CINEMA GEEKS
Cary Grant Film Retrospective – Wrap Party

About this Episode
Hi, this is John Delancey and you are listening
to the GeekCast Radio Network. Hello and welcome
to Episode 230 of The Cinema Geeks. I am one
of your Cinema Geeks Optimus Solo and joining
me, as usual, is the Comic Concierge. Hello,
Dan. Hey, how's it going? is going well we are
back at it to put a bow no pun intended it's
christmas time on our carrie grant retrospective
dan we've covered eight films in this specific
retrospective we had covered four films previously
in the hitchcock retrospective which won't necessarily
count for what we're talking about today but
that gives us 12 total films that we've seen
of carrie grant so today we're going to kind
of break it down, give you our thoughts on his
best performances, the best movies we saw in
this eight film series, as well as maybe some
leading ladies that appeared in some of his films,
some best supporting characters, and then a kind
of a hodgepodge, potpourri, you might say, of
funny moments or lines or scenes that we remember.
And then just kind of tie it all up at the end
with what we think of Cary Grant as an actor
and as his body of work, like what Is his legacy
and what kind of defines him as? Someone on stage
and on film so a Dan any thoughts or anything
before we get into it No, I think we're good.
I'm looking forward to it. I'm looking and we've
been talking even without not even just this
retrospective But all the Hitchcock films, I've
watched more Cary Grant my movies this year my
life than ever before so I've watched more Cary
Grant Films this year than I've ever watched
of any actor ever in a year. I can't a hundred
percent say that. So all right, let's start ladies
first, they say. So let's start with some ladies
that have appeared in his films and kind of which
ones we were most drawn to. Obviously, Cary Grant
is known as kind of this iconic Hollywood star
heartthrob, the things of that nature. He's had
he had the privilege of. co -starring with many
of the most iconic actresses of all time, whether
it be some of the ones we talked about in the
Hitchcock films or in some films that we didn't
cover. But there was a number of them that we
did see over the course of this eight films that
were both well known and maybe some more under
the radar leading ladies that got to play off
of. Carried in this series So do you have any
that really stood out to you that kind of separated
themselves from the group or that you were? Found
yourself interested in possibly even seeing more
of their film work or learning more about them.
I say like I think there's a He had a lot of
really strong actresses to play off of and really
and I think the one that to me like ranked amongst
the best in the sense of her ability to kind
of give and take and you know match his wit and
his dramatic ability perhaps the most was Russell
and Russell and his Girl Friday I like and I
think she really I I didn't this is the only
movie you've ever seen that she's done and I
am interested in seeing like what what her personality
is like in a different film because it feels
like she very much I was able to play the part
of the balance for Cary Grant. She's keeping
up with all of his different ad -libs and things
like that. She's just as funny, just as well
-timed. I thought her ability to keep up with
him is what made that movie so good. I think
she's of all... the actresses that we saw, a
lot of great ones, but her comedic timing to
me was just bar none the best. I think one thing
that I find interesting in covering Cary Grant
over the course of all of these films is going
into it, if you went in blind and you didn't
know anything about him or the films that he
was in or the actresses and things of that nature,
I guess, I feel like you would go into it with
the thought that as this iconic, you know. Legend
of Hollywood with the good looks and the persona
and the charisma that goes with them. I feel
like you would go in thinking that most of the.
Actresses that played opposite to him would almost
be in, I don't know if I want to say subordinate
position, but you would almost have like the
they're just. Fawning about him or that they're
you know doing that and I am Impressed with and
I don't know if it was more the directors and
the casting agents and things of that nature
or if it was something about Cary Grant himself,
but he doesn't play that on his end very much
and I found that he Whether he was letting it
or allowing it to happen or whether it was just
because of the actresses I don't want to take
the agency away from the actresses but like so
many of them that seem to like go toe -to -toe
with him or seem to like stand up to His like
being almost on this pedestal you would think
and I was impressed with a number of times that
we do see Actresses, I think Rosalind Russell
is the best example of that probably the one
that you're using But I feel like there's a number
of those that we've seen like Katherine Hepburn
does it of course, right? Like in almost all
of her roles. She's like going toe -to -toe with
him. She's not backing down she's Giving it right
back to him. I believe we see it in a number
of films and and I was surprised going throughout
this whole thing of how many times like the actress
is just Like she gets the assignment and she's
right there ready to like do it and and and to
not back down And I thought that was somewhat
refreshing going through this. What do you think?
Yeah, he was not afraid to work with strong female
leads, like that was certainly the case, both
in star power as well as performances. I think
he understood the importance of having a strong
co -lead, like kind of just be him, like having
that duo was just as powerful as him being just
the leading star. He understood the importance
of a good give and take, rather be like a romantic.
And a lot of these movies we went through, even
though this is the Cary Grant retrospective,
even in His Girl Friday, he's a supporting character.
He's not the lead. And that's the case for, I
think, a lot of these movies. He was support
or part of an ensemble. He was probably the top
build, but he wasn't necessarily the focus of
the movie. And I think partially because he knew
that a little can go a long way. uh, certainly
obviously with like the The end product bears
that out And I don't think right on the these
eight films specifically I don't know if I can
point to a single if you were to take like the
the Actors that had the most screen time and
like the the largest role I can't point to a
single one that I would say was like the damsel
in distress or was like the Head over heels.
