The Comic Concierge
Black Hammer Vol. 1

About this Episode
Hey, Tara Strong here and you're listening to
the GeekCast Radio Network. And welcome to the
Comic Concierge podcast, the podcast that believes
comics are for everyone. The key is fighting
the right one. Today I have a very special guest
with me today, an old friend. You've heard him
on Talking in Circles, which is a podcast that
is still going on. We'll have a new episode shortly.
But he is the creator of the very own Comic Concierge
logo. Greg, man, how's it going? Very good, sir.
Very happy to be here with you. Yeah, yeah, it's
definitely, you know, if you listen to RL Poundcast,
you know that, you know, Greg is coming from
a place that he is also a fellow comic book fan.
But I thought we could start there, though, because,
you know, it's also good to get the perspective
of someone who's a comic book fan, especially
when I'll talk about Black Hammer that the book
will be discussing today. What exactly got you
into comics? Like, what was your path to the
world of comics? Well, actually, I live right
next door to this kid that used to be my best
friend. We kind of lost contact through the years
and everything. But when we were little, he was
really into comic books. And so trying to be
cool with him and everything, I also got into
comic books. So I was I was into the comics for
a little bit there. And then I kind of got off
him for a little bit. And then I met up with
you and Chuck. All three of us are the members
of talking in circles podcast And when I got
back with you guys you guys were talking about
comics and stuff and it's kind of got my uh My
interest in comics rekindled and it's kind of
been full tilt since then i'm i'm a bit crazy
with my collection so far It's just because like
we both got back into it around around the same
time back in like Early 2000s to 2003 to 2004
ish, you know It's not a good addiction because
you kind of feed each other off each other a
great deal of that So, yeah, did you get this
one? No, I didn't get that one. Yeah, that's
really good though. Uh, you should try this one.
All right Yeah, yeah, it's interesting and then
you know, I think you and both I have like had
One which one we've been off and come back on
and I think we're we're both on reading different
things but it's also fun when we actually have
the same book. There's a lot of books I think
we both read but then there's some that you read
and I don't and I read that you don't but we
both were big fans of Black Hammer which we'll
be talking about. What was it about Black Hammer
that got your interest? What got you to pick
it up? Actually the one girl that works at the
comic book store that I go to She was very gung
-ho about me reading this. She's like, oh, you'll
really love this. It's really good. Trust me.
You got to read it. You got to read it. Did you
pick it up yet? Come back the next week. Did
you get it yet? Did you get it? I didn't see
a checkout with it last week, so you didn't get
it. So you need to get it this week. And so she
was constantly on my case about it. And it looked
interesting. Like I was thinking about getting
it beforehand because I've been more into More
in the comics but it's not really in the it's
a dark horse comic the dark horse qualifies I
guess it's you know it's one of the bigger yeah
it's it's out of the top two it's out of my world
it's not out of marvel and it's not out of dc
so. I've been kinda getting more into. third
and below publisher comics and Dark Horse has
a lot of good comics out that I really enjoy
especially from the Mignola verse with Hellboy
and BPRD and that kind of stuff so I kind of
trusted them and plus it had good name in Jeff
Lumiere as the writer on it he's done a lot of
good stuff that I've picked up. He is the writer
of Descender from Image Comics, which is a really
good comic that he has out with Dustin Nguyen,
who has beautiful watercolor artwork inside and
everything. And it's a cool little space story.
And then he also was doing this book called Ad
with Scott Snyder. That was really interesting
and Jeff Lemire actually does his own illustrations
in that one I believe he was also doing watercolor
that so it was an interesting little thing to
see his his illustrations in there and everything
Yeah, Jeff Mears done some really good stuff
throughout the years too. So that was another
reason to pick up the book Yeah, and that's so
much so I picked it up because I am like I'm
a huge chef from your fan like honestly, he's
probably He might be my like my favorite writer
in comics right now. One of the first episodes
of The Comics Contreras, we talked about Royal
City. I talked to JD DeRionne about that series,
and I love that series. Very different than this.
