Altered Geek
Geek Culture Unleashed: Superheroes, Tech Trends, and Transformers Tales

About this Episode
Join Steve “Megatron” Phillips on Altered Geek as he dives into the latest in geek culture. This episode covers new trends in TV and movies, exciting tech innovations, and the latest from the Transformers universe. Steve also discusses the power of storytelling in entertainment!!
Hi, this is David Kay, and you're listening to
Altered Geek. Geek. Geek. Geek. Geek. And welcome
to Altergeek. I'm your host, Steve Megatron.
Welcome back to the podcast. So what has been
up? So it's been a couple of weeks. I've been
kind of rebooting the batteries. I've been kind
of looking into things and, you know, changing
things up. Some of it with AI, some of it with
other elements here and. So yeah, this is kind
of a new experiment with the theme, just kind
of playing around with it to see what resonates.
But I do have some topics today as I fly solo
once more. So before we get into that, smash
that subscribe button on the podcast, if you
would please. And of course, thank you for tuning
in. And if you like the show and you want to
do a favor and share it with your friends on
the socials, you can find it anywhere via at.
Altered geek I'd really appreciate it and as
always comment on the episode in your desired
method and let me know what you'd like to hear
next so Since the last episode I've been doing
a kitchen renovation. I've been working my tail
off Haven't done much in the 3d printing realm
haven't done much outside of the website I've
guessed it on Kai dragon media and Yeah, really
haven't done a whole lot in the heck of podcasts
I've had a lot of anxiety and stress issues,
and so I've been kind of taking mental health
days to just kind of game and just kind of sit
back and watch Netflix or just not do anything.
I've also been kind of looking into some new
ideas for the show, like to kind of liven it
up, refresh it, kind of give it some new flair
for the fact that it's been around since. I think
about 11 or 12 years now. So it's it's crazy
that this show has been around that long. But
ATTF All Things Transformers has been around
quite a bit longer, actually 16 years and kind
of beating the network. So but we've entered
15 years stride on the podcast network here and
no sign and stopping. So, yeah, I've been I've
been working with my. Cabinet and adding to my
geek cabinet. I've got a nice like G1 G2s Transformers
collection Beast Wars collection Star Trek I
have a Some of the stuff is Hot Wheels related
I've been picking up Batmobiles lately from the
animated series and different color palettes
from Hot Wheels as well as like s10 Chevy trucks
and Yeah. So I've been doing that. I've been
I've been collecting Power Rangers figures. I
got the lineup that I cared for, which was the
MMPR and Zio. And then, of course, all the Jason
David Frank stuff. And then recently, for some
odd reason, I got back into Dragon Ball Z. And
what's funny about that is years ago, I had a
podcast idea. I was going to start with Mike
the Birdman Dodd and or Mike the Birdman. As
he kind of calls himself now And I was gonna
do a Dragon Ball Z podcast called the Cyber Dragon
Ball, which the Cyber Dragon Ball was actually
oddly enough a Dragon Ball Z website that I started
After I did my first Transformers website actually
so it was Majin Phillips and Bebby Kilburn and
then Majin Vegeta and Bebby Gogeto or something
and