
I like them about the same. Very cool, very cool.
Reading and creating, what format do you prefer,
print or digital? Which one, both, either or,
and why? That's a good question, yeah. For creating,
all my work is done digitally. I think I moved
digitally probably a good while ago, maybe even
close to 10 years ago. I do everything digitally,
even drawing and stuff, like all the Beast Wars
stuff like that, it's all digital. So definitely
creating, I definitely lean digital. It's just
so... I don't want to say easy because it's not
like it's easy, but it's a lot more convenient.
I guess the tools are kind of there, built in,
ready to go to help you. It's really convenient.
As far as reading goes, I mean, nothing can really
beat having a physical copy, but I do like to
read it digitally. I especially like the guided
view stuff that some comics do. It's just kind
of... keeps the surprise of some things you know
sometimes there'll be a big reveal and you'll
accidentally flip to and you're like oh no and
you kind of spoil yourself i think the guy that
you kind of paces is that well i do like that
yeah it's funny i've been doing the pull bag
our comic podcast for almost eight years now
we're actually recording this a week before that
show's eighth anniversary and Ever since then,
probably halfway through the first year, I found
Comixology, and I have been singing the praises
for their guided view. And recently I just had
to – I recorded something that won't be out for
a while, but I'm like, I promise, folks, I wish
they were paying me to say this, but they're
not, sadly. But, like, seriously, every other
word out of my mouth when I talk about comics
is Comixology guided view. It's really great.
It's a really great invention. Yeah, it's a great
way to read comics. How is it working with Eric
Burnham? And can you walk us through the creative
process you both are using to bring us the Beast
Wars comic? Sure. Yeah, funny story. I actually
met, in a way, online Eric a few years ago. Somebody
on Twitter was just like, hey, we need comic
book guests. If you want to join our podcast
later today, I was like, I'm bored. I'm not really
doing anything. So I said yes. And I guess Eric
said yes. And so we were the two guests back
then. And we had no idea who each other were
at the time, but we met each other back then.
And so it's kind of serendipitous that we're
working together now. But he's really great to
work with. Really cool guy. He's open to any
suggestions or anything that I have or the rest
of the editorial crew has. pretty flexible with
the script and pacing and stuff like that he's
like you know i write it out this way you know
certain way and if you have better ideas go for
it you know because it's ultimately it's all
about the story that we're trying to tell you
know whatever serves the story best and so he's
been he's been really cool really supportive
the whole team has it you know uh on the whole
book it's it's been really really great creative
process yeah i know because um it's kind of funny
that um your whole journey through all this i
was looking at your your deviant art uh a couple
weeks ago and and saw some of your beast wars
art and i was like oh that was directly an inspiration
for what we're seeing now yeah yeah right and
i enjoyed every bit of it nice yeah beast wars
has always been a soft spot it's a real privilege
to get to work on Now, what exactly drew you
to Beast Wars, as opposed to some of the other
ones? Yeah, I mean, I grew up aware of Transformers,
and I was a fan of whatever G1 stuff that I had.
But I was born in 85, so by the time I was a
little kid, it was already in full swing. So
I had random VHS. uh copies of you know miscellaneous
episodes and i had a recording of the the 86
movie on on vhs because it was on tv my parents
did it for me so i would always like re -watch
you know those few episodes in the movie like
over and over but uh when beast was hit you know
in the mid late mid late 90s i was you know like
13 years old so i was kind of uh you know the
target audience that they're going for you know
the young kids you know whatever and so you know
beast wars was really kind of you know you know
it's kind of the same with you know people who
are a little older you know when g1 came out
they were like 10 11 12 that kind of age and
so beast wars was almost kind of like my g1 you
know it was it came out you know at the perfect
time you know spending all my allowance on all
the toys and kind of stuff, you know, trying
to convince my parents to get up for me and waking
up early Saturday mornings to watch the show,
new episodes. And, uh, so yeah, it was, it was
really, yeah, I had the foundation with G1, but
Beast Wars really kind of hooked me into it.
