Interviews – BZ Cullins!

hey everybody it's chuck and stacy from vo buzz

weekly and you are listening to geek geek geek

geek geek geek geek one more one more hey there

this is bz cullens and you are listening to the

geek cast radio network Welcome to the latest

GeekCast Radio interview. I'm, of course, TSU

and Mike, and I have the pleasure of chatting

with Mr. BZ Cullens. This is going to be one

hell of a brightest day off, and then another

blackest night out. Hi, BZ. How are you? Ah,

yeah! What's going on, man? How you doing? Everything's

everything. If I was any better, I'd be guilty.

Let's hope not. No guilty verdicts here. I don't

even know how I found you, but I found you back

in 2020 with the shorts in Brightest Day Off

and in Blackest Night Out. But I don't know if

it was a recommendation from somebody. I don't

know. I have no idea. But I've known about you

for a while. And in preparation for this, I'm

going through like every part of your film. Like,

oh, my God, he was on CSI Vegas. He was on this.

He was on Chicago Med. He was like, you're everywhere,

dude. How are you everywhere? Yeah, dude. Well,

the situation, especially with In Blackest Night

Out and In Brightest Day Off, I think the way

we found each other is that I once I started

releasing the films. I voted them on a lot of

the nerd and geek Facebook pages. And I got some

positive reception for embodying Jon Stewart,

you know, because, you know, there are quite

a few people like, dude, you look like him. Dude,

you sound like him. Dude, you're built like him.

Well, I mean, that was the original the original

conclusion I came to. when they changed his look

in the Justice League Unlimited cartoon. Right.

So I'm like, well, you know what? I kind of look

like the dude. I'm kind of built like the dude.

I sound like the dude. Why don't I just go ahead

and be the dude? That's when I started writing

the film. Nice. Very cool. Very cool. Yeah, man.

Yeah, your John is very good. Very good. Thank

you, man. And I didn't. So when I was because

I rewatched both of them and I was looking, I

forget if it's in. I think it's in Brightest

Day Off that Diggle calls him. It calls you at

one point. Did that on purpose. I know you did

it on purpose, but I'm like, wait a minute, because

I'm sitting here thinking. holy crap, they got

David Ramsey. That would be amazing. And then

I looked again. I'm like, oh, it's BZ pulling

double duty. I'm like, oh, crap. How did that

fool me? Don't get it twisted. I did reach out

to David Ramsey on social media. I tried to get

him in to come and do a cameo, but I couldn't

reach him. Um, now it's come to the point because

now I'm, I'm actually a working actor in Hollywood.

Right. How, you know, I know the better means

and ways to reach out to celebrities and actors

and see if I can get them to work with me or

not, as opposed to just social media. Yeah, absolutely.

And the one thing I will say, as I was watching

in brightest day off. I tend to, so again, I

remember watching the shorts a couple of years

ago when you released them, but when I rewatch

things, I tend to focus and make sure I notice

as much as I can. And I had to like rewind it

like four times. I'm like, that is the VO buzz

weekly mug in his hand. How the hell did that

happen? If anyone is familiar with V .O. Buzz

Weekly, it is a I guess you could call it a voiceover

podcast slash video podcast created by and hosted

by Chuck Duran, who is a voiceover demo extraordinary.

And his and his girl, Stacey Jay, who's also

a voice talent. And so the thing about it is

Chuck Duran produced my first movie trailer demo.

Nice. You know, I connect with him and I got

me some merch. I actually when I if you look

at in Brightest Day Off, I'm also cooking. I

was I also have a V .O. Buzz weekly apron that

I was going to use. Oh, let me go ahead and let

me just go ahead and bring in the bring in the

book. And I showed the film to Chuck and he was

over the moon. Yeah. Yeah, absolutely. Yeah,

we've talked to them a couple, I think one or

two times, maybe only once. But we've talked

to Chuck and Stacey a couple of times because

I've got voice promo. So I ask everybody, celebrities,

non -celebrities, whoever it is, to do voice

promos for us. Just like, hey, this is insert

name here and you're listening to the Geekcast

Radio Network, whatever it is. And when I asked

Chuck and Stacey to do them. Chuck just kept

stumbling, so we have a clip. He eventually gets

it out, but just the way – oh, I love that dude.