Much more of a dramatic series. And you mentioned
The Sender. He's even doing like Bloodshot. I
loved his rough neck original graphic novel that
came out last year. He's doing a lot. He's even
got a new book out today. Yeah, I don't know
how he does it. That's a lot of books. Yeah.
And now he's got a... the terrific's in DC for
DC he's gonna be writing a century series for
marvel it's kind of funny he has like a superman
series for dc and a fantastic four series for
for for sorry yeah other way around superman
series for marvel and the fantastic four series
for dc but he does have a very unique storytelling
ability and like you mentioned he's an artist
as well you know Essex county is like the thing
that really broke him out which have you have
you read Essex county no i thought sweet tooth
was the thing that really Got him going. I thought
that was the big popular thing from him that
kind of got him started I think that came after
if i'm not mistaken and it's like Essex County
was like original graphic novel though So Sweet
Tooth came after I could be wrong, but both of
those were like his two two of his earliest work.
Yeah And when I was at the Baltimore Con, I think
it was last year I got some comics signed by
him and he was signing a lot of Sweet Tooth stuff
So that's why I was kind of figuring that was
one of his first things out. Yeah, it was certainly
one of his earliest works for sure. But speaking
of Black Hammer, I guess we will transition into
that. We'll be talking about the first volume
and actually we'll be talking about the next
volume, the episode after this. But, you know,
looking at the first volume, what were your overall
impressions, overall enjoyment when it came to
it? Overall, it's like a love letter to comic
books and comic books history in general. He
slips in all the neat little references and the
characters themselves are you can see similarities
to other comic characters like he's he's definitely
like Alan Moore with the Watchmen he's taking
characters from other properties and just kind
of change your name change your backstory a little
bit you know who it is and everything so that's
always a cool concept he kind of went back to
the old -school mentality of Team Comics, I think
it started up in the 80s where they were putting
teams together and like, oh, Batman and Superman
together. They're not going to like each other.
They're two different people. And it's kind of
got a situation like that in it without giving
away too much upfront here. He kind of has them
like all these people together in one spot in
kind of like a snow globe situation where like
They're stuck. They're stuck with each other.
Like, what are they gonna do? It's kind of like
one of those crappy TV series with like Survivor
or Big Brother or something. Yeah, reality TV,
but in the superhero genre world. Yeah, and there's
also a lot of great relationships, good and bad,
that kind of come out of it. But yeah, it's a
very interesting... setup that he has going here
of these characters stuck at this farm that are
superheroes, and they can't get away from it.
And you don't understand why they're there. And
it's like he's just constantly giving you like
tidbits of information going, okay, why did that
happen? He keeps you wanting to know more by
keep giving you these little questions. And I
think in the next volume, the next podcast, I'll
be talking about How he can starts to answer
some of those? I think that's where he kind of
starts to answer because he doesn't he just keeps
giving more and more questions in this first
volume What you might mention Alan Moore and
Watchman? I and I can definitely see how there
is a similar almost thesis in a way but deconstruction
or commentary on the genre superheroes, especially
the Silver Age comics and really I think you
mentioned like I would think a lot of Jack Kirby
is like written all over this Oh, yeah, definitely
with the new gods and stuff like that and even
references the Thor it's almost like he took
what Jack or we did from Marvel in DC and like
Combined it into one one universe. Mm -hmm. And
what he's been able to do is he took all the
superhero type of tropes and like boiled them
down to this straightforward human drama It's
all about, to me, like, subverting expectations,
or at least that's where it starts. And then,
like you mentioned, in the second volume, which
we'll get to, it expands upon that. But even
on the first page, you know, this is Black Hammer.
It's a book with, like, all these crazy superheroes
on it. You think, okay, here's a superhero tale.