And right around that time was the whole internet
and all that kind of stuff too. And finding message
boards and discussion groups and all that kind
of stuff. the right, you know, the right time
kind of thing. So it's, it's really funny that,
that Beast Wars resonates so well because now
it's 25 years later and so many people love the
show as you did. And as I do, um, what do you
think it is about Beast Wars that has people
coming back for more by rewatching the classic
series and reading, uh, your new comic, of course.
Yeah, I think, uh, It's definitely the characters
and the storytelling. You know, some people,
I see a lot, you know, now and then I search
Beast Wars, you know, on like in Twitter and
Tumblr. So I just see what people are saying.
And I always see, you know, a bunch of random
comments like, oh, the CGI ain't that great.
But man, the story, man, the characters, you
know. And I mean, to me, like the CGI still looks
good to me. I like it. But that might be like.
rose -colored glasses you know nostalgia but
uh i mean you look at it it is rough texture
wise and stuff and low poly but they the characters
are animated really well expression gets across
drama gets across really well and uh it's further
enhanced by the great um you know voice acting
by all the voice actors and just the story you
know fun stories The fun, happy -go -lucky one
-offs and then the really cool multi -parters,
like the agenda and all that kind of stuff that
really hook in and draw on the overall continuity
and expand it. A really well -done show. We're
just hoping with the book that we can match that.
I definitely, and I don't know, I don't speak
for Mike, but in my opinion... You do sometimes
when I make you. Yeah, that's true. So in my
opinion, anyway, of being such a huge Beast Wars
fan, it resonates really well with me and I find
it very, very entertaining. And I find the even
even with the new edition of the two new characters,
it still feels like I'm tuned into the original
96 series with a little bit of added depth. Yeah.
That's really cool because that's exactly what
we're going for. I know we've talked about Beast
Wars, but what Transformers generation is your
special generation? Even if it's Beast Wars or
maybe it's not Beast Wars, but what one would
it be and why? I think if I had to choose something
that wasn't Beast Wars, I think Beast Wars probably
does rank out number one, but I think a close
second for me is probably the... The Cartoon
Network Transformers animated series. Really
well thought out. The story was great. The writing
team was awesome. I'm a super big fan of Derek
Wyatt and his designs, his art direction on that
series. I didn't even know him back when the
show came out, but I came to know him going to
conventions and stuff like that. He's a really
cool guy as well. Super big fan. Yeah, it's just...
It was a great, a lot like Beast Wars, great
characters and a great story that it wasn't like
inventing things on the fly, or at least it didn't
seem like, but it had a plan, it had story arcs,
it knew the story it was trying to tell. And
yeah, it was just really enjoyable and a great
contrast to the Baver stuff that was coming out
at the same time as well. Well, and funny enough,
with that series, they actually did touch on
Beast Wars in a multitude of other different
Transformers universes. Right, yeah. There wasn't
enough Rodimus in Season 3, damn it. Oh, I know.
They rusted him. They rusted him. So, what was
your very first Transformers toy? I don't remember
personally, but my mom always says it was the
Targetmaster Cup toy, which I still have, actually.
Nice. Yeah, G1 Cup. I still have the Targetmaster
as well. Very cool. One of the few that has survived
my childhood. I think we all have those stories.
Yeah, I made the mistake of purging. I mean,
I had a lot of them just break just from brittle
plastic, specifically like the Transmetal Megatron.
But having two of them and the arms snapped off
both. But I purged them all. I have only had
the Masterpiece Primal. And I don't know if you
collect the Masterpiece figures at all. But I
just recently started recollecting a lot of figures.
Um, the ones that aren't kingdom are insanely,
uh, expensive now. Yeah, I know. I'm still missing
black or acne. And every time I'm like, Oh, I
should pick her up. And then I look online. It's
like $140. I'm like, uh, BBTS. Yeah. Yes. Sadly,
they're not paying us either. Please give us
a sponsorship, please. I know, they did wonderful.