He's so awesome. I've got to reconnect with him

at some point. Yeah. Not only is he a talented

demo producer, he's a talented musician. Mm -hmm.

Yep. Guitar player for Rock Sugar. Him and his

band, they kill. Yeah, they do. Absolutely. So

before we get started, is there anything you

can reveal to us in the world of BZ Collins?

Any upcoming projects that you're allowed to

talk about? If you're not allowed to talk about

them, then obviously we can't talk about them.

But what's coming up? What's going on with you?

Well, yeah. Actually, for those of you who have

not seen any of the short films that I've done

for Jon Stewart Green Lantern, I'm actually working

on film number three. It's going to be a trilogy.

So and I was going to leave it alone, but I got

talked into it by a gentleman out of the UK who

writes for DC Comics News. And he is solely responsible

for both of my films having multiple articles

in DC Comics News. Can I guess? I bet I know

who it is. Steve J. Ray. Steve J. Ray. Holy crap,

dude. Yeah, I love that dude. He's awesome. We

did a, uh, I did a comic book origin. I do these,

these origins things where people come on and

I asked them 30 or 40 or whatever questions about

comics, cartoons, toy collecting, whatever it

is. And I had Steve on for the comics and yeah,

Steve's Steve's awesome. Yeah, he is. I've, I've

been on a couple of podcasts with him. Um, and,

uh, he, he is an absolute pleasure. I mean, he

is. I've never met him, you know, personally,

but I do consider him friend. Yeah, absolutely.

Yeah. Now that I'm thinking about it, it's probably

one of the, yeah, that's probably where I found

you is probably one of those articles from DC

comics news. Okay. Cause I'm pretty sure he probably

sent that my way or something or other. And yeah,

man. Wow. That's, that's awesome. Small world.

Um, you know, it's. I'm like, you know what?

I'm working on on film three. The first two films

are a day in the life. of a lantern this last

film is not going to be that you know most people

expect when it comes to either fan films or superhero

films they expect the the powers and the fighting

and the this and the that that that's associated

with the particular hero yeah this particular

film is going to be all of that it's going to

be powers there's going to be fighting there's

going to be intergalactic space uh killing everything

cgi the whole shebang we're going all out with

this one Nice. That is so awesome. Yeah, and

it's going to close the whole thing off. There

are going to be several Justice League cameo

appearances that I have lined up, hero appearances

that I have lined up that are going to satisfy

the comic heads. And that's why I did what I

did. with the first one by bringing Diggle in

because I was also, as an actor, I was also promoting

myself so that I can get into the Arrowverse

as Jon Stewart. Yeah. And I didn't want there

to be any confusion as to Jon Stewart not being

Jon Diggle. Right. Yeah, yeah, yeah. Absolutely.

So I did that on purpose. So with Brightest Day

Off, it is, like we were saying, folks, these

are short films, but Brightest Day Off was 7

minutes, 17 seconds. Blackest Night Out was 16,

28. So the third film, how much longer is it

going to be for a short? Probably 35 to 40 minutes.

Oh, wow, that's awesome. Yeah. That is so, so

cool. All right, well, let's go ahead. Six minutes,

then it's a feature. Yep. There you go. We were

going to keep it in short film format. Well,

that's good. That's awesome. Yeah. Shorts are

great because I mean, okay. Short form film format

is great. I don't necessarily want to say shorts

are great because YouTube shorts just kind of,

I don't know, man. It's doom scrolling. That's

all it is. It's doom scrolling. You watch one.

Okay, I've watched this one. It either will automatically

scroll. I'm sorry. I'm ranting. I shouldn't be

ranting about that. The short film format is

awesome because you have a finite time to tell

a story. And a lot of people that I've watched

that have done these have done such a good job.

And yours were. two of the best that i've seen

so far and it just make i'm like okay we've got

shorts we've got short number three coming let's

um let's get the features going well i mean eventually

i mean the craziest thing man for me is i never

intended on doing any of this stuff i never intended

on Being a writer, I never intended on being

a filmmaker. I never even intended on being an

on -camera actor. The only thing that I wanted

to do was voiceover. That was all I wanted to

do. I wanted to work in entertainment, make entertainment

money, but have a semblance of normalcy in life.