The first page is just a nine -o -panel grid
of a guy being a farmer. And like, that's all,
you know, it's just, and really just showing
his hand, very much focused on his hands, I think,
to showcase just the aging, the work that he's
doing. And it's just, you know, it's not something
you expect to open up to and like, wow, okay,
well. I guess he's living on a farm. And it makes
sense considering it's Jeff Vermeer because a
lot of his books, like I mentioned, Essex County,
they're small town communities or a huge portion
of them. And he's using that idea within superheroes.
And you make a good point is that these are all
types of people that don't necessarily get along
with each other for different reasons and how
they all kind of relate to the situation that
they're in. Some of them trying to make the best
of it, some of them hating it. And I do like
how we slowly get into the world just in the
first issue from the farming. It starts as like
normal general life. He's just on this farm hanging
out. He's talking to his daughter, but suddenly
his daughter's smoking, where you think it's
his daughter or somebody he's related to. Then
she's smoking a cigarette. You're like, well,
she looks a little young for that. Then she flies
away. You're like, well, that's not what normal
kids do. And then he walks into his, you know,
kitchen and bam, there's a robot cooking breakfast,
an alien at the at the breakfast table and a
dude that's phasing through walls. You're like,
well, all right. Well, that that escalated quickly.
From the first issue and how it brought you into
this world just to let you know like yeah things
are not These are two different types of these
are these are characters who don't belong in
the situation that they do But also let you see
that like abraham that the main character he
fits like he felt he fits within this world And
you can definitely tell that he is falling in
love with this scenario that he's stuck in it's
it's he loves it and that he wishes they could
stay here and that everybody else would love
it just as much as he does mentioned like Reality
TV that the show that it reminded me of that
I didn't watch a lot of my wife watched it and
I got I Experienced it through osmosis, which
I blame the wife. Uh -huh. Oh well, it was lost
where you know, they I did watch lost So it just
reminded me of just the the concept or the format
of storytelling. It's not just boss wasn't the
first one to do it, but it's the one that came
to mind just because they're they're stranded
in this location. They're not sure why it's mysterious.
And then as each the first few issues we get
kind of brought back before they get to the situation,
we get like an origin of each character and how
they got to that point. So that's like it very
much remind me of that because it's like building
off this. This the all these characters showing
them where we come from and I think that might
be by the way You really need to mention to the
the listeners that is much better than lost You're
comparing it to loss, but it is much better than
lost True, I I 100 % agree with that Yeah, I
I feel like there's actually gonna be a legitimate
mystery here that is answered and not just left
hanging But he has some figured out whereas lost
didn't have something figured out Yeah, yeah
very much but looking at you know, these are
very different characters each character is Representing
almost a different genre or storytelling piece
of comics lore, especially in the silver age
Were there certain characters that you found
yourself gravitating towards more so than others
like once you Which ones worked with you the
best? I definitely liked Barb. Just him trying
to kind of keeping things together but then being
a little bit mischievous with things and I liked
his relationship with Gail and them talking to
each other and kind of getting each other through
different things. Abe was just okay to me. He
just seems like the big gruff old guy for the
most part. Colonel weird fits the name. He's
very weird names names a little on the nose But
I guess for that day and age comics if they were
on the nose with quite a few things Yeah, I mean
Captain America Batman. It's you know, they didn't
really name. Yeah. Yeah but Gale and Barb were
definitely my favorites especially seeing a little
girl drinking and smoking cigarettes and cursing
constantly and I felt those were the two that
I felt went through the most ups and downs through
this first volume of the series here so I kind
of felt for them the most and then Talkie walkie,
which I always want to say walkie talkie Killed
me killed me that but he's okay He's just kind
of there and makes sassy comments in the back
So he's probably about my third favorite and
then we don't really see much of Madame Dragonfly
for the first issue or two, I believe She's there
and she's definitely like the the horror comic
character of the bunch Which was an interesting
insert into this Am I missing a character here
Dan? Those are pretty much the main character
at least with within this. Yeah within the superhero
Bunch that we're focusing on and why they got
here Yeah, I think Gail certainly has the most
tragic of all the stories being stuck as a child
and seeing like where she's where she's come
from and the fact that she was where where she
was in her life and how she's kind of thrown
back into this world and not wanting to be there
and having to deal with the fact that You know,
she's she gets forced to go to school and like
