STUDIO 2009
Podcast Approach with Jesse Earley of Another Comic Review

About this Episode
Hey, this is Greg Berger and you are listening
to the Geekcast Radio Network. Hey, it's Mistress
Carrie and you are listening to Studio 2009.
There's nothing wrong with your podcast player.
Do not attempt to adjust the volume. Hello and
welcome back into our studio. This is Studio
2009, only on the GeekCast radio network. I'm,
of course, TF2 and Mike. And for our latest podcast
approach today, we welcome Jesse from another
comic review. He is also formerly Mr. Matrix
Prime from TFWire. And we're going to take Jesse
through how he listens to and produces his podcasts.
Hi, Jesse. How are you? Not too bad. Let's hope
try number two is more successful than try number
one. I'm telling you, man, this is why I don't
trust artificial intelligence. I want actual
intelligence. Well, we got none of that here
on this podcast. 15 years of me being a moron
along with everybody else who is awesome when
I'm not. All right. So studio 2009 created 2020
30 questions. I wanted to talk to podcasters,
get their origin on how they listen to and started
their own show. First up, when did you first
discover podcasts and what was the first one
you listened to? Yep. So I believe I first discovered
podcasts sometime in early 2005. So my background
there in, you know, kind of discovering them
was following a Leo Laporte from tech TV on his
first podcast, which was Twitter. So this week
in tech. And that debuted sometime in early 2005.
And it was very similar to, I would say it was
very similar to what they were doing on the screensavers.
Of course, this was audio only at the time, as
opposed to video, which they do now. But again,
it was audio only at the time. And I was very,
I don't know, taken aback by the medium, I guess,
because it was like... The content that they're
pushing out of that show is very niche, and it
was essentially kind of like speaking to me.
It was very interesting to find that because
when G4 purchased Tech TV, they pretty much did
away with all the very niche tech. type stuff
that was on that channel. And it became more
pop culture, obviously the video game stuff that
had come from G4, but it became a lot more pop
culture and it lost a lot of the tech stuff.
So Leo kind of stood up his own podcast called
This Week in Tech. And like I said, it kind of
carried over the stuff that they were doing,
the news they were talking about on Tech TV.
So yeah, I think that was the first podcast I
listened to. And then shortly afterwards, I would
say is kind of when I got interested in producing
my own podcast. Like I said, that debuted in
early 2005. And by August of 2005, I was pushing
out the first episode of my own podcast, TFWIRE.
So what was your plan in getting that off the
ground? Did you have a plan or did you just kind
of do some research and just go? So I didn't
really do any research. Kind of the history behind
TF Warrior was, I guess comes from a couple of
different things here. So first and foremost,
the format was essentially a rip off of this
week in tech, right? So this week in tech, they
were essentially look back at the week's tech
news stories. And then the host and then whoever
he had on there to discuss with him were essentially
discussing those topics for the week. And if
you're a Transformers fan, and TF Lawyer, if
you don't know, was a Transformers podcast. But
if you're a Transformers fan, you know that there's
a lot of different Transformer news sites out
there. At the time, there was probably more than
what there are currently. But there are, you
know, there's a couple of different staples,
right? So there's TFW, I would say there is,
is it Cybertron, Sabertron? How do you say it?
Yeah, yeah, whatever it is. Cybertron, there's
Tformers. Those are kind of the big three. Yeah.
So, but like I said at the time, there was a
bunch of also smaller news sites, but those were
always kind of the big three. And then you also
had your different forums. So the AllSpark is
kind of like a large Transformers forum. TFW
has their own as well. But what I was doing was
I was looking at the Transformer news sites and
I'm like, well, right, they're really just kind
of posting the same thing. And it's really just,
of course, news related, right? They're posting
the actual news and any sort of just about it
was just happening in the comments. I saw an
opportunity there to kind of look, do the same
thing that This Week in Tech was doing, look
at the news that was coming out on the Transformer
sites, and then just talk about it. So kind of
the background in terms of building that out
was, for the very first episode, if you go back
and listen to it, and it's still out there, you
can find it. It's on the internet archive. You
can find it there as well. It was just me. I
think I had five stories and I talked through
it really quick. Just gave you really brief,
you know, some brief thoughts on what the topics
were that I was discussing. But I quickly knew
that I wanted to bring on some other hosts because
I'm not much of a talker. And the funny that
you're interviewing me. But yeah, I'm not much
of a talker. I'm really more of a listener. So
if you go back and listen to any of the TF Warrior
episodes, you'll see that really, I'm the one
that's kind of kicking off the story. But the
other hosts are the ones who are kind of, you
know, providing more input on the story themselves.
Yeah, they're taking the energon cube from you
and running with it. Right. So like I said, I
wanted to find some hosts rather quickly. So
I was a big poster, at least at the time, on
the AllSpark. So I had just posted on there that
I was looking for, or was starting a podcast
and was looking for anyone who may want to potentially
join me. And ultimately, I found three co -hosts
who would join me from there. Yeah, very cool.
Very cool. Which do you prefer audio or video?
Podcasting as a fan and as a producer. Oh as
a producer Definitely the audio because it's
like yeah in terms of Consuming it. I think it
really depends it depends on the podcast or See,
when it comes to video, I don't really like calling
them podcasts, because it's like, is it a podcast?
Not really. Yeah, no, it's a video show. It's
a YouTube show. Yeah, it's weird. So it really
depends on the show in question. For example,
there is one that I watch a really scrub through
on a daily basis. And that one focuses more on
movies and sort of the entertainment industry,
but really the main focus is on movies. So in
that sense, I like watching the video version
of that. There is an audio version, but I prefer
watching the video version of it on YouTube.
And then I think really that's the main one that
I watch. Everything else is mainly just listening
to the audio version of it. So yeah, like I said,
it really just depends on what the topic is.
But in some instances, in fact, there are some
audio ones that I would actually prefer to watch.
But in some cases, they're kind of locked behind
the paywall or you got to go on their Patreon.
And I don't really subscribe. to any paid podcasts,
despite the fact that if they are on Patreon
or something, you can pay to get that. But I
always just opt for the free ad tiered version.
So I really don't get the perk of being able
to watch some of them. So it's mainly just listening
to them. Yeah. I just always found it easier
for me to listen than it was for me to have to
sit there and watch. a bunch of people talk about
a topic that I may or may not be interested in.
Whereas listening on my phone or on my computer,
I can be doing seven other things at the same
time that I'm consuming this content for whatever
it is. But whereas in video stuff, you have to
sit there and you have to watch and you have
to pay attention to it. And it's like, I want
to do that audio only. What kind of setup did
you have when you first started podcasting and
what do you use now? So microphone, headphone,
etc. Oh man, when I first started. So again,
we're going back to 2005. I was on a Windows
XP machine. And what did I have? So I had a Logitech
headset. They had a integrated microphone. I
can't remember what model it was. That's okay.
I mean, it was one that I definitely recommended
to some of the co -hosts on the TF Waiter podcast
at the time, and I believe a couple of them had
the same thing. It was a really great headset
for the time. It had an integrated mute button
on there, which is really nice. But yeah, that
was pretty much my setup. In terms of recording
it, I think I was using... Man, going back, I
was using Gold Wave at the time. And if you've
ever used Gold Wave, it's only a Windows, it's
a Windows only program. But in terms of recording
the podcast, the way we did it back then was
every person recorded their own audio file. Yep.