I I don't have any agency in myself. Like I feel
like every one of them in a different way Stands
up and like goes toe -to -toe with them. I think
you could like break it down almost every single
one Maybe the closest one that doesn't is Priscilla
Lane and arsenic and old lace But that's such
a minor part that I don't know if it's it's really
gets that but like I said both times we see Katherine
Hepburn and bringing up baby and in the Philadelphia
story like they're toe -to -toe I even think
You know like Irene Dunn and Penny Serenade does
Deborah Kerr and a fair to remember does So I
think all of these, you know, even June DePrez
from none, but the lonely heart Yeah, I say which
one about the film, but I feel like they all
are basically standing right up to him my favorite
one I was really torn between the one you picked
Rosalind Russell I had Deborah Kerr as a number
three for an affair to remember but Ultimately,
I think if I was to have to pick my my number
one and maybe it seems like a cheat But I got
to go with Audrey Hepburn and charade. Yeah just
because it's the only time we get to see those
two play off of each other. So, like, I wish
there was more examples of that so I could have
seen what else they did. But I don't think you
can go wrong with almost any of these. To me,
it was between Roslyn Russell and Audrey Hepburn.
I would also say Irene Dune and Penny Serenade,
because again, she was really the lead there.
She carried a lot of the emotional weight. So
she was one I considered as well, along with
the ones who were mentions. I agree. I think.
One thing that has happened in a few of these
films, though, because there's such strong leads
and co -leads, like you said, sometimes Cary
Grant is not the lead. But if we're taking Cary
Grant and each one of these and we're taking
all of the females that we just talked about,
there's a lot of strong performances between
those two. And I think it almost leads to a little
bit different than what we saw with the Hitchcock
retrospective where in Hitchcock, so many times
he's building the world and creating all of these
supporting actors and actresses that just add
so much. Color and flavor to the film and the
world that he's created And I don't know if that's
necessarily the case in these obviously we're
dealing with a bunch of different directors Across
the board here, but I feel like because there's
so much time spent on These strong actresses
and Cary Grant that sometimes the supporting
characters in some of these films to me seemed
like they were more background than somebody
that was really like bringing something extra,
but I do think there was some exceptions and
some supporting characters that definitely did
stand out and resonated with me. What about you?
What were some of the supporting characters that
you really enjoyed during these eight films?
There was a lot. Kathleen Nesbitt was one in
An Inferior to Remember that really stood out.
She doesn't have, I don't know, maybe five minutes
of screen time at the most, but... there's just
something like so endearing about her presence
and such a vital role too because I think uh
her ability to kind of bring those two together
and like there's something like it's so endearing
about her that um makes that that scene such
a pivotal scene it really it's kind of where
their relationship really changes is just being
be able to interact with her and and within it
just in a doesn't feel like she's acting. You
feel like you're just looking at someone being
who they are. So she was certainly one that stood
out to me. And then Arsenic and Owen Blaze, pretty
much all you get to give that again, talking
about an ensemble. There's so many there. But
I had to point out John Alexander, who played
Teddy. Just because he was obviously like the
comedic linchpin and the sense of like, you know,
he was the big You know kind of looking for the
big laugh the over -the -top character, you know,
the one that perhaps proof was the most fun out
of all of them But that that pretty much all
the characters in arsenic and all they really
could deserve a mention Yeah, I had a Basically
the whole cast of arsenic all they said I was
I was like because it's all of them I don't know
if I can mention a specific one I think I'm probably
drawn to Peter Laurie as dr. Einstein as well
as the two aunts Gina Dare and Josephine Hall
play those two parts both on the on the Broadway
show and in the movie But aunt Martha and Abby,
but there's so many good Teddy is a great character
like there's so many good characters in arsenic
an old lady So I think that's like the most ensemble
piece we get out of these eight films. I would
feel pretty confident in saying. I also had Kathleen
Nesbitt as grandmother Janu, or however you said
that name, in a fair to remember written down
as well. I did want to give a tiny bit of a mention
to, even though I'm not huge on the film, Jane
Wyatt, who played Aggie Hunter in None But the
Lonely Heart, I thought that character was just
kind of refreshing because a lot of times, especially
in some of these types of films where we're dealing
with a lot of these films, deal with the subject
of marriage and divorce and affairs and things
of that nature. So you get a lot of this like
shrouded in like not missus mystery necessarily,
but people that are dancing around their true
feelings and Jane Wyatt's character in none but
the lonely heart is the opposite of that. Like
she is just a breath of fresh air. I'm going
to tell you exactly how I feel. I don't care
what your response is. I'm going to be honest
with you and it is what it is. Take it or leave
it. So I really enjoyed that. but my favorite
supporting role in Probably these eight films
would be Edgar Buchanan who played Applejack
Carney and Penny Serenade. I Thought he was just
a lot of fun and I don't know That film needed
him Yeah, so I think he was more important to
you could say the same thing for Kathleen Nesbitt
right like that film because she was really a
turning point like you said for Deborah Kerr
and Carrie Grant in an affair to remember but
I feel like with the seriousness and the drama
that Penny Serenade has and the touchy subject
matter that a little tiny bit of comedic presence
from Edgar Buchanan was very much needed for
you to like survive watching that film. I'm not
saying it's like a terrible film on you shouldn't
watch it, but I'm saying like sometimes in a
film like that, you need like to catch your breath
every once in a while. And I thought that he
did a great job providing that opportunity. Yeah,
that's a great call that his his presence was
certainly needed. He provided so much heart in
that movie. He felt like the best stand -in dad
in a way. The scene of him changing the diaper
and stuff like that. Anytime he was on screen,
it was a nice relief. So that's a really good
call out. All right. So those were some of our
favorite. supporting characters before we get
into maybe some funny moments that we like or
remember or lines or different things of that
nature. I was wondering, Dan, if you had there's
two different ways to look at these films, right?