I got Thrilling 30 Waspinator, I got the new
Kingdom Cheetor, and the Kingdom Blackarachnia,
and they all showed up. Yay! Alright, who is
your end -all, be -all favorite character or
characters from any Transformers incarnation?
You can pick one Decepticon, one Autobot, one
Maximal, and one Predacon. Bringing up a tough
question. Of course. I think my favorite Autobots.
It's kind of the go -to for most people. It's
Optimus Prime. Close to that, it would probably
be Hot Rod. Decepticons? No. But I never really
had a favorite character. I always liked Skywarp.
Just the way he looked, black and purple. how
you get me going. Anything in those colors just
looks amazing. I guess I'd nominate him. I think
Predacons is easy. A lot of people say Megatron.
It's that voice. It just gets me. Boy, favorite
Maximal. I always did like Death Charge. I thought
he was really cool. So, Megatron, do you have
anything to say to Mr. Bertram? I'm putting you
on the spot. Use your voice, dude. I know. Good.
Now leave me. I have work to do. Megatron, terrorize!
Well done. Thanks. When we interviewed David
Kaye way back in 2009, he basically gave Steve
the seal of approval. You're the only person
that does my voice that actually sounds like
my voice. That's awesome. Yeah. It was very cool.
I have talked to Scott McNeil before. I did it
and then I tried to do Waspinator and unfortunately
didn't have any water because I waited like two
hours in line to see him. So I get up there and
I'm like, Waspinator, sick of being evil. What
are some other Transformers characters you like?
I mentioned Hot Rod. He's definitely a favorite.
Not really his character per se, but I just always
thought he was cool looking and his beautiful
mode was like, I want a car like that. Hasn't
happened yet. What the heck? Now that you have
this new opportunity and they're going to sell
a million copies, you know. Yeah, right. One
can only hope. Get those royalties that I don't
get. Yeah, I always liked Wheeljack. He was always
a favorite, too. I even threw in a little visual
homage for Wheeljack in Issue 1. I always liked
his design. I thought he was really cool looking.
Just the whole bumbling scientist kind of thing
in G1. It's hilarious. Absolutely. Are there
any Transformers characters you either dislike
or hate? Not that we want to get negative, but
I mean, they're... Everybody has a character
that annoys the hell out of them. Right. Boy,
I don't know. I don't know that I... I feel like
I would get... I'll get burned at the stake for
saying this, but I don't really get the Starspring
laugh. Not that I hate him or anything. He's
kind of whatever, but... He's just kind of...
He's Starspring. So there's... There's no future
possessions in the comic coming up then, huh?
If there is, I'll just make it Skywarp. Oh, sick
burn. That would be awesome. I'm trying to think
of who would be better, like maybe a Soundwave.
Well, I mean, we did have Ravage, you know, Decepticons.
That is true. That would be cool, actually. Yeah,
that would be cool. Whatever happened to Soundwave?
He got upgraded. I mean, not that I hate Starscream
or whatever. I know some people probably give
me that. He's just not my favorite. Well, that's
why he got blown up too by, you know, by everyone
in Beast Wars. And, you know, Megatron didn't
trust him, but put all of his loyal people in
there. Hasta la vista, Starscream. Right. So
what is your artist vision with the IDW Beast
Wars comic, and how did your style fit into the
classic characters? I think that's probably one
thing that actually got me the job. Just in an
email with David, our editor, I imagine they
probably talked to a few different people that
they had taken on the series. When I submitted
my... It wasn't really a pitch, but it was just
some artwork for them to consider, you know,
to kind of see if I would be a fit. One of the
things that he mentioned was I had a distinct
vision or, you know, kind of visual look for
my take on the characters. That was one of the
reasons why they went with me. I don't know how,
if I have any, like... thought process behind
how it fits or whatever i'm just kind of like
this in the comedy like this is just the lens
the the artistic lens that i see these characters
through um and uh yeah it's just kind of it's
really cool because they're giving me like kind
of pre -reign to interpret things how i want
um when i first uh got the go -ahead on the project,
I asked them, you know, do they want me to follow
the new toys or, you know, what's coming up in
Kingdom? And they said no specifically. I mean,
they sent me some reference for a couple characters
of character models for the new show. But they
said I didn't have to copy them or follow them
or whatever. So it's just kind of... It's been
up to my interpretation, and it's been really
cool. I actually haven't gotten any notes or
any redesigns, nothing like that. It's just kind
of unfiltered. This is how it looks Josh style.
