GeekCast Radio
Interview with Tony Wolf on Tales From The Wolf

About this Episode
Hey, this is Joe Sanfilippo. You're listening
to the Geekcast Radio Network. You're listening
to the Geekcast Radio Network. Unleash the geek
in you! So this is episode 313. This will be
the final episode of 2022. Happy New Year to
everybody going into 2023. And after this episode,
GCR is probably going to take a couple of months
off. I don't know yet. I have a plan for 314.
So we'll see what happens. It's going to be a
real job, y 'all. Anyway, on with the show. This
is geek cast radio episode 312 I'm of course
TF2 on Mike and joining me for the first time
in a long time actually I've listened to this
guy on a Previous podcast he used to do called
the action room. I've actually wanted to record
with him for years now He has a new book coming
out a new graphic novel that we will be talking
about but it is none other than Mr. Tony wolf.
Hi, Tony. How are you? Hey, Mike, how are you?
Very glad to be here, especially after all these
years of being connected. Yes, exactly. Thank
you. Thank you for having me. Absolutely. Absolutely.
I guess we can call it the inaction room now.
Right. Yeah. We defunct room, but we had a great
time doing that show. We did the show for four
years. I believe this was the podcast we did
called The Action Room. Yep. And that's how you
and I first got connected, right, on Twitter?
Yeah, because I was listening to it and you guys
probably gave out your Twitter handles and we've
just kind of been following each other ever since.
Totally. Absolutely. We're at the end of 2022,
going into the beginning of 2023, and we're going
to be talking about The Tales of the Wolf, which
is your new graphic novel. Yes, thanks. So this
is a collection. Of all my comics most of which
are auto bio some of which are like history comics.
And a lot of these comics have been only web
comics so many of them have never before ever
appeared in print. Right i wanted to do a collection
for for a while. And finally the the stars aligned
at first you know i wanted to do a collection.
But I said to myself, I won't do a collection
until I have enough stories that, you know, that
it would that would justify a collection. So
it's a collection of short stories. And now the
book is 225 pages of stuff. I've did I've done
I've written and drawn four stories for The New
York Times that are comics for The New York Times.
Once in a while, they will run comics. They just
need to be almost like a newspaper article in
comic form. Yep. And yeah, it's a whole lot of
stuff. There's a lot of comics, autobiographical
stories from when I lived in Brooklyn. I lived
in Greenpoint, Brooklyn for 22 years. And there's
just so many stories from anthologies, one -offs.
And I wanted to put a back matter section in
because I always like when a book has back matter.
illustrations that aren't stories or sketchbook
material and all that kind of stuff. I don't
mind if back matter is like you're saying, like
either the sketches of the covers or alternate
covers or whatever. But I'm just going to call
them out because they, I know both companies
do this a lot, but DC is the one that I read
the most that they will put backup stories in
to their books. And I'm like, I want, okay, you
gave me, let's say, 20 something pages of what
the story was supposed to be for whatever issue
it is. And then you want me to read this completely
separate thing in the same, don't do that. I'm
not a fan of, of having backup stories, but I
don't, I love, that's why I love trade paperbacks
because in trade paperbacks, they will throw
in every, you know, most places will throw in
almost every behind the scenes thing you can
think of from alternate covers or other covers
or exclusive, you know, covers or sketches. sketches
or drawings or how the covers are made or letters
from the the creators and things like that so
i love that kind of stuff yeah i always think
that stuff is a lot of fun the back matter and
so i wanted to really play with it and have fun
since the whole story i'm like this indy comics
guy this is the whole book is this indy comics
thing i also threw in and i like when books do
this i threw in some childhood artwork Right
for a kid. I always got to get out of it when
like Alex Ross would show his childhood drawings,
you know. So we have I didn't want to put too
much childhood artwork in there because I didn't
want it. I thought that would be too self -indulgent,
but there's a couple of things in there. Yep.
Yeah, it's a lot of cool stuff. And like I said,
folks, I've read most of this. What I have read
is a. Not completely finished version, because
apparently. Somebody at the printers stopped
the printer or something Yeah, so we had we had
some printer delays But what you have is the
like if if we did 7 .0 versions drafts you have
version 5 .0 or no you have version 6 .0 and
PDF We just we made like I gave Mike a PDF preview.
We just made a bunch of changes, you know to
tighten things up In the final and because we
were sort of in a rush to get it to the printer
because the printer might have had delays and
such We didn't do the the publisher whose name
is Eli Schwab of cosmic lion productions He has
a PDF of the truly final version, but we were
sort of you know We wanted to send it off real
quick, so I don't have a PDF of that I could
certainly get it from him, but I figured for
the purposes of you know for the show It's okay
if you have the 92 % completed version. Yeah.
And I only read up to like page 78 or seven.
Like I've read just past the McRib story, which
we will talk about in a minute, but I'm going
through. So what I do is when people send me
PDFs, yes, when I'm reading the PDF, I will read
it in read mode or whatever else. But I also
extract it and turn the things into separate
images. separate separate JPEG so I can just
look at it that way. And I'm looking at some
of this back art and I'm like, okay, how much
do I have to pay you to get a full version of
this Knight Rider image? It was just it was a
sketchbook thing for fun. I'll send you one for
free, man. That's that's easy. Oh my God, you
have no idea. And I'm gonna help. I guess people
just don't pay attention to me, but I have been
a Knight Rider fan since I was, I don't know,
four years old. Oh wow. Okay. Oh yeah. And it's,
yeah, absolutely. I met the man when I was six
years old. There's a famous picture. Yeah. There's
a, I'll have to tag you in the picture on Facebook.
Yeah. Yeah. There's a picture of him and me.
And so because I have cerebral palsy on my right
side, the picture is us. with the thumbs up in
our left hands. And he is basically putting his
hand over my right hand that has the brace. Oh
my God. It was like freaking just dream come
true meeting David Hasselhoff in his prime. So
anytime, yeah. Anytime I see any Knight Rider
stuff, I'm like, Hey, I know that. Yeah, Knight
Rider was really fun. I actually You know, there's
so many TV networks now that replay old reruns.
And I was flipping around like two weeks ago
and I saw a Knight Rider episode and I'm watching
it for like 20 minutes and it's Gina Davis in
the episode. It's a very young, super young Gina
Davis as a guest star. Do you know that episode?
Oh, yeah. I don't. Yeah. Kat burglar or something.
Yes, yes. Oh, yes, that's the is that the episode
where her father was was Jaime from gets a dick
got a might be might be. Yeah. So yeah, I know
which episode you're talking about. It was wild.
I was like, Oh, my gosh, this is Gina Davis before
anyone knew who Gina Davis was really, you know?