And When you're dealing with a podcast that has
multiple co -hosts, so in the case of TF wire
there was four of us in total So three, you know
me and three additional people what I had to
have them do was I had a website at the time
and Then obviously added a section on the website
for the TF wire podcast but I had to give them
all FTP access to my server. So once we were
done recording, they'd have to upload the file
to that server. I'd have to then download it,
then edit everything together. So I was doing
editing inside of GoldWave at the time, and then
ultimately switched over to using Audacity on
the PC. Presently on my Mac, because I am a Mac
user, I no longer am a Windows user, I am using,
what is this? It is a Behringer C1 microphone.
It's an XLR microphone that I have plugged into
a mini USB soundboard. and the soundboard connects
to my computer via USB. Like I said, it's a XLR
microphone. So the soundboard itself allows for
two external mics, but I only ever use one. I
tried to get my wife to podcast with me and she
just absolutely wants no part of that. I do have
a secondary mic so I can plug it in in the event
that I ever need to do two people in the same
room at the same time, but again. Good luck getting
my wife to do that. In terms of editing now,
I still stick with Audacity. I find that to be
the easiest to use. It's the one I'm most familiar
with. And yeah, I think that's mainly what I'm
using. Very cool, very cool. So heaven forbid,
but if anything did happen, if your headphones
or microphone breaks down... Do you go by the
exact same stuff or do you upgrade and get better
stuff? That's a good question. Oh, and also,
by the way, in terms of headphones, I'm not wearing
anything special. I'm just I'm just using my
old iPhone. Oh, AirPods, AirPods, AirPods, AirPods,
AirPods, something. I've got the JVC stereo H
a RX 700 headphones. I've had these for years.
This is my. Second pair and i have a third pair
in the closet brand new in case something happens
to me so i also work from home most of the time
so if i'm having a virtual meeting i don't like
big headphones on right so if i need to leave
a meeting with someone who's like i don't know.
administration or something, right? I've got
to look good on the camera. Big headphones going
to mess up my hair. So I just use the Apple AirPods
here. So ear pods, ear pods. They're wired. Ear
pods. Yeah. Plus it's because I'm on a Mac, it's
got the integrated, it does have an integrated
microphone, obviously, which I'm not using, but
does have volume control on there as well. So
I don't have to fumble around with the volume
on my Mac or anything. So if this microphone
were to die, would I go to something different
or better? Probably. What I found with this microphone
is that unless I'm in a really certain spot,
which is pretty close to the microphone, it does
not pick up the sound very well. You may notice
this if you're listening to another comic review.
episodes. In some instances, like I'll be like
looking at my iPad, which is right next to me
while we're recording because I'm looking through
the different issues. And if I pull away just
ever so slightly, you like you can pick that
up in my microphone, or as you're listening to
it, because the microphone is not picking me
up as well. Yep. So I have to stay right in the
microphone. I'm not a big fan of that. I've got
the pop filter here in front of it, but I find
that if I get that in the way of where my mouth
needs to be, then I tend to move further back,
and then the microphone isn't picking me up as
well. I still go for an XLR mic because I like
using my soundboard, but I don't know what model
I would go with. Very cool, very cool. Did you
think you'd be podcasting for as long as you
have. Well, I mean, definitely there was a large
lengthy lull there where I was not doing anybody.
Well, but yeah, but like, you know, you started
in 2005. TFYR ran for two, three, four, five,
however many years it ran. And yeah there's a
lull but you're still five years that's something
that's nothing to shy away from. Yeah we went
to from 05 to it was 09 or 2010 something like
that. It was right in the middle of after the
release of Revenge and they were ramping up to
the release of Dark. Okay. So, yeah, I think
we went into 2010, something like that. I stopped
at a certain number of episodes and then the
two other hosts at the time were still recording.
I was still doing all the editing, but I didn't
want any part of doing the recording anymore
because one for a couple of things. I was really
not following Transformers that much anymore.
Right. And I was just kind of burnt out on doing
the podcast. So I still enjoy doing the editing,
but I didn't really want to do any of the hosting.
Right. So after that ended, there's a long lull
before I started doing anything. I did pop up
with a few TfY or minis here and there. I did
record one on the former Twitter with D Buster
Prime, like that's out there and available on
YouTube. If you haven't seen that, haven't listened
to it, that is out there so that he would, he's
one of the original TFWire hosts. So that was
fun to kind of reconnect with him and do that.
But then yeah, again, there was another long
lull before I did anything. I tried to push out
some more. not really podcast, but just creating
some content on YouTube, kind of where I'm talking
or kind of doing some voiceover to some different
transformer stuff. And I just felt like I wasn't
really having a lot of fun doing that. And what
really made me kind of get back into wanting
to do it was actually starting to read some comics.
I know for a long time, like if you were a TFY
listener, like I complained about the comics
all the time. Like I had wanted to know part
of it. Anytime a story came up, I wanted, I didn't
even comment on it. But when I saw that they
were going to relaunch the Transformers within
comics and they were creating this expanded universe,
this kind of all encompassing, you know, calling
it the Energon universe, it was going to include
Transformers. It was going to include GIGO. And
now we know it's including this brand new IP
called Void Rivals. really excited to kind of
jump into that because one, it's kind of from
the ground up, right? I'm getting into the ground
level. So I can kind of see how everything starts.
So I don't have to like backtrack, you know,
30 years like, Oh, God, I got to read all this
stuff. So yeah, getting in the ground floor was
kind of really the key thing that got me excited.
And once I started reading it, it's like, Oh,
well, I'm kind of want to talk about this. I
want to talk about with someone I know you're
big into comics. I know Ryan's big into comics.
So talking with you, because you're the secondary
host here on the show with me. And then we can
get Ryan in when we can to talk about Transformers.
It's just like talking about these different
properties that I'm interested in, that I'm reading
about. And I know you guys are interested in
them as well. It just seemed like a fun thing
to do and so far I'm having a blast doing it.
Yeah, absolutely. And the thing is with Studio
2009 here, like I said at the beginning of this,
or maybe I said it at the one that no one's going
to hear, we started this show in 2020. I've been
doing a comic podcast, The Pull Bag, on GCRN
since 2013. And my buddy Optimus Solo was re
-listening to one of our old... animated series
podcast countdowns. And apparently in that, in
2011, I said, yeah, I don't care about comics.
Two years later, I now have almost an 11 year
old podcast at this point, all about comics.
So, you know, it is what it is. And the thing
is, with Transformers specifically, you don't
have to, Transformers is not Batman. Transformers
is not Superman. They're not Marvel. They're
not DC. I do know, because you've told us, that
you started the IDW with more than meets the
eye and rose in disguise, and when I first found
out about IDW publishing 13 years, 11 years ago,
I don't know how long ago it was, I got two pieces
of advice. Read the Death of Optimus Prime one
shot first. And then you can either pick both
or go in either direction. You can go more than
meets the eye with Rodimus and the crew of the
lost light, or you can stay on Cybertron and
watch StarStream become Donald Trump. You know,
cause robots in disguise was the Cybertron political
one kind of thing. But you're right with this
new stuff and all that, you know, this is, you
know, this is a great way for anyone who wants
to start in fresh. Now that Skybound has the
license that is. Awesome. I was just going to
say the other great thing about it is, as a Transformers
fan, someone who grew up with the toys, I believe
you're a little bit older than I am. The series
came out when I was three years old, so I didn't
really get into Transformers until a couple years
after it. When it was in reruns, they were showing
the older episodes again. I know that first series
of toys that was out for a couple of years. Uh,
so in, yeah, 1984, I was only three when it debuted.
So I only had a year off. Okay. Well, actually
in 84, when it came out, I would have been three.
Yeah. And I was four. Is that what I said? Okay.
Okay. That's what I said. Okay. Yeah. All right.
So, um, uh, but yeah, I mean, growing up with
it, right. I mean, obviously right now I'm, I'm
42. So, um, actually I would have been two, not
three. been too. Yeah. Something like that. Whatever
the math is. Because it's 40 years now, right?