not rebelling against that And it does make me
wonder though like if they've been there ten
years and she's been to school at least a couple
times but yeah, I'm wondering like You're not
aging quite. Well, but I maybe like she didn't
go first to school for this for some time or
what have you because we didn't mention that
they're In this world, they don't know why uh,
they know that they can't leave because if they
do something awful will happen and And they're
just trying to make it's revealed much later
in the you know, it's called black hammer But
we learned very much later what that actually
why it's called black hammer Yeah, I don't know
why but I I seem to gravitate more to abraham
slam again all these characters are tragic and
tragic It's a jeff from the mayor book. There's
there's always a element of sadness to everything
He's set up very much like a you know, captain
america Character maybe that's why because Captain
America is like my favorite character, but I
guess like seeing him just trying to make it
work and like him finding himself and he is probably
the most consistent character like his journey
is is the opposite of everyone else where he's
maintaining or attempting to maintain where everyone
else is just trying to Find some sort of piece
or being able to come to terms with things where
he's trying to push them along but the you know,
the idea of that aging hero that just he Not
find the success that he once had or it was over
the hill, but now he doesn't have to worry about
that In his love affair. I do think though. He's
probably linked to the worst character, which
I thought you know the the cop the His current
lover's ex -husband. He was a little I don't
know He fell a little over the top the one a
little bit one -dimensional for a story. That's
doesn't have a lot Yeah, but he definitely filled
his role being a complete asshole Exactly. It
does make you wonder though as we're learning
about I think there's a point to some of those
characters that will that you know, it's it's
hard to it's hard to judge but barb though is
his character has so many layers to it right
like he's this alien who is trying to be a human
who is also Homosexual, I guess in a way. I don't
know how you would describe it because he's not
really a man But he's attracted to men and he
is has the form of a man. So I guess in a way
that you know, but Trying to then have this relationship
with with a priest this priest who feels shares
the same way like I felt so bad for Barb with
that like the priest was kind of leading them
on a little little bit I felt like yeah clearly
like that stand in for like the more more of
the man man hunter or Martian Martian man hunter
that's Yeah, I was thinking Marvin the Martian
of the looney tune and no though the day they
did have a comic comic last year together Which
was kind of fun But like it was a good cavalcade
of characters each with like everyone felt complete
Maybe like you mentioned dragonfly. She was just
looming presence in the background and I think
Purposely so because I think she clearly knows
more about what's going on then yeah her and
weird definitely know more about what's going
on than anybody else Yeah, did that you know
sometimes having a mystery like that linger in
the background when you don't know What what
is water where this is going your enjoyment factor
that increases that in fact impacted at all?
It just kind of made me feel like I wanted to
read on to find out what these two know. I wasn't
a fan, really, of either of the characters. I
liked Madame Dragonfly's backstory more than
Weird's, but uh... Weird is just a little bit
too all over the place for me. And so he just
makes me angry. But then he's also playing the
part of making me read on to find out what he
knows, kind of. And his whole thing is just bizarre
of him. And what's the name of this? The Parazon.
And going through and it's very 70s trippy. Scenarios
he's running through. Yeah, you just have what
I think one of the one of the better moments
in this first volume where you see him able to
get back to some sort of normalcy for that dinner
they have and which actually plays into the fact
that this is a superhero story characters from
different worlds different dimensions magical
powers and Ultimately, one of the you know, the
the biggest set pieces is them sitting down to
have dinner like you know what I mean? Like yeah,
it's a traditional superhero story done in an
untraditional way Yeah, you kind of flip -flop
between origin stories and them dealing with
their new situation in more of a humdrum environment,
but that's still interesting and intriguing because
you want to know why they're there, how they're
going to get out, and all the questions that
Jeff Lemire brings to it. Yeah, and that's kind
of what works about it is... putting people that
are not in normal everyday situations in everyday
situations and making that what they have to
deal with adds a lot to it. And I thought I'd
ask you this question because your artistic abilities
well above mine, but in general, how did you
think the art worked for this book? It fit in
the fact that it played to the more more sit
-down more of the current situation where they're
trapped in this more environment that we're all
you more used to work relate to Superheroes it
didn't really fit the style of a normal superhero
comic It was a little bit more cartoony kind
of folksy style. I would say But it wasn't bad.