We can look at the overall movie rankings, which
I think will save for last. But you can also
look at Cary Grant performances and that ranking
may or may not be different than the overall
movie rankings. Do you have? Maybe. two, three,
four performances that really stood out to you
from Cary Grant, because we talked about the
fact that he is only ever nominated for the two
Academy Awards, right? And that was for Penny
Serenade and none but the lonely heart. So if
you were able to like go back and say, forget
about whoever he was competing against in any
of those given years, you know, whatever movies
came out, we're not going to look at that. But
if you were just to look at his filmography in
these eight films. Is there two or three films
or four films that you feel like he was most
deserving to get some sort of recognition for
his performance? I do think he was great in penny
serenade. I do think he was deserving of the
Oscar there because he you know it in a way you
could easily point to it as like Oscar debate
because it's this Film about loss and losing
a child and seems like a obvious, you know dramatic
turn for him But he's also really good in it,
but he also has moments where he shows that community
side of him really well. So I think if you're
just giving the best kind of performance of him
as an actor, that's typically the movie I go
with, and I would say Penny Serenade. I think
the movie I think of first when I think of...
Cary Grant is probably his girl, Friday. I think
that is just, you know, him doing his vaudeville
back. I mean, you can say that of bringing up
Baby, either those two, but just like the quick
one -liners, him kind of commanding the scene,
that to me is probably my favorite comedy performance.
He's done. So those are the two that I tend to
go to. Two with his girl Friday and his performance
in that one. I feel like the movie best fit.
Like his level of humor and his timing and things
of that nature, which is I think one thing that
I would use to separate in my head how I separate
his girl Friday and bringing up baby like nothing
against bringing up baby, but I think like that
was like. That was like playing the tape at like
three times speed. Versus like, you know a normal
speed like I felt like that was almost going
too fast and too like Unhinged for him in a way.
I mean, I think he was great in it but like I
think his girl Friday is like that right amount
of speed and craziness but not too crazy and
I think it just allowed him to like hit a sweet
spot when it came to all of his comedic one -liners
his quips his timing and stuff like that which
I think was it served him really well, I think
that's one of the best examples of his comedy
and the film blending together and just giving
him the perfect opportunity to just kind of flex
that part of his skill set. I totally agree.
I'm 100 % on board with Penny Serenade being
one of the ones that he got the Oscar for. I
think there's some very moving sequences in there.
I think there's some real authentic aspects when
they're first dealing with a newborn and trying
to figure things out. I think that's totally
nails it on the head for what almost any parents
to their first child are going through and trying
to figure out. And I think you also do get some
dramatic sequences like his whole speech in front
of the I don't know if it was a judge or whoever
it was that he was trying to make a case for
being able to keep the child and things of that
nature. I think that was like some of his best
dramatic moments that I've seen out of him so
far. So I definitely agree. I do think that the
combination of his performance enough in an affair
to remember and charade both give him. Whereas
his Girl Friday really gave him the chance to
do the comedic thing, I think charade and an
affair to remember also give him a chance to
do some other sides of his. personality and other
sides of his acting like obviously charade you
get a little bit more of the James Bond esque
tones you still get the one liners you still
get the quips you still get the very witty dialogue
back and forth between him and Audrey Hepburn
but you definitely get the the James Bond esque
and then I think in a fair to remember really
gives you like the romantic slash I'm going to
make you fall for me type side of him as well.
So I think there's a little bit of all of those
that I appreciate with both Penny Serenade and
a fair to remember his Girl Friday and charade.
I think they all kind of like showcase a different
aspect of what makes Cary Grant the great actor
that he was. So as far as. Moments that you really
remember or that stuck with you or lines or scenes
or sequences and things of that nature. Did you
have any that really stood out that you wanted
to highlight during this episode? I think the
regarding lines are just the one scene that you
mentioned with him in Penny Serenade giving the
speech of trying to appeal to the judge regarding
why they should keep this child, I think is certainly
one of his best written and performed scenes.
Some of the ones that kind of stand out just
because of their comedic timing. There's a lot
in bringing a baby, but for some reason, and
you could say it doesn't age well, but it still
caught me off guard and still super rememberable.
It's when they open the door, he's in the nightgown
and he yells. I just went all gay all of a sudden.
I feel like... If an actor would do that today,
it would be like a big deal, and like, oh my
god, or maybe not as much now, but it was just,
it was so... Apparently it was one of the first
times it was ever said in that way in a movie
before, and you know, I wonder if he was the
purpose behind it, but I don't know, that to
be quite... the moment and then his girl Friday
has like a lot of great lines I would never do
them just as saying saying them because I don't
have his you know his uh his ability to in timing
and stuff like that but right the one thing that
he's she's a girl who's generous to a fault except
other people's faults I think that kind of One,
it's well written, and two, it shows their relationship
really well, but specific lines. I struggle sometimes
remembering them. I feel like at the time we
hear them, I'm like, those are really good, but
I tend to forget. But those are ones that stuck
with me as I look back at some of the past movies
we've watched. I think that those are some great
examples. I would be hard pressed to narrow down
a line from either His Girl Friday or Charade.