Yeah, 40 years. I would have been too. So it
was a couple years after the fact before I got
into it. So anyways, yeah, as a 42 year old now,
and Transformers celebrating its 40th anniversary,
I've aged, the series has aged. But if you look
to the different media that's out there, right,
so I would say the video games, whatever form
of quote unquote cartoon exists out there now
for this property, the upcoming Transformers
one, it seems like they're going hard for the
younger audience. Yeah. And I mean, even if you
look at the the toys on the right and the toy
shelves. A lot of them are geared towards the
older audience, the collector market, as opposed
to the younger audience. And I think that's because
the younger audience really isn't into them.
And I think Hasbro is trying to appeal to them
with the other media. But with the comics specifically,
I think they're gearing that towards... I think
just based on what we're seeing in the pages
we're reading, they're adhering it towards the
mature audience. So people our age who grew up
with this series, and I think it's speaking to
me as a fan. And if you are someone who is, I
would say, mid 30s to 40s. It's probably a series
you probably want to read even if you've never
picked up a comic before I would highly suggest
picking up Elise Transformers number one and
reading it. Yeah, because I think it would it
would hook you and You'll want to continue reading
the series. Yeah, absolutely So over this long
period of time, even though there was a long
lull How have your podcasting goals changed since
you started compared to now? How have they changed
since I started compared to now? Well, so originally
has a good question. I would say they haven't
really changed between when I started and now
have they changed where they you know, did it
change within the middle of it? I would say yes.
So when I first started, I was really just interested
in doing it for the love of it, I guess. Again,
I got into podcasting because I really enjoyed
listening to it. And I'm like, oh, I think I
can do this. I really like to try this out. And
I just continued doing it because I was very
interested in the medium of podcasting. During
the entire course, the entire run of TF Wire,
we never got paid to do it. The only perks I
ever got were There was a person who used to
work at hot topic don't remember their name but
they sent all of the hosts a bunch of upcoming
hot topic t -shirts and I think that was the
only perk I ever got We did have like a we did
like run like a Not ads per se but we we kind
of sold some ads base I think maybe one person
bought ad space one time And that was kind of
like before like, oh, like, how do you make money
on podcasting? I don't know. So when I started
podcasting, it wasn't really doing it for the
money. It was doing it for the love of it. But
as it kept going, it was like, man, we're committing
a lot of time and effort into this. It's like,
can we get something out of it? And like I said,
we got very little out of it. And then by the
time, you know, the CFW podcast came to an end,
it was like, well, I'm just kind of burnt out.
I don't want to do this anymore. The co -hosts
that were running it at that time essentially
said the same thing. They were burned out, didn't
want to do it anymore. So we just kind of ended
it. But yeah, by the time it came to the end
of that podcast, it was really like, you know,
why are we doing this? Can we get anything out
of it? Never did. And then when I started this
podcast back up, again, I'm not... I don't have
a Patreon for it. I'm not selling ads based on
there. I actually don't have any ads in the podcast.
I'm really just doing it for the love of it and
doing it because I'm just enjoying talking to
you. I'm enjoying talking to Ryan. If we get
anyone else on the show who's into comics, I
enjoy talking to them, just kind of get their
thoughts. And I think in doing so, it's keeping
me kind of going and reading these comics. I
think if the podcast weren't there, would I still
be interested in reading them? Yes. But I don't
know that I would be as die hard into reading
them as what I presently am. Well, yeah, because
the so the art of friendship has changed since
we were kids in the 80s to now. And that's because
of technology. And I understand that some podcasters
can do the whole record in person, have four
people in a room and you each have your microphones
and you have this giant table and whatever and
all this and all that. But the greatest thing
for me for audio podcasting recorded, then edited,
not live. Don't have to worry about a live audience.
Don't have to worry about questions from the
audience or this or interaction or whatever else.
It's just us in our own spaces, talking to each
other, having a conversation. And it's taking
the place of us as kids watching Optimus Prime
get shot or his trailer falling down the hill
at 6 a .m. and then going to school and yelling
at our friends saying, Oh my God, did you see
what happened? Optimus Prime this morning before
the school bus game. It's the same thing except
is different. It, you know, it's this, you know,
we still enjoy the same stuff. We're still going
to do the same stuff, but we also want to have
that conversation about it. Not only did. Discuss
it with each other but to bring it to somebody
who may not be reading it. I've said it on Here
show another comment review. I've said it here
on the DC arm with the pull bag over there The
Transformers comic that Skybound Entertainment
is currently doing Yes, it is for the adult fans,
but it is also for those adult fans who may have
seen A glimpse of the, like they know the cartoon
in passing, they know the franchise in passing
and this could get them into it. This book, because
it's not coming from any other continuity because
it is very much a, a G one story flipped on its
ass. Frankly, it is. I mean, it's, it, it's crazy,
but that's what you want a comic book to do.
That's what you want a cartoon to do. You want
to be able to. Watch it read it listen to it
whatever and then you want to have a discussion
with your friends and Not all your friends want
to be in a playground anymore We just want to
sit in our own living rooms in front of a computer
and talk to you that way Yeah, yeah, and it's
much I guess I I guess I don't know if I remember
down there, but I guess to summarize My answer
to your question. So started podcasting because
the love of it and because of what I was talking
about By the time I got to the end of it, I was
really looking more for like, is there a way
I can kind of cash out here and kind of make
some money off this thing? Didn't happen, so
we just ended it. And it started, you know, when
I started this new podcast up another comic review,
again, doing it for the for the love of it, I
actually wanted to get back into podcasting hadn't
done it in forever. And yeah, so I think I came
full circle back to just because, you know, I
love doing it. Yeah, absolutely. I don't know
what you've done between, obviously, when you
started this new show, now the Another Comic
Review that we're doing. But I can tell you,
almost eight years ago, you were on all things
Transformers for your Transformers origin story
with us. So you did do some stuff in between
when TFYer ended and when Another Comic Review
began. Yeah, I mean, it was mainly mainly YouTube
stuff. Yeah, yeah, absolutely. So as a podcast
listener, what defines a good show to you? What
defines a good show to me? I think first and
foremost, it's are the is the host or the hosts
or hostesses? Are they someone who can carry
on a good conversation? and do they have good
chemistry together? Because if it doesn't have
that, I'm going to tune out very quickly. So
I think that's the key thing for me. And then
obviously the second would come to the topic.
Because there are certain podcasts I listen to
that are topic -based. I mean, let me take that
back. They're all pretty much topic -based, but
some of them are kind of interesting. Um, business
wars, for example, from wondering, uh, that one's
sort of, uh, a dramatized version of events that
happen in history. So, uh, the most recent one
that I was listening to was kind of the history
of the Ford Bronco and the Jeep. And, uh, uh,
there is a host, there is a podcast host and
that, that person does, I think all of the voices.
in in each episode, whether it's male or female,
I think he I think he does all the voices. And
he does a really good job. And he's obviously
not the same person who's doing all the research
is writing the script for this. But the person
who's actually, you know, reading this and as
is the host of the podcast is a really good job.
And that particular podcast, right, they've got
They got sound effects added in there. So like
I said, it's more of a dramatization, but it
also gives you a lot of background and history
on different things. So like I said, in that
particular episode, there are a series of episodes.