Yeah. I just watched this the other day as an
old clip, because I'm subscribed to the Johnny
Carson Tonight Show YouTube channel or whatever,
and they put an old clip. So it was an old interview
right before I forget which movie she had coming
out, but it was like an old interview, like a
really old interview with a young Sally Field.
And Sally Field has pretty much looked the same
age. Yes, you know since Forrest Gump kind of
thing, you know, so But I saw that I'm like,
oh my god, I have never seen this. This is amazing
This is this is random. But do you know who Bruno
Kirby is the actor? I think I've heard the name
but I'm not sure He was a character actor in
tons of stuff. He was in city slickers most notably
But he's in everything anyway, Bruno Kirby I
was flipping through again randomly these old
channel networks, and there was an episode of
Columbo with Patrick McGuinn, who's the prisoner,
if you know that kind of world, and Secret Agent
Man. But anyway, a very, very young Bruno Kirby
is in it with a pretty big part as a military
cadet. And I was like, oh my God, Bruno Kirby
was a big like 80s star primarily, 80s films.
Anyway, it was just so funny when you see these
You know network shows from the 70s and you see
a baby version of of someone we know now Yeah,
absolutely, it's it's so so crazy And you said
you have it you have a story about The death
of Jason Todd the phone death of Jason Todd you
voted to kill him One of the things in this book,
Tales from the Wolf, is a comic book story about
my experience voting to kill Jason Todd. But
did you vote to have him live? No, that's the
thing. I was eight years old. I was more of a
cartoon kid than a comic kid. It had no consequence
on me. And plus, at that time, it was 1 -900.
And anything 1 -900 was forbidden. Yes. Until
they, until they changed it to be an 800 number,
but yeah, no, I, no, I, and that's the thing.
That's part of the write -up that I did for,
for the website where it's like, the title is
I never cared about Jason Todd until now. And
then the until now part is because Sean Gordon
Murphy is writing his white night universe over
at DC and he, yeah. So he has. Basically he accidentally
mixed up the Robbins. So in his universe, Jason
was first. Dick was second. So yeah, it's been,
you know, that as far as, you know, that, that,
that kind of thing. So it's like, Oh, you voted
to kill him. And I just had no, I had nothing
on it. Yup. And I see you started a discussion
on Twitter about. You know, people sharing their
memories of the death. Yeah. So I did that before.
Yeah. Before I, I wrote up the little blurb that
I wrote up for the article. I was like, I want
to get people's opinions on what happened because
I, like I said, I had no knowledge of it. Right.
Wasn't, wasn't anywhere. I was eight years old
at in 1988. I was more interested in the turtles
than anything else. Totally. That makes sense.
Yeah. You know, so. I don't know. So, did you
always want to be an actor? Was that your ultimate
goal when you were a kid? What did you want to
be when Tiny Tony was a kid? I'm a weird mix.
I didn't really know what I wanted to be necessarily
when I was a kid. I was very into drawing. I
was very into writing my own comics. I think
from a pretty young age, I kind of... I kind
of mostly wanted to be an illustrator or an artist.
But at the same time, I was a huge, as many of
us are right, a huge pop culture fan, TV, movies,
music, everything. And deep down, I kind of always,
I kind of wanted to be an actor, but it seems
so unlikely that I just didn't. Really admit
that to myself fully like it was a fantasy that
just seemed too unreal I'd read any I read a
I heard an interview with Bob Odenkirk recently
and he said something similar like in his childhood
It just didn't seem like it was a real job. Like
it did not compute like how do people get to
be actors? But another thing that was an influence
I think on me my dad was a professional voiceover
actor for a while in the 80s That was not his,
he was not a lifelong actor, but my father has
a voice that sounds like this. And everything
he said is like, it's effortless. For me, I have
to put a little effort in to drop my voice that
low. But my father, whose name is Bob Wolf, he
just sounds like this. And at the time, that
was really the hot voiceover style. So my dad
was a salesman who worked in the medical field,
but he eventually started doing voiceovers because
people... Like said you got to go do voiceovers.
You have a good voice for this and so about for
about five years he did voiceovers and he did
a few commercials that were kind of big and and
I think that That definitely like made an impression
on me, you know I was like my dad seems to be
doing these voiceovers and that was kind of acting
right, but but I was also an enormous fan of
any Geeky TV and movies at all. So But in my
teenage years, I really wanted to be an illustrator.
And in my teenage years, I was like, I'm going
to be an artist for Marvel or DC. That was my
goal. And I thought that the acting, which I
was increasingly doing in high school, junior
high school and high school, I was singing, I
was acting, I thought, well, the acting stuff
is just for fun. I really want to be an illustrator.
And so I was, you've heard of this, there was
the official Marvel tryout book. Have you heard
of that? Yeah, I remember. So I got that I tried
drawing a story and it pretty much sucked and
I think I knew it sucked at the time and But
I was very I would read all these interviews
in magazines like amazing heroes or the comics
journal Anytime I could read an interview about
how the comics were made I would devour all of
those and I would read John Byrne talking about
his plans and how he wrote and drew And I was
like that's gonna be me. I'm gonna be writing
and drawing my own stuff And then when I went
to college, I sort of got more into acting and
fell a little bit out of love with the idea of
being an illustrator. The main thing is drawing
is very solitary. It's just like, I'm sure with
your work, right? I mean, you do archiving podcasts
and editing podcasts. It's just you. So it can,
it can sometimes feel a little bit isolating.
Have you ever experienced that or? For me, it's
more about, so I'm just over my 14th anniversary
of podcasting. By the time this comes out at
the end of the year, 2022, I celebrated that
on December 12th. Thank you. Thank you. And you
know, I, that's what I do. I don't have like,
because of my, because of my disabilities, because
of things in my life that I can't control anymore.
I never had control of them in the first place.
It's kind of hard to, you know, do a nine to
five when you can't even really use your right
hand kind of, you know, kind of thing. So it's
like. What am i gonna do well okay i've got my
left hand i've got my voice i've got my ears
i kind of have my eyes because i'm legally blind
but it's like you know whatever yes that's great
yeah i have all the time in the world even though
it kills me sometimes when i'm editing podcasts
when i like if i have to edit something that's
two or three hours long which we rarely do those
shows but like you know when we do those shows
i'm sitting here like. And now I'm like starting
to break it up. Okay. I'll edit an hour here.
I'll take a break. I'll come back an hour later,
edit the next day, you know, whatever. But normally
I'm sitting here, you know, 11, 12 hours a day.
Editing or recording or plant. Like I said, I
am a podcast machine. I, it is what I do. And
yeah, you're right. It is very, it is very solitary
in the fact that. I'm listening back to conversations.