Like there are so many in those two films that
it's like really hard. I think the ending of
His Girl Friday, where they are, he's getting
a scoop on something and it's going to like a
strike or something that's taking place. And
the person on the other end of the line is telling
him it's in Albany, which is where the actress
is. Former flame lives, I guess that he was battling
with and and she agrees she says all right. Well
honeymoon in Albany and and Walter Burns Cary
Grant's character says well, isn't that a coincidence?
We're going to Albany. I wonder if Bruce can
put us up Yeah audacity for him to like say that
is something crazy and then I think also like
the whole intro scene of his girl Friday where
they're at the the newspaper office or whatever
and Yeah, and I believe Bruce is like standing
out at one point. He's standing out in like the
waiting area or whatever. But like the the lack
of care that Cary Grant has for the fact that
that guy is there. And it even follows through
into like the dinner sequence later where they're
having dinner, the three of them or lunch or
whatever it is. And it's like he just absolutely
doesn't care that this guy's here. He's going
to say whatever he wants. And it's just like
a funny aspect of that off. And then I think
another thing that they do really well in charade
was the fact that Cary Grant's character goes
by like a number of different names in that film.
I don't remember exactly how many three or four
at least. And there's so many clever lines between
Audrey Hepburn's character and Cary Grant's character
with that name. I think the funny part is like
towards the end, they're talking about how when
they finally kind of admit that they've fallen
for each other and this that or the other and.
Audrey Hepburn's character says, Oh, I love you,
Adam, Alex, Peter, Brian, whatever your name
is. And then she says, Oh, I love you. I hope
we have a lot of boys and we can name them all
after you. That's such a perfect way to do that.
As far as that goes, she has another funny line
to where they're in the beginning where they're
trying to introduce each other and or something
that Cary Grant's character says, do we know
each other? And she says, why do you think we're
going to? And he says, I don't know. How would
I know? And her response is because I already
know an awful lot of people and until one of
them dies I couldn't possibly meet anybody else
And I just thought that I don't know who wrote
that line, but like that was just absolutely
fantastic um, and then I think going to like
just a classic I think arsenic and old lace the
the scene towards the end where carrie grant's
character is on the phone in on the stairs and
you know all kinds of craziness is breaking out
in the living room and different things are happening.
And I think that's also the scene where Dr. Einstein
thinks that he may be caught or whatever, but
Cary Grant's like just on the phone and talking
to him, but trying to convince himself that he's
not crazy. And then I think just the way that
that's choreographed was like a great scene in
arsenic and old ice. And I'm sure there's a bunch
of other ones you can go to as, you know, once,
like when he discovers that there's a body in
the window seat or when he discovers that his
answer behind it, like there's just a lot of
good physical comedy that he does in that one
with his facial expressions and, and body movements
and things of that nature. Yeah, there's lots
to choose from. Yeah, there's definitely a lot
to choose from. It's it's it's kind of the thing
where. It's not that his movies are necessarily
quotable. Like, yeah, like, I don't think you
just like remember like a one off, like there's
not as many one liners because it's a lot more
of the back and forth that leads to like a funny
punch line or. A funny ending to their like dialogue.
So it's hard to like Pinpoint like a specific
quote, but there's so many like back and forth
that you're like, oh that was hilarious And I
want to remember that but then like two seconds
later you get another one Especially with stuff
like bringing up baby and his girl Friday like
they're going at such a fast pace It seems like
that unless you're taking notes like you're already
on to the next funny line or the next funny like
Back and forth. So it's definitely hard to pinpoint
lines. I feel like in in some of these films
Yeah, definitely. All right so that leads us
to our Overall, do you have anything else as
far as like moment scenes lines that we haven't
had a chance to highlight? Penny's not finished
and I'm but bringing up baby has a lot of good
scenes. There's the the scene in the the torn
dressing and Baby, which is really done with
just all physical comedy. That's I think one
of his His best attributes his ability to do
stand -up comedy or not stand -up comedy, but
physical comedy that has a punch There's like
the scene at like the with the dinosaur You know
try not to destroy it like when it near near
the end that really stands out, too And like
all the all the reactions to like running into
the leopard and you know things like that Those
all kind of stand out to me as I think too in
that and that film the the beginning of the film
where they're first meeting each other and she's
just like. So hard to take, right, like she's
just bananas and he has so many lines in that
first sequence that's like, I wish I hadn't met
you or like, you know, these different things
where you're saying like, you know, if somebody
I think they even carried into later, like like
that, they need to pad the jail cell instead
of like letting her in or letting them out. Like
once they get to know where they're just going
to. padded or something like that, like he's
very dismissive of like, you know, my day was
going a lot better before I ever ran into you
type of stuff. And I think that's a lot of the
funny stuff, because, you know, whether it's
the golf section or like beating up his car and
things of that nature, it's like, what is going
on here and why is he putting up with it? So
I think there's definitely a lot of good stuff
there. I want to do a couple more things before
we kind of wrap this up. One will be our overall
movie ranking of these eight. And then I want
to Talk a little bit in closing of kind of like.
What makes Cary Grant Cary Grant? What are our
favorite parts about him? We already touched
on a couple of different aspects of his like
toolbox and what he had to play off of and kind
of go like with what our favorite parts of of
him as an actor were. What did he do best and
what was his strengths and opportunities? That
type of stuff. So first off with his movie rankings,
and I don't know about for you. I found it somewhat
easy to rank my bottom two. And my top two and
then I have four in the middle that I really
can go back and forth on depending on like what
mood I'm in. How was the chore of ranking these
films for you? Very similar. I think my top three
are pretty set in my bottom two, but four or
five and six are really kind of even for me.
