Transformation Animation Podcast
Interviews – Tom Kenny

Part of a Collection
About this Episode
Hello Discerning Podcast listeners, this is Tom
Kenney and you are listening to the GeekCast
Radio Network. This is Transformation Animation
Podcast and ToonCast Beyond. This is a special
crossover interview. I am TFG1Mike and joining
me is PeaconCourtMichael. Hello. Hey, how's it
going? It's going. How are you, sir? I'm hanging
in there. Yes, and we are about to talk to, well,
the 90s version of Frank Welker to Mr. Tom Kenny.
When we both looked at his IMDb, our jaws dropped.
How are we going to ask this guy a bunch of questions
because he's been in literally everything since
1990? He's been in a lot of stuff. It's insane.
And we're looking at this and just being overwhelmed.
Yes. It was very overwhelming. So, yes, up next
you will hear the incomparable Tom Kenny. Greetings,
former Decepticons. This is Starscream, and you're
listening to Transformation Animation Podcast.
Hello, and welcome to a crossover interview between
Transformation Animation Podcast and ToonCast
Beyond. I am one of your hosts, TFG1 Mike. Joining
me is Peacock Court Michael. Hello, sir. Hey,
how's it going? It's going, and joining us here
on the GeekCast Radio Network is the one, the
only, Tom Kenny. Hi, Tom. How are you? Hi, Mike
and Michael. I'm the guy whose name is not a
variant of Michael. How are you? Very well. How
are you, sir? I'm doing fantastic. Awesome. Yeah,
it's so weird. I've told people, like, the last
week, I've told people here and there, like,
I'm talking to Tom Kenny on Thursday night. They're
like, who? SpongeBob. Are you serious? You're
talking to SpongeBob? What the? Well, I think
it's very telling that when you say a voice actor's
real name, people go, who? But when you go, Homer
Simpson, people go, oh, yeah, I like Homer Simpson.
I didn't know the other guy. And that is, for
me, the beauty of voice acting. You get to voice
these characters that are iconic and famous and
all that stuff without – without any of that
drag -down stuff that goes along with the whole
fame thing. Yes. Before we get started, can you
give us the scoop on what's going on in the world
of Tom Kenny? Any upcoming projects you care
to reveal or pimp out? Wow, what's going on in
the world of Tom Kenny? I didn't realize that
I was my own world. Most voice actors are. Let's
see. I just got home from doing SpongeBob. The
kids are just going to bed. SpongeBob continues
to barrel along. Let's see. What else is coming
out that people might not know about? I'm Dr.
Octopus in the upcoming Ultimate Spider -Man
animated series. I'm Zelias Zox, who's a bad
guy, in the upcoming Green Lantern animated series
from Bruce Timm. Probably doing more Winnie the
Pooh stuff. I do Rabbit for Winnie the Pooh that
just began this year for Disney. And continue
to be the Ice King on Adventure Time for Cartoon
Network. Awesome. And then there's some other
stuff that I'm probably not thinking of, but
when it hits me, I'll suddenly yell out and interrupt
whatever question you're asking. Oh, yeah, I
forgot. I'm also this guy. Wow, that's awesome.
There's all that stuff that you're not allowed
to say. Nondisclosure just allows it. Yeah, which
I'm not good at not saying stuff. I'm really
good at saying stuff, but not so good at not
saying stuff. Yeah, we got into trouble with
Maurice LaMarche. He revealed that he was going
to be Mr. Freeze in Arkham City, and apparently
he wasn't supposed to say that right then and
there at the time. Well, you know, it's funny.
Like, I guess, you know, I always ask the companies
because, you know, they get weird. You know,
you weren't supposed to say that until such and
such a date. But, you know, the bottom line is,
who cares? You know, it's like, you know, it's
not like the game is going to sell any more.
Maurice LaMarche is Mr. Freeze. That's it. I'm
finished with this game. Well, no, it's not even
that. It's the fact that we asked him a question,
he gave us an interesting answer, and he mentioned
Mr. Freeze. I asked him a follow -up question,
can you give us a sample of the voice? And that's
when he said, I don't think I'm allowed to do
that. As soon as we released the interview, the
internet was abuzz because of our... It's like
we broke the story that, oh my God, Mr. Freeze
is in the second Batman Arkham Asylum game. Wow.
See, now I'm frantically going back and going,
yeah, I think all the stuff I mentioned is already
in the pipeline. So I think I'm okay. Like for
a while, the Spider -Man thing was under wraps,
and now I think it's okay to talk about that.
Awesome. You know, it usually depends on if there's
been a major Comic -Con recently and how long
ago it was. That's when they announced that stuff.
Right. Very cool. So to get things started, can
you tell us where you're from and how you got
started in voice acting? I'm not allowed to talk
about any of that. No, I'm kidding. I am from
Syracuse, New York, right in the smack dab in
the center of New York State. Many hours from
show business or Manhattan or anything resembling
a career in entertainment. And yeah, that's where
I'm from. What was the other one? How I Got Started?