I just had because I want to make sure that those
conversations Can sound the best that I can get
them to sound like I don't want exactly because
you have that you have that dedication to quality
and that drive and Yeah, and working by yourself,
it's it's it's a mix right a lot of time It's
really fun to just zone out put on some music
or whatever you do and just focus on the task,
right? Yep. And it's just one of those things
where for me, it's a little different now because,
you know, for four and a half years, my even
though she's no longer here, my lovely wife and
I, you know, we found this balance of like she
knew I was a podcaster. She knew I spent all
of my time pretty much doing this, but I found
a way and we found a way to where. Like if she
wanted to take a nap or if she was like she she
was in accounting She was in bookkeeping and
things like that. So she had a nine -to -five
job kind of thing So like whenever she wasn't
home I could plan I could record during the day
or I could do this whatever if I needed to record
at night as long as we we found that time balance
of Between the times that I'm doing the podcast
stuff versus the time that we spent together
and now that she's no longer here I'm like And
this is an explicit podcast. Not that I'm going
to curse all the time, but it's just an emotional
point in the thing where it's like, I'm at a
point where, Oh fuck, what am I going to do with
all this time? Like I don't have that time split
anymore. I don't have, like, I don't have that
thing where I'm like, okay, I'm at a great place
in the podcast. Like I'm at the, the ad section
or whatever, where I insert other podcast ads
from other shows and whatever, where I could
save that. get up, go see her, go to lunch or
go to the like, I don't have that anymore. So
it's like, this is what I do. And I try to do
it the best I can. Yeah, I'm sorry. I'm so sorry
about me. We're here to talk about you. Well,
I applaud you for, like you said, you this is
what you do. You're you're working hard at it.
You craft it to make it the best it can be, you
know. Yep. So so pretty much all you can do.
Yeah, that's all any of us can do. We just do
as much as we can, the best we can. So the long
story short is that I started to get a little
more into acting and a little bit less into wanting
to draw all the time. And so also the other thing
about illustration, I can draw decently, but
man, compared to the masters or the people that
are working at DC and Marvel on a regular basis,
I feel like I'm an amateur. You have to be able
to draw almost anything from almost any angle.
You know what I mean? If the writer writes a
crazy scene with all these different things,
you have to execute that. And what I found when
I started doing my own comics, I have a sort
of a built -in crutch or a trick, if you will.
If you write the stories, like I do most of my
stories, You can write to your strength as an
artist you don't mean like i know i'm not great
at drawing cars so you don't see a lot of cars
in my store. I just you know i think a lot of
people you wanna be a rock star you wanna be
a baseball player or. I think sometimes when
people hit college they they start to realize
alright maybe i'm not quite good enough to do
this. You know. At the professional level right
now or maybe I don't want it bad enough I do
I think if I had gone to an art school and solely
if I had doubled down on uh on drawing And just
said i'm gonna be an artist. That's it. I'm making
the decision I think I've had if I had gone to
art school I would have maybe been competent
enough or skilled enough to maybe have a shot
in comics professionally but You know when acting
you you use your body and your voice which already
exist and you use Like it's almost like self
-expression with your body and your voice but
withdrawing You have to create a whole world
on the paper And you have to be able to draw
things like I said from any angle all kinds of
scenes and situations and keep it interesting
and I just thought I want to use the instrument
I have, my body, my voice, and the drawing I'll
just do for fun. So it kind of flipped. In teenage
years, I thought I'm going to be a professional
illustrator for comics and the acting is for
fun. And when I went to college, it was like
the drawing is for fun and I'm going to try to
make a go of it as an actor. And essentially,
my 20s and 30s, I did a lot of acting, theater,
small, tiny film commercials. And by the time
I had 40, I was like, well, I'm not I'm not like
a full time working actor. I'm not massively
successful or anything by age 40. And so I started
to look at doing comics again, maybe just as
a passion project. Right. And so I'm 51 now.
Age 40 is when I was like, all right, time to
do some comics, because I also had free time.
Right. I was single. I wasn't getting lots of
acting jobs. So I had some free time and I thought,
well, I can use the free time at least trying
to write and draw some short stories. So that
was, that was the evolution. Yeah. And it's,
it's a great, so like we said in the beginning
of this folks, you know, part of this is, is
Tony's green point of view series where he's
talking about living in green point and it's.
It's a memoir. It's, you know, your your life
story. It's your trip to work, which, holy crap,
you worked in the World Trade Center. Yeah. So
with a lot of these auto bio stories, right.
I've been reading auto bio comics for many years.
I think seventh grade was when I discovered Harvey
Picard, Dean Haspiel, people who are writing
and drawing autobiographical stuff. And so when
I set out to do my stories, I was like, all right,
I've already read so many of these. Right. Just
like if you were to write superhero stories,
you'd be like, I've read 20 years of superhero
stories. I tried to write stuff that was hopefully
trying to be unique. Like most auto bio stories
I joke were about, like, how I couldn't get a
girlfriend or, you know, and and I had I couldn't
get a girlfriend for the longest time and I had
dating problems and, you know, it was, you know,
But I thought, I've already read the girlfriend
dating stories. So I made a concern, even though
I was single and I was having those same problems,
right? I was like, I'm going to not do that.
I don't want to lean on that. We've already read
a million like depressed artists, depressed dating
stories or unless I had a great funny dating
story, which I thought was unique, which I didn't.
I tried to do other stories. So one of these
stories. Is about getting a ticket from police
at two in the morning on a subway in Manhattan?
Because I put my feet up on a totally empty car
So and I thought all right what happened in that
event in my life Was it was a funny story like
I would tell it at parties and it would it would
get a good response So my litmus test was if
the story is interesting enough to me that when
I tell it to someone at a party It seems like
they think it's a unique story. That could be
a story for the comics. So I did work at the
World Trade Center in 1999 as a receptionist
at a law firm back when, you know, the World
Trade Center was just a building like any other.
We didn't think there would be some. I mean,
it was cool to go into the building and to be
in that building. And it was obviously, you know,
I had a view from the. from the 40th floor where
I worked of the Statue of Liberty because I was
a receptionist, so I would have this beautiful
view looking over the harbor. Right. Yeah. So
the story is about, you know, fighting a it's
kind of like fighting a silly parking ticket
or something, you know, fighting a subway ticket
that I thought was a little ridiculous. But I
thought the fact that I worked at the World Trade
Center, I thought that would be an element in
the story that I could draw and that I could
include. Sadly, history being what it is now,
then it would give the story an added element,
like a historical element. That's why I was like,
again, it was one thing. I know some things about
you, which we'll talk about in a little while,
but I didn't know everything about your life.