And that's what voiceover brings. And all of

a sudden, oh, hey, dude, we need you for this

because you fit it. All right, do it. And then

it just then there was just an avalanche. So.

All right. Well, I'm going to go ahead and ride

the wave, see how things go. And it's been great.

My on camera career has exploded. You made mention

about, you know, talking about some things. There's

a film. It's in post post -production currently

called Summer, Winter, Spring or Fall. And that

is with a young lady named Jenna Ortega. Mm hmm.

I'm in that film. I have a scene or two with

her. And I actually worked on another film probably

six months later with a young lady named Mira

Sorvino. And the DP on that film was the same

DP as the Jenna Ortega film. And he goes, hey,

BZ, remember that thing you did back in December

with Jenna? I'm like, yeah, because it's in post

right now. But the word is, is once it gets released,

it's going to be in like twenty five hundred

theaters. I'm like, wow, it's about to be big,

bro. You're about to be seen. I'm like, oh, OK,

let's go. That's right. Let's go. Let's go. So

we'll see what happens. Yeah, man, absolutely.

And I'm trying to think like I watched the because

I watched a lot of your I watched the IMDb at

first, the the the trailer clips that they have

on there. And I saw you were in general hospital.

You were like, what was that like? Dude, being

on a being on a soap opera set is fast paced.

I literally worked. I worked for it. Wow. I was

on set for six hours because that's the nature

of the business is hurry up and wait. My actual

working time was 15 minutes. I got on. We got

on set. There were four cameras in front of us.

I'd never seen that before. I usually see one

or two. There were four cameras in front of us.

They had us do a rehearsal. All right, well,

let's go. And then we shot one take. I flubbed

the line. We shot it over. OK, that's a wrap.

And that was the end of the day. Just like that.

Wow. Super fast. I'm like, I am not complaining,

but I have never been in and out off of a set

that quickly after delivering lines and whatnot.

I just worked on a commercial on Tuesday in San

Diego, and I was there for practically nine hours

just. You know, doing a part here. All right,

BZ, we'll need you in 20 minutes. And then I

go sit down and everyone else does their part.

I was the lead in the commercial. I can't speak

that one yet, but. Yeah, no, that's fine. Yeah.

But it was just, you know, a little bit here,

a little bit there, a little bit here, a little

bit there. And with the soap opera is like, OK,

BZ, let's go ahead and action. OK, let's do another

take action. Okay, everybody, that's a wrap.

And I was done. It was 15 minutes from the time

I reported to the set to the time it was a wrap.

That's crazy. What was your character? Was it

just a one -off character, I assume? Yeah, so,

yeah, even with the characters in Soaps that

are regular characters, I mean, if one of the

actors leaves the next day or the next week,

this role is now being played by Bobo. Soaps

are so fast. Absolutely. They might be faster

than the Roadrunner, pretty much. I've auditioned

for multiple soap operas. I've auditioned for

Young and the Restless 12 times. I must be doing

something right because they keep calling me

back. I just haven't booked it. Right. But I've

been auditioned. I've auditioned for Young and

the Restless 12 times. I just recently auditioned

for Days of Our Lives. I auditioned for General

Hospital once and got it. Oh, man, that's crazy.

So going from that to a chair in Spidey and his

amazing friends. Crazy, dude. I saw that clip

and I'm like, holy crap, he's a chair. Yeah.

Something, you know, we were talking about voiceover

earlier. I also produce demos and I also coach

and I'm actually supposed to be doing a doing

an audition preparation with a young man who

is supposed to be auditioning for. a series regular

role on Spidey and his amazing friends. I'm waiting

to hear back from his mom. We were supposed to

connect today. Oh, I'm waiting to hear back from

his mom so that I can get in there, get him online

and coach him through his audition so that he

can, he can deliver a solid performance. Cause

we're talking series regular dude. That's enormous.

Yeah. That's amazing. Yeah. That is very, very

big. Better call Saul again, dude, you're everywhere.

What, what the heck? Again, unexpected, man.

