All Things Transformers
Transformers: Optimus Prime and Lost Light Vol. 1 Review

About this Episode
Hi, this is John Barber from IDW Publishing.
You are listening to the Geekcast Radio Network.
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time to talk about the comics we are reading
right now here inside the pull bag. Hello and
welcome to The Pull Bag. This is episode 320.
Yes, that's right. And we are continuing on here
in auto -botly August 2018 with us here inside
The Pull Bag on all things Transformers brought
to you by the Geekcast Radio Network. That's
a mouthful. I am, of course, TSU and Mike. Joining
me is that nightbeat person. It is Ryan the Uninvulnerable
Merkley. Hello, sir. It seems like he wanted
to come up with something funny or entertaining
and then just failed miserably and just introduced
me as normal. That's impressive. Or unimpressive.
Yeah, I was being sarcastic. Anyway. That's just
the way you are. So, alright folks, so far here
in Automotly August, if you have been listening,
if you have - We've done Windblade Distance Stars,
Tell All or One Volume One, and Transformers
vs. G .I. Joe Volume One. Last episode, Steve
and I celebrated 10 years of all things Transformers,
and now Ryan and I are continuing our journey
with the John Barber and James Roberts written
series from IDW. They were basically rebranded
after More Than Meets the Eye and robots in disguise
or just transformers since they had that cartoon
series uh ended and they're now optimus prime
and lost light respectively respectively um actually
it'd be lost light and optimus prime respectively
but anyway whatever uh yeah and the other interesting
thing is since we recorded the lost lights and
xrid or the transformers podcast is the series
and the entire universe in fact for IDW has an
end date that doesn't happen often and it's it
sounds it's it's kind of weird that it's happening
in the one sense I am dreading it because I don't
know what they're gonna relaunch with and I've
really enjoyed This chapter in particular of
IDW stuff essentially the last stand of the records
through now So I'm sad to see it end. On the
other hand, it doesn't happen often in comics.
It's kind of nice. And to be honest, it actually
makes it easier, I think anyway, to recommend
to people, especially ones who aren't necessarily
Transformer fans, because it doesn't require
the same commitment. So I think we've had this
discussion before, but say I told you to get
into reading X -Men. Yeah. It's going to be going
for a little while now. Or, you know, you could
use Batman, because next year is 80 years of
Batman. I'm like, 80 years of Batman? Where the
hell do I start? Obviously there are specific
starting points in Batman, not just Bruce Wayne,
but like Batman Beyond, I think, and Batgirl
and the Bat Family. There are specific things
you can read that you don't have to read. 80
years worth of progress. No, and even if he went
into more recent stuff, so let's... As an example
of something that's really popular, Walking Dead.
Walking Dead is still going. It shows no signs
of ending, and it's already in excess of... I
believe they're closing in on 30 trades now.
That's a huge commitment, and I feel like it's
easier, especially for this era. Yeah, it's still
about 30 trades, but you know there's an ending,
and... With the other books that I mentioned,
I mean it'll probably never happen to Batman
or X -Men But although God knows they tried with
X -Men With Fox owning the rights they really
tried to kill them off, but No, it's probably
never gonna happen and I think a lot of people
or at least people who weren't used to comics
like having an ending So it's kind of interesting
that this is one series that does have a finite
end, it seems like. And I said that to somebody
somewhere recently within the last couple of
months about the IDW Transformers universe's
ending and someone was like, ah ha ha ha ha.
And next thing you're going to tell me, Superman
dies or something or Superman stays dead or Uncle
Ben stays dead or something. I'm like, no, really.
They're ending the universe, and they still have
the Transformers license. They're going to do
other Transformers things, but for the last 13
years, this incarnation is coming to an end.
And we don't know how the hell it's going to
end. yeah and i kind of like the idea of i really
hope it's not a marvel and dc -esque soft reboot
i think if they're going to end things off or
say they're going to they should actually do
it and i've said it before this is really become
my era of Transformers. It's been my favorite,
despite growing up with G1, reading all the old
Marvel and Marvel UK comics, Beast Wars, which
is fantastic, etc, etc. They've been all these
different eras, but I really think I enjoy this
one the most, and I'm okay with it ending. I
mean, there's 13 years of books, and despite
the fact that some of it's not good, for example,
I don't own Any of the now I can't thank you
Which is weird by the way because cost is actually
a good writer I should mention that at some point,
but he just never really got transformers. So
I don't have that I do have the stuff that started
off the universe Simon Furman's work, which I
generally enjoyed But it's been the last few
years of Barbara overseeing everything Roberts
being one of the writers And you mentioned Windblade
and the others, which, whew, I mean, when Windblade
until All or One were starting up, I remember
thinking, we don't need a third Transformers
series. This is too much. Then I started reading
it and holy cow, I've essentially become a fan
for life of Marguerite Scott's writing. Yeah,
Marguerite is awesome. Yeah, she's fantastic.
And I've gone on, I've read other stuff she's
done since Transformers, and she's a great writer.
So I was completely wrong about that. Roberts
came from Transformers fan fiction to write More
Than Meets the Eye. And amusingly enough, we're
going to talk about somebody today. Key, Kai,
Key. No, it's Kai. Kai, K. K Zama. Need pronounced
good. And Kay Zama, who is the artist on the
majority of issues of Optimus Prime. Alex Milne
took over for number four. But most of the issues
we're going to talk about in this trade were
done by her. And she became a fan after Last
Stand of the Wreckers and went from that to she's
an artist on the series. And she's really good.
Her art is fantastic. And it's just amusing to
me how long this universe now has run that we
have so many people who are new to comics who
have gone on to do other books. And even John
Barber himself did. Dr. Strange and did, yeah.
But John himself, within IDW, oh my god, that
guy, he's like this meteoric rise to fame at
IDW because he started out as the writer. And
he's now editor -in -chief. And his non -IDW
stuff is good, too. I enjoyed his stuff on Doctor
Strange. I thought his Doctor Strange and the
Punisher miniseries was fun. And it's just interesting
that he got the chance to go outside of IDW while
he was still writing and really doing everything
for them. I don't know. I know she's going to
be the new writer. I don't know. how long it's
going to last, but Margaret is taking over Batgirl
at issue 25 at DC. And she's writing the new
Marvel animated cartoon series featuring Squirrel
Girl and Kamala Khan as Ms. Marvel, which actually
looks really good. And like I said before, she's...