That's the point of this memoir is you're showing
people parts of your life, at least the first,
the Greenpoint stories. I didn't know about this,
so I was like, Holy crap. He worked in the world
trades. Oh boy Yes, we all know what happened
20 years ago and yeah, and I also thought as
a writer I thought it would be interesting to
have a story that has working in the World Trade
Center But the whole story is not about that,
right? No, it's not no like that's that's where
that's your destination but the story is What
happens going to the destination it again? It's
the journey that is the story more so than the
destination. And yeah, man, I thought it might
be interesting because, you know, people who
are actors or people who are artists, they very
often have other jobs. You know, we call our
survival jobs or our day jobs. Right. I mean,
I know there's so many people. There's a really
good writer in comics who's on social media named
Mario, Mario Candelaria. And he's like me. He
works a day job and he writes comics at night
and nights and weekends. And I write and draw
comics on nights and weekends. There's so many
of us like that. So I thought it would also be
interesting to tell like I was I work at a law
firm at this point in my history. I was at a
receptionist at a law firm. I just thought it
would be interesting to include a little of that.
I haven't. Oh, sorry. Go ahead. No, good. I haven't
seen a lot of There's a very small subsection.
There are there are some but there's not a lot
of people who are in comics Trying to be professional
or indie who are also actors. It's kind of a
weird like, you know, there are some There's
a guy named Jeffrey Lewis who's he's not an actor
But he's a pretty you know a somewhat successful
rock musician who also writes and draws his own
autobiocomics And so I was like, I was always
trying to fit into my comics. Like, I'm an actor
also, because I just think it's a weird like
subset, you know, and and through the years gotten
to know, oh, I'm an actor also, and I also do
comics. And then it's like, oh, you found a friend
who also has this weird like subset, you know.
Yeah. And it's one of those things where it's
it's a part of it's two halves of your creativity,
like Yes, I've said before, you know, I'm quote
unquote, just about a year and a half away from
the 30th anniversary of when I started writing
poems when I was 14 in 1994. Oh, wow. That's
really cool. You know, so I started writing poems
in, in middle school when I was 14 and I was
in a bad place at the time with, with, with a
couple of step things going on in my life and
whatever else and, and, and all that. And I just
started, and I, my poetry style is it's not haiku.
It's not this, it's not. I am the cantameter.
It's just basically free verse. If I rhyme, I
rhyme. If I don't, I don't, it's basically just
spoken word, but it's split into like poet, like.
The one thing I got out of learning about how
to write poetry is you, you can either do or
do not do stanzas. So five, 10, 15, whatever.
And you just tell a story, basically short stories
in those five lines of each of the things and
you make it, you know, be whatever. But the writing,
even though I have three books of poetry published,
they were published from 2007 to 2009. I don't
ever really, it doesn't ever really come up because
I never, I didn't know what to do with it back
then. I didn't know how to get off the ground
with it back then, because back then it was,
well, in 99, when I first looked into it, it
was, Hey, we're a subsidy publisher. You pay
us $5 ,000 and we'll do all the work. Like you
don't ever want to go to a subsidy publisher
folks. You don't want to have, you know, no,
no, no, don't do that. I didn't, I didn't know
that was, I didn't know that was called a subsidy
publisher. That's interesting. Well, that's what
it was called at the time. I think that's what
I remember. Uh, I, I'd have to relook up the
definition and whatever else, but you know, so
I'm like, Oh, okay. And I actually just found
I'll have to put it on Twitter or Instagram,
but it's around here somewhere. Well, so I have
two or three of the published books, but I also
have binders and Before the published books happened
in 07 to 09, I did what anyone else used to do
back in the day. You print out a bunch of pieces
of paper, you put them together in the order
you want to put them in. You take them to Kinko's,
you make copies and you put them into the bind.
I have two binders. Yes. Oh, that's awesome.
Just make a bunch of copies and yeah. But like
the writing part of me, even though I've written
articles on the website, whatever else, that's
not who I feel I am. It's still part of my creativity,
but I never really have that. Like in 2019, I
started doing TF2 and Mike 365 where the goal
was from January 1st to December 31st. I was
going to write one blog entry a day. Okay. And
it kind of skipped around. throughout 2019 and
things like that. I didn't actually ever finish
it, but like that was a goal I wanted to set
for myself because I wanted to be able to do
something with writing on our website besides
all the podcasts I do. But basically ever since
December 12th of 2008, I consider myself a podcaster.
I've always been one and since then, and I always
will be one. Do I still consider myself a writer?
Not really. I mean, I guess I am since I am published.
But like, what does that mean? I mean, it doesn't
really like it has like, I don't even think you
can buy the books anymore. Like, I don't even
think they're, you know, but you have copies,
I'm sure. Yeah, I have copies of all three of
them. But like, and that's, and that's great.
That's part of my history. And that's awesome.
But like, I'm not out, I don't even know where,
like, I have this story in my head, and I've
told various people this story. And some, some
people are like, Hmm, that's that that's interesting
or oh my god, don't you dare. So basically what
I want to do is Take the you've seen Tron legacy,
right? You know, it's funny. I've never seen
it Yes, and it doesn't matter if you really have
seen the movie or not, but basically in the movie
when they find Jeff Bridges is Kay, you know
when they find Kevin Flynn and whatever else
and You know, he learned, he learns of wireless
interlinking of digital devices. Oh, we thought
of that in 1982. So my thought for a story is.
Everything that's happened in our history, except
the internet started in 1978. Okay. Our society
be now. Like we all know that the internet has
basically devolved society with social media
and everything else and all this, but like if
we had it. 40 or 50 years ago, where would we
be today? Would we still be where we are kind
of thing? And some people just are like, horrified,
like, oh, Mike, no, don't don't do that. Well,
but it's interesting. It's almost like dystopian
science fiction. You wonder where we would. It
would be interesting to see someone's someone's
creativity about where would we be? Yeah, exactly.
And, you know, with your autobiographical parts
of the comic here, it's like, oh, you know, I
just read, and we'll cover it over on our comic
podcast at some point, I just read Finding Batman
by Kevin Conroy, even though Kevin Conroy passed
away this year. He wrote that story for DC Pride
this year, where he was, you know, talking about
how he came to be the voice of Batman. And that's,
you know, anytime I see these Mostly black and
white stories where it is, you know, the, the
autobiographical stuff. I'm like, Oh, this is
cool. Oh, this is great. This is this. Yeah.
And with your story, like I love how the art
transitions the end of the subway part. And it's
like the, the daily news cops are really ticking
us off. That's a real page from the newspaper.