Each kind of theme kind of focuses on a series
of episodes. But in that one, they're focusing
on the Jeep versus the Bronco. And it was very
interesting to kind of hear some of the backstory
on that. I guess I would also say how frequently
the podcast is released. Because if there's podcasts
that come out just once a month, I don't tend
to listen to them all that often. Really, I'm
looking for that weekly or biweekly hit. So most
of the podcasts I listen to on a regular basis
are weekly podcasts. Some of them have quote
unquote seasons and that they're only looking
to put out a certain number per uh you know season
i guess right it once the season's over right
they have this long break in between i i really
hate that again i realize you can get burnt out
very quickly on doing this stuff i think that's
what i like about the podcast we're doing right
now where it's again it's it's not weekly uh
but it's it's several per month and so you know
maybe it's bi -weekly in that sense yeah but
um I think it's coming out at a regular enough
basis where if you are listening to our show
you can kind of stick with it But if you have
this large lull in between it's it's just like
I might fall off and find something else Yeah,
absolutely. And the funny thing is is that you
know, Steve and I have been doing this for 15
years now Over 4 ,000 episodes and in total over
like 40 different podcasts the way we've done
it is we have some shows that are continuous.
They will go on forever, like the flagship Geocast
radio show. We can do any and all topics at any
time. But right now, for me with how I'm producing
the other shows, that show is sporadic at best
for right now. We've got this show, Studio 2009,
where we talk about anything and everything in
the audio or visual medium. So if you can listen
to it, see it, read it, whatever. Movies TV video
get whatever it is. We'll cover it on here We've
been doing 12 months of Star Wars with my buddy
Dave and we were talking about all the Star Wars
stuff from TV to movies and everything else in
each episode and yeah, generally podcasts Most
of the time are either weekly or bi -weekly We
have such a large library of content over the
last 15 years I feel like people can spread out
with us and pick and choose what they want on
whatever week like the pull bag is pretty much
come out weekly for the last 11 years every Wednesday.
Sometimes it doesn't happen if life gets in the
way, but unless it's a specifically our, um,
like our, my original podcast, I started with
the TFG one podcast. You really can't do any
more episodes after covering all 98 episodes
of the G1 cartoon series I mean, there's not
only because it's specific to reviewing that
cartoon series. There isn't anything Pat. Okay
Yeah, there's the Japanese series, but specifically
to the US series. It was only 98 episodes So
it's a limited thing as a beginning middle and
end So I think that it varies that you're right
though in general if it's a podcast that is just
doing General topics every week. It should be
weekly or bi -weekly. Yeah, and I know by the
way, I really wish Hasbro would have brought
over the Japanese Yes, yeah, I didn't I thought
show factory did I don't know it's a topic for
another time As a listener, do you prefer time
length? Do you prefer short 30 minutes to an
hour in 30 minute shows or do you prefer longer
shows like two hours or more? So that's also
a good question. I would say it depends on the
topic. There are several that I listen to that
fall into the two hour range and maybe two and
a half hours. But yeah, I think it really just
depends on the topic. So like if, let's say,
for example, it's a podcast where they're talking
about a TV show. If the TV show is only 30 minutes,
I don't need a two hour podcast. Yeah, no, yeah,
no, absolutely. If it's an hour show, right?
And the show goes, the podcast goes 45 minutes
to an hour. Sure. Okay, I could see that. But
I think it really just depends on the topic.
Yeah. Absolutely. As a listener, do you start
at the beginning of a podcast, the most recent
episode, or do you jump, jump around? Jump around.
Jump up, jump up and get down. So if I jump in
with a podcast from day one, I will listen to
it from the start. If it's a podcast that I discover.
So, for example, there is a podcast called The
80s Movie Podcast. I did not go back and listen,
I did not start at the ground floor on that one
and I have not gone back to listen to all of
them. In that case, what I would do is or what
I have done is I will search just to see what
movies there are or just scroll through to see
what movies there are. And if it's a movie I'm
interested in, I will go back and listen to it.
If it's a movie I'm not necessarily totally interested
in hearing about, I just skip it completely.
Yeah, absolutely. I think generally and I know
most podcasts don't do this anymore. We used
to do this We don't do it anymore really when
you like when I started the pull bag the episode
triple zero Because I knew the pull bag was gonna
eventually get over a hundred episodes You need
that three -digit thing for the numbering. So
triple zero was the introduction It was just
a 20 minute 30 minute thing saying hey, this
is the pull bag. This is what the podcast is
gonna be This is what we're gonna do 11 years
and 540 -something episodes later. For me, I'm
right there with you. I agree with that. Whereas
if you have a specific podcast that might be
news -based, but it also gives insight to the
personal life. There was a podcast back in 2019
called Part -Time Nerds, Full -Time Dads. It
was my buddy, Mike Laidman, and his friend, Chris
Blonsky. At the time, both of their wives were
pregnant. So you can't jump into that podcast
at episode 20 and hear about whatever personal
life you have to start at the beginning because
it's a thing. But yes, generally you are correct.
And, and certainly the pull bag 540 episodes.
I do not expect anyone to listen to all 540 episodes,
but if they like. Transformers, or if they like
He -Man, or if they like I Hate Fairyland, or
if they like Cowl, or Radiant Black, or whatever,
they can go to those episodes and listen to those.
I will still always, though, tell people, hey,
if you're gonna jump around, fine, but at least
go to the very first episode, because usually
first, I never make first episodes long. They
are an hour, 45 minutes, or less. It's just to
tell people what the show is, when the show's
gonna be. and maybe projected how long the show
will last kind of thing. All right. As a listener,
how many hosts are too many on one episode? You
can't have too many people talking, talking,
talking over it. Shut up, you idiot. No, I don't
care about Galvatron. They're not the same guy.
Wait, they are. How many is too many? Yeah. How
many we got on this this podcast? Two right now.
Yeah, that's a good question, too. I would say
we definitely ran into this issue on the TFWIRE
podcast, not in the weekly shows, but there were
several roundtable discussions that we had. And
it was sometimes hard to, I don't know how many
people were on that at that time, six maybe.
I felt like that was a bit too much because you
get people like stumbling over each other. You've
got to, and as the person editing that you've
got to edit that out or do the best that I can.
Um, so I think, I think six is probably too many.
I think somewhere in the most probably the three
to four range. I tend to like it. What I listen
to mostly, it's probably within the two to three
people. Yeah. So anywhere within there. Three,
even though three is an odd number, three is
the sweet spot because you have someone like
me who is the host who I did the whole intro
thing here. And if Ryan was here and we were
talking about transformers, number nine or whatever,
we would have me, him and you, and we each have
three different opinions. People get three different
opinions. And then I can go through the closing
and do all the, all the finagling for whatever
else, as far as the hosting duties are. So that's
why I always say three is a. is a sweet spot.
Sometimes four is okay. Five is pushing it only
if you don't have a specific strict criteria.
Like when we do our top 100 countdowns for our
audio projects where we've done top 100 TV shows,
top 100 Transformers characters, top 100 animated
series. Usually there are five people on that
podcast, but there's usually one host who will
throw it to like coming in at number 75 is bludgeon
or whatever, you know, throw whatever name in
there, whatever host for host the first, what
is your opinion of why where this, you know what
I mean? So as long as you have somebody that
can drive the train or the astro train in this
case, fairly well with a five person podcast.
You're okay. But yes, three is usually the sweet
spot. When do you stop listening to a podcast
altogether? Like you're listening, you're listening,
you're listening and something is said and you're
just like, Nope, done. So now when am I, not
when am I finished with the podcast in total?
Yeah. It's just I'm listening to a particular
episode. Yeah. Yeah. Like basically you say you've
been listening to this thing for two years and
say it's a weekly news show. It doesn't matter
what news, whatever news topic you want it to
be, but the hosts bring on somebody who you don't
care about. And that's going to be a new host
or something is said that you don't agree with.
And you're like, no, I don't need to listen to
this anymore. Yes, that does happen occasionally.
I'll say what happens more often is if they start
talking about a topic, so there's a podcast,
I won't call out the name, but there's a podcast
that talks about video games on a weekly basis.