I'm just... much like some of the other writers
i really enjoy like jason aaron and greg rucka
and others i she's i'm just a fan for life her
work is so good so yeah i'll be following her
to that girl absolutely which to be honest i've
been on and off i get uh with the essentially
it depends on if gail simone's writing it there
And Gale hasn't written it since the end of the
New 52 or when they did that reboot with Cameron
Stewart and Brandon Fletcher. Yeah, and this
lecture has certainly not been bad. It's still
been solid. I got so many books to follow. Yeah,
it's crazy. So let's follow these. Normally we
go at least every couple of pages through these
things, folks. Optimus Prime Volume 1. Now, this
is the interesting thing for me. I am currently
reading this. by trade to do these episodes of
the podcast, but I'm also simultaneously reading
the end of the universe. Like, right before I
read Volume 1, I read Unicron Number 2, because
it came out when we recorded this. So, it's like,
huh, flip -flop, flip -flop, but... Well, today
I read Lost Light 21, so... But I have all the
answers now to the mysteries that started at
the beginning of the series To see if I accidentally
let any of them slip So Optimus Prime volume
one Yeah, okay, so I pulled up our Final episode
when we did Autobot in April last year last fall
Published it May 3rd, but it's supposed to be
in April Last year we did, uh, Transformers More
Than Meets the Eye and RID Volume 10, two trades,
one podcast, just like we're doing now, two trades,
one podcast, because in this show, we'll talk
about Optimus Prime Volume 1 and Lost Light Volume
1. I almost feel like I have to go back and listen
to this old podcast to figure out where the hell
we are in Optimus Prime. Uh, one of my favorite
lines... I'm gonna repeat one of my lines from
that podcast that I remember well, and that is...
John Barber really likes his words. Yeah, he
does. This is very wordy. Yeah, to get it out
of the way, this is a good book and I enjoy it
a lot. And I think it's continues to be in a
lot of ways, Optimus Prime has surpassed Lost
Light in the last little bit in terms of quality,
especially sort of the last couple arcs. But
we'll talk about that when we get to them. Because
this art here feels like... I don't want to say
it's a slog, but it was... No, it's a commitment,
and that's what I would say. It's good. It's
enjoyable. Things kind of click together, but
you kind of want to sit down and read this entire
thing. And I can't... So I don't get Optimus
Prime. Issue by issue or I didn't through until
about 14, then I started I picked it up again
But I couldn't imagine reading this issue to
issue and not going back and rereading stuff
Like this is it fits best in trade to me. Yeah
it does and So part of the reason and so get
into it now. I mentioned already a case Alma's
art is incredible Alex Milne, we've talked about
him before, is very good, but Zamas are sort
of, it's very stylized, but it works really well.
Everyone is ridiculously expressive while still
looking like a Transformer. Yeah, or a giant
robot, as in not human. And so one of the reasons
that this is kind of... commitment we have an
awful lot of flashbacks and it's interspersed
with what's going on now and there's an awful
lot of politics and there's an awful lot of characters
and how they relate to one another and their
relationships that the book gets into if I wanted
to sum up the entire thing it's actually pretty
easy though You just say the Junkions arrive
on Earth which Optimus Prime has taken under
his wing as a one of Cybertron's colonies and
Earth joins the Council of Worlds very slowly
in this Yeah, well to the point that we don't
actually see the end of it. It's just the beginning
of that is is in these books or in this trade
and By the end, the Junkions attack Earth with
an army of Sharktocons. They are repelled. I'm
not like... Okay, 13 years. I started at the
death of Optimus Prime. So that's where I started.
That one shot, and then as I've said before,
I had two paths. I could go for lots of disguise,
go political, or I could go lost light, or I
could go both. Or more than meets the eye, whatever.
I could go both. And I went both. But see, here's
the thing, like, the Chunkions have in control
of the Sharkticons. That's... My G1 inner brain
is like, ah, what the hell? Where are the Quintessons
in this? Uh, we don't know. We've only ever seen
them depicted on a mural, which is actually inside
Unicron, because the planet was eaten. No, it
wasn't Quintessa. It was the planet Wheely was
stranded on which is I can't remember 117 something
or rather And it's in Unicron or it's in Unicron
number two that you see the mural briefly Optimus
actually remarks on it finer points, but I have
to talk about the actual trade paperback itself.
I have the digital copy through Comixology .com.
I have not read any of this, either one of these,
Optimus Prime or Lost Light. I specifically waited
for the trade to do so. I love the way that they
put together this trade. the effects like the
first three pages like after you open it up it's
like more and more transformers from IDW and
it's like this white background with these like
scrape marks on the wall it looks like and I
just I love that design I think that's super
super cool the print has the same thing and then
you get the we get a roll call of now and then
then and that's necessary Oh yeah it is, because
you need to be able to keep up with all these
characters. I love how they're not really focusing
on Thundercracker and his playwriting abilities
anymore. Not until the annual. Oh no. Although
it works for that. That's ways off. Trust me,
at that point you need some comedic elements.
There's not a whole lot of comedy in this book
either. Yeah, they open with they kind of They
kind of close off a lot of yes, but in terms
of present time they open by kind of closing
off the humans Skywatch and all of these other
ones that have these weapons lying around and
everything else kind of get closed off as we
get it more into GI Joe as the book continues
Another thing I think we need to mention is We
I had I didn't have like definite plans to do
this, but at one point or another we were going
to Take a look at at least the transformers part
of the revolution event from last year. We have
not done that So coming over this I have not
so coming into this I'm like I don't care if
it's not even spotted humans. No Robots versus
other things, great. Robots and humans, not so
much. I'll say this right now, the greatest thing
about this first volume is the jazz part of the
story. I love that part because we all know he
needs to make up for what happened X number of
years ago or whatever on Earth. Way back in the
Costa, Ranier killed a human and did so in front
of cameras. And I love what Barbara did with
him here. I think that was one of the coolest
parts of this. All of this politicking, I get
it, that's what robots in disguise was at first,
or not RID, or whatever you want to call it.