Right, right. So how did you get from Nowhereville
to SpongeBob? Yeah, my career path has been kind
of elliptical and strange. I started out doing
stand -up comedy and playing in rock and roll
bands and things like that in Syracuse and doing
sketch comedy with my… lifelong childhood friend,
Bobcat Goldplate, who I met when we were six
years old. And we were in grammar school together
from first grade on, high school together, and
kind of had this shared interest in comedy, stand
-up comedy and sketch comedy and all that, and
being in high school in the mid to late 70s.
right when snl and fctv and all that stuff was
just getting going and we were very excited by
that and that that was a game changer for both
of us we decided that that was that was what
we wanted to do and i also had this added weird
layer of being obsessed with voice acting in
cartoons and mel blank and stan freeberg and
june foray and paul freeze and not the mr freeze
that uh maurice lamarche wasn't supposed to talk
about but paul freeze and uh that you know it
all kind of uh coalesced you know i wound up
i wound up moving to boston massachusetts and
doing stand -up and then san francisco uh for
you know i made a living as a stand -up comedian
for for many years uh tried to break into the
whole voiceover world and then finally in the
early 90s did a show called rocko's modern life
that was a nickelodeon show and an early nick
tune just just after ren and stimpy and wound
up really loving that and wanting to do more
of that and kind of straddled the world of voiceover
and on -camera stuff. I did a few seasons of
an HBO comedy series called Mr. Show with Bob
and David that had Dave Cross and Bob Odenkirk
in it. Just before that, a show called The Edge
that was a short -lived sketch show on Fox that
had Jennifer Aniston when she was still doing
Leprechaun 2. Wayne Knight, and the woman that
later became my wife, Jill Talley. And around
that time, voiceover was starting to be a little
bit of my work life, and I wanted to do whatever
I had to do to make that the lion's share of
my work life just because – well, two reasons
really. I enjoyed it more and thought that –
I was better at that than I was at on -camera
stuff. And despite, you know, having a fair amount
of work on camera, I just liked it. I just thought
the voiceover stuff was a better use of my skill
set or whatever. I just felt more comfortable
at it. And, yeah, before then, during the third
season of Mr. Show, SpongeBob became a pilot,
and then Doug Greenlit is a series. And, you
know, all this other stuff was kind of going
on at the same time, you know, different cartoon
series from different places, Powerpuff Girls
and CatDog and, you know, a lot of different
stuff. So, you know, it's kind of like being
a session musician. You just kind of show up
with your drumsticks and do whatever they tell
you to do. Yep. Yeah, I mean, voice acting is,
you know, it's the best job in the world. You
can go in there in your pajamas and just use
your voice. You don't even have to dress up.
It is. In the spirit of full disclosure, I have
to say that I have never worn my pajamas to work.
But I guess theoretically, one could wear their
pajamas. If I wanted to wear my night before
Christmas sleep cap and carry a candle on a little
plate into work, I think I could. I mentioned
the exact same thing in another interview with
Jason Marsden, and the very next day he went
into the new Thundercats series. He went into
that voice cast and took a picture. It was him
in a T -shirt and pajama pants just because I
mentioned it in an interview. Oh, my God. That
is so funny. That is so funny. Well, that's what
people – they go, wow, you can wear your pajamas.
You don't have to shave. Translation. you can
look as shitty as you want and still work. Just
as a point of pride, I try to be the best -dressed
voiceover guy out there. I actually try to be
kind of stylish. Out of all the characters you
have played over the years, what are some of
your favorites? Well, Starscream was on a show
called Transformers Animated. I don't know if
you guys have heard of that one or whatever.
I'm kidding. And, you know, it's always fun to
play bad guys. SpongeBob, of course, is right
up there with me. The first character that I
got to play was a character called Heifer on
a show called Rocco's Modern Life. And like we
talked about before, an early Nickelodeon tune.
And he was really... fun and funny, kind of the
bullwinkle, you know, the dumb bullwinkle kind
of sidekick to the main character of Rocco. And,
you know, they're all fun in their own way. I
have to say, when I think about stuff that I've
done on camera, so much of it was just kind of
like boring or unpleasant or uncomfortable or
a drag. And with voiceover, I'd be hard -pressed
to think of a gig That wasn't at least a little
bit of fun. You know what I mean? Like the worst
day you have doing voiceover, I always say, is
still better than the best day you ever had doing
some day job that you hate. When people start
complaining about voiceover, I'm like, dude,
shut up. You're making funny voices and they're
giving you money. Stop complaining. And the union
says that the sessions can only be four hours
long, so shut the F up, okay? Can't be that bad.
Yeah, exactly. How bad could it be? You're hanging
out with funny, weird, creative people making
funny voices and having a good time. So you mentioned
Transformers Animated, and we love us some Transformers
Animated. Yeah, I do too. I enjoyed that show.
Let's talk about that a little bit if we could.
What did that go? Three seasons? Three seasons,
yeah. Yeah, yeah. It's okay. So I'm not completely
senile yet. It's funny. Sometimes people look
at my resume and just go, wow. It's like we printed
out your resume and killed 25 trees. I know.