I wasn't going for this. I had a bout with imposter

syndrome. I'm like, why do y 'all keep hiring

me? Why do you keep paying me this amount of

money to do this? I don't understand it. What

do you want from me? But it just keeps happening,

dude. So like I said, I'm going to go ahead and

just ride the wave and enjoy the ride. Yeah,

absolutely. And then voice acting, you've done,

like you said, tons of promos, trailers, all

kinds of stuff. So what is your favorite part

about voice acting? Doing it from home. Again,

man, like I said earlier, you can work in entertainment,

make entertainment money, but when all is said

and done, you really have a semblance of a normal

life. And still work in entertainment. But the

situation just it just didn't happen like that

for me, even though that was my ultimate goal

was just to do voiceover. And, you know, man,

I can be literally walking around in my drawers

and standing on a microphone and no one will

be the wiser and knock out the job and be done

with it. I mean, that's that's one of the greater

things about it. The work is especially with

animation. Animation is a blast, man, especially

the fact that, you know, just like with on camera

acting, you're pretending to be something you're

not. You're not. You know, most of the time when

you do animation work, you're not yourself. You're

not being yourself. You're being something else.

Now, with movie trailers and TV promos, then,

you know, that's all you. Now, the dope thing

about trailers and promos, especially for the

cats who get the bulk of the work, they're in

the high six, low seven figures. I'm not there.

But that's a plus. Yeah, that's a plus. Who are

or were your influences in making you the voice

actor that you are? Oh, several. Don LaFontaine,

who's no longer with us. He's the original dude

with In A World. He's the dude who started that.

Don LaFontaine, a gentleman I discovered at one

of his books at a bookstore, Rodney Salisbury.

He's the dude that if you're watching TV and

a commercial comes on and goes, need a moment?

Chew it over with Twix. Oh, wow. And he's also

the dude that does the jazz it up with Zatarain's

Dirty Rice. That's amazing. He's he's he's definitely

a mentor. And and primarily the reason is because

my mother is also Salisbury. So we've been trying

to find a family tie there. You got him, Rodney

Salisbury. Keith David is my dude. So those are

my voiceover inspirations right there. You know,

Keith David, Rodney Salisbury, Don LaFontaine.

I mean, there are some some guys that are out

there who are I'm cool with, you know, and, you

know, we're homies or, you know, we're we're

acquaintances or whatnot that we're, you know,

we're just cool like that. Now, the voiceover

community is is actually a great community to

be a part of. Right. The inspirations are Don

LaFontaine, Keith David and Rodney Salisbury.

I love Keith David's voice. That dude has such

a great voice. Absolutely. Absolutely. Yep. Oh,

God. And the sad thing, out of everything he's

done, the first thing that pops into my head.

I wouldn't trust with a potato gun. Right. I'm

like, oh, my God. Why is that the first line

that pops into my head? He's awesome. Yeah. Yeah.

Keith David. I would actually have to say Keith

David is my blueprint for my current career.

Keith, I don't know. I don't know if I could

classify Keith as an A -list actor, but he is

well and well known enough to constantly work.

Yeah. All areas, voiceover and on camera. And

if he chooses to on stage. Yeah. That dude keeps

a check. Yep. Absolutely. Is the footprint of

my career. That is what I want. I don't care

if I'm balling out of control. I don't care if

I'm famous or not. I just want to keep working.

So he's he's the blueprint. Absolutely. Are there

any characters that you've done in the past or

any characters you think you might do that might

be a throat ripper for you that might just destroy

your voice? No, I haven't. And I make absolutely

certain that I don't even venture there. There's

only one character that I am dying to do, and

I give the absolute ultimate props to the individual

who has originated it, and I have nothing but

respect for him. Actually, I'm going to add him

to the list of the innovations. Optimus Prime.

Yeah, you want to know what's funny? Dude, that's

the notification for my emails. Yeah, check this

one. Autobots, roll out. So, not to promote a

different company or anything else in your interview,

but if you go to Funko .com, I'm fairly certain

it's still in stock. It's a Lights and Sounds

Optimus Prime Funko Pop. It has the Transform

sound. It has him saying more than meets the

eye and Autobots, roll out. That is dope. Yeah.