Two of the hosts that are on there, they're well
known from other internet stuff. And they tend
to have a third host who they bring in from either
the industry, or sometimes it's like an influencer
on YouTube, for example. I hate that term, by
the way. But sometimes it'll be that type of
person. And usually what I'll do is if they start
talking about something that I'm not interested
in, rather than just stopping altogether, I'll
just fast forward. And sometimes I'll find myself
like blowing through like half the podcast where
it's like, yeah, okay. I don't really consider
myself a gamer anymore. I'm just using video
games here as an example. I don't really consider
myself a gamer anymore, despite the fact that
I play video games. But like growing up, it was
like, oh, you know, nonstop playing Nintendo
or Super Nintendo at 42. I'm married. I have
a daughter who is five. I don't have a lot of
time to play video games anymore. And I also
find that I've got a whole bunch of other stuff
to do in my time. Right. Yeah. That when I do
have time, I don't necessarily always want to
sit down and play video games. So that's why
I'm not really classifying myself as a gamer,
despite the fact that I have all this. most recent
systems that I do play video games. But if they'll
start talking about games I have no interest
in, I'll just blow right through that. And like
I said, sometimes I'll find myself being halfway
through the podcast and it's like, all right,
well, I just have way through and I guess I was
going to wait till next week, maybe we'll talk
about something I'm interested in. But I don't
think I've really found myself stopping an entire
episode and just saying, okay, I've had enough
of this and move on. All right. Question 15.
What podcasts are you currently listening to?
So this is probably where I should have my phone.
Give me one second. Open. Damn it. Open. What
podcasts are you currently listening to? So whatever
is on your phone, whatever you listen to on a
regular basis. So just those in a regular basis
because I have a long list of things to subscribe
to I Build episodes up and I marathon listen
on a few days, but yeah, basically just which
podcasts are you currently listening to? Okay,
so One is the all 80s movies podcast. Okay, which
again, I'll listen to it for the most part But
if we're talking about a movie, I have no interest
in I just don't listen that way I listen to the
best of car talk. Love the business wars. Again,
that's another one where if they're talking about
a subject that I'm interested in, I'll listen
to it. But if it's another subject I don't care
about, I'll just skip that series of episodes.
Right. DLC. That is a video game podcast. I listen
to the film cast. I'll occasionally listen to
grilling Jr. So that's a wrestling podcast. I'll
sometimes listen to how did this get made, which
is a podcast that covers movies. I actually do
not subscribe to this, but it is in my list because
the podcast app that I use called Overcast, if
you start listening, like if you listen to an
episode from a podcast, it will show up in your
list, even though you don't technically subscribe
to it. So I have the Jim Cornett experience on
there, which is another wrestling podcast. And
I'm not even a big wrestling fan anymore. I was
like in the late 90s, but not so much anymore.
We're just listening to Jim discuss wrestling
is hilarious. I listen to Mac break weekly. So
that is a weekly podcast about anything Mac.
So computers, iPhone, iPad. Vision Pro. This
is a funny one. So it's called Out on the Lanai.
It's a Golden Girls podcast. I'll go toe -to
-toe with anyone who says that Golden Girls is
not a fantastic TV show. It's an amazing TV show.
It's the best. But he wants me, I can feel it.
Let somebody else feel it. I saw him first. But
we were meant for each other. I'm a woman, he's
a man. And what am I, little Richard? Despite
the fact that I said I listened to This Week
in Tech early on, I don't really follow that
podcast anymore. It's out here, but I don't really
listen to it. And those are the primary ones
I listen to on a regular basis. Yeah, absolutely.
Very cool, very cool. All right, folks, we're
gonna go to a quick ad break. You're gonna hear
some podcast ads and some other stuff. And we'll
be back with podcast production right after this.
Hi. Hi. I was curious, like, who gave the idea
of Star Trek being like one of the leaders of
Cybertron just out of plain curiosity? Some weirdo.
What do you mean, idea? He's always one of the
leaders of Cybertron. The true leader of the
Decepticon. Consequently, Cybertron! Is there
something? Do you need a lozenge? I actually
have one. I'm good, thanks. Hello Geeks and Geekettes!
Looking for a podcast that covers a vast array
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Beyond the Night is the GCRN's latest review
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Yes, Michael. Just keep driving. Hey, Jared.
I have this idea for a new show for the network.
Yeah. What is it? You know how I liked the 1990s
comic book series, The New Warriors? Yes. Yes.
Yes. Yep. And you know how at the Long Boss Crusade,
we're trying to get the YouTube channel going?
Yes. Yes. Also correct. Well, thanks. So. How
about you and me do a live stream show about
the new warriors? You've never read the books
before, and I have them, so that's a great setup.
We could give it a catchy name, like, Come Out
to Play. Don't you think that's the greatest
idea? Sure, sure, sure, Delvin, that's a great
idea. Just one question. Yeah? Why do you have
me dangling off this ledge, holding me by only
one arm? Oh, yeah. Well, you'll get it soon.
I hope. Come out to play. A new Warriors podcast
comes to you live on YouTube every second Tuesday
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we replay them on the Longbox Crusade network
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ride or in other words, New Warriors. Come out
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and I'm here with my partner at Random Hat Studio,
aka Emily, and we stream on whatnot every Wednesday
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looking to pay it forward back to the community
that made everything that we do so wholesome.
On top of our main show every Friday, you can
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Standby for soundtrack transfer. I am Maggie.
And I am John. And we are trapped, hurtling through
space in a ship shaped like Rodimus' head. The
ship, for reasons we haven't been able to determine,
contains the entire run of the IDW Transformers
Phase 2 comic. which chronicle the events following
the end of the war between the Autobots and Decepticons.
So we figure we may as well read them all in
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tell all or one? Tell all or one. Do you like
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And comic book podcasts? Then come check out
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See you then. All right, we are back here in
Science Studio 2009, Podcast Approach, and it's
all about podcast production. As a producer,
do you find yourself listening to podcasts less
and less? No. Okay. Yeah, it's sometimes that
varies. I mean, for me, like I said, I like to
build up episodes like my your episodes thing
on Spotify is filled with episodes I need to
listen to. But because I'm producing so many
podcasts right now, because I run a whole network
of stuff, like on time, but I understand why,
you know, someone like you or someone just in
general who is only doing one show versus the
20 or 20 shows I do, you know, so I get it. But
sometimes that does happen when you when you're
like really full in on it and you're having to
do all the promotion yourself and do everything
else and all this and all that. So just depends.
As a producer, are you a podcast planner or are
you just throwing stuff at the mic to see what
sticks? Don't throw stuff at me. I mean, only
planning in the sense that. Right. With another
comic review, we know what we're going to be
reviewing. I do put together some show notes.
Those are generally the same. At least the format
is generally the same from episode to episode,
where it's I read a synopsis from the Image Comics
website. I provide my own synopsis. That's really
the only piece that requires any of my time other
than actually recording and editing the podcast
is just writing that. Otherwise, Yeah. What was
your question again? Are you are you a planner
or do you just don't throw stuff at me? Yeah,
in terms of like, actually, you know, taking
going to say during this podcast? Like, I'm not
doing that. Yeah. Like, I kind of have a sense
of what it is that I think of the comic that
we're reading. So I can evade my thoughts on
it. But I'm not I'm not like putting Johnny notes
down unless it's something I specifically want
to call out where it's like, oh, Mike, right.