I get that's what it was then, and we're going
back to that now, and I'm just like, okay, when's
a Trump transformer going to come in and Optimus
cuts his head off or something? I wish. So there's
a bunch of... relationships that the book focuses
on. There is Optimus Prime and Soundwave who
have formed a much less uneasy alliance than
when we had covered the book previously. Now
they seem to kind of be getting along, so that's
not really the focal point. There's a lot more
of Optimus and Pyra Magna. Pyra Magna is the
leader of the Torchbearers who form Victorion.
And they're from a planet which in general worships
the Primes and the Matrix. However, Pyra is very
skeptical for reasons that become apparent in
a much later trade. And she doesn't trust Optimus
Prime. And to be fair, Optimus is not the...
So... I don't know how to say this nicely. He's
not 1984 Optimus, but he's not Faber's Optimus
either. He's not perfect, but he's not movie,
angry, kill all the humans Optimus. So he's not
the kind of perfect character from the 84 series,
which makes sense because to be blunt those characters
usually end up being kind of boring if you focus
on them too long. It worked in 84 because he
was Optimus Prime. There's a... There's a disconnect
there. Also, I mean, let's be honest, it was
a kid's cartoon. This is not. There's an awful
lot more politics. Oh, good lord. Imagine a 1984
episode with this much politicking in it. Oh
my god. But anyway... It would basically be...
What was that episode? Megatron's master plan
with Sean Berger. That's what it would be. So
the main kind of relationship in this though
that gets covered a lot especially through the
flashbacks is Jetfire's relationship to everybody.
In particular Optimus Prime although there's
a good amount of Prowl in there. But it's mostly
Jetfire and Prime and Jetfire and the Autobot
cause and we finally get a lot of his backstory
because it was he's been a character in the universe
I'm trying to remember the first time he was
introduced. I Remember from some of the spotlights
in the background. Yeah If I remember correctly,
that's when he was first introduced so roughly
13 years ago And he's never been really given
much of a background to or characterization He's
just kind of been a scientist. He's a warrior
slash scientist. So they finally get into his
backstory here. And it's well done and I know
the purpose is to mirror what's going on currently.
The doubts that Prime and his troops have about
their course of action. the doubts Jetfire has
about the course of action, but I Don't know
I almost wish they had just taken an issue and
put all the flashbacks in that and kind of gotten
it out of the way Yeah, there's an awful lot
of jumping around here. Yeah, and that's one
thing I've never ever liked It doesn't matter
what it doesn't matter if it's this comic doesn't
matter if it's a comic from DC more I do not
like Think it works and we've talked about it
before frequently. I'm a fan of it, but for a
book that's as Like I said before the word of
the day for a book that's as verbose as this
the jumping around in time periods I feel like
kind of hurts it or at least it makes it that
much more of kind of a commitment to Read through
yeah It would be easier if it was a little more
straightforward Like I said before, I would consider
keeping it to one issue. And it's interesting
because later on in the series, that's what Barbara
does. He essentially does one issue flashback
to explain everything, to kind of lay everything
out for everyone. And that's it. So yeah, kind
of wish he had done that here. I'm really digging
for issues though. I mean, aside from the...
Aside from the overall issue of it being a tough
read in terms of, like I said, its commitment,
there's not a lot wrong with this. The characterization,
the dialogue, the art, the writing, everything
is fantastic. So when I'm commenting on this
stuff, it really just goes back to the fact that
this isn't a book, it's a book that's important
and I'm happy I have. and I enjoy it and I couldn't
imagine my collection without this series. It's
really good and I love the IDW Transformer stuff,
but it's not a book I'm gonna pick up off my
shelf super often to reread. It's gonna be when
I'm reading the series from start to finish.
I'm not gonna sit down and flip through this
when I'm going to the bathroom. Go to the bathroom
type of comic Yeah, I mean I like certain aspects
of it outside of having issues with the whole
time jump and you're right Hopefully and you
said he does but what I wish would have happened
was like take Let's just say each issue has 20
22 pages worth of story. Let's just say that
it's probably a little bit more than that, but
let's just say that's what it is take five pages
and do the flashback as one part of the story
and say, hey, all of this that just happened
leads up to what's going on. Like the back and
forth stuff is just, it's very jarring. It really
is. And other than that though, I love the whole
thing. I want more sound wave. We've had more
sound wave throughout. Barbara writes sound wave
and he writes Starscream. Almost like no other
although and then Scott came along and really
nailed Starscream as well But this is one of
the best sound waves I can remember at least
one of the deepest and most interesting Yeah,
I'll say this to going back to our discussion
about XR ID and the end of that series the transformers
to now The human characters, I feel like he's
nailed them, or at least I find them a lot less
aggravating, with the exception of some of the
G .I. Joe characters are kind of your typical,
Colton, are kind of your typical, I want a war,
we're gonna blow these guys up, your military
guys that you get in pretty much every cliche
action movie that just want to blow shit up and
think the solution to everything is to go to
war. We're starting a war with Iran randomly
or oh, sorry That's something that's kind of
glad though I could have done without those cliches
But overall I found the humans written a lot
better and a lot less Stereotypical than they
were earlier in the series because we've seen
it before we see it in the Transformers movies
as well that you know, you've got the human that
likes the Autobots and knows the difference between
them. You've got the human that thinks all these
transformers can't be trusted You've got the
human with the dark backstory that his family
was killed by transformers a Transformer ran
over his dog so I'm I'm much happier to be asked
that and have actual characters than just running
stereotypes and it's something that he nails
that man, so few Transformers comics, even to
a certain extent shows, have managed to get through.
Yeah, and I know I've seen the classic G .I.
Joe cartoon, Real American Hero and all that,
but I have not read any of the I .D .W. G .I.