The thing is, when it comes to shredding voices

and ripping voices apart, what would normally

do that would be video games that have violence

and fighting in them. Have you done many video

games? I didn't notice that. I would like to

do video games, but I do know that if I were

to get on some kind of video game where it's

revolved around battle, We know we have to do

is we have to get all of the dialogue, the dialogue

out first. And then at the end of the recording,

when it's time to be finished, then any and all

of the screaming and the dying and the horror,

because we'll never be able to do that throughout

the recording. So we have to save it for last

because there have been there have been voice

actors who've had to take like three or four

days off to get. just for themselves to recover.

My thing is, and I've taken this, uh, I've taken

this road led by Ashton Smith. Um, I don't yell.

I, um, I don't go out there. I don't drink dairy.

I don't go out and, uh, you know, go into loud

places or subject myself to, to loud noises because

a part of our job is also our hearing. So we

have to take care of it. We have to take care

of our instruments, our hearing and our voices.

So I don't know if somebody, you know. Annoys

me or bothers me or whatnot. I just refrain from

yelling because you have to take care of the

instrument. If it's a video game, maybe you might

have to do a little bit of ripping and roaring.

But other than that, no, man, I don't I don't

subject myself to any of that. And being that

I'm a performer and a subcontractor. I choose

what it is that I work with or don't work with.

Yeah. Well, that's awesome. That's very, very

cool. Yeah, that's the end. I mean, I don't have

a voice for anything. So, you know, I'm not going

to be like that. You do what? No, no, no, no.

I really don't. It's not. But my point in saying

that is. Because I was born legally blind with

optic atrophy and astigmatism, my hearing is

like dialed up to 11 kind of thing. In elementary

school, the teachers used to use me at the end

of the school day to go around to every classroom

to hear if any of the Apple II computers were

still on because those things were loud as hell.

Wow. Yeah. As long as I don't have loud music

blaring in my ears, I can hear a pin drop kind

of thing if it happens. But luckily I live in

a quiet enough place where that doesn't really

happen all that often. But yeah, I love hearing

things. I don't mind seeing things. The way I

watch TV is if it's a show that I've watched

before, it's background. I'll listen to it. Maybe

if it catches my attention kind of thing, maybe,

oh, okay, I'll watch this. But, yeah, no, you're

absolutely right. You've got to take care of

the voice. You've got to take care of your ears

and all that stuff and everything else. Yeah,

absolutely. As a kid, what was your influence?

What were you interested in, cartoons, comics?

What made you eventually want to be where you

are now? All of the above. Dude, I was a comic

book head and cartoon head probably from the

time I was six. Oh, wow. Yeah. My favorite DC

character. A lot of people think that my favorite

character, period, is Green Lantern because,

you know, I decided to go ahead and be the dude.

But no, Lantern isn't my favorite. My favorite

DC character, Shazam, always has been. And, you

know, I used to be enamored. Even though it wasn't

comic book source material, when the Shazam show,

the Shazam ISIS hour would come on, dude, I was

in heaven. Whenever I could, I'd see if I could

get my mom to go and buy me some Shazam comics.

I got Shazam under ruse. Dude, I was Shazam obsessed.

But I always knew from a young age that I wanted

to be in entertainment. I knew that. I just didn't

know exactly what was going to happen or how

it was going to come about. And then at eight

years old, I hit puberty like super early and

my voice changed when I was eight. And so my

family has been teasing me about my voice since

the third grade. And yet here I am making a living

using it. Yeah, there you go. As a matter of

fact, this commercial I just did in San Diego

is an on -camera commercial, but I got it because

of my voice. I got CSI Vegas because of my voice.

It was what they were looking for, and I got

it because of that. What was that like? CSI Vegas?

Yeah. Amazing. Amazing. First, let me talk about

the crafty and the lunch and the food. That's

CBS for you. Oh, my. But what was but what was

the what the greatest thing was about being on

that set was lead actress Paula. She was dope

because with voiceover, voiceover on camera is

a different beast. And for voiceover, we don't

have to remember anything on camera. We do. And

so that's always been my hiccup is, you know,

always I always have this fear of just destroying

and flubbing lines, even though I've only flubbed

in all of the projects I've been in. I've only

flubbed like twice. Wow. And one of them was

General Hospital. But, you know, Paula, man,

she was just amazing, man. She we were sitting

at the table. And she goes, hey, don't worry

about this. You know, you got this. I mean, she

literally she took my she took my hand into her

hands and she was rubbing them, making certain

I was warm. She's like, don't worry about a thing.