That's awesome. Yeah, it's fun. That's the best
way to work, isn't it, as an artist, where your
imagination is the only limit you really have?
Right, yeah. So I'm really grateful for all that.
And as much as it's like a deviation from the
previous Beast Wars comic that IDW put out, I
really love the new take because it kind of adds
this fun flair to the characters that it focuses
on. Natalie, their appearance, but the story,
and there's so many vibrant colors in there and
designs and little Easter eggs if you're looking
for them. Yeah, and I think to pair in with what
I said a second ago, that's part of the reason
I feel like that they went with me is because
it is so different. They want to make sure that
at first glance, this isn't some continuation
of the show or isn't some... Here's what happens
between this and that episode. We're not bound
to the show per se, or it's not attached to any
of the previous comics that IDW did. When you
look at it, you can tell this is something different.
It's not quite what it is. Very cool. Very cool.
What is your favorite part about fan interactions?
Yeah, just all of it, I guess. It's all super
cool. You do this job kind of in a vacuum, and
I only ever talk really with the IDW guys through
email, and very rarely it'll be through a phone
call or anything like that. So it's all digital,
and you go online, and all the interaction online
is... digital you know through twitter or whatever
message boards so it's really cool you know going
to the conventions which has sucked all the covid
stuff you know we haven't had one in a year plus
but uh it'll be nice when we're able to kind
of go back to that sort of thing just because
it is really cool to meet all the fans in person
and you know uh to see and witness you know their
excitement for the series or for the project
or for what you're doing it's just really it
just kind of it kind of pumps you up you know
it's like you know yeah there's actually people
who buy this and who enjoy this and it's like
now i feel psyched and ready to do some more
you know it's really cool and i've met some really
cool people a lot a lot of aspiring artists and
stuff like that who come up to you and Some of
them are really shy and kind of timid or whatever.
It's kind of cool to be able to encourage people.
I had no idea this is what I was going to do
for a job, but I will be the first to admit it's
better than most other jobs out there that a
lot of people work. If you have the skill and
the drive, you absolutely should go for it. do
and it's that's one thing that i like about uh
idw is they're so open to uh to fans um you know
being able to contribute that's you know like
90 percent of you know i guess the the old guard
you know like alex milne and josh perez and like
i said andrew casey and myself and stuff like
we were all fans posting on message boards and
a lot of the new artists Like Anna Malkova and
Beth and all those, you know, they're all fans
as well. IDW is not a shame to draw from that,
which I think is really cool because there's
a lot of really talented people out there who
deserve to live out their dream. Yeah, you know,
people are cool. So what is, I mean, I know you
mentioned part of what your favorite part with
conventions and getting to see people, but what
are some of your favorite things to do when you
go to the convention? Yeah, aside from interacting
with the fans, I think one of the things I do
enjoy most is interacting with my, I guess, co
-workers, other artists and stuff like that.
because yeah it's just like meeting fans or whatever
we only see people like maybe once a year you
know at a convention or if we're lucky a couple
times more and it's just really cool to there's
a great camaraderie kind of there you know and
we're all just the same and we're all geeks and
nerds and we all like nerdy stuff and just having
a laugh and getting drinks and getting to know
each other probably one of the things that I
do look forward to most is just hanging out with
everybody. That is so, so cool. Yeah. I kind
of like the virtual conventions now, but you're
right. I do miss, even though I don't attend
most conventions cause I just can't afford to,
but it's one of those things where it's nice
to know that San Diego comic -con was there or
is there, or will be there again at some point,
whenever this, uh, world we live in changes again.