Oh, that's right. Yeah. Okay, so I thought it
was funny because I had just moved to Brooklyn
after college and I Had been living in Brooklyn
and Greenpoint in that same apartment. I had
been living there about eight months and or maybe
three months and I I had this experience and
I ended up in the newspaper and I thought wow
I'm really gonna be famous because I'm in the
newspaper after only being here for a few months.
And, you know, it didn't turn out quite that
way. But I thought it was so funny that I thought
I have to put this actual news print. I have
to put a Xerox of the Daily News newspaper page.
I have to put that in the comic because I also
like I like when comics occasionally they stick.
They literally cut and paste. like there's a
page from a magazine and they just shove it into
the comic book page itself. I always think that
was funny. And it's such a goofy picture of me
just looking at the camera like, hey guys. So
I had to show the reader that it was a real daily
news page with the date on there visible as well.
Yeah, no, absolutely and you kind of have on
the right side of your head you kind of have
a cross between The Dick Grayson haircut and
the Superman curl Yes, exactly And and so I thought
and what would be funny what would you know,
so I put some hand lettering there You don't
mean like I had some hand lettering on the page
Yeah, just to remind people that it's a comic
book, you know, it's a comic page Yeah, yeah,
it's a it's a comic book page with a newspaper
outline kind of thing and you you lean into it
Very well because on the previous page setting
it up It says the photographer asked to take
a picture of me with my feet stretched out like
they were on the subway He had just come from
taking pictures of JFK jr. Dot dot dot. Oh boy,
and he's a tiny breakfast event what I saw printed
was, and then you have the... Yes. That was my
attempt to have like a page turn reveal, you
know? Yeah, no, it works. It absolutely works.
I mean, because I completely forgot that it was
an actual newspaper clipping that's in a comic
book. I didn't forget that this was a comic.
I forgot that it was an actual newspaper. I'm
like, oh, wow. Tony really went all out on that.
Like, oh, wait, no, he didn't. That's a crazy
dream. And that's also why I hand illustrated
the Daily News logo on that page to try to like,
you know, take the reader between the two worlds.
The funniest thing was, yeah, this guy came to
my house from the newspaper, took pictures of
me. And he had just come from taking pictures
of, like, famous people. And I thought, how silly
is this? Like, you know, he's coming to some
random guy's apartment to take a picture. So
it was just very funny. Anyway, I thought that
photo would I thought that people in Manhattan
would say, look at this guy, he's clearly an
actor. Look at the Superman girl. You got to
give him that. But what were you going to say?
Here's my glam shot. No, and then you go to fight
the ticket and the guy is like, learn to take
a hint, kid. He was done with me 10 minutes ago.
That's like me. I will go on a tirade or a rant
or whatever and I'll just keep talking and talking
and talking and people are like, you should have
shut up like 10 minutes ago. Yes. My wife would
tell you the same thing. that's a trait maybe
maybe it's part of being a geek right we get
very enthusiastic about about our points that
we make yep absolutely and it was very fun by
the way to draw an old tape recorder there's
a scene where i have to draw an old tape recorder
i was like i'm gonna put as much detail into
this old tape recorder as i can and you did i
mean I can almost see, whoa, no, I can see it.
Wow. You know, I'm surprised you're not gonna
get sued by half these companies because I can
see the Panasonic written on there. Well, it's
a story about history, you know, these existed
in history. Yep, exactly. So, but yes, it's a
perfect example of like going on too long and
the other person is like, okay, we get it. Yep.
That missed it. No, that's not mr. Pitt. Oh,
it's dr. Okay What's that? I'm looking at the
soda in the pizza story and I'm trying to figure
out if it's mr. Pibb tab or dr. Pepper. Oh I
I drew a dr. Pepper at one point. It's doc. Oh,
sorry. It's dr. Brown's. It's dr. Brown's black
cherry soda Okay, that's what it is. Are you
familiar with dr. Brown's? No, but The whole,
like the fact that you have a pizzeria story,
my aunt and uncle owned a pizzeria called Pizza
Pantry in Kingston, Massachusetts for about 10
years. And they didn't do the thin crust. They
did the Greek stuff. They did all the thick crust
and the this, that, and the other thing and everything
else. And so I'm reading this and I'm like, oh,
and obviously, you know, you. you have these
things in your life where you know these people
like Carmine and they're from a generation that
just doesn't exist anymore where you put in 16,
17, 18 hours a day, 70, 80, 90 hours a week.
You're there 24 hours a day. Eventually, when
I die, somebody's going to have to take the headphones
off my head because I'll probably die recording
a podcast. Yeah. You know. Oh, totally. Totally.
It's just it's just one of those things. And
this story, man. Oh, it's so good, folks. When
you read, I know we're kind of spoiling the hell
out of most of Tony stories in this book. That's
OK. They're not they're not like twist ending
stories. True. But still, you know. But it's
so cool and so fun to see you put together this
memoir slash homage to things that affected you
in your life. Well, thank you, man. Yeah, it's
very, very awesome. And everyone is going to
want to check out Tales from the Wolf by Tony
Wolf. I know you have some other collaborators,
but I don't have the... title page. So the main
the main collaborator is the colorist who colored
I would say like most of the book goes by Griffin
now like a pen name Griffin like like the mythological
Griffin. Yep. And Griffin is terrific. They colored
so much of the book. And in fact, they colored
so much that I've noted where other people colored
it. It's like all things colored by Griffin except
as otherwise noted. And so that's been terrific.
Great to work with Griffin. And I would provide
a bunch of coloring notes and photo reference.
A lot of the stories did have photo reference.
And then you know, Griffin would would do a draft
of coloring, I would give sort of notes, almost
like a like a film editor and a director, right?
The director passes the footage off to the film
editor and says, Here's what I have in mind,
but see what you come up with. And then the editor
does a first pass. And then the director gives
says, Okay, that's a lock. Let's move on to the
next sequence. So Griffin, and also I don't know
Photoshop very well. I barely know it. Griffin
always helped me make, if I needed to move a
letter, I do all the lettering by hand. But sometimes,
you know, I did a crappy job centering the lettering.
And I would say I'd like this to be a little
more centered. Can you move it over to the left
or the right? And yeah, and Griffin also published
many comics of the first dead robin griffin published
the first edition of it many years ago i wanna
say in twenty fourteen. And griffin also published
a mini comic of the first two green point stories.
So that was really cool and good like i said
a lot of these things have not really been in
print very much so. I'm good to have it forever
well the goal was i really wanted. You know to
have this book and now that i'm fifty one i finally
have a book that is. So many you know two hundred
fifty pages or two hundred twenty five pages.