Joe comics. Was Flint always Marissa's dad? I
don't remember that in the original cartoon,
and I'm just saying that because I don't remember
it. I'm not saying that that can't be the case
here, because it obviously is the case here,
that he is her dad, but I was like, wait, when
did that happen? I have no idea. I have no idea.
I have no idea. I have no idea. I have no idea.
I have no idea. I have no idea. I have no idea.
I have no idea. I have no idea. I have no idea.
I have no idea. I have no idea. I have no idea.
I have no idea. I can't remember the name of
it now, but the one everybody likes that's from
probably about Probably seven years or so ago
now Yeah, that's it. Yeah, I watched that when
it aired and it was really good and that kind
of thing, but I Couldn't tell you anything I'm
kind of glad and kind of dreading that we didn't
do Revolution. I know everyone says, oh, Revolution
is bad. It's horrible. Don't read it. Don't this.
It can't be that bad. It's not that bad. There
have been worse books. It's not particularly
good, though. And something we'll get into later.
Because this is also... So these books... The
Optimus Prime books are sort of a lead -in towards
first strike Which is another crossover book
and then we also had ROM and all these other
characters that get added mask Which yeah that
mask relaunch really lasted a long time What
was that like it was think it was three issues
before they canned that But Yeah, I was in the
lead -in And in the previous series, I was really
critical with how the humans were used and I
didn't find them all that interesting. And that
characterization continued into Revolution. Here,
the characterization is a lot better to the point
that I considered reading First Strike when it
came out. I still didn't because I don't care
about most of these non -Transformers characters.
I've read it now. I stand by my decision to not
It's not bad. It's just I'm reading this stuff
for the Transformers and I'm reading it for Issues
like this where the relationships the politics
and everything else are really flushed out Everybody's
three -dimensional. Everybody has multiple reasons
for doing what they do and acting the way they
act in this series and when you start jamming
all the characters together into a fairly contrived
team up and everything else, you lose that. Robert's
actually made fun of it in his revolution issue,
which was hilarious, but very sort of fourth
wall breaking. I was okay with it, though, because
I've read enough comic team ups over the years.
Yeah, I mean Roberts always breaks the fourth
wall. Oh, I mean that guy's basically tearing
down the fourth wall every single time Yeah Optimus
Prime volume one even though I felt a little
lost In it. I did enjoy it as I said earlier
I enjoyed it for a lot of the relationship stuff
more so like Optimus and sound wave and seeing
sound waves point of view and all of this Holy
hell, seeing Rumble and Frenzy again, and they
actually got the colors right this time. Yeah,
and we get more of their relationship with Cosmos
as well. That was really cool. He's been kind
of forgotten about for a little while. Yeah,
I think this is a book, or it's a trade, where
everyone's going to find at least an element
or two to latch onto or that they like, or a
relationship that's entertaining or... something.
It's just, it's well done, but like I said, it's
not something you're gonna sit down and decide
to read in a few minutes. Not a few minutes,
a few hours. I don't even know if you would sit
down and read this in an afternoon. I'm not sure
I'd want to blast through it without a break
or two. I took breaks, but I basically blasted
through it in less than 18 hours. Yeah. That
was mainly so we could do this episode of the
podcast. It wasn't like... You see, that's the
thing. Like, you... There's a difference between
us. You're mostly reading for the pleasure of
reading and getting the story because you love
the characters. I'm doing that too. But I'm also
wanting to have it fresh in my mind for the podcast
because I've got so much going on in my real
life at this point that remembering a full six
issues or five issues of a comic, you know...
If I read it a day before I'm supposed to record,
I'm like, I won't remember any of that. That's
one of the reasons why half the time when we
do episodes... I've been busy, too. I know, I
know, I know. It's more about my memory, not
about the fact that I'm busy. It's more about
my memory as mush. So that's why I end up going
page by page or this and this and this. I know
we couldn't do that with this because it is...
We'd be here all month. but It would be auto
-botly August 2019 Series though and before we
move on and before we rate it I did want to point
out to the lettering again is done by Tom long
and in a book with this much words and everything
else he continues to do just I Still think he
does the best job in all of comics with the lettering
he has so many more characters than most books
have to work with on a monthly basis he does
more than one book and just everything is always
clear and it's fairly rare considering the word
count on this that there are errors there are
certainly errors but it's a foof i mean if i
did it and i'm too english major uh if i did
it oh It would not turn out this well. He's really
good. And I want to point out too, the colors
are done by Josh Burcham, who I think we've mentioned
before, also does a fantastic job. I should mention
too, the coloring in this, there is, it's almost
sort of a theme, like it's very brightly colored,
yet everything kind of matches too at the same
time. It's hard to describe. Everything kind
of comes together and just works really well
in this series with the art though. Everyone
works well together. It does, but at the same
time I felt that a lot of the art in this, a
lot of the colors in this, were darker. Yeah,
it's hard to explain though. So the backgrounds
are generally pretty bright. Right. I guess is
one way to say it. And then the coloring on a
lot of the transformers is a bit muted, but...
they still look so distinct from the background
that everything just kind of pops in a way that
you know for example we've mentioned that livio's
art is generally on the darker side but certain
elements sort of pop out like the eyes and that
kind of thing but it feels like everything pops
out on this despite it still being darker And
I think the thing with Livio's art, and we can
talk about this all day long, but I think the
thing with his art, though, is I don't know this.
I'd love to be able to talk to the guy and ask
him about this, but I think - He replies to us,
so. Oh, absolutely, yeah, he will. Dammit. He,
in my mind, after seeing a lot of the stuff that
he's done over the last 13 years with these books
and whatever, at least since 2012, stuff his
style is fully ensconced in G1 as far as like
the style and certain aesthetics of the robots
but also the design of the art it like you look
at like say Jack Lawrence's art in Lost Light
issue one or volume one or whatever you know
and it's Reminds me a lot of g1 stuff it reminds
me a lot of other you know other transformer
stuff or whatever you look at at the art here
in Optimus Prime with Zama and it It's I don't
want to say dirty, but it's more rough looking
at times. It's certainly part of the action shots
When they're moving whereas when Livio does art
his action shots looks like it's almost basically
just like a portrait like Anything from Livio's
stuff could basically be blown up and put in
the museum to be sold. And, before we move on
again too, just with the universe ending, the
IDW universe that is, not ours, not yet's anyway,
the, we're working on it, the... If Trump gets
another term, you know. Oh jeez. Not even Canada
would be safe. The collection of artists they've
found. so we started with guys like EJ Sue and
Added people Nick Roach Alex Milne With me you
mentioned Jack Lawrence. We were about to get
to Chazama And now I feel real bad. I can't remember
name worked with Marguerite Scott Sarah picture
de Roche. There we go all of them just Completely
distinct Scott styles. You're not gonna confuse
one for another But everybody works really well.