You've done a lot of stuff. We looked at it and
it was like our jaws just dropped. How are we
going to come up with questions for him that
fit 30 minutes? Wow. Especially with his tendency
to give run -on sentences that just go on and
on to every question. Transformers was really
fun because although... I'm a little bit old
to be, like, a first -generation Transformers
kid. You know what I mean? Like, I was born in
62, so Transformers was a little late for me.
I have a younger brother that's 10 years younger
than me that was kind of more that wave. Right,
yeah. Time -wise. But, you know, it was fun.
You know, it was one of those things. I mean,
pretty much every... series that you go in for,
no matter how many shows you're working on, you
still have to audition. And you go in there and
they say, we want you to read for this guy and
this guy and this guy. And for me, that was Starscream.
And I said, do you want it to sound like any
of the previous Starscreams? I know there have
been a lot of other Transformers series. Should
I woodshed with this stuff and try to voice match
this stuff? And they said, no. No, don't worry
about that. You know, just your take on the character.
Yeah, your take on the character. Okay, which
was kind of freeing for me because I suck at
impressions. And much to my surprise, I wound
up getting Starscream. And on any show like that,
they wind up kind of just, you know, just on
the fly, like auditioning you for a bunch of
other stuff as it's going on. So, you know, hey,
Jeff Bennett, take it. could you take a shot
at this guy? Okay, now Tom, could you take a
shot at this guy? Now Bumper Robinson, could
you take a shot at this guy? Okay, we like Jeffs
or we like Toms or, yeah, we think Bumper's the
best for that guy. So, you know, I wound up playing
Starscream and also Sumdack and Scrapper and
Skywarp. A lot of stuff on that one. Yeah, you
played all the clones except for the final clone.
Yes, yes, it was really fun. And my favorite
character, you know, on that show with some back,
like, like I just, I just love the idea of this
guy that just found Megatron's head laying around
and, uh, used his hand for a chair. Yes, exactly.
You did that for a chair and kind of reverse
engineered it so that he became kind of a captain
of industry. Speaking, you know, speaking of
Steve jobs and those guys, uh, you know, you,
and I always thought that made him, a really
interesting character with this empire of his
was founded on this secret that he was a little
ashamed of and didn't want anyone to find out
about. It's like as if Einstein had somebody
whispering in his ear that wasn't Einstein. You
know what I mean? That made him a very interesting
character to me. Were there any other characters
besides Starscream and Sundack that you maybe
read for that you wanted to get, other than those
two? Wow, that's a good question. And keep in
mind that this series was a few years ago. I
do remember... Like, what would a Tom Kenny version
of Optimus Prime from that show be? You know,
I knew that I probably wasn't right for those,
but you know what? I do remember wanting to be
the cop with Fanzone. Yeah, Fanzone, yeah. Yeah,
Fanzone. I remember wanting to be that guy just
because I always wanted to be a cop. You know
what I mean? I love – or play a cop, I should
say, not be a cop. I love Dragnet and Adam -12
and all those goofy old cop shows. And I just
thought it would be really fun to play the put
-upon policeman. But another one of the great
things about voiceover is that when – You know,
you're playing with guys like Billy West and
Jeff Bennett and Corey Burton and, you know,
guys like that. It's, you know, Maurice LaMarche.
You know, the bar is so high that when you lose
out to one of those guys, you don't feel that
bad. Exactly. You know what I'm saying? It's
like, yeah, okay, so, you know, what can I say?
You know. You know, Babe Ruth. Babe Ruth beat
me in a game of baseball. You know, boo -hoo.
Darn. Hey, we love to hear background, you know,
funny stories about voice actors just being goofy
behind the mic. What can you tell us about the
time you met Weird Al Yankovic on the show? Oh,
great. Yeah, Weird Al. He was on the show. Yeah,
yeah, yeah. I remember that. He played Rek...
Rekgar. Rekgar. Yeah, yeah, yeah. You know...
I've known Weird Al for years. He's a friend
of mine, and I always love working with him.
He's one of the sweetest, nicest guys in show
business. That's across the board. Nobody's got
a bad story about Weird Al. It's kind of disappointing.
Anytime you get to work with Weird Al, he was
a Mr. Show fan, and my wife had done his... live
action Saturday morning series. I'm actually
on his latest album. He has a song called TMZ,
and I am the irritating TMZ announcer guy that's
kind of heard throughout the guitar break on
that song. So he's great. One thing I remember
from Weird Al being on that show is that at the
time we recorded that episode, my son, who is
now almost 14, was in the midst of an intense
Weird Al fan phase. And him and his friends were
all super, super into Weird Al because of Stuck
in the Drive -Thru and all of those things that
were, whatever that last album was before this
current one. And they thought he was a new guy.
Like they went, oh, dad, there's this really
funny song by this guy, Weird Al Yankovic. You've
got to hear it. The video is really funny. And
I said, yeah, that's Weird Al. I know Weird Al.
You know Weird Al? Yeah. Yeah. I've known him
for a long time. He's really sweet. So that's
what the story is. No, I'm sorry to interrupt
you. No, I've heard the story over the years
that. When Weird Al came in, it was you that
kind of freaked out about it, but it wasn't you.
It was your son that freaked out. No. Well, exactly.