Everything in one in one paperback i think there's
one short story that i forgot to include. and
that's my own fault and it might be a short story
about um i have to see if it's in the final version
but i did a short story about watching the batman
animated series yes in my apartment and i i there
was one episode that was so cool you know they
would you remember they would the batman animated
series would run at like 10 a .m on a saturday
yep so it was truly saturday morning cartoons
And my roommate was sleeping in the other room
and I would be like, whoa, no way. Oh, that's
so cool. And he came out and was like, hey, man,
I'm trying to get some sleep. All right. Like,
don't talk out loud to the TV. So I just thought
it was funny. Like, that's how into the Batman
animated series I was. Do you remember what episode
it was? Oh, yes. It was the episode called Over
the Edge. where it's all a dream, but they like
kill people. Like, doesn't Barbara Gordon die?
Yep. That's the, in my, I know other people are
going to say, you know, other things, but personally,
my top two favorite episodes and they, depending
on my mood, they will vary between number one
and number two or over the edge and old words,
but over the edge is the one, like you said,
it's where the scarecrow basically makes it look
like they killed Barbara and Jim finds out that
Bruce's Batman, you lied to me all these years.
Oh my gosh. Yes. And we've got, I know that story.
Like, like, I don't even have to watch the episode.
I could synopsize the whole thing. You know,
you got you got Nightwing coming in from Bloodhaven,
you got this going on, that going on. Soon as
Nightwing shows up in the boat and Lauren Lester
opens up his mouth and talks, I'm like, oh, OK,
time to pay attention. Let's go. Yeah. Yes. No,
over the edge is amazing. Absolutely loved that.
I couldn't believe it. And because the show didn't
typically do like dream sequence shows. Right.
I remember going down, I think, too. They did
Perchance to Dream, which is all Bruce's and
Batman's. Like, yes, my father, my this, my that.
And it's a great episode. I'm not trying to take
away from it, but it was that one. And it was
over the edge. I think those are the only two
in Batman, the animated series that they did.
Yes. So at the end of that story, I say in the
comic, I wonder if I'm the only person who like
woke up his roommate because that story blew
my mind so much. I highly doubt it because yeah,
right it's such a mind -blowing story and I love
when There are in anything comics cartoons movie
if there's a mind -blowing part of the story
You're just like slacked like your jaw is on
the floor. Like oh my god And I couldn't believe
the writers, you know until they reveal at the
end that it's it's mostly been a dream I couldn't
believe I just kept thinking They let the writers
do this. The Fox network let the writers put
this on the air. It was Fox. I mean, come on.
Yeah. Well, it's always it's always really impressive
when when a TV show or movie. The characters,
if there's like a simmering tension between people,
suddenly the characters like have it out. You
know what I mean? They they say the dramatic
thing that you thought they would never say or.
whatever the characters biggest insecurity is
they suddenly focus on that and people you know
i that episode was a lot of very gutsy gutsy
moves by the writers you know absolutely well
you know they needed to do something at that
point because that point was it was either i
think it was either the new the the adventures
no it was new adventures it was I forget. So
they had changes. I think that was New Adventures.
Yeah, I think you're right. New Adventures era.
Yeah. And yeah, because it was that styling.
It was the black bat and all that. It was close
to the end of the whatever, the end of the run.
And yes, why not? Why not do a story like that?
Why not do a story exploring what would happen
if Basically basically the distinguished competition
is taking the Marvel route what if Yes, Batman's
identity was compromised or what if Barbara Gordon
got shot and everybody found out Bruce Wayne
was Batman and Batman blah blah blah and Yeah,
no, it's it's it was such a guy. I love that
episode. So good. So yes So that you know, I
think We went through so many revisions of the
book. You know what I mean? It's I don't know
when you when you published your your poetry
Like we went through, you know Just going over
and over the drafts of the the book and what
order should things be in and we tried to have
little little section separators Yeah, like like
trade paperbacks will do that right in between
a story They'll have like a a super enlarged
close -up of a panel And that'll be a section
separator. Yep. So we had a lot of fun, you know,
putting that kind of stuff together for this
book. We tried to class it up. We tried to make
it a little classy. Yeah. The books of poetry
that I did end up publishing most of the poems
like they weren't like I put them. I. I think
I'd have to go grab it and find and look, but
I think they were just in alphabetical order.
Like I don't think there was a specific like
this story has to be this way. This this one
has to come before that. It was just like alphabetical
order. So there was no specific like story. It
was just, you know, do it that way. It's the
easiest way to do it from A to Z. There you go.
Yeah. Yeah. So that's very cool. So we we had
some printer delays. So the book I thought it
would be out by now, but the book is now shipping
to the publisher, and then the publisher will
send it out to various people who ordered it
and such. But I'll get you a physical copy, a
free physical copy, once I have my stash. No,
come on, man. You've read this stuff all these
years. I would like to, I'll definitely send
you that. Awesome, very cool, very cool. And
also, going back to the acting thing, I was,
like most of us were in the beginning, Few years
ago everyone was was obsessed with the blacklist
and Tom and Elizabeth Keene and Red Reddington
and all of that. They were just about to kind
of not really kill the show off, but they were
in a point where it went to a season finale or
whatever it was. And we find out that Femke Jansen
is Tom's mom and or whatever it was. And, and
the next thing, you know, guess what? We're going
to go the lower route and we're going to have
a separate series called the blacklist redemption.
And I'm, I'm following people on Twitter and
I'm looking at my Twitter timeline. All of a
sudden I see. at Tony Wolf in this tweet. Oh,
by the way, I have a very, very small part in
season one, episode one of the Blacklist. I'm
like, wait, what? I know somebody that's in an
NBC show. Holy crap. That's amazing. Well, the
fact that it was fam kid Jensen too. I was like,
of course we remember her as Jean Grey in the
movie. Yep. Yep. And so when I was there filming.