Did you did you recognize the fact that it says
issue four up there in the corner? Right. Can
you read it? No, I can't read it because the
colors. so fucked up. Yeah, so like, I don't
think I'm much of a planner there. But I also
would say I'm not really just throwing stuff
at the mic. It's it's what I've kind of come
up with a format. And it's just kind of what
I'm I'm running with. Yeah, the format like you
can come up with the format for the show. And
that's what's going to stick, obviously, because
once you come up with it, you want to stick with
it. Say like with me with these questions, I
have this whole format that I do. For me, as
a podcast planner, when we first started and
we wanted to launch our movie podcast, which
thank you movie, we can review the M wire, which
was our original movie podcast started on July
11th, 2011 or 2009. No July 11th, 2009. We started
a month after the network. Before we even released
episode one, which was back to the future trilogy,
cause we were talking about all three back to
the future movies back in 2009. I had a list
of 100 films based on my DVD collection at that
time. So I already had a hundred episodes, whether
they changed or not. It was a hundred episodes
of a podcast. So that's what I mean about planning.
Gotcha yeah obviously you're not doing that because
like you said it's it's a it's a you know week
to week issue to issue thing but yeah yeah I
would say I would say the only thing are the
only instance where I'm quote -unquote throwing
anything at the mic is when I do the the quick
hit episodes when they're they're just by myself
yeah So if you listen to another comic review,
I've done a few quick hit episodes that are like,
I don't know, 10, 15 minutes where it's sort
of like a one shot type thing of just me talking
about something. In that case, it's really like,
oh, I really don't want to wait until the next
time we record. So I just want to kind of get
it out there and talk about it really quick.
But that's really the only thing that's kind
of like off the top of my head. Yeah, absolutely.
As a producer, are you a one man show kind of
host or do you prefer working with co hosts?
Yeah, so I think I think I kind of touched on
this at the beginning. I definitely like working
with other people primarily because and I get
I know on this new podcast, right? There's only
primarily two of us, occasionally three of us.
So I'm trying to get into more of this, but I
myself am not much of a talker. I've always been
a really good listener, not much of a talker,
but I'm trying to take on more of the active.
You're actually talking about whatever the topic
is. Yeah, absolutely The whole one -man show
things some people can do that where they just
sit there give their opinions And that to me
is like what YouTube videos are for like if you're
gonna review something anything It doesn't make
doesn't have to be a comic. It could be a comic
a movie a Piece of tech or whatever, you know
that to me is the one -man kind of show but when
I started TF2 and podcast the first like Seven
episodes are just me complaining about all of
the animation errors in every single episode.
And it's like, no, I need to bounce off of people.
I need to, you know, yes, I can be the one that
talks because I've been talking for 15 years,
but it's one of those things where if I say,
Hey, did you notice that optimus prime has yellow
eyes here instead of blue eyes? And Oh, right.
That's cause the toy had yellow eyes. I forgot.
Yeah. I had yellow eyes anyway. Yeah. But it's,
yeah, those things. I think if you look at my
YouTube channel, you'll see more of that. But
I mean, if you look at some of the quote unquote
influencers out there, I really think it is like
an art form of being able to, uh, you know, talk
solo and make it interesting. But some of them
also have like this, this over the top, like
acting, like the reaction videos, for example,
right? Those are like ridiculous. I don't do
reaction videos. But there's like the quote unquote
influencers who, let's say they're doing like
an unboxing or something, right? I really do
see that as like an art form. Do I see that as
like a career opportunity being a quote unquote
influencer? No, but I think it does take talent
being able to talk to the camera by yourself,
make it interesting and engaging. And I don't
think I've got that. ability to do but right
if you see some of my YouTube stuff like I am
talking like I The the transformer toy reviews
I used to do right so there is some of that in
there Yeah, I did have a big following at one
point on YouTube because of the reviews I was
doing I still say I'm one of the first people
to do a transformers toy review on YouTube If
you go back and look at when I did the very first
one I've got one review that's got over two million
views. Awesome. I mean, I had some ability to
do it, but I don't think I'm highly skilled at
it. Well, yeah, and that's different because
that's video. And like you're saying, that host
has to convey to the camera, to the visual audience,
whereas in an audio podcast, there's a huge difference
of us bouncing ideas off of each other or giving
each other our opinions and whether we agree
or disagree with. Whether we can see the issue
seven aqua color on the white background or not
kind of thing. There's a huge difference in that.
Like, like I said, my first seven episodes that
you listen to, any of those first seven episodes
of the podcast, it's just me talking out of my
ass. Like I have no idea what I'm talking about,
even though I know Optimus prime was blue in
two episodes, um, because of animation error.
So it just depends. Yeah, I mean I I also like
cracking jokes and that's very hard to do when
you're by yourself in solo Like even if you go
back to right Ryan's been on to Two reviews of
the Transformers comic. Is that right two or
three something like that or three something?
He hasn't been in all of them. Yeah He's been
on a couple but I mean even in even in a couple
of those Right. I was cracking a joke. You can
hear him laugh. I'm gonna play off that Yeah,
absolutely But to do that solo. Yeah, it's just
like okay. I crack a joke and it's like crickets
crickets crickets Oh, there's no one laughing.
Well, I don't know That's when you have to add
in a laugh track or one of these things. You
know, exactly. All right. As a producer, do you
feel you need a mixing board and all of the fancy
stuff that would generally be found at a radio
station? Or are you good with a great mic and
set of headphones? Yes. So when we talked about
hardware, I do have a mixer board here. Do I
think it's absolutely required? No. I like it
because, well, a couple of reasons here. It's
because I can use my XLR mic. I think that mic's
a little bit more superior than just using a
USB mic. Although, right, this is connecting
to my computer via USB ultimately. Yeah. But
I could use any XLR mic and plug it into this
and it'll work just fine. This is phantom powered.
So again, Any mic I plug in, I should be fine.
I can control the compression on it. I can control
master level. I can control a couple of different
levels on here. I can output mono or stereo.
And like I said, I can plug in multiple microphones
if needed, as well as some headphones. Like if
I want to... Oh, what's the word that I want?
Listen to the... What's it called? Oh, shoot.
I can't think of what it's called. What is it
called when you are listening back to yourself?
The replay. That's not what it's called, though.
It's called something. I can't think of it. In
any case, yeah, I like having the board. Again,
I don't think it's required. But yeah, I guess
that answers your question, maybe. Yeah, absolutely.
As a producer, how much time do you put into
the editing of the show? Yeah, so I don't...
put a whole lot of time into editing a podcast.
It really depends on how many people are on that
particular episode. So in another comic review,
it's mainly just you and I. So in editing two
audio files, that's fairly simple to do. If there
happens to be a third host, we bring in a third
host. Ryan in this case, it's just adding in
three audio files and I can edit all three of
them at the same time. So again, I'm using Audacity
here on my Mac. So when it comes to editing,
the main thing I'm looking for is tightening
everything up. So I'm cutting out a lot of dead
space. In the instance where it's like mainly
me and trying to read my own synopsis back I
screw something up. I'll give myself a second
just so I can see it in the waveform and then
it kind of added that back out. But mostly it's
in terms of any editing is just kind of tightening
it up and editing out dead space. And that doesn't
take very long to do, right? Because visually
within the waveform, you can see the empty space,
just remove it. The biggest thing I think is
really just adding the intro, the outro music.