Yeah. Well, let's start with the bottom two and
see if we line up on this one. I honestly like.
So I finally, I just switched, these I had flip
-flopped and I just switched it before because
I was like, no, I think this is the right order.
So this shows you how back and forth I've gone
with these. But at number eight, I had None by
the Lonely Heart. I'll keep it short because
we did the whole episode on it. But I think it
was just doomed to fail from the start because
it was just... bad miscast and it just didn't
work. And then at number seven, I have The Philadelphia
Story, which I don't think is necessarily a bad
movie per se. I just I found it to be a little
over the place. And again, like I think we talked
about just the weird relationship dynamics and
that didn't necessarily work for me. So those
were those were my bottom two. Hey, well so far
we have linked our brainwaves and Thought the
exact same because I also have none but the lonely
heart of eight in the Philadelphia story at number
seven I know a lot of people will probably question
us having the Philadelphia story Oh low, but
I do feel like the more people watch it in modern
day the the less I see people going crazy about
it. I don't know if it had like a time where
like everybody just like really exalted that
film and now people are coming around to it or
what. But I feel like we're not in the minority,
even though it feels like we like it feels like
it's a minority opinion. But I feel like the
more time goes, the less in the minority we are
on those. So and I agree with you. None but the
lonely heart is just bad casting. The age just
really makes everything else fall a kilter. Like
it just doesn't. It ruins so many of the dynamics
in the film of him not being the right age that
he should have been to play that role Yeah, all
right, and then for the next two so and then
like after that those are two movies I Ultimately
didn't like that much the rest of movies I would
recommend and enjoying Just to lesser degrees
at six. I had bringing up baby again. I thought
it was you know, it was very funny and enjoyable
just kind of light and No, it didn't have much
to it beyond that. So that's why I have it a
little bit lower at number six. I am really I
really struggle with my my three through six.
That's for dang sure. Because I feel like each
one of them highlights something different and
I'm not sure which way I should go. And I want
to make sure that it's not just a personal bias
that's going into one of these and in which you
know I appeared in the the play and I know the
play very well but I don't want that to be the
reason why I rank it high but on a different
day I'm I could have this at number four number
three out of these eight but I have arsenic and
old lace next at number six like I said only
because I'm trying to make sure I'm not voting
out of bias I understand well I'll get to that
later soon I wouldn't have as much bias, but
at five I have an affair to remember It was it's
just a classic Hollywood. It feels like I said
It's like your mom's favorite movie, which isn't
I mean that as a like a compliment to it You
know, we got to see as you mentioned a little
bit different side of Cary Grant here and you're
it's just romantic with a capital R But not as
comedic. So again, there's nothing to have to
be I enjoyed it. It just wasn't it didn't It
being so like hard and I wasn't as um, I didn't
have it as as good Of time or it didn't have
that emotional impact of some of his other films.
So that's why I had it at five Makes sense. I
will have one that you already talked about at
my number five and that is bringing up baby I
I believe Like this is the first one we watched
right out of this group. I think it's I think
it was the first one Yeah, bringing up baby is
the first one. Yeah, and like we said when we
talked about it like this is The wheels are off
of the coaster like it's unhinged crazy. And
like I don't know if it like out of all of these
six through one, I would recommend to anybody.
I could see some people not going for bringing
up baby, though, like I could see it not working
for some folks just because of like how fast
it is going. But I enjoyed it. I just think if
I'm going like straight up slapstick comedy.
I'm going to rank this one lower than another
one that's going to come up later. So that's
why I kind of found a spot for it here at number
five. At my number four, I have one that you
mentioned already with arsenic and old lace.
This is one I watched before I think was one
we both watched before coming into this and I
loved it beforehand I still really love it now.
It's like we mentioned that cast is incredibly
great You could argue that Cary Grant gets a
little bit over -the -top. He even argued that
himself but I think even despite that it's a
really good time and I think one of these speaking
of recommending to people it is probably one
that would if you have like a family over for
the holidays the good one to throw on because
they could probably Make everyone you know everyone
in the room happy because it has it's a little
bit crazy. It's got you know You have Teddy who's
thought you know charting up the stairs and all
that and then Perry Grant doing his stuff. So
that's what I have a number four it's I If I
didn't struggle with six and five I'm definitely
struggling with four and three. So I think four
four I'm going to stick with how I have it here
on my Excel spreadsheet, and I am going to go
with Penny Serenade here at number four. I think
this is definitely a film that he deserved to
get the Oscar for. I think that this is clearly
some of the most dramatic stuff that I've seen
him do at all. And I am currently at twenty seven
Cary Grant films that I've seen this year. So
even out of the other ones that we did not cover
in the 12, you know, during the Hitchcock and
the, you know, the four there and the eight here,
which equal 12, but like there's another 15 I've
seen. I still don't think I've seen. Maybe one
other film that is as dramatic as he gets to
do in a completely different way, a different
type of drama. But so like, I definitely appreciate
what we get from him in that role. And like I
said, Irene Dune is great in this. That's one
of my favorite supporting characters with Applejack,
Carney, Edward, Edgar, Buchanan. I think one
thing that I will hold against Penny Serenade
a tiny bit is the ending. And I understand why
it had to be done, how it was, but it did come
across as a little. The word cheap comes to my
mind, I don't know if that's the best word, but
like. Or too neat maybe too neat and clean at
the end. So like that holds it back I guess if
I'm trying to like find something to divide it
with one of these other films that I also really
like I guess I'll use that so penny serenade
is my number four And any serenades my number
three and like a lot of what you said I actually
was like I worried about that movie going into
it because I'm like, oh, this is the movies not
made for an Oscar I was ready for it to be kind
of dry and just to the point where it was like
almost unwatchable like almost like homework
but it wasn't that it certainly was you know
more on the serious side certainly had some really
dramatic and obviously some like devastating
moments within that it certainly film about tragedy
but i thought it was still well balanced and
well made i love the you know the use of the
actual like record and how it transitions from
different scenes and the framing of it I thought
was done well, being able to kind of go through
this life and how music played a role and utilizing
those music cues throughout. So, and I do agree
with you that the ending is probably one element
that is probably the weakest point of it. Again,
I think probably at that time was the only way
they could get it made was having an ending like
that somehow has people go home. Home a little
happy. But despite that, I think what's it's
still its ability to approach rather challenging
topics, especially for that era era is impressive.