It's not my type of style that's being drawn
here and it does kind of look similar to Jeff
Lemire's style as well, which I found interesting
with, once again, I'm going to call it folksy
style. Somebody probably hates that, but I found
it to be a folksy kind of folk art kind of style
to it. I don't know why I do. It just seems that
way to me. And I like the coloring. That also
kind of goes towards a water coloring. kind of
technique it looked like. But yeah, overall,
it served the story. It's not given me any more
to get me interested in the book. It's just kind
of there to do what it does and it does it all
right. It does the job. But I think there's other
illustrators out there that I probably like more
on it, but I think it's just a style thing and
nothing against. I believe the illustrator is
Dean Wormstrom. Nothing against him at all. He's
very capable and he's doing a great job of telling
a story. You mentioned a little more cut mark
more cartoon especially with like the flashback
sequences of like Of you know back when they're
in spiral city Do you think though that that
was that was purposeful since they they were
going to try to replicate some of the classic?
Vision of that day. I don't think he was really
replicating any style from back in the day. I
think for like Madame Dragonfly, I think the
way they set that one up with the story and having
her talk to the readers, because that's what
they used to do in like those scary horror comics
back in the day of having a scary person narrate
kind of to you and everything and setting that
up in. just regular caption boxes and everything.
I think that kind of set up more of the ambiance
of a horror comic more than the art did itself.
Saying that, I do think Madame Dragonfly was
the one that looked more towards the genre of
comic that they were going for than any of the
other ones. But otherwise, I really didn't notice
too much of a change from Art style to genre
that they were talking about in each issue interesting
I kind of felt like they're there especially
when you had some of the flashbacks to like for
example Even just in the in the coloring from
like the way they would draw a spiral city. It's
not drastically different, but just the presentation
of it color wise, the general look of the characters.
For me, as an outsider looking in, I got the
sense of feeling like I was looking at something
that was, I wouldn't say Kirby -esque, because
it's not drawn like a Kirby painting, but has
the same type of... over larger than life look
the anti -gods character design kind of came
across as very curvy -esque but other than that
it was if i think if they wanted to do stylistically
different for each kind of genre i think they
definitely could have done what i i don't like
what they do in comics but i think it would work
here of getting different artists to do different
sections kind of the book and have it where more
fit was more fitting to what they do and what
the style is needed for the book. But Ormstrom
did all right. I think you could have had him
for just like the normal sit down where they're
stuck in their prison of this town. Yeah, when
I was reading Jeff Lemire's letter in the back,
he was talking about why he chose him as the
artist for this and he mentioned that a big reason
why is he didn't want the traditional look or
style to get with a normal comic because he thought
it wouldn't work as the story he was trying to
tell by keeping it out of the norm it becomes
more of an effective tale because it as these
are characters that are out of place or these
are characters who are you know or superheroes
in a normal world if you were this is me inferencing
based upon just a little paragraph that he that
he put if you then design it like a normal comic
book, it doesn't necessarily have that effect.