You got this. Clearly, you did. You know, you

did right in the audition in order to get you

here. You belong here. So don't worry about a

thing. You got this. This is what I'm going to

do. This is what I'm going to do. And this is

this is the direction we'll go in. And she totally,

completely put me at ease while, you know, three

cameras are on me. And it's me, Paula Newsome

and Mari Helgenberger. It's like, you know, these

women are veterans, homie. Yep. Yep. I mean,

Mari Helgenberger. Holy crap. Like. I haven't

watched Vegas in a while, but I assume she's

like the lead one in charge now that Grissom

is gone. Yeah, Paula Newsome is the lead. Oh,

okay. Yeah. Paula Newsome is the lead in CSI

Vegas now. Because now, my understanding, it's

a reboot. Okay, right. Yeah, gotcha, gotcha.

Yeah, I loved all that stuff. I wish. Man, it

didn't last very long. Because once you have

a hit show, CSI, it goes for five, six, seven

seasons. You're going to do all this other stuff.

You're going to do Miami. You're going to do

New York. You're going to do this. You're going

to do that. They did CSI Cyber for two seasons.

And I'm like, oh, I want more of this. This is

cool to me. And then it only lasted two seasons,

unfortunately. But it is what it is. The third

film in the trilogy for your Green Lantern stuff,

can we get the exclusive on the title reveal?

Actually, you know what? It's not really that

big of a secret. It's just, again, it's another

play on the oath. And it's super simple. You

know, the first one is, you know, in Brightest

Day, off. and blackest night out. The name of

this film is no evil shall escape. Ah, nice.

Very cool. Yeah. Very cool. Well, now you need

to do like what? Seven more or three or four

or five more to finish the entire oath. Yeah.

And one of the, one of the processes when it

comes to making stuff, making films and whatnot

is, A budget money. And so that's my that's one

of my situations. I'm almost finished writing.

The film is just a matter of I have all of the

characters in place. Everybody's ready to go.

I have a costume designer who is out of this

world. And there's like I said, there's going

to be everything. There's going to be costumes.

There's the CGI, the special effects, the fighting,

the killing, the choreographed fights. All of

that stuff. Everything. It's all there. And again,

several Justice League as well as Green Lantern

cameos. Because if you noticed in the second

film, there were seven lanterns in that film.

There's going to be a couple of lanterns that

are going to be returning. Awesome. Poor Kyle.

He got such a shaft in that second film. I always

liked Kyle. He was cool. So, yeah, man, just

hopefully, you know, I can get I can get the

money up because my situation is, even though

these are fan films or whatnot, I can't make

money off of these films because they're already

on. Yeah. And I wouldn't even try to do that.

I just put myself out there. I'm like, look,

I want to play Jon Stewart, the Green Lantern.

Well, I have now and nobody can take that away

from me. You know, seeing Warner Brothers didn't

have to acknowledge it in order for me to make

it happen. Yeah. But it did happen. And now it's

out there, you know, on the Internet for everyone

to see that this dude who played Jon Stewart.

And there's a good contention of people who enjoyed

it. Yeah, absolutely. No, they're great. They're

absolutely hilarious. Yeah. So, yeah, that third

film is going to be awesome. What advice would

you give people who want to break into voice

acting? Same thing that I did. Train. Find a

coach. A lot of people think that just because

you either have thunder throat or you have an

arsenal of voices that automatically qualifies

you as being a good voiceover actor. It doesn't.

It's a matter of you taking whatever is on that

piece of paper in front of you and making the

multitude believe that you're speaking with them

individually. And that's when you win. But you

have to train in order to be able to do that.

A lot of people are like, oh, you mean all I

got to do is read this? No, it ain't. It's an

art form. It's acting. That's what's called voice

acting away from acting. So I tell people get

into an acting class, get into an improv class

because improv helps immensely with voiceover.

So get into acting, get into improv, get in with

a voiceover coach who's going to teach you the

ins and outs of technique. And when it comes

to dealing with this thing, don't just go and

get yourself a Yeti mic or Snowball mic and then

all of a sudden call yourself a professional

voiceover talent. Yeah, you got to get some training

in you first. You got to get to know what the

business is in addition to honing your craft

in the performance aspect of it. Yeah, absolutely.