And as mentioned, Cary Grant, like it's what
I consider his best performance overall. So three.
So for my number three, it's one that you've
already mentioned as well. This is where I will
slot in an affair to remember. I do think that.
If I was ranking these based on my own personal,
like what I want to see Cary Grant do and what
I'm going to get the most enjoyment from, I don't
know if I would rank this number three, but I
am not a female. And like, I feel like I got
to give some love to like what to me feels like
the most straight up romantic performance that
we got out of these eight films. from Cary Grant
in this one. Like you have Cary Grant and Deborah
Kerr on a cruise ship. You got him, you know,
winning her over. They take the, the protocol
where they go see her grandmother. And then obviously
you transition to, you know, uh, the big city
and things of that nature. But I, I do know some
people have some issues with that second half
of it, or maybe the last act of it. But I just
feel like this highlights Him as a romantic lead
more than any of the other ones and I feel like
there's a large swath of the Hia population especially
back in this time period that probably really
Thought this was like the best of the best and
what I was doing some research I just kept finding
like so many comments from it was felt like middle
-aged. Well, maybe not middle -aged anymore 60
70 year old ladies that really love an affair
to remember. Let me tell you there was there's
quite a few And I'm talking about dozens of comments
from that and like some different threads that
I saw on social media as far as like, what's
your favorite Cary Grant role and things of that
nature? And I just I don't know. I liked the
the playing off of those two. Maybe I'm just
a sucker for something set on a cruise ship because
I feel like that's one of my happy places. So
I don't know. And a fair to remember for me gets
the number three spot. That's like I said, there's
lots of love about the movie and I think I could
even see enjoying it more on a second launch.
But yeah. Oh so now i'm curious if i wanted to
or i think they might be flip -flopped if i'm
thinking thinking my number one is your number
two and your two is like my number one it was
hard uh but like because like i said these two
i could feel like i could probably go either
way but um at number two i have charade Like
we mentioned, it's like the best James Bond movie
that's not a James Bond movie. The chemistry
in that film is so amazing. Cary Grant and Audrey
Hepburn. Audrey Hepburn is so good in that. She
really holds her own. And the cast overall, Walter
Mathew, I mentioned its trailer shows a blender
of comedy, romance, action, and it does. It is
that movie that has a little bit of everything.
and works really well. So, this was the first
time I ever watched it, so it had a little bit,
so His Girl Friday had a little bit of edge,
because that's a movie I've already loved going
into this, so that was my favorite going in,
it still remains my favorite, but Charade, this
was the first time I've ever watched it, and
I feel like watching it again will probably just
increase my enjoyment of it, but... I had that
at two and then his girl Friday at number one.
I just love that movie It's to me one of the
funniest movies ever made And it remains that
way. So i'm guessing i'm guessing you're just
slip thought, but maybe i'm wrong But for me,
I don't know if I can even call them one and
two like for me This is like one one a and one
b, right? Like I don't there's there's such a
fine line separating these two films, but you
are correct I have his girl friday at number
two and charade at number one I had his girl
friday at number one throughout this. I will
it was like the second Was it the second movie
we watched? Yeah, I think, yeah. I think it was
the second film we watched, if not the third,
and it was in the number one spot the entire
time because we didn't cover charade until the
very last film that was the eighth film we covered.
So His Girl Friday was in the number one spot
the entire time. So maybe it's recency bias that
then charade came in and that eighth film. And
I was just like, I fell in love with that. I
don't know if it's the Audrey Hepburn factor.
I do know there's some crazy stuff, like maybe
some of the Stuff with the three Amigos that
are playing the the quote -unquote bad guys is
a little out there and whatnot but like that's
what James Bond stuff was to write like a lot
of that stuff was kind of crazy and out there
as well, but it literally comes down to me between
the Yes, I love Roslyn Russell and she definitely
goes toe -to -toe with Cary Grant and like all
of that and I I'm there for that but I I think
some of my favorite parts of His Girl Friday
are more Cary Grant centric where he's just doing
his one -liners, doing his quips, you know, acting
like Bruce or whatever his name was isn't even
in the building. And then there is a sequence
in His Girl Friday where we kind of go away from
Cary Grant for a while and we're dealing mainly
with Rosalyn Russell and the other news reporters
and things of that nature. And to me, like, I
guess for it. I don't know. When I was trying
to decide which one should go first, I'm like,
I get more Cary Grant and Charade than I do in
His Girl Friday. I don't know if that really
should matter, but I just love the back and forth
between all of the different names of Cary Grant
and Charade and then Reggie, Audrey Hepburn's
character. But to me, like, whichever one I've
watched more recently would probably be the one
I rank higher. So if you catch me and His Girl
Friday has been the one I've watched more recently,
I would probably tell you that one because it
was, like I said, when we were talking earlier,
I feel like it's the right tempo and it's the
right setting and everything for Cary Grant to
just be his funniest. And I love that about it.