Exactly. So what happened was my kid and all
his friends are crazy for Weird Al. Now, at this
point, I haven't yet told them that I know Weird
Al. I'm keeping it under my hat. But I know that
Weird Al is going to come in and do an episode
of Transformers. I still haven't told them that
I know him. That comes later. So I said, hey,
you guys want to go to a Transformers recording
session with me? And they're like, yeah, sure,
you know, okay. And all the way there they were
talking about Weird Al and have you heard this
song and blah, blah, blah. And I said, can you
guys imagine meeting Weird Al? And they said,
oh, my God, I don't know what I would say. I
would be so freaked out. He's so genius and blah,
blah, blah. And I said, yeah, yeah, you know.
And knowing full well that when we walk into
this recording studio, Weird Al is going to be
there. Yeah. So I brought my son and a couple
of his friends, and when they walked in, and
I just introduced them around the room. This
is Sue Blue. She's the voice director, and this
is David Kaye. He plays Optimus Prime and all
these actors and engineers and animators. Oh,
and this is Weird Al. He's sitting in the back
on the couch, and their jaws just hit. They couldn't
see. speak they started hyperventilating they
freaked out it was one of those perfect storms
because they had no idea that i knew weird al
because i was keeping it secret and they also
he was the last guy that they were expecting
to see and they talked about him the whole ride
to cartoon network like just organically they
were talking about this and that and weird al
and they you know so yeah they wigged out they
wigged out it was really fun and and alice so
you know him and i just did uh We did some stuff
on the Batman Brave and Bold series on Cartoon
Network recently, and I got a chance to see him
again at the wrap party for that, and he's just
– there's nobody like him. He's just a really,
really nice and super talented guy, like deserves
everything, works his butt off, super talented,
and what can you say? Awesome. So shortly after
Animated went off the air, you got involved with
the Transformers live -action movies, starting
with Orange of the Fallen, playing Wheelie and
Skids. We've got a few questions. That was one
of those things where I went in on an audition
at Bay Films in Santa Monica. The auditions happened
right there. And I said, will it help me? Should
I tell them that I was on the Transformers animated
series? series like maybe that would help like
if they know I'm already part of Transformers
world and my agent said no no no no don't it
doesn't no don't don't don't even go there just
go in and audition as a completely new person
you know and I don't know what their thinking
was on that but so I went in just you know the
usual thing just looked at a picture of the character
read some stuff and you know As always, I was
rather surprised when they called me back to
do some more and was even more surprised when
they walked me. Usually when you audition for
stuff, you're not meeting the main guy. You know
what I mean? There's layers and layers of underlings
and lackeys that you're dealing with before you
ever get the gig. But when I went back for the
callback… Wow, Michael Bay is actually running
the callback. That's him. There's like two people
here, and one of them is Michael Bay. That's
amazing. And he's a very hands -on guy, and that
was kind of unusual and kind of speaks to his
working method of just being very, very involved
of every aspect of it straight down the line.
Micromanaging. Did he actually tell you how to
play that one? What's that? Did he tell you how
to play that one? Again, micromanaging. Or was
that something you came up with? Oh, no. He's
waiting to hear. So much of voice acting is just
running through a whole bunch of variations.
until you finally hit on the thing that the guy
in charge is hearing in his head. And when he
hears it, he goes, yes, yes, that. And then he
directs you further. So, you know, yeah, this
may come as a surprise to you, but Michael Bay
was very, very opinionated and knew exactly what
he wanted. I can imagine. Go figure, right? So
there was a lot of controversy. No, he was great.
Yeah, there was a lot of controversy over the
urban qualities that were attributed to Skids
and the Autobot brothers. Yeah, I guess when
you say urban, you mean the euphemism for black,
right? Well, you know, black hillbilly, people
who can't read in general. I don't want to point
any fingers, but when you're reading for this,
were you like, what? I mean, what did you think
of this while you were reading for Skids? Yeah,
for skids. You know, that actually happened in
the sessions where he said, hey, you want to
do some – it was actually almost like a scratch
thing where myself and the other actor, Reno
Wilson, who's an African -American – I'm a hillbilly.
He's an African -American. And he said these
are robots that have been obsessed with – They're
picking up these signals from pop culture, and
their particular obsession is gangster rap like
Bad Boys 2. That's their thing. And I said, okay,
cool. Yeah, we can do that. And that was it.
At first I thought it was just kind of a placeholder
until they found it. the real guy that was going
to be doing that. And then, uh, then it turned
out that, uh, no, me and, uh, me and Reno were,
we're really, really doing it. So we did it.
And, uh, you know, three people got upset for
five minutes and then, uh, and then Michael Jackson
died and it all went away. That's true. Like
I remember when it, you know, I was shocked that
people were so, uh, That it was controversial
at all. I'm like, are you kidding me? This is
the most egregious thing happening today? You've
got to be kidding me. And I was like, wow. And
Reno, I remember talking to Reno, and he was
going, what? He couldn't believe it either because
his thought was that hip -hop culture long ago
transcended color lines. And if you go into an
Asian neighborhood, there's Asian wannabe gangsters.
And if you go into a white neighborhood, there's
white wannabe gangsters in Beverly Hills. And
these guys were very much wannabe gangsters.