And I mean, that's fairly simple to do. So it
doesn't take me very long. Yeah, usually if it's
an hour or if it's 45, anywhere from 30 minutes
to an hour and 30 minutes, you're usually going
to do double time on that just. in general, like
you're saying, make sure that all the audio tracks
line up right, because heaven forbid, I'm in
the middle of talking here, and then all of a
sudden, there's silence, and something else happens,
and it's all messed up, and Jigglypuff Batman,
I don't know. Jigglypuff, Jigglypuff. Alright,
goodnight. The whole thing. I think in terms
of actually editing the podcast before adding
the intro, the outro, we'll say we recorded a
45 minute episode for one of the comics. I think
I can have it edited in 20 minutes. Wow. Well,
you're a lot better at it than I am. Because
45 minutes because I do it when I do it. Linear
linearly. Yeah. Thank you. Uh, I, I already have
the intro. I already have the, I already have
all that stuff. So I just throw it at the beginning
line. It like, obviously I will edit the two
audio, like our two audio tracks first. But when
I'm putting the podcast itself together for the
final thing that the lovely listeners will listen
to, I always already put the The other stuff.
Yeah. Yeah. I do it the same way. So let's say
I was the one editing this podcast we're doing
right now. So the software that I'm using is
from Podcastle. So what it's going to do is it's
going to generate two separate audio files here.
So one for me, one for you. I'll download it.
What it does is it will actually sync them up.
So all I've got to do is drop the files into
Audacity. I don't have to worry about lining
up the audio. It's already good to go. So then
I've just got to edit out, like I said, all the
dead space to tighten it up. I export that as
a single file and then I bring it, you know,
open a new project, bring in the intro, drag
in this show file, bring in the outro. I'll do
the auto duck for the intro because I do talk
over that and export it. We're good to go. Yeah,
absolutely. Is your next question explain your
editing process? No. That was the thing. As a
producer, do you prefer in -person recordings
or over the internet recordings? Well, I said
that my wife has no interest in podcasting. I
have gotten her to record a couple episodes of
a podcast that we were trying to start or that
I was trying to start during COVID. I think we
got... two episodes, maybe three out there. And
then she just had no interest in doing it anymore.
So I really had fun recording that in person,
not just because it was my wife, but because
that was the first podcast I recorded in person.
Right. That was kind of fun. Actually, I know
I take that back just before COVID. When I was
still working at where I work, as opposed to
working remote, I started a podcast there at
work, and I did do some in -person podcasting
there. In -person recording, I should say. That
was a bit harder because it was like I'm used
to recording behind the computer. Yep. And doing
it over the internet and I'm not someone who
in what I was recording was actually like interviews
and I'm not the best at interviewing people.
I think for me I would prefer to do it over the
internet via my computer as opposed to using
like a sound recorder like I was doing for my
job and Recording it in person. Yeah, it's like
I said earlier. It's it's much easier to do it
this way where we're each in our own space We
don't have to worry about the biggest thing I
worry about with in -person recording and I've
only done two or three of them Where the person
is actually next to me with you know, whether
we're sharing the mic or the one microphone I
have or if I set up another one Like I actually
have to look at the person whereas now I'm just
looking at my screen and listening to what you're
saying I don't have to look anywhere else or
pay attention to anything else other than what
I'm hearing Coming into my headphones Yeah, I
think I think the one time where I think it would
be really fun to record in person. And this is
something we never got to do. But despite the
fact that I think would have been fantastic to
do was back when kind of TFI TFI was at its height
was if we could get everyone together to record
it like a bot con panel or something, or like
a you know, a comic convention panel or something
like I think that would have been fantastic.
Yeah. But that never happened. And again, I'm
trying to get you and Ryan to go to my conference
to record something because I think that would
be fun. But that's really the only time I think
it would be fun to kind of record in person.
Yeah, absolutely. OK, so as a listener and a
producer, do you prefer one feed have everything
or should each type of show have its own feed?
So the thing with this question is. TF wire.
It's transformers. It's transformers news. It's
another, another comic review. We're specifically
reviewing the sky Brown entertainment, energon
universe. What I mean with this question is something
like with us at GCRN where we have key cast radio
and that is general geek talk. And we do overarching
episodes of topics, but then we have tune cast,
which is all cartoon. So basically Do you want
a feed that has every single episode from every
single show we've done over the last 15 years
or should each each show be its own thing to
build its own audience? No, I get you. So the
way I did it back in the day when I had TF wire
was because we had more than just that podcast.
Obviously we started with that podcast. We didn't
call it a podcasting network. Ultimately, maybe
that's what it was. It was a mini podcasting
network. Because we had that, we had what Steve
was doing with War Stories. We had OtakuBot.
We had what's the one that Nemeno did. fangirls
on site. Yep, I remember that. Yep. There was
a couple. There's a couple more in there. What
we did was each one of those got their own podcasting
feed because it made sense to split them out
with what we're doing now with another comic
review. It's all kind of just one thing, right?
It's all within the energon universe. So even
with like the the the quick hits that I'm doing,
I just throw those in the in the main feed. But
for something like that, if it's the same topic,
it makes sense to keep it in the feed. If they
are completely separate topics, completely different
things. Makes no sense. Right. Even in the case
of like the old TFYR, different hosts were doing
it, made sense to split it up because... right?
When Nemeno was covering in Fangirls, it didn't
make sense at all to put in with what we were
doing on TFWare. Yeah, no, absolutely. It just
depends on what you're doing when you're doing
it. Yeah. And the thing with another comic review
is, yeah, we're covering the Energon universe.
And with the quick hits, it's like, oh, it's
kind of like when I used to do this thing on
the pullback called profiling previews where
I would get the... list of previews for upcoming
comics that we're releasing like three months
from. It's kind of like at the end of another
comic review when I sit there and say, Oh, by
the way, here's the solicit for Transformers
number 10, 11, and 12 kind of thing. It's the
same thing where we did that. Whereas with you
doing quick hits, it's like just a quick little
news bit that doesn't need to be a whole. Ass
15 to 20 minute discussion of everybody giving
their opinion on it It's just kind of like report
it like hey, this is the news and this is my
what I think and there you go Was there This
is gonna be interesting. Was there ever a moment
when you were completely done with podcasting
whatsoever wanted nothing to do with it Yes,
I think that takes us back to 2009 When I just
got out of doing the podcast all together, I
mean it may have been May have been I see I'm
trying to remember how far TF wire went. I think
it was it went at least through 2009 maybe 2010
But by 2009 I was certainly done because I was
I was just tired of doing it. So yes Yeah, absolutely
If your current podcast ends if you ever do away
with another comic review even though we just
got it started What what's next? What would you
want to do outside of doing comics in podcasting?
Yeah, so that is another good question, because
I've thought about that for years. Before starting
this up, it's like I want to get back into podcasting.
What can I podcast about? And I've had since
or between TF wire. Now I've had a couple that
I've tried to get off the ground. I put out a
few episodes. Like I said, I did one there with
my wife before meeting my wife back when I had
was engaged to someone else. And that relationship
ended. I actually put out a podcast. That was
more of me trying to work through some stuff.
That only lasted three, four episodes. And that
was done with that. So again, I've tried to do
some stuff, just didn't really find anything
that kind of stuck with me. So if this present
one ends, what would I want to do? As much as
I think it's like cliche, I would like to try,
you know, take another stab at doing something
similar to TFWire, but I'd have to find like
a completely new angle to come at it with. I've
been thinking about that for years, and it's
just like I haven't found the angle yet that
would be different from what anyone else is presently
doing in the Transformers podcast room. Yeah.
Yeah, absolutely. Because most of all, it's just
whichever host or whichever network's opinions
you want to hear more, not necessarily more than
the others, but which ones you want to hear first.
Between me and Steve at All Things Transformers
on the GCRN, you've got the Transmissions guys,
you've got the TFW podcast with, I think Vangelis
is still doing that, I don't know if he is or
not, but TFW had a podcast. It just depends on
who you want to listen to to get your Transformers
news. But yeah, it's a tough nut to crack on
that. What advice do you have for new and veteran
podcasters in the art of podcasting? For new
podcasters, I would say don't jump in and expect
you're going to have an audience right from the
start. I guess I don't even know what qualifies
as a good audience in terms of like numbers at
this point in 2024. Like I don't know is like.