I guess I'm a sucker for the only appearance
between Audrey Hepburn and Cary Grant, though.
Yeah, I mean, like I said, it's sad that that's
the only movie they ever did together, but maybe
it makes it a little extra special because of
that. I did have a question though, because considering,
you know, we did other Cary Grant films during
the Hitchcock retrospective, would your number
one, would you still put it above, like, any
of the Hitchcock films that we did, like North
Brighton or Northwest? So I've done a lot of
thinking of this because I've been compiling
my Cary Grant list over on letterbox Which like
I said is 27 films long and when you start getting
into that number It starts getting really hard
to like place individual films within that I
will say that There's two films that I have Well,
so take none, but the lonely heart and the Philadelphia
story out of it Because those are like my my
bottom two in this set of eight I have all of
the other ones. Ahead of suspicion and to catch
a thief, so I have all six of the other films
we covered in this part ahead of those two Hitchcock
films to catch a thief and suspicion. I think
where it gets hard for me is when you bring in
notorious and North by Northwest because I really
loved those two films, so I would probably make
my top four some combination and I'm not going
to like. Yeah, I'm not going to let you pin me
down in the order, but it would be North by Northwest
and Charade and Notorious and His Girl Friday
would be my top four. I don't know. Like currently,
I think I have North by Northwest and Charade
both as five star. And I believe I currently
have Notorious and His Girl Friday at four and
a half, but I would have to check that. But like
those four films to me are his top four films
that I've ever seen. What about you? I think
His Girl Friday was still remain number one for
me. Actually, you know what north in North by
Northwest number two charade and then notorious
and then finishing up with penny serenade would
probably be my top five but but similar I I would
similar catch a thief in suspicion would probably
be release everything beyond my bottom two so
Maybe maybe to catch a thief higher than bringing
up, baby. Maybe I don't know but it's debatable
Right. It's almost like you got to get to a point
then you have to have a new series and you just
watch these Yeah ones and try to like really
make some distinguishing Aspects of them, but
I will say like I would highly recommend like
if you're interested in any of these films if
you've been following along with us there are
plenty of other films of Cary Grant's that you
can check out and I have found more than not
that most of them I have enjoyed. At least to
the point where I don't regret watching them
and things like that. Like, I feel like there's
six or seven films that are towards the bottom.
Like, let's say a half dozen that you probably
don't need to watch. And then I feel like there's
about another 10 that I would put it real close
to. You know, I still have. you know, Penny Serenade,
Arsenic and Olay's bringing up Baby and Affair
to remember to catch a thief and suspicion ahead
of them. But there's like another at least eight
or nine films that I really have enjoyed that
I have watched since then, including The Talk
of the Town, The Toast of New York is really
funny. That's another one where Cury Grant's
not necessarily the lead role, and it's three
con artists that are kind of teaming up to do
some craziness. And then there has been one film
that I've watched that I actually currently have
at my number five, which is right after North
by Northwest, Charade, Notorious and His Girl
Friday. So and I may be alone on this one, but
this is the also another one where I feel like
it's more a little bit more of some of his dramatic
aspects come into it. And I didn't know this
film existed, but I would call this like the
grandfather of all submarine warfare films. and
that one's called Destination Tokyo. There is
some maybe politically incorrect language here
and there because this is happening during a
different time and place, but I really enjoyed
it. There's not a single female in the film,
I don't believe. So I don't know how many. Cary
Grant films you get where there's no females
and in the film, but this is one of them. So
I would highly recommend at least checking that
one out. Um, but you really can't go wrong so
far. I mean, I still have. Probably 17 films
on my list that I still need to watch because
I'm just trying to be as complete as possible
with this for some reason, because that's how
I am. But, uh, yeah, there's only been, like
I said, there's, I have three ranked lower than
none, but the lonely heart. So. I would avoid
those and those are titled she done him wrong
once upon a time, which is about a dancing caterpillar.
And I don't think I need to say anything more
about that one. And then Gunga Din, I was not
a big fan of it. That's another war film that
I felt like was pretty awful. But as far as Cary
Grant goes, like, do you have a favorite aspect
of his? Because we talked a lot about. You know,
he has the clever dialogue, the quick one liners
and stuff like that. He has the physical comedy
where, you know, whether it's acrobatics or facial
and physical expressions and things of that,
we have the James Bond, you know, cooler than
the other side of the pillow aspects. You have
the romantic side. You have some of the drama
that we get in something like Penny Serenade.
Do you find like he's best when he leans into
one of those more than the other or do you like
it when he blends a few of those together in
a role? I think it's the blending tends to work
the best. I think, you know, where you see a
little bit of all those different elements, uh,
or I think what's good about him, honestly, is
that he can, he can fit himself to fit what the
role is calling for. Like we mentioned, obviously
not part of this retrospective, but North by
Northwest, like if that was the only Gary Graham
movie you've ever watched, you wouldn't. categorize
him as a comedic actor. He doesn't really use
comedy at all within that role, but it doesn't
really need to. It's one of his better performances.