They weren't real Crips and Bloods. They're gigantic
robots that have been watching Bad Boys 2 one
too many times. And to me, that was a valid place
to go. And okay, when you're a voiceover actor,
you're pretty much a tool in the box of the guy
in charge, whether that guy is Steven Hillenburg
or Michael Bay or Craig McCracken or Gendy Tartakovsky
or whoever it is, you know, you're, you're a
color in, or a, you know, a colored pencil in
their box and you're just going, okay, whatever,
whatever you guys want. That's what I'm, you
know, that's my, my job is to, my job is to facilitate
what you guys are, are hearing. And literally
the next day, Michael Jackson passed away, and
I think that kind of made this other showbiz
story about the gangsta wannabe robots seem like
the puny and unimportant thing that it truly
was all along. Yeah. A buddy of mine, Paul, who
is a huge fan of Transformers in general, he
basically told me that I have to ask you this
question. Skids was written out of the third
film. Before that happened, did you record any
lines for Dark of the Moon, the third film? As
Skids? Yes. Was Skids the guy that I was? Yeah.
Okay. You know, I don't know. I think maybe there
was like a couple of things where they were like
in a crowd scene or something. But again, this
stuff, like, you know, you just kind of, it's
kind of one stop on a day where you're going
to like six different places and doing crazy
voices. But yeah, I think there was probably,
you know, there wasn't any, I guess, you know,
if the question is, are there any big skids scenes
on the cutting room floor? No. Yeah. Well, I
think the thing was is Michael Bay had promised
that Skids and Mudflap would not appear in the
movie, although there's photographs of them on
the set. And so people were like, oh, maybe there
was something going – some shenanigans. Maybe
they were in the movie and they were cut. It
would be interesting to hear from the voice actor.
By the time the robot voices come into the movie,
all that stuff is such a done deal. You know
what I mean? The movie's been shot. Everything
is practically done. There's no lip flap on the
robot, so you're free to play around to a certain
degree. But yeah, the dumb voice actor is certainly
not privy to any of those. backroom decisions
that responsible adults are making. We're too
busy dicking around and having fun. Well, let's
talk about Wheelie. I mean, Wheelie's a fun character.
Tell us how you came into his voice. Well, again,
in that session at Bay Films with Michael, Michael
just said, you know, this guy's kind of like
a Joe Pesci kind of guy. And, okay. Well, okay.
I think I can do something akin. Joe Pesci has
a robot, so we did. So much of this stuff, whether
it's Powerpuff Girls or Foster's Home from Engineering
Friends or whatever, is a creator going, this
is what I want you to sound like, and then you
do it, and they go, great, cool, you got the
gig. Sometimes that's kids too, so it's whatever
you do. It's a bit up in the air, but did Wheelie
and Brains really die in the movie? Boy, I guess
only the editor knows for sure. Yeah. Yeah, that
was one of those things that I walked out of
the screening going, am I dead? You know, I don't
know. I guess if I get a call in a couple of
years, I'll find out. Like so much of this stuff
is out of your hands. You just do it, and then
you go, wow, Michael laughed. Okay, I guess he
liked that one. And then you get into your Prius,
and he gets into his Maserati, and you both drive
home. Nice. Well, so suffice to say, Wheelie
won't be coming back in Transformers 4. You know,
I don't know. I'm cool with it. Yeah, I've got
– I'll totally stand by anything that I've ever
done. But yeah, probably in the interest of just
not creating a shitstorm, they should – yeah,
why bother? Why bother? Well, you could do zombie
wheelie. That would be cool too. Yeah, there
you go. Would you be up for more Transformers
roles if they came along? Oh, God. The word no
is not in my vocabulary. So wait a second. You're
going to be the next season My Little Pony villain?
You know what? Anytime. Anytime, absolutely.
Of course. I would love that. I think they use
mostly Canadian actors. But a lot of that My
Little Pony show was – … formed by Lauren Faust,
who did a lot of stuff on Powerpuff and did a
lot of stuff on Foster's Home for American Friends
– or Foster's Home for Imaginary Friends. So
as a parent of a kid who likes My Little Pony,
I'd be all over that. It sounds fun to me. Nice.
Well, we just talked to David Kaye not too long
ago, and he had said that he was up for a… a
role in Transformers Prime. And this is another
guy who has been in Transformers and has worked
with Frank Walker. Oh yeah, he's been a part
of the Transformers world for a long time, yeah.
Yeah, so the question becomes, is that something
that you might have in the cards for yourself?
Well, I haven't heard anything. Again, I love
doing all kinds of shows. One of the things that
I really enjoy about my job is that You know,
one day you're doing, you know, My Little Pony
type stuff, and then the next day you're doing
something really educational, and then the next
day you're doing some really straight, you know,
network promos. It's the most anticipated new
show of the season, you know, all that kind of
stuff. And then you go and do Spongebob, and
then you go and do, you know, some theme park
ride, and then, you know, it's always different.