Is 10 ,000 good? Is a million good? I have no
idea. Does it depend on the podcast? Probably.
At the height of TF Wire, we were having 10 ,000
unique downloads a week. Was that good? I don't
know. That's amazing. 15 years and 4 ,000 episodes,
I can tell you that's amazing. That was back
in the early days of podcasts. Now, that's probably
not even a drop in the bucket. I have no idea.
But in looking at the new podcast that we're
trying to get off the ground here, I am looking
at the stats. I share some of them with Mike
occasionally, but the audience is small. I'm
fine with that. I'm not really looking at the
audience. It's really more of me having fun,
discussing comics with you, discussing comics
with Ryan. uh and just kind of getting my thoughts
and opinion out there if someone wants to listen
great if they don't want to i don't care uh but
i am trying to like You know, promoted as much
as I can, although I could be doing more on social.
Social media is a beast that unless you're a
super influencer, you can't. It's a hard beast
to tame. It really is because there's so much
and so many different ways you can get the quote
unquote advertising across to be. It's so it's
my head hurts, but yeah. Yeah, I mean like even
like I said, I had a pretty I still have a pretty
decent following on YouTube, but like even like
we started posting some of the void rival stuff
there before I actually turned this into a podcast.
Yep. And we weren't getting many views on there.
So like the people who are following me on there,
they're not really interested in that type of
content. Yes. Right. There was no video. So completely
makes sense. I was just pushing the audio out
there. Yep. So that's why I decided to turn into
an audio podcast. But right, I don't, I'm not
really concerned about the audience. So for newcomers,
don't expect a large audience off the bat. Maybe
you'll never get a large audience. And I don't
think that's too big of an issue as long as you
kind of go into that knowing that if you're looking
to make money, don't. Yeah, it's not no. It's
not unless you're a Joe Rogan or unless you're
this person or that person, you ain't making
money at this. You're you spend money on the
equipment and you spend money on the web hosting
and the things and the things and the things
and the things. And then the rest of it is just
pure enjoyment of doing the content. You're not
like you said earlier about how you don't subscribe
to Patreons. I won't subscribe to a Patreon just
to get the episode early. I know sometimes that.
is a is a Patreon perk some creators offer. And
that's great. I'm perfectly fine waiting until
Wednesday or Thursday or next Friday of whenever
whoever's hosting the show, whatever podcast
it is, whenever their release schedule is, that's
fine. I don't need it two days early kind of
thing. I just I never have. It's whenever they
decide to release it. Now, if there's bonus content
that they're offering at a certain level and
there's some sort of other perk, fine. You know.
Whatever. But yeah, just release it when you're
ready, folks. Yeah. That's what I was going to
say. I know earlier I said, right, I'm not doing
this. I'm not recording another comic review
for the money. There are no ads in it. I don't
have a Patreon. I would be open to doing a Patreon
for something like, not for the main show, but
for something like what you just described where
in addition to what I was doing, I was already
committing the time to it. But now I'm taking
additional time. and creating additional content.
If someone wants to throw a few bucks my way,
sure, I'd be interested in that. But for the
main show, I don't see that as an option. For
veteran podcasters, I guess I would just say
if you are on top, no one stays on top forever.
Uh, and also kind of just be, be in the lookout
for that time period when you're going to feel
like, uh, it's too much, right? You're going
to get bogged down. It's going to feel like you're
doing too much. And if you feel like you're really
just creating content for the sake of creating
content, you're probably done with podcasting.
Yeah. Yeah. And that's the thing with me. When
I started, when we started, my ultimate goal
was, okay, if Steve and I are going to make this
a podcast network and we're going to have at
least, let's say, five main shows, one for cartoons,
one for movies, the Transformers one, the toy
collecting one, and something else. Let's just
say, for example, when I started and when we
started the network 15 years ago this month,
this or whatever. I said to Steve, I will work
my ass off from January 1st to October 31st,
basically 10 months, because usually around Halloween
and Halloween's getting into holiday time, Thanksgiving
and Christmas, not a lot of people are listening
to, at least not back then, are going to listen
to podcasts when they're trying to go visit their
family and all that stuff for the holidays kind
of thing. So that was my Philosophy on it was
if me personally, I want to do as much as I can
do, I'm going to do it within these 10 months
of the year. And then I'm going to have a two
month break, a two month vacation. Do we still
do stuff in that two months? Yes. But we slow
down versus having five episodes per week from
five different shows. We might only have two
episodes from two of those five shows or whatever.
But then again, I'm insane folks. He said it,
not me. I know I am. Hey, man, I'm looking to
record 150 episodes before December 31st for
the pullback for the comic show. So trust me,
I know my insanity level. Thank you. All right.
Final question. Where can the people find your
show? Promote yourself. Yes, you can find my
newest podcast, Another Comic Review, at AnotherComicReview
.com. And I think that's it. We do have an Instagram
account. That's also another comic review. You
can find me on YouTube at youtube .com slash
matrix underscore prime. And i'm not on twitter
anymore so you can't find me on there, i'm not
on facebook so you can't find me on there. He's
still on twitter he just doesn't use the account
anymore because i tag it every time i do another
comic review promotion on twitter. Guess I'm
being curious to see what account you're tagging
because my primary account is no more Whatever
Jesse early is it says we follow each other and
whoever that person is hasn't responded. So I
assume it's you I Probably have the account.
Yeah, that's that was never my primary one. Yeah
If you're interested in old podcasts, like I
said, you can find the old TFWIRE podcast on
the Internet Archive. You can also go to iaconmedia
.com. That was a website I threw up a number
of years ago now, where I was pushing out the
old episodes of TFWIRE. I do have some of Steve
Megatron's war stories on there. I believe that
was his first podcast. Yep. So if you haven't
heard his first podcast and you're interested
you can check that out at iaconmedia .com I don't
believe I've got all the episodes on there. I've
got the first three I may have more but I have
the first three on there and Yeah, that's that's
a interesting podcast that kind of was a brainchild
of mine, but I had no interest in recording for
it. And I know Steve was looking to get into
voice acting. So I just gave him an opportunity
to kind of do some voice acting for some fan
fiction within the Transformers role. Very cool.
Very cool. All right, folks, that's going to
do it for this episode of Studio 2009. I have
no idea. When this is going to be released, there's
no date on it, there's no episode number on it,
so no clue. Thank you for joining us here inside
the studio. If you'd like to get in contact with
us, leave feedback for the show. There's no ways
to do so. Visit the website, geocastradio .com,
where you can listen to and comment on all of
our content. Go away, Ryan. Thank you. Wrong
Ryan, the other Ryan, the Canadian one. Oh wait,
they're both Canadian. Damn it. Go away, Reynolds.
Ow. Visit the website, geekcastradio .com, where
you can listen to and comment on all of our content.
You can check us out on any and all the podcast
catching clients that are out there, Spotify,
iTunes, all that good stuff. You can follow us
on X at GeekCastRadio at It's Studio 2009. I
am at TF2 and Mike. Okay, become a fan on Facebook.
Go to facebook .com slash geekcastradio. You
can also check out Studio 2009 podcast over there
as well. For now, I'm TF2 and Mike with. Jesse?
We'll hear us back in the studio soon. I guess
you'll have to edit this part out. It's okay.
Oh my god. Holy crap. Yeah, this is a definite
big ass edit point. And I love this. Listen,
I know I said I wouldn't come in here for a month,
but it's an emergency. Have any of you heard
anything about these disappearances? What was
that? My house What did your house just do it
sounded like it flushed itself down the toilet
You done I don't know what that was edit point
we are
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