So I think what's really good about him is I
think he has a confidence to him that is very
apparent, and even if he was faking it, who knows?
But I think that, as we talked about, being willing
to work with strong characters and that he doesn't
always have to be the star in the scene. I think
he's very generous as an actor in that sense,
at least looking from the outside in. And that's,
I think, one of his best attributes is he's a
really good reactor. Like, his face is always,
you know, within a scene, like, he's always,
I think, listening and you can... You always
know what is on this character's mind all the
time So I think that's kind of his best ability
and and as generic as it sounds he just has that
it factor like he feels like You want to be wanted
you want he has that star quality that is undefined
like you can't really define it, but he certainly
has it he's interesting because he's one of those
stars that Sometimes you have like the Hollywood
star that just appeals to I don't know One group
of people or the other like I feel like Carrie
Grant appeals to Like both men and women like,
you know The women want to him to date them or
the guys want to be him or to hang out with him
Like I feel like he appeals across the board
in a way I also feel like he had a can an uncanny
ability to Without actually breaking the fourth
wall He somehow had a way with these very subtle
looks, gestures, or lines where you felt like
he was looking at you or winking at you in the
camera or delivering a line to you, where it
felt like you almost had a relationship with
him and you were there in on the joke with him,
even though the rest of the people on the set
or on the scene aren't. But without making it
so obvious that it's like... Something where
you're just completely timing out and looking
at the camera and talking to them like he did
it in such a subtle way that I really appreciated
and then I think something else that you were
kind of alluding to as well as When you get like
these super Known actors, especially back in
this time period like the Rhett Butler. I know
is that like some of those like just bigger than
life characters, I think This is something that
both Cary Grant and to a point, I think Jimmy
Stewart does as well, but I don't feel like Cary
Grant was ever afraid to look silly. Like he
was critical of himself. Like he, he would analyze
it. And like we talked about with our snack and
a lace thought that he was too over the top and,
and too, you know, overacting, but I don't think
that's the same as like, he doesn't care if he's
an address in one sequence. He doesn't care if
he's, you know, Being a little flamboyant in
one sequence or whatever the case might be like
that's Somewhat rare when you have someone with
like you said that it factor a lot of people
are afraid to break You know the the Manchismo
or the macho like Stereotype and I feel like
that's what endeared carry grant to a lot of
folks is that he was not afraid To be the side
character. He was not afraid to be the funny
character He was not afraid to be the like I
said the person in the dress or the person or
whatever it may be and I and I don't Know if
all of the other actors that were big and well
-known at that time Would have been willing to
do some of the stuff that Gary Grant did Yeah,
it's very true. I mentioned being in a nightgown
yelling. I'm being gay A lot of actors today
wouldn't Vin Diesel's not doing that scene Yeah,
I think I think that's certainly and you can
tell he wasn't actually talented but obviously
had So much and he did vaudeville and like right
he had all those different little skills that
He was able to utilize when necessary. So Yeah,
I think he's uh Definitely a treasure from that
time period i'm not saying like I know there's
gonna be some people that would be detractors
of some of the stuff that happened In his real
life and things of that nature. I know he was
had a couple different accusations of some abusive
tendencies towards one of his wives at least.
I don't know if that was true or not. I'm not
getting into that. I'm strictly trying to talk
and judge and critique his acting and in his
films and stuff like that. So I don't want to
act like we're not aware of that, but I'm also
not necessarily judging him as a person. I'm
just judging him as not even judging him, but
just reacting to his acting and things of that
nature. So anything else to wrap up this Cary
Grant retrospective, Dan? No, I'm definitely
glad we did it. We got to watch a lot of really
good movies, a lot of movies I haven't seen before
and movies that certainly have a huge importance
within the history of Hollywood. And, you know,
bringing it with this and the Hitchcock retrospective,
I think it was fun how that naturally just kind
of came about. So. How about yourself? No, I'm
super glad we did this like as soon as I we were
going through that Hitchcock I was like man I
really want to watch some Cary Grant films and
I'm like I don't know if Dan's gonna want to
keep watching stuff from this time period and
you were all for it so that was like yes now
I have an excuse now that's parlayed into like
my wife tends to fall asleep before I do and
that usually gives me like an hour to an hour
and a half where she's asleep and I'm not quite
ready to sleep. And it's been perfect to throw
on an old Cary Grant film. And like I said, I've
been making my way through all the ones that
are available to stream. There's probably a half
a dozen or a dozen that are unavailable in any
shape, way, shape or form. So I guess I can't
get to those. But I've been working in a chronological
order. So I've just got I'm almost through the
1940s. We're 27 films in and I'm almost through
the 1940s. See if you want a lot of films. You
start if you start talking like, you know, I
did back then. I'll know why it's going to be.
I know we always we definitely have to. It's
going to be weird, but I like. I've been trying
to catch up on 2025 films as well. So it's like
it's like that's gotta be a whiplash. Yes, it's
a whiplash effect. That's a perfect word that
I was trying to think of because it's like 1940
and then 2025 and then going back and forth.
So it'll be fun to talk about some some modern
stuff, too, as we go through here and and do
some future episodes. So all right. That does
it for this episode. Dan, how can people keep
in touch with you or get a hold of you on the
interwebs? I just search Comic Concierge. I'm
on all those social media platforms. You can
search me out at Optimus Solo or search the show
out at the Cinema Geeks or the Cinema Geek cast.
And that does it for this episode. Tune in next
time for another chance to listen to more of
the Cinema Geeks.
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