I when I was there filming I hoped I would get
to meet her or briefly you know say hi to her
say quick right hello something but she was uh
I think she was on set but she was not around
when I filmed my scene she might have been off
I think I heard she was in her trailer prepping
for her next scene or something but I remember
thinking like uh wouldn't it be great to at least
like get a picture or meet her or something but
but that didn't work out now the guy who was
the lead Redemption blacklist redemption the
guy who plays Tom he's now the lead on that show
new Amsterdam yeah. So it was just funny he was
super nice he was very polite he was very friendly
he also was all business cuz he had you know
he's the lead of the show so he was like working
hard on his scene in his bed but he was super
friendly and very nice and it's cool to see that
he has his own other show now. Absolutely. And
a friend of mine, a friend of mine just shot
this guy named Rob Figueroa just shot a nice
scene as a surgeon on New Amsterdam. And I don't
know, I don't think he I don't think he was in
the scene with the Tom actor. And I'll have to
ask him that actor's name, by the way, who played
Tom is Ryan Eggold. Yep. Yep. But yeah, it was
really fun to do. But it was fun. When you when
you do acting jobs, you get what's called a call
sheet. And the call sheet is for the crew. And
it's all the listings of the actors who will
be there that day. And every member of the crew,
right, lighting, sound, costume, the doctor,
if someone gets hurt, there's a doctor always
on call. And so I have a call sheet with my name
is like four names under Famke Jansons. And I
was like, that's amazing. That's awesome. There's
some other like big deal person to who is in
that episode. Anyway, it was a lot of fun. It
was a little, you know, when you're an actor
also, sometimes your stuff gets cut or sometimes
it gets cut down shorter than you expected due
to the editing. Right. Yeah. And you know that
as a podcast editor, right? You can't include
everything you have to cut stuff sometimes. Well
more so I cut around like if I screw up or or
whatever or if there's you know If we need to
take breaks or that kind of thing, you know You
always cut around that stuff because nobody needs
to hear any of that kind of stuff Yeah, nobody
needs to hear dead air. Like I mean, I know podcasting
is not radio But dead air is still dead air and
nobody wants to hear that Yep, exactly Exactly,
but it was if only I project my voice like screaming
from the other room like I'm But to be on a show
that that technically Famke Janssen was also
in was was a real thrill and You know Ryan's
no slow. I mean Ryan was friggin Tom Keane, you
know I mean, you know Tom Keane is a character
was was amazing was so cool and so fun and and
and so interesting and Yeah, as soon as she popped
up as his mother I'm like, holy crap he has Yeah,
he has Zenia on a top as his mother Yeah, yeah
That is the first thing I saw her in. And the
next thing I saw her in was Rounders with Matt
Damon and John. Oh, yeah, I love Rounders. Rounders
is a terrific, terrific movie. Yes. Rounders
is amazing. I love that film. So, you know, it's
funny with actors, too. You wonder, like, because,
look, actors, no matter how successful they are,
unless they're at the Brad Pitt level, they go
through times of not always, you know, like Famke
Jansen, I was just wondering, like, what is she
up to lately? And I think looks like she's doing
a lot of smaller, smaller movies, smaller TV
shows. But it goes in and out, you know what
I mean? She was in a really cool Netflix series,
How to Get Away with Murder, which is a big show.
So it looks like she's done well. Sometimes I
feel worried for total strangers. I'm like, I'm
a little worried about Famke. I hope she's getting
enough acting work, you know. And then I say
to myself, it's silly that I'm like worried about
these total strangers. I hope they're getting
enough income and work, but I guess you would
imagine the residuals from all the movies she
has done, that'll keep you going pretty well.
Yeah, absolutely. I'm trying to see like if this
was like a like based. So she's got something
coming up or it already happened or whatever.
She has a part in, uh, she has a recurring part
as Dr. Melinda Beringer in, uh, Long Slow Exhale,
which is an American women's basketball drama
television series created by Pam Weasley. or
VC for Spectrum. When I saw the title, I'm like
long slow exhale. That kind of reminds me of
a long kiss good night with Samuel Jackson and
Gina Davis. But it's completely, it has nothing
to do with that. Josh Lucas is in this long,
long, slow exhale. And Josh Lucas, didn't he
play, who's the rival boyfriend in the first
Ang Lee Hulk movie? Oh, yes, I think. Yeah, who's
like, who's trying to go after Betty in the whole
comics? Oh, any major or sergeant major or something?
Let's see. Something. But I don't. Yeah. Oh,
Glenn Talbot is the major Glenn Talbot. Yes.
Yeah. It's so funny, too. We are truly in a golden
age of superhero movies, right? I mean, we we're
seeing. Back then, you never thought you'd see
Glenn Talbot in a movie, but now it's like Doctor
Strange, Doctor Strange 2, so many characters,
werewolf by night, they all have their own shows.
Yeah, absolutely. And it just surprises me, like
what some of the people like you usually know,
like one actor from one. OK, you know, you can
take your Tom Cruise's or like you said earlier,
your Brad Pitt's. But like, yes. You know, take
Famke Jansen, and I'm not trying to take anything
away from her career, but like I said, the first
two things I think of are Goldeneye and Rounders,
and obviously the third thing, the most popular
thing she did was Jean Grey. But like those are
the three things I know her as, like I don't
really know her from anything that she's done
kind of thing. So she's one of those actors who's
like, you know, but it's fine with that kind
of acting because you have Things that they've
done where it's like that affected you and you
looking like I might go watch GoldenEye after
we're done with this. I don't know. It's just
one of those things where it just depends on
how these people who are doing this job who are
embodying these characters. It just depends on
how they affect us and yes. You know, it's just
yeah, and eventually we're supposed to you know,
we'll get new Marvel movies with the x -men like
we asked we needed re everything Yeah, 20 years
later But also Regarding this book. I'm just
I'm very thankful to Eli Schwab who's the the
head honcho of cosmic lion productions because
he You know, he brought the whole book together
and it was just really fun to work with Eli on
this and he's got He's publishing a whole lot
of indie books now that are really, really fun.
Very cool. Very cool. That is, that is awesome.
That is so cool. I did an interview over on the
pull bag and the reason why this is on Geocast
Radio, folks, is this is kind of a combination.
This isn't my usual. I, back in 2013, when we
started the pull bag, I didn't want it to just
be, and I've said that people listening to the
sound of my voice have heard this before, but
you haven't. I didn't want it just to be your
standard. Oh, we're going to review the Dark
Knight Returns. We're going to review this comic.
I wanted to have something extra to it, so I
created this thing called the Pull Bag Origins,
where at the time it was 25 questions about reading
comics, getting into and getting out of reading
comics and all that. In 2019, I expanded that
to 30 questions, and I've also expanded that
through other things. So now we have comics,
cartoons, toy collecting and podcasting, where
it's usually anywhere from 12. The toy one is
a little little rough toy ones usually the toy
one because I was like, Oh, I'm 42 years old
and 42 is the answer to everything. And I want
this to be as in depth as possible. Well, The
toy collecting episodes usually record about
two and a half, three hours because it's 42 questions
about toy collecting. It takes up a lot. Yeah.
Yeah. So it takes up a lot. It takes up a lot
of time, but it's like, you know, I wanted to
have something unique. So that's why this is
kind of like, Hey folks, this is my kind of pseudo
first time reunion with Tony. And we're talking
about his book, but I'm sure at some point. I'll
have him over on the pullback specifically to
tell his comic reading origin story kind of thing.
I would love to. Yeah, absolutely. And we can
just, you know, promote the book again there.
But my point in saying all this is over there.