It just looks like general heroes in their normal,
Marvel, DC universe. But I can see what you're
saying. It's not like it drastically changes
when we're doing the different origins overall
that genre -wise. It doesn't feel like a different
genre each time. But there's a clear separation
between Spiral City and the other town that they're
in. Were there anything else any other key points
you wanted to bring up regarding the first volume
of Black Hammer? Let me look through my notes
here real quick See I write terrible notes. I'm
have like I like the relationship between Gail
and Barb That was that was man. That was also
again another, you know tragic element where
You have Gail. It's just like she just can't
win. You know now she can't She can't at all
everywhere she was going but that I believe it
was still in the first volume where he Barb kind
of saves her from herself had calms her down
kind of with the whole relationship thing and
you know a freaking Barb wasn't even like didn't
even fit in on his own home planet of Mars like
a guy he just cannot fit in anywhere at all I
just feel bad for him I think it's a hem, at
least. And when I started reading the books,
Becky asked me, what gender do you think each
character is? And I think I actually did quite
well, except for Takiwaki. And I think they reveal
that Takiwaki kind of has a thing for Colonel
Weird. I believe that's in the first volume.
Did you know what Weird's correlation is with
normal comics? Because I didn't get, like, with
Gail as Shazam, Barb as Martian Manhunter. Or
like, I guess not Flash Gordon, but like that
type of character, you know. Yeah, kind of in
that that that genre. But yeah, I think that's
it. I think that's all I really had because the
rest is just, oh, what did you think of the I
really liked I didn't like the character, but
I thought, madam. Dragonflies origin was the
best one of them with her but creating and falling
in love with the Swamp thing kind of character
that she created and I was wondering your if
you like that Particular issue or not. Yeah,
I did. I don't know if was my favorite of all
the different origins I don't know which one
mine would be it might be Barb's just because
of it's hard to say but I did I did like that
idea in how She's probably as a character the
one that you're unsure about the most because
there She could easily be the main villain behind
all this in a way. But yeah, that was probably
just looking at Things that came about that were
most unexpected you know her falling in love
with the person that was trying to kill her that
she more you know that she ended up like nearly
destroying well she that guy wasn't trying to
kill her he was trying to get the other guy that
was trying to kill her away and he just kind
of got. caught in the crossfire and it was an
unfortunate thing but they found love and I thought
that was kind of a sweet thing to and sweet and
unexpected thing to find in what you expect it
to be a issue about a horror comic yeah and I
think that origin too makes you there's a Big
piece of her story that is, you know, you just
get in a couple panels. You see that like she
herself had some horrific tragedy happened to
her and indicates it's a story for a different
day, which makes me wonder if that's relating
to what exactly is going on with everything.
But because it just, you know, there's a small
glimpse of her at a grave stone. and uh and then
it goes from there so yeah it's interesting that
my two least favorite characters seem to be the
ones with the most to reveal to tell what's going
on with this story problem that maybe because
in a way where the other ones are more the other
characters are their their stories are far more
based upon like emotion and like their emotional
journey grounded journey though theirs aren't
as they're not as grounded or become as grounded
as the other characters because they're still
in their own worlds they really haven't assimilated
yeah he still has the para zone and she still
has that little cabin yeah they're still within
their own Different universe. So in looking at
this knowing this is the comic about comics Do
you do you get any sense of within this first
volume? What Jeff Lemire maybe is he do you think
he's trying to say anything about comics in general?