So, you know, for somebody like me that gets
bored really fast, it's the perfect gig. Sure,
I love Transformers world and, you know, the
Spongebob connection is that Bill Fagerbakke
that does Patrick Starr on Spongebob was Bulkhead
on the Transformers animated show. Right, right.
But yeah, I love, it was a great, you know, anytime,
anytime they want me to do Transformers, I'm
there. It was a great cast. Corey, you know,
Corey Burton is the voice actor's voice actor.
You know, he's... That's an interview we would
love to get. Yeah, Corey's mysterious. He's a
mysterious genius. He's great. I love working
with him. He goes back all the way to the G1
Transformers. He does, yeah. I believe he was
Ratchet and Megatron in the Transformers animated
show that I was on. One of the fun things about
the voice acting world is that there's... a fairly
finite number of people that do it all the time.
So you get to know people really well. So when
you walk into a show like Transformers Animated
and you're working with Tara Strong, who played
Sari, and Jeff Bennett, Corey Burton, you know,
Fager Bakke, Bumper Robinson, you know, it's
like old home week. And, you know, people like
Matt. with youngberg matt youngberg who i'd worked
with on the batman because i was the penguin
on batman and i did a lot of stuff on teen titans
and derrick wyatt was uh you know did a lot of
the designs for that show and he had done stuff
on i believe teen titans as well as foster's
home for imaginary friends and it um you know
it uh it's it's a very comfortable world you
know if you uh got what it takes to stick around
it for a little while, you'll work with the same
nice people over and over again. And I actually
count everybody that I've met that I worked with
on that show as a friend. Nice. Well, you're
best known for your role as SpongeBob SquarePants.
So I'd like to talk to you about that a little
bit. I'm getting all fanboyish all of a sudden.
Oh, cool. Michael is married. He's got two boys.
And before we started this interview, Michael
was putting his boys to bed, and they were using
SpongeBob SquarePants toothpaste. Oh, great.
It's like, wow, sponge flavor. Now with extra
sponginess. It's like, wait, isn't SpongeBob
full of holes? I don't think you want to be using
toothpaste. It's the toothpaste that actually
causes cavities. Wow. So how did you get involved
with SpongeBob? Was it because of Rocco's Modern
Life, or how did that come about for you? Yes.
Steven Hillenburg was the creative director on
Rocco's Modern Life, my first job in animation,
his first job in animation, and really a whole
lot of... people's first job in animation it
was one of those petri dish shows that that you
know everybody that worked on that show wound
up kind of going on to to other things and kind
of having a fairly long uh you know a lifespan
in animation and um yeah guys that i work with
every day on a number of different shows are
all guys that started out with uh on rocco Awesome.
So where did the voice for SpongeBob come from?
Did it take you a while to get it down? No, like
all these guys that we're talking about, whether
it's Pendleton Ward, the creator of Adventure
Time, or Michael Bay, or any of these guys, Steve
had a very clear idea of what he wanted SpongeBob
to sound like. And once I dialed it in, he was
like, yes, that's it. Don't try anything else.
That's it. That's it. That's what I'm hearing.
Perfect. That's the guy. And we've got it. And
when it came time to do the pilot and then for
the pilot to become a series, he went to bat
for me with the brass at Nickelodeon and said,
this is the guy. I don't need to hear anybody
else. Don't audition any other actors. I don't
need to hear people that are on sitcoms or whatever
or movie stars. This guy laughs like Spongebob,
cries like Spongebob, sings like Spongebob, ad
-libs like Spongebob. We're done with Spongebob.
Now we need to cast these other characters that
Spongebob hangs out with, and I appreciated that
very much. Nice. Awesome. Now Spongebob says
some off -the -wall things. So have you ever
been surprised by a line in the script? You know,
pretty much every week. It's like there's something
when you're reading the storyboard that is so
random and so bizarre that you go, oh, okay,
that's weird. I like it. Weird is good. Let's
see. Are you surprised as far as how popular
SpongeBob has gotten? I mean, it's like a worldwide
phenomenon now. Yes, I guess the short answer
to that is that I was – first of all, I'm surprised
that it got so popular, and second of all, I'm
surprised that it's stayed so popular. I don't
know why or what the science of that is, if any,
but it's a very unusual phenomenon where – you
know, something stays on the air for so long.
And SpongeBob, you know, oddly, but thankfully,
is getting higher ratings, you know, just keeps
getting higher and higher ratings, like it's
doing better now than it ever has in terms of
numbers. So it's pretty crazy. And I just did
an episode of Futurama last week, and David X.
Cohen, you know, one of the main dudes on Futurama,
told me that I started doing guest stuff on Futurama
in 1999, which was the year SpongeBob went to
series. And he said, you realize that only three
shows that were around in 1999 are still on the
air, and it's Family Guy, Futurama, and SpongeBob.
I was like, wow, okay, cool. I work for all three
of those guys. That's good. Okay, cool. I do
stuff for the Cleveland show sometimes. It's
surprising to all involved, I would say, and
very gratifying. I was traveling around Europe
this summer with my kids, and it's It's weird
to be in some mountain village in Italy and the
waitress that's waiting on you has a SpongeBob
shirt on. It's amazing. Every voice actor that
we've ever talked to has that story of, oh, I
was in a toy store here and I did the voice here.