There have been so few panels or so few drawings
in this entire run of 13 years that Stick out
as not being great That it's just astounding
to me I can't remember book or a series of books
where the artwork has just been so consistently
great and so consistent consistently distinct
I Mean I've got Punisher books from Who probably
well not probably it's been about the last Wow,
I have the last 18 years of Punisher books and
There are entire runs of art that I just don't
like right This is 13 years and I can't think
of any even during the cost of stuff. The art
wasn't the issue Yeah, it was a story and some
of the characterization so That's one thing that
they're gonna have a real hard time Replicating
the new universe. I mean presumably they'll have
some of the same people if not all but All of
these artists, both on this series and on Lost
Light slash past, present, future, more than
meets the eye kind of thing. Everybody has been
so great. Yes, they've all been different. Even
the stuff that Corinne Howell did on the other
part of the Windblade series. She has a more
cartoony style, is the best way I can put it.
We had talked about it in the Windblade Distance
Stars episode we've done this month. And when
I see her stuff, I'm like, ooh, there's a line...
When it comes to Margaret Scott and her writing
Windblade with Starscream, I fully say that Windblade
and Starscream are an old married couple. They
really are, with the way that she writes them.
And the way that Corrin drew them in that story
was like, there's one point where Rattrap's going
on and on and on... They both turn to him and
simultaneously shut up, Rattrap, because Rattrap
just should not speak that time. And I'm like,
ooh, it's Glimblade in G1 style. That's cool.
Yeah, and her stuff reminds me a lot of Sarah's
in the more sort of cartoony or exaggerated looks,
but both of their stuff work so well with Scott's
writing. that's one thing too they matched the
artists to the writers really well and then there's
some like milne and some of the others that get
to bounce around but yeah yeah it it's very very
cool optimus prime volume one uh for a rating
zero to five let's see um I'm giving it a solid
four. I don't know if that helps you at all I'm
giving it with a four with almost sort of an
asterisk that I feel bad taking anything off
because Everything is so spot -on, but there's
just so much of it Even though off and on it
took me 18 hours to read through the entire volume
Every time I was reading through it. I felt like
I was being Politically preached to maybe I don't
know I don't think that's really what I was feeling
but like I'm like, okay When is something going
to happen when when are we getting to the action
shots? When are we getting to the war the non
-war this the that the actual conflict because
Most of this, and I understand, that's what John's
been writing for X number of years now, and as
I said earlier in this episode, it's basically,
you know, his part was the political part and
the Lost Light was the lost life. So, I still
very much enjoyed it, I just wished it was a
better read, even in trick. I dunno. I'm probably
talking up my ass like I normally do, so. Yeah,
give it a number. You always make me do it. I
did three and a half. Oh, okay That's why I was
explaining the number. Sorry. I fell asleep during
your rant So the next book before we start Jack
Lawrence takes over For it was mostly Alex Milne
who worked heavily on more than meets the eye
Lawrence, when he took over, took an awful lot
of flack online, and I think a lot of it is unjust.
It's people comparing artists. I don't think
that's a good idea. Different styles, et cetera,
et cetera. Having said that though, I will say,
Lawrence, it takes him a couple issues to find
his legs. I think, particularly in trade, I noticed
how much better he got as time went on. and then
reading issue 21 today is art is absolutely perfect
for that but by the end of the trade here it's
fantastic his stuff with Megatron in the functionalist
universe that we'll get into why he's there etc
etc is fantastic and the backgrounds everything
so yeah it took a bit of time i think the work
in issue one and two is not indicative of what
he's capable of or what he's doing by issue five
and six. Right, yeah. And see, I had almost the
opposite effect. While I love Alex Millen's art,
I was like ready for a change on it. I know that's
probably blasphemous, but that's just the way
I know about it. And when I first saw the cover,
of Lost Light number one, issue one, when the
issues were still coming out. I'm like, ooh,
are we going into shattered glass here? Because
Roddy got a repaint, and I'm like, what the hell?
So in terms of the issue, hey, remember back
in Slaughterhouse, the arc before issue, well
actually it's a couple arcs, before... 50 if
more than meets the eye we briefly saw rewinds
memories getting overwritten from a universe
where Megatron was never born and It's a universe
where your alternate modes determines your function
thus the functionalist universe and I found it
interesting that ended that ended up being teased
because in this book So at the end of More Than
Meets the Eye, we had a number of Transformers
rescued by the Necrobot just before the moment
of their death. And they all are awakened when
we open here. And we're told the story kind of
by two new characters, Anode and Lug. And meanwhile,
Ronimus and his... anonymous group are Trying
to transport off of the world to try to get help
and not to mention to get the lost light back
from getaway And they end up in the functionalist
universe, which I didn't think we were ever gonna
see that again I think it's I think it's neat
that we did because I think it's interesting.
It's kind of a It's a this is your life, you
know, it's Jimmy Stewart seeing, you know, what
things were without... It's a wonderful life
without the Christmas connotations or anything.
Yeah, exactly. And the crazy thing is, you know,
when it comes to that movie, I subscribe to Batman's
logic of it. Christmas with the Joker from Batman
the Animated Series. Kevin Conroy says, huh.
It's a wonderful life. I could never get past
the title. Fizzy's never seen it, and that's
how I've always come to be with that. I've seen
the movie because, hello, whatever network it
ends up on, it's just like a Christmas story.
They play it all the friggin' time every year.