Is there any type of you know, not criticism
but anything in like on a meta level or Al Gorka
level Do you think he's trying to say about comics
or do you think it's more so just utilizing commentary
or deconstructing? The common tropes that we've
seen in comics are known of comics in the past
I think it's it's A lot of different stuff going
on here. I do think it's a love letter to comics
and because he's in the comic industry first
off and he's writing all like these historical
like parts of it and yes he's breaking tropes
on some of them but then he's also like kind
of retelling the history and everything in it
so that for you to tell a history of it you gotta
love it so i i think there's the that uh him
breaking down tropes i feel like it is very like
alan more watchman about how he changed the world
of the comic industry with watchman i feel like
Jeff Lemire is kind of trying to do the same
here. So I don't you could probably make inferences
of Like the same thing that was going on with
Alan Moore is kind of going on here with Jeff
Lemire as well Yeah, I think certainly with with
watch when it was Taking that idea of a hero
and saying like how horrible it would actually
be if this type of thing happened and how broken
these people would need to be in order to In
order to do what they do, but I think in a way
what Jeff of mirror is doing I think he's doing
something similar where obviously these characters
are broken, but they're far more likeable and
they're not as Nihilistic it's a lack of this
ism in a way and there's a little bit more earnestness
to it where these are characters who are doing
or choosing to be heroes for Genuine reasons
it for the most part but in order to feel some
void that is There is some someplace else whether
it would be you know, they're they're not they've
always felt like they were Lesser than like,
you know Abraham's slam like He was always the
kid who he couldn't fight for his country because
he wasn't good enough. So now he's been trying
to make up for that. Or if you're lost in the
world and like you said, you never fit in and
you can't find anywhere to fit in. And being
a hero is the only place where you can be who
you are and not be ashamed of it. Or if you're
just a little girl and being given this power
that you feel is some sort of gift or something
of that nature. So I think that I don't know
for sure if watchmen was at all, but it almost
like it's an answer to watchmen And I think there's
a line in that barb says in the beginning about
gail asked him Do you miss it? And he says like
miss it like like an old friend where even if
you got back together You wouldn't know what
it's like anymore just because it's been so long
and I think that's he's saying that a lot about
comics in the sense of comics of Gone gotten
so far away from a lot of what they used to be
Really since that era that like you wouldn't
even know what it would look like anymore if
they even attempted to To get at that and I think
he's answering that with this series in a way
showing you that you can get to those type of
stories in your own way well you because I think
really since Watchmen we've had a lot of comics
that are stuck in the dark and gritty and like
realistic manner and this is obviously is built
within realism but it really separates those
two where you have where you see what you have
the more classic universe and then the the realistic
universe where all the superhero power things
are taken away so I think yeah like you mentioned
there's a lot going on here I think you and you
know this is obviously the only the first volume
but certainly I think there is his love letter
to comics or like his thought process of where
comics are at I think you're certainly bleeding
through the pages Yeah, and he definitely leaves
us with a lot more questions than that, especially
at the end here of issue six with why did Lady
Dragonfly erase Lucy's memories? What does she
have to hide? But Lucy just showing up in general
I thought was interesting and I'll talk more
about in the next episode, but I really like
Lucy Weber's character coming in and everything.
Yeah, yeah that really it's a good way to end
it right it completely not reshuffles the deck
and it's like, okay Well this world that's barely
established and now is got an own completely
new factor to it. So yeah All right, well, let's
bring this episode to a close. So, Greg, if people
want to get in contact with you, look at, you
mentioned that you're working, you yourself do
some art. You can check it out on Instagram.
It's the best way to follow you. On Twitter,
I'm at the create forge on Instagram. It's just
my name, Greg Bepler. If you don't know how to
spell that, I'm sure Dan will have it somewhere
on the page. And, uh, yeah, I think that's all
you could really follow me on for the most part.
It's simple. It's straightforward. So, yeah.
Yeah, that's right. If you've read Black Hammer,
and if you enjoy it, there's a lot of ways, you
know, let us know, get in contact with the show.
You can email, uh, best way to email would be
movierevolt at decafradio .com. I'm on Twitter
at movierevolt. decafradio also has a Facebook
page. I'm on Instagram too at movierevolt. So
all those... great ways to get in contact with
us. I'd like to get some more interaction. If
you are listening, you know, this is a very early
podcast. We're in the early stages here, so the
more you can share, the more you can rate us
on iTunes, share the podcast with people that
like comics. Let us know what you think so far.
It'd be really helpful just to get the ship going.
Huge thank you to Greg, because he put a lot
of work in. The awesome Comic Concierge logo
was all him. He did all that great work, and
I get the benefit from it, so thanks, Ben. Thank
you. Thank you for having me. Alrighty. Well,
thank you for everyone for joining us this week.
Remember, comics are for everyone. The key is
finding the right one. Until then, thanks for
listening.
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