And they're like, mommy, that's not SpongeBob.
Oh, yeah. I keep it very much like if I'm ever
any place and a kid has a SpongeBob shirt or
a SpongeBob toy or whatever, there's no way I'm
going to go up to that person and risk looking
like the creepy freak that's trying to talk to
your child. Do you like cartoons, Timmy? Like
Airplane. Do you like Gladiator movies, Billy?
It's kind of a quiet source of pride for me.
What types of characters do you like playing
better? Good guys, bad guys, serious characters,
funny characters? What is your favorite thing
to do for voice acting as far as character -wise?
You know, they're all fun. Like I said earlier,
there's... Very little of it feels like work.
I can count the sessions that I've done in 20
years on one hand where it actually felt kind
of laborious where you're going, Jesus. And a
lot of times that's commercials where you go,
man, I've said part of this good breakfast every
way that I know how to say it. We've done 999
takes of me saying part of this good breakfast.
I feel like I'm hitting a wall here, and I'm
really trying, and I can't – I don't know what
they want. But advertising is a little different,
but they're all fun. It's fun doing – it's really
fun doing the preschool stuff like Handy Manny
for Disney or Rabbit for Winnie the Pooh. And
it's – good guys are fun. Bad guys are – Funner.
You know, it's really fun just letting your evil
flag fly and being the bad guy. You know, I've
done, you know, Penguin for the Batman and, you
know, Zelia Zox currently for Green Lantern,
Doc Ock for Ultimate Spider -Man, like we said
earlier. And they're really, it's really fun
to just let that hang out, you know, like just.
Just go for it and be evil. I consider the Ice
King in Adventure Time to be every bit as weird
and creepy of a villain as Dr. Octopus. He's
a weird guy that kidnaps princesses and tries
to be friends with them. It's kind of cathartic.
I guess any actor that you talk to, we'll talk
about the liberating fun of just being a full
-on bad guy, and I first felt that way back in
1992 when I did the bad guy in Bobcat's film,
Shakes the Clown. Awesome. Yeah, there were a
couple times in animated where Starscream actually
screamed, and I'm like... Wow, dude. I wonder
if Tom lost his voice that day. Yeah, well, you
know, usually not. I mean, you know, I guess
there have been a couple of times where you've
got multiple sessions going on and they're all
screamers. But generally, you know, if you pace
yourself, you can, you know, most of these, you
know, adventure cartoons and... you know, are
pretty extreme. You know, there's very high highs
and very low lows. And a lot of the comedy is
like that, too. SpongeBob, you know, is very
high highs and very low lows. So, you know, I'd
be lying if I didn't say that sometimes it's
kind of nice, you know, kind of a relief to do
these, you know, to do one of these preschool
shows where there's no conflict and everybody's
really gentle and, you know, nobody ever fights
and you're just like, wow. You don't have a lot
of screaming with Rabbit, right? Well, I guess
of everyone in poo, he's probably the most likely
to scream because he's such a fuss budget. He
likes his garden a certain way and his kitchen
a certain way, and he doesn't like people dropping
in unannounced. So if anybody's going to scream
in the 100 -acre wood, it's him. But it's not
the same kind of primal. scream as Starscream.
Right. See, that would be a funny episode where
Rabbit loses it. Absolutely. And he does sometimes.
In this feature film that was out this summer,
there are a couple of scenes where Rabbit gets
pretty extreme. Let's change gears a little bit
and talk about one of my favorite subjects, toys.
Do you collect the toys from the characters that
you voice? I guess I definitely have the collector
mentality, but not toys, and definitely not toys
that I do the voice of. That's the last thing
I want in my house is stuff that sounds like
me. So yeah, I don't have anything. I collect
records. I collect rock and roll 45s and 78s
and blues and hillbilly music. Crazy stuff like
that and comic strip original art from 1920s
and 1930s comic strips. But in terms of stuff
that has a chip in it with my voice, no. Not
so much. I was going to say my boy loves Super
Hero Squad, and we have so many Iron Mans. That's
cool. Is there talking stuff with Iron Man? Well,
they don't have so much talk. Well, they do have
the helicarrier, and when you push the button,
it sings the theme song, which is awesome. Superhero
Squad. Yeah. We hear that day, and it gives me
nightmares. It really is. Oh, that's great. Well,
yeah, Superhero Squad was another one that was
really fun because, you know, as a kid that grew
up on comic books and superheroes and all that,
Stanley, Jack Kirby, you know, 60s. 70s stuff,
you know, it was starting to feel like superheroes
had been taken away from kids who really liked
superhero stuff and given to kind of, you know,
35 -year -old mouth breathers who, you know,
eat Cheetos while they type online. And it was,
you know what I mean? It was kind of like, I
remember when comic books were actually for kids
where a kid, could read a comic book, and a college
student could also read a comic book, and it
could be the same comic book, and there was something
in there for both of them. It was starting to
feel so, in the post -Dark Knight, the post -Frank
Miller world, it was starting to feel so freaking
nihilistic, and I was just so bored with nihilism.
It was kind of a great treat when they said,
hey, we're going to do a superhero sitcom. It's
like Fisher -Price versions of the Marvel superheroes.