So, but you're right, that's essentially what
this is. This is like, hey, this is your life
kind of a thing. And what I love right now in
volume one with... With these characters with
Rodimus and company the whole repaint thing.
I love that because although I've never not liked
a black and blue or black and purple blue Roddy
so But what I think that like we were talking
about One of the other episodes that we did recently
about who main characters are what the main character
would be to follow In this there are so many
to follow. However, what I loved was Rodimus
and Megatron Yeah, their relationship continues
to grow not to mention Megatron and Magnus Yep,
who are also kind of at the heart of this book
and their relationships are completely different
And Yeah, Rodimus is So back when we were doing
50 it commented that I wasn't sure Rodimus was
growing and it was kind of annoying that he was
not He had kind of taken steps backwards as a
character because I mean he tried to use chrome
dome Knowing that it was hurting him to Do what
he was doing I don't want to get back into this
but anyway and As rewind points out to him he's
just an enabler he lets people or helps people
do whatever it is they want to do. And even if
it's something they shouldn't be doing. So, yeah.
In this series, Rodimus gets a lot better, I
found. He was kind of back to himself. He had
kind of learned things. So, yeah. Really, the
book split into two parts. We have Cyclonus.
and Tailgate as well as Brainstorm and Nightbeat
still on Necro World and at the other point we
have Rodimus, Megatron and Magnus as kind of
the main ones although Terminus and Roller are
a little important as well in the functionalist
universe. There is so many things in this that
I absolutely love. This first volume is amazing.
I mean, I know it's James and whatever else,
but the art, the way it's designed, the writing.
The moment where Megatron is in front of Ravage's
grave, that was a nice touching moment in the
beginning of this. And then all, you know, James
has this nice touching moment, goodbye dear friend,
the world is emptier now, but you live on in
its echoes. All of a sudden, Nightbeat punches
out, you know, the flowers, and he and Rung pop
up out of the ground. in terms of remembering
death from the previous issue we also have rung
finally finding out that skids has died after
their sort of awkward goodbye in the previous
one that was also said rung gets a lot to do
in this too so in the functionalist universe
rung is one of the most important characters
because he transforms supposedly into something
useless and in this he's been turned into something
else by the functionalists. I don't want to spoil
everything, go through every beat, but in a lot
of ways, so I mentioned it before, this is it's
a wonderful life for Megatron who gets to see
a universe where he didn't even exist and this
is after multiple issues, actually really an
entire season. of the theme being you reap what
you sow for Megatron and him having a pretty
miserable time here he gets to he kind of gets
to start to do it all over again and that would
end up being the final theme of this issue by
the way because he ends up stuck in the functional
universe functional universe there we go and
gets to restart everything possibly doing it
different who knows maybe we'll find out later
on nudge nudge wink wink but the the way in which
it all happens is interesting there's an awful
lot of political commentary in this specifically
towards Brexit and also a bit towards a certain
president I will say, though, that from issue
2 onwards, Rodimus is basically on point with
all of it. As I'm reading this, I stopped almost
every single panel and just screenshotted Rodimus
and put it on the full -bag Facebook page, because,
oh my god, it's just so funny. And so for the
other character beats we have here... So first
of all I want to mention that I kind of wish
this had lasted an issue longer in terms of the
trade because actually the next issue is very
much a denouement of all of this but one of the
bigger revelations is that tailgate is going
through spasms when he sleeps and cyclonus has
been keeping him from killing himself unbeknownst
to tailgate but Which eventually basically nearly
destroys Cyclonus. Yeah, it's tearing Cyclonus
apart, literally, and killing him. And Wurl,
seeing that the two of them never talk to each
other, Wurl decides to just tell Tailgate all
this. And we can see the fallout of that in the
next issue. I kind of wish it had been included
here. Yeah, that should have been included here.
Because of the split, that just sort of peters
out. But that's one of the major storylines going
on. The other major storyline I alluded to or
mentioned is, in the end, Terminus tricks Megatron
and gives Megatron the chance he's seemingly
always wanted, which is to live his life over
again or start the Decepticons over again. Possibly
not as the Decepticons, we'll be curious to see.
Nudge nudge, wink wink. We'll find out and The
other thing one I found interesting so I mentioned
before was we start through the eyes of two new
characters. I know it in love I know it is messed
up and Due to some guilt and personal trauma
We discover something. I don't want to spoil.
That's good She's messed up and her Annoying
this and that sort of thing is deliberate and
it's also a front for the fact that she's suffering
some pretty severe PTSD One thing the transformers
more than meets the eye and lost lights have
not Shied away from his discussions on mental
illness and there's another solid one here So
yeah, that's the kind of other big I'd say storyline
going on I love in issue five where Mike Beat
essentially psychologizes Rung, basically plays
doctor for Rung, because Rung doesn't have his
job anymore. He hadn't been a psychologist in
a while. He resigned and Rung's hurting because
his best friend just died. His last words to
him were just kind of, eh. See you around, huh?
Yeah, eyebrows. And that's it. So he's dead.
Rung's feeling pretty useless at this point.
He's lost his job and everything else. Again,
wish the next issue had been included, because
in the denouement, he gets told the story of
the Rung from the Functionist universe. And so
yeah, that gets closed off in the next issue.
It's one of those things that some normal story
arcs are six issues and then they start the next
one. For whatever reason, Robert's decided this
would essentially be a seven issue arc and not
including the last part gives some of this some
weird feels to it. I'm also not helped by having
being up to date either. So if anyone's listening
to this and they haven't read these series, first
of all, for the love of God, read the IDW Transformers
stuff. It's fantastic. Read the Furman stuff
so you get the basis of the universe. Then skip
All Hail Megatron. Then never read any of the
Mike Kosta stuff. However, if you can get a hold
of it, just find it online or buy the issue from
Comixology. Read the stuff that's co -written
by Roberts because it's the basis for Last Stand
of the Wreckers and everything after. Then just
jump right in with Last Stand. Go buy that trade.
It's amazing. Quite possibly the best single
Transformers trade. It's definitely up there.