That's awesome. Anything else you would like

to bring up, sir? Let me see. What else is there?

Oh, goodness gracious. Well, now that the strike

is over, the audition is coming in like an avalanche.

That's awesome. There's some major TV shows out

there that are casting. Some of them are in their

last season, and there are a few of them that

I'd like to get in on. Fingers crossed. Yeah,

hopefully, prayerfully, you know, SWAT's about

to go. It's their last season, Station 19. It's

their last season. I'd love to be on one of those

shows. I've auditioned for them both multiple

times. I'd like to be on one of those before

they go. Uh, there's, there's just a, there's

a plethora of things out there. I literally have

like a couple of auditions in my email box right

now that I have to go and record both voiceover

and on camera. Very cool. Very cool. Ladies and

gentlemen, the world is, is basically in BC Collins

hands, folks. He's going to take over the world.

John Stewart. He's turning into Sinestro. Holy

crap. Oh, man. Yeah, like I said, I've always

loved what you've done and what I've seen you

do. And like I said, those first two films are

great. And yeah, this has been awesome. So where

can the fans interact with you online? Okay,

it's super, super easy. For whatever reason,

if you lose me, I'm going to have to have you

committed to like Arkham because it's criminally

insane if you do lose me. Everything is BZ The

Voice. Everything across the board. You can't

lose me. YouTube, LinkedIn, Facebook, TikTok,

Instagram, Twitter, Skype, my website. Everything

is BZ The Voice. Everything. You can't. Lose

me. My IMDB. BZ the voice. You cannot lose me.

You absolutely can. Letter B, letter Z, the voice.

All one word. There you go, folks. All right.

Well, we're going to take a little ad break and

we're going to come back to close the show right

after this. Things have been going really good

for me, Stu. But right now we have a situation

and I need your help. So when do we leave? Right

now. But first, we have to make a stop. Green

Lantern to Watchtower. Two for transport. Hello,

geeks and geekettes! Looking for a podcast that

covers a vast array of topics? Then check out

Altered Geek Unleashed, where we discuss our

thoughts on this week's geeky news, tech, gaming,

television shows, movies, cartoons, comics, and

more. So, get altered, get geeky with the Altered

Geeks. Every Friday on the Geekcast Radio Network.

Hi, everyone. I'm here to tell you about the

DC Comics News Podcast. Here every week to talk

everything DC. Movies, TV, comics, and everything

in between. But don't just take my word for it.

Here are a couple of our sponsors. Listen to

the DC Comics News Podcast. It's audio justice.

No, no, no. It's audio chaos. These wackos are

crazier than I am. Well, maybe you're both right.

Regardless, you can catch us on every kind of

podcast platform. Apple Podcasts, Google Play,

Spotify, Stitcher, and everywhere you find great

podcasts. So, um, can I go now? Let him go. He

did everything you asked. No. Well, speaking

of powers, this is what I don't get about you.

It's like you have the most powerful weapon in

the universe. You could use it to fly home in

like, I don't know, a minute. Here you are driving

a freaking car. This kid just doesn't get it.

How many times I got to tell you, man? Mind your

business. Hey! Hey, nothing. Yeah, get a move

on, kid. I'm starving. If you let them in, we're

going to have a big problem, Rainer. All right,

folks, we're back here on the latest Geekast

Radio interview with Mr. BZ, the voice himself,

BZ Cullen. Uh, Collins, sorry. I had Peter Cullen

in my head for a second there. I don't know why.

The thing is, whenever I put something out about

Voice Optimus Prime, I always give him the shout.

I'm like, yo, it's not Peter Cullen. It's BZ

Cullens. Yep. But he's the dude. I'm trying to

be the dude. Yep. Yeah, he is amazing. Absolutely

amazing. All right. So we'd like to thank Mr.

Collins for taking the time to chat with us here

in this Geekcast Radio interview. Until next

time, unleash the geek in you, and we will see

you later. Peace. Guys, you'll never guess who's

here. Wow. Seriously? What the frickin' frick?

Are you kidding me? This is Kevin Conroy, and

I am. the goddamn Batman.