I had a guy come on call, uh, named Rich Kozlowski.
Uh, and he does, uh, the he's done a bunch of
other things, but, uh, the current thing he's
done and published is a farm system. IDW publishing
is in print top shelf. And with top shelf, apparently
they like doing what Eli and Cosmic Lion likes
doing where it's like, we're going to publish
trade paperbacks. We're not going to publish
single. And if they do, if Cosmic Lion does publish
single issues, I'm sorry, this is the first time
I'm learning about them, but there are certain
comic companies out there that are not the big
two or others. that will just do the trade paperback
full story, full, like you said, 220, 200, whatever
page, you know, whatever it is. And I like that
because it's you get the whole thing in one go
and you can read that whole story. You don't
have to wait six months for the story to end.
Yes, exactly. So I think I think Cosmic Lion
has done maybe only one. I think they've done
a few instances of single issues, but I think
they, in my experience of them, they focus more
on, yeah, collections, paperbacks. Yep. Absolutely,
absolutely. All right, folks, we are going to
take a quick break, and we're going to come back
to close the show after this. Hello Geeks and
Geekettes! Looking for a podcast that covers
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So listen to the Marku42's universe podcast from
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podcast, we talk movies. We talk TV. We talk.
Hello, Julie, what the heck are you doing? Trying
to make our spot sound more exciting by adding
explosions. Yeah, I'm pretty sure you could have
got the point across with sound effects, not
the real thing. Download the show on iTunes or
at simplisticreviews .blogspot .com. I'm sure
your insurance company will cover that. No, they
won't. No, they probably won't. All right, folks,
we are back here on Geekcast Radio. This is episode
312. Like I said, it's the end of 2022. Happy
end of the year, question mark. Happy beginning
of 2023, folks. Tony, we've been talking about
your book, Tales from the Wolf, but anything
else you want to promote, anything else you want
to say before I run through the closing? So I
would just say that you can pick up this paperback
collection of all my stuff at CosmicLionProductions
.com. So it's Cosmic Lion, the way you would
imagine Cosmic Lion would be spelled, CosmicLionProductions
.com. They're on Instagram. at Cosmic Lion. The
Instagram name does not have the word productions.
It's Eli Schwab, but he uses the handle Cosmic
Lion. And my Instagram and Twitter is Tony Wolfness.
The essence of me is my Tony Wolfness. My name
is just W -O -L -F with no E at the end. So my
Twitter and Instagram are Tony Wolfness. And
I'm on Facebook as just plain old Tony Wolf.
Yeah, there's no Virginia connection folks What's
the Virginia? Virginia wolf. Oh, yes. No, there's
only one. Oh I'm not literary fancy enough to
be Virginia wall Well, you know, it's kind of
like you know, you know, it's kind of like Babs
and Buster Bunny no relation. It's it's true,
right? Yeah Babs is not a cousin or anything
And the book might be in the new series, but
you never know that's true where they're doing
a new series Yeah, Tiny Toons Loonaversity is
supposed to be coming and they're not so but
they're supposed to be brother and sister stepbrother
and sister or something. Oh interesting. Okay
Yeah, the other thing about my paperback collection
of comics is that it's 20 bucks for 225 pages
or 30 bucks if you want to signed Addition with
a custom sketch of your choice. So cosmic line
productions is the place to go for that. And
that's, that's it for me. I'm also on IMDb, but
it's just Tony Wolf. And thank you. Thank you
so much for having me. Man, are you kidding me?
My podcasting dreams are just coming true. I
had a guy on a couple of times on two different
episodes. I had him on the comic show. I had
him on the podcasting show, but I was one of
the first guys I listened to. One of the first
guys I asked for podcast advice on how to do
all this crap. And it's like, you know, 1415
years later, dream come true, finally get to
record with him, you know, next number of years
later, from hearing you on a podcast, it's like,
oh, I kind of know that guy, we kind of talk,
I kind of pay attention to him, I kind of see
him in, you know, TV shows that I liked, and,
you know, stuff. So no, man, this is awesome.
And like I said, whenever the other guy that
the first guy you mentioned, Oh, Michael David
Sims. He runs, he's the publisher, the owner
over at earth -two .net. Oh, okay. He's been
podcasting for about, well, he's coming up on,
in 2004, it'll be 20 years of his website. In
2005, it'll be 20 years of his podcast. So I
had him on and the podcast approach thing over
on Studio 2009 is basically... I asked 30 questions
about listening to and or producing podcasts.
So one of these days, maybe I can bug producer
Mike to, you know, jump back into the action
room. I know it's funny. He's, uh, he's, he's
pretty steadfast. I was just talking with him
today. Actually, since you asked about it, he's
pretty steadfast in not revisiting the action
room, but You know, he enjoyed it. You know,
yeah. And that's fine. I'm saying like I could
have him or both of you on the studio show where
I the the subtitle of the show is podcast approach.
And I could ask you, you know, I could basically
say, you know, hey, here's a reunion of the action
room, but it's not actually the action. Yeah.
So it's like, you know, it's not really bringing
it back. It's more so reliving the history of
what it was. Yeah, I'll run it by him. He's I'll
run it by him. You never know. It's always worth
asking. He's got a movie he's finishing up. He
wrote and directed a feature film, a horror film.
It's sort of like sci fi horror. And so now he's
in post production for that movie. So maybe maybe
once that movie is out, he would also want to
promote the movie. You never know. I'll run it
by him. Yeah, absolutely. Alright folks, thank
you for listening to us here on GeekCast Radio.
If you'd like to get in contact with us, we'll
leave feedback for the show. There are several
ways to do so. Visit the website geekcastradio
.com where you can listen to and comment on all
of our content. You can check us out on all the
podcasting clients you choose to use. I prefer
Spotify because I just like the UI, the user
interface. It's the easiest one out of all of
them. And plus I'm not an Apple whore anymore.
Follow us on Twitter at GeekCastRadio for the
network at TF2 and Mike for myself. He is at
Tony Wolfness on Twitter. You can check us out
on Facebook, facebook .com slash GeekCastRadio
network. You can also check out Cosmic Lion Productions
over there as well. We hope you enjoyed this
episode of GeekCastRadio. If you'll join us next
time and we will be talking about. Another geeky
topic something. I'll have somebody on for 313.
I don't know what I'm doing for threat It's the
end of the year folks. I'm kind of burnt out.
So So wait, this is episode 312. Yep Alright,
I love it. Well, thank you for having me on episode
312 Absolutely for now. I am TF2 and Mike with
Tony wolf. Thank you for listening until next
time Joe Kramer here, composer from Mission Impossible
Rogue Nation. This podcast from the Geekcast
radio network will self -destruct in five seconds.
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