So as an artist and you've, you've kind of, I
don't think there is a heart. And so the question
is as an artist, what has been the hardest part
of being an artist in this new world we live
in? So basically was it easier pre COVID? Is
it easier now? But it seems like you're. like
you've already said, you basically only talk
to the other team members through email. You're
not going into the IDW. You weren't going into
the IDW offices every day and sitting at a desk
and working. So how much, if there is a difference
between before COVID or, or now as we're living
through it, being an artist and doing all that.
Yeah. I think for the most part, it's pretty
unchanged. There was a little period, you know,
when, just when, printers weren't open just distributors
weren't distributing that we had to shut down
and uh i you know there was probably about two
weeks where i didn't i didn't do any work not
that i didn't have any work to do but they were
just like you hold up well everybody gets everything
figured out and uh now that that's all rolling
i mean it's yeah kind of business is business
as usual so we're recording this interview right
after issue two of Transformers Beast Wars from
IDW has released. Can you give us any teasers
for issue three? Anything you can say that you
can get away with saying without David Marriott
saying, oh, you shouldn't have said that on that
podcast. Not that I would say that. I don't know
the guy. You ask a question like that, and last
time we asked a question like that, Maurice LaMarche
revealed to us that he was going to be Mr. Freeze
in Arkham City, and it just blew up. Oh, yeah.
But is there anything from Issue 3 that you can
kind of tease us with? Hmm. What happens in Issue
3? The cover has Tarantulas doing his web world
thing. Yeah, right. I mean, it's hard to say
anything because it is a sequential story. It
picks up right after number two. It just continues
on the story, so I don't know if I can really
say much without spoiling it. Other than your
favorite characters are probably in it, like
Megatron's in there being Megatron, and Tarantulas
has some cool stuff. Dinobots, there's a little
more screen time, or whatever you call it. That'll
be cool, kind of get a little more... sense of
who she is as a character. Very cool. You'll
just have to read to find out. Of course we will.
And since we're covering it every month inside
the pull bag here on All Things Transformers,
we obviously will. Alright. Would you like to
inform the fans of where they can interact with
you online? Sure, yeah. You can absolutely find
me I'm probably the most active over on Twitter.
You can find me at JCBridgeham. I've also got
an Instagram page that I'm semi -active on. Every
once in a while, I'll calmly give a little tease
of what I'm working on. So if you want to ever
catch a peek, sometimes I throw up a little something
on my stories there. And my handle on there,
I think, is just at DCJosh. Yeah. You can find
me over there. Other than that, people friend
me on Facebook. I'm not super active on there,
but you're more than welcome to if you want to
find me over there. Yeah, that's about it, I
think. All right. We would like to thank Mr.
Bertram for taking the time to chat with us in
this latest Transformers interview here on the
Geekcast Radio Network. Steve and I will be back
after this. Thank you so much, Josh. Yes, thank
you. This has been an awesome, awesome time.
It's been a distinct pleasure for sure. Thank
you for having me. We're going to turn Cybertron
into a giant mud pit. The Beast Unleashed podcast.
All right. That's it. Our interview with Mr.
Josh Burcham, IDW artist, colorist, the artist
and colorist on the new Transformers Beast Wars
comic. That was awesome. Oh, yeah. Very, very,
very much so. Very cool. Very cool. Yeah, so
coming up next on All Things Transformers, as
we are always late with the news because we don't
break the news, we just react to it. In the next
episode, you'll hear us talking about all of
the news from the Hasbro Investor Day call or
whatever the heck that was. So that's what's
coming up on All Things Transformers. The pull
bag, it'll be after issue... So we've got 404
not found. And then we've got Radiant Black issues
one and two coming up inside the pull bag. Why
don't you close it out, Megatron? Excellent.
Yes. Don't you have a lawyer to call? Apparently
your cat does. Good. Now leave. I have work to
do. Yes. Diecast construction. It's a lost art.
No chapter markers for this episode.
Hosts