Not literally Fisher -Price, but you know what
I mean? Little super deformed characters. Yeah,
little super deformed little super fetuses that
are kind of got a big head and big feet and they're
kind of squatty like those Star Wars ones. Like
those Star Wars ones that Hasbro puts out. Exactly.
Okay, great. And, you know, it was kind of fun
because I knew a lot of people with kids that
liked superheroes, but they couldn't go see the
latest Batman movie because... a pencil gets
shoved into a guy's eye socket. So it was kind
of fun to have, you know, to be a part of this
thing that kind of, you know, like I think all
these characters, you know, whether it's Transformers
or, you know, DC superheroes or Marvel superheroes
or whatever, you know, are strong enough characters
that you can do different versions of them designed
for different. Demographics, you know what I
mean? Like you can do a kid -friendly Iron Man,
and you can do a staring in the mirror while
he tries to fight off his alcoholism Iron Man.
And they're both valid, but you probably don't
want your four -year -old watching the – Going
to the AA – yeah, Tony Stark goes to the AA meeting
is probably not suitable for your five -year
-old boy who loves superheroes. So it was – that
was a really fun show, and it's always fun to
play the handsome good guy when you're a pot
-bellied late 40s dad. And it was kind of fun,
and you also got to be the guys on the other
side of the spectrum too. You got to be the evil
dudes too because I got to be MODOK and Juggernaut
and a whole bunch of other people on that show.
So you were able to be – it was great. You were
able to be the evil guys and the heroic guys
in the same script. So it was kind of scratching
both itches. We love that show. Tremble before
the might of MODOK. Yeah, I love that. That was
a really fun show. That was a really fun show,
and hopefully we'll get the opportunity to revisit
those characters again in some form somewhere.
Yes. Before we let you go, can you remind everybody
what you have coming up? Sure, and a lot of this
is stuff that I've not seen yet, but somebody
just emailed me from the Bruce Tim Green Lantern
Show and said that it's looking real good. I
play a guy called Elias Zox, who's a bad guy,
Doc Ock in the upcoming Ultimate Spider -Man,
and the Ice King in Adventure Time. And by the
way, the Adventure Time crew and cast will be
at the New York... Comic -Con in mid -October
in New York City, so hope to see a lot of you
guys there. And, yeah, continuing on doing some
rapid Winnie the Pooh stuff for Disney. And,
of course, SpongeBob is something that's never
-ending. And SpongeBob looks like it's got some
legs. You know, hopefully. I never take anything
for granted, but it looks like SpongeBob is going
to be around for a bit. It's still doing real
well. I just wrote a song that's going to be
in the 2012 Christmas holiday special for SpongeBob
called Don't Be a Jerk, It's Christmas. Keeps
on being fun. We would like to thank Mr. Kenny
for taking the time to chat with us in this special
Transformation Animation Podcast Tooncast Beyond
Crossover interview. We'll ask you to hold the
line, and we'll be back after this. Thank you,
Michael and Mike. Thank you. Ah, never before
have I seen a more impressive group of lethal
fighting machines. And pretty good -looking,
if I do say so myself. That pompous bag of bolts
Megatron won't know what hit him! He'll be crushed
in our wake! Us? Against Megatron? Are you insane?!
Huh? I think I just sprang an oil leak. Silence,
you fool. Megatron is a worthless pile of scrap
metal compared to my genius. Brilliant observation,
brilliant. But your genius pales in comparison
to the genius of our leader, the original Starscream.
I could listen to this one all day. What are
you talking about? I am the original Starscream.
Liar. I'm the original Starscream. I never said
I was the original Starscream. You just did right
now. No, I didn't. Yes, you did. No, I didn't.
Yes, you did. No, I didn't. Oh, haven't you figured
it out yet? He's a pathological liar. Each of
us clones represents one aspect of your personality.
He's a coward. He's an egomaniac. He's a suck
-up. He's a liar! I am not. So, which part of
me did you come from? Don't ask. Wow. Maybe that's
all I can say is wow at this point. Yeah, that
was a fun interview. That was very fun talking
to him. That was pretty awesome. You know, 10
years from now, you know, when Tom Kenny is the
actual Tom Kenny of the 2000s as opposed to being
the Frank Walker of the 90s. we can look back
on this and say, hey, we talked to that guy.
You know, it's going to be scary. Ten years from
now, when Spongebob is pushing its 21st, 22nd
season, and they're saying, you know, didn't
that show called The Simpsons run about this
long? don't go there don't even go there that's
all the discussion so yes uh thank you so much
to tom kenney for taking the time to talk with
us here on the transformation animation podcast
tooncast beyond crossover interview um for transformation
animation podcast we will be starting season
three soon and for tooncast beyond actually very
funny uh episode one of tooncast beyond season
one we'll start with funny enough the superhero
squad Awesome. Perfect timing for this. I've
seen the pilot, and lo, a pilot shall come. I've
seen it about five million times. Yes. So that's
it for us. We will see you next time. I am TFG1Mike,
and you are? PConCorpMichael. Goodbye, everybody.
See ya.
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