You could actually, I think as of this month,
as of August 2018, I think you can actually get
the Wrecker's Saga in trade, because I remember
seeing this a few months ago. Oh, that's a good
deal. The Wrecker's books are fantastic. The
Last Stand Sins and the One -Shot Requiem. Requiem
is such a feel -good story. Everybody gets a
happy ending and all the Wrecker's are... They
hold hands and everyone's happy The other moment
in this that I absolutely love is first of all
I have to say I Don't know because I haven't
been really reading this stuff as it's happened
has roller been around for a while now Or is
he just here now? No rollers have been in a lot
of flashbacks and the speculation forever was
that roller was tarn Remember that part. Yes,
I know so Tarn was actually glitch who we also
saw in a number of flashbacks It should be noted
that glitch is one of the person one of the people
listening to Megatron in the other universe At
the end, so I'm legitimately curious if we're
gonna see Tarn again, but anyway This is the
first time, by the way, that Roller's been brought
to the present. We've seen him a ton in flashbacks.
He's been mentioned. He was mentioned a lot before
he was finally shown. Does he actually have anything
to say or lines in the past? Yes. And in fact,
he appeared in More Than Meets the Eye when Rodimus
and Co. went back in time to save, to eventually
save Megatron and prevent the functionalist universe.
Remember it was up or I'm sorry Orion Axe and
Roller and his team That's right. I remember
that now. Okay. The reason why I said that is
because I asked that is because the moment that
Megatron have in this I love that Where you know,
he's like, oh when during the battle Whatever
you want to call it the skirmish or whatever
and Megatron's giving all these orders and Roller's
like, you kind of remind me of someone I used
to know. I think you met him once, Orion, Optimus
Prime. Like that to me just like Megatron basically
taking that, which it is a compliment. The thing
that is, folks, we grew up with 84. We grew up
with the G1 Transformers. We grew up with Optimus
Prime and Megatron basically being enemies. Not
necessarily hating each other, but being enemies.
This whole brotherhood thing didn't start until
the last 12 or so years or whatever. So seeing
that and just going back to when I was a kid
and thinking about all of it, I'm like, oh wow,
that's really cool. That's a nice moment. for
Megatron in this and the ending is also a nice
moment for him too because we all know who it
is that's responding to him and he'll get the
chance to be in one of the things that happened
in the series where they went back in time again
was Megatron had the conversation with Orion
Pax and Megatron has done all of these horrible
things and Orion has just met the Megatron of
the past before he's done all that and there's
very much a sense that they should have been
friends but obviously couldn't because they ended
up diametrically opposed so yeah it works here
it their conversation in that was fantastic where
Optimus said there would always be a place for
him if he can find his way. Yeah, the way this
ends is just leaves you on such a cool cliffhanger
that, you know, when we get to Volume 2 later
this month, we'll be like, oh hey, so that's
what that was, or whatever, that's how that was
supposed to do. The alternate covers for this
trade for these issues. I have two favorites.
The one by, and I'm gonna butcher the hell out
of this name, folks. Sajid Sahi? I could be,
I'm proud. It's the Rodimus and Megatron one
where Megatron is standing behind Rodimus and
firing his fusion cannon. I love that. I think
that's a great cover. The fact that Timothy Lim
basically repurposed the transformers the movie
poster to be transformers the lost light oh my
god i want that framed it on my wall that's amazing
that is super nice like if there was a print
of that anywhere outside of you know this this
trade or whatever they actually covered that
issue like i would love that i absolutely love
that is so i like most of the you know most of
i like all of the Covers for this the final one
of Megatron and surrounded by or punching at
all of the functionalists do is a personal favorite
I Love the again as I said, this is basically
Megatron and Rodimus story for me the one by
Nelson Daniel, which is Rodimus and Megatron
in robot mode in the background there. And then
there are alt modes where basically Rodimus is
chasing, or they're racing, chasing after him.
I love that. The one that Joanna Lafuente did
of, I assume it's Rodimus, it looks like him,
but it basically, he's looking at, he's looking
out at the world there. I'm like, Ooh, I can
put that in the Optimus one from Optimus Prime
together. And it would be like this big thing
of Optimus and Rotomus. That would be cool. But
no, this was super fun. I really dug this story.
Yeah, I enjoyed it quite a bit. It's weird for
me because in the end I'm actually gonna... So
I'm giving it a 4 out of 5. And I'm actually
gonna say it's down a bit from a lot of the best
of More Than Meets the Eye. But it's also sort
of a restart, and this is the beginning of Season
3, and it felt like everybody, Roberts included,
is just kind of finding their voice again. And
it's still quite good. I still enjoy it a lot.
And just... It's not as... It's close... It's
just not as even or it's not, I guess I'd say,
as some of his other works. Also, I mean, I'm
putting it up against his work has been near
perfect since, gee, I don't know, since he started.
Why is Robert's calling you? That is my phone.
And it's nine inch nails. So in my continuing,
that's Trent Reznor. James Roberts heard this
podcast. We're not even live. We're recording
this He's like I'm gonna call that Canadian guy
cuz he shouldn't be saying negative I gave him
an out of eight out of ten and yeah and said
it was down for him It's still really good it's
just the watermark just continues to be ridiculously
high for this series. And it's almost unfortunate
to have to rate it against itself. Yeah. Yeah.
See, here's the thing. Like, this is the third
season of his story. This is the quote unquote
final season of his story, because with the universe
ending, he actually gets to put an end on his
story. And who knows? I mean, with how talented
James Roberts is, He can go on to do anything.
It doesn't matter where he goes. If he stays
at IDW, great! We'll have another story with
him on whatever. It doesn't necessarily have
to be Transformers. He can go to Marvel, he can
go to DC, he can go wherever he wants. I'd love
to see him with really any superhero comic. Even
if it's just a one -shot or couple issue arc
or something like that. I just... would really
like to see it. I want to see him try something
different. I think he's more than versatile enough.
Oh, absolutely. Now my phone's playing Breaking
Bad. Why can't I get through? Why is Andrew text
messaging you? Now it's not him this time. So
why is it only during Full Bag episodes when
the phone goes off? I don't know. I'm not sure.
It never goes off when we record anything else.
Yeah. If this was a Mayhem Mikes episode, I'd
be like, why is an instant man calling you? For
me, I'm going to give it a four and a half. I
was thoroughly enriched with this story. I love
the art. Jack Lawrence is doing great things
with these characters. I love his Megatron. I
love his Rodimus. The only thing I'll say about
James's writing, it has nothing to do with flashbacks
or any of that kind of stuff or anything. This
is a full -on character book and there are so
many characters in this it's hard to follow some
of them Some of them not all of them part of
it too is the way you're reading it I'm so if
I was loaning this out to somebody I tell them
to just kind of stick with it right like just
keep Reading it start to finish and we'll have
that option again because the universe is actually
ending. Yeah, it's nice In your case, you're
you know, the last time you read more than meets
the eye With a lot of these characters. Yeah,
but that was what when did we record that? It
was a year ago. So that makes it more difficult
and even reading it month to month because The
focus shifts on characters often enough. I think
it's just easier to read in trade Or easier to
read when you've got everything there. It is
easier to read it, and like I said, I enjoyed
Lost Light Volume 1 more than I enjoyed Optimus
Prime Volume 1. However, there are just like
certain characters, like how we often say, oh,
WWE could have cut out the first hour and a half
of Raw, and it would have been fine. We wouldn't
have like, cut out all the unimportant - I'm
not saying the story here, any of the bits are
unimportant. The stuff with, uh, Adnode and all
that, that's important, but like, for me, I'm
more interested in what's going on with like,
Rodimus and Megatron, or Rung and Nightbeat,
or Cyclonus and Tailgate. I didn't really care
all that much for Adnode or whatever. That one
character was wonk, and all that. But yeah, still
four and a half out of five. I very much enjoyed
this I can't wait to read more of it and you
guys will hear us the next time When we do volume
two for each of these series in a couple of weeks
We do episode 323 we're gonna take a quick break
and we're gonna come back and talk about some
of the solicitations coming up for This series
and others will be back after this. I thought
you were made of sterner stuff. Springer here
and you are listening to all things Transformers.
Such heroic nonsense. We are back and to close
it out we're going to be talking about the IDW
publishing October 2018 solicitations. We're
going to start with Star Trek versus Transformers
number two of four. John Barber, Mike Johnson
on writing, Philip Murphy on art. The Enterprise
is burning, brought down by the united forces
of the Klingons and Decepticons. Captain Kirk
and Optimus Prime have a plan to strike back,
but can they bring their scattered Starfleet
crew and the Autobots together before Megatron
wipes them out? This no -holds -barred Saturday
morning mashup continues. So that's gonna be
interesting. I will say, full on, spoilers for
everybody right now, so if you don't want to
hear this, press pause, turn it off, whatever.
Transformers Unicron, number six of six. Barber
on writing, malign, mill on art. Earth War, with
Unicron's ultimate goal revealed, the shaky alliance
of Autobots and Decepticons is all that stands
between Earth... and the Planet Eater. Heroes
will rise and fall as Optimus Prime journeys
into the dark heart of Unicron for the final
confrontation with evil. At stake, the soul of
a universe. Bullet points for this is, this is
it, the end of an era, finishing off 13 years
worth of continuity with a bang. Double -sized
story for the ages. Don't miss the cover by the
man who introduced the IDW Age of Transformers,
E .J. Su. So, I'd like to point out the solicitation
contains absolutely nothing that we haven't seen.
I mean, he literally went into Unicron to explore
him in issue 2 that you mentioned you'd read.
Yeah, I know. And I'm just saying, I haven't
read over these solicitations, so I don't know
if there are going to be spoilers. That's why
I put that out there. Trust me, there's none
in the next one, too. Lost Light? Yep. Lost light
number 25 more than met the eye The quest is
over the dust is settled and everything has changed
forever But before the fun farewells before the
parting of ways before the unkept promises to
stay in touch There's time surely there's time
for one last drink. Oh, of course. There's no
spoilers there. They're all drunk robots. Hello
the finale the main cover I think it's cover
a Anyway, the cover of the Shadow of the Lost
Light following Rodimus, and it has a bunch of
the items from different points of the series.
It's fantastic. Yeah, it is. And the little items,
if you can name where they're from or which issue
or that kind of thing. That's impressive. I can,
but I love the series. Yeah, it's so good. So
yeah, that's also an extra long issue. Basically
all of - Unicron, Lost Light, and Optimus Prime
are all extra long final issues. Optimus Prime
25, Barbara, and Zama. End of the road. The battle
is over. Heroes of fallen worlds have died. Now
Optimus Prime faces his final ordeal as past,
present, and future collide. Do we stand with
him? And when it's all over, who will carry the
mantle of prime? So I'm hoping it's kind of a
denouement of the series and an end, or at least
I hope they get to do something sort of after
Unicron, even if it's just an issue. Yeah. I
think this is like part of the bullet notes here,
it says it ties into the Unicron event, part
of the summer of Transformers, all building up
to the end of the universe as we know it. And
now all I can think of is that R .A .M. song.
But yeah. One is the end of the universe. As
we know it. Yes. But yeah, I'm super stoked to
see what happens. I'm cautiously optimistic on
whatever that comes next, whether it's something
in this or something that's new, different, whatever.
Who knows? It's a long road ahead of us. Alright
folks, where can the people find you online sir
at nightbeat on Twitter? Ask me transformers
questions. Ask me wrestling questions. Ask me
why I do this podcast. I don't know What it's
not my sparkling personality Wow already then
All right, I am at TF2 and Mike on Twitter You
can also follow at the pull bag and at the cast
radio on Twitter. Check us out on Facebook as
well Coming up next week. I know one host is
joining me I don't know if the other one is or
not yet because we haven't really talked about
it, but Next week in issue episode 321. It's
gonna be lady wreck and myself talking about
Requiem for the record so If Ryan wants to be
on that, he can since he was on Sins, but...
So there's that. Alright, so in the finale, Overlord
throws a party for everyone, and they all hug
it out. Alrighty then. We're gonna get the heck
out of here. Make your greatest game to come,
so we will catch you next time here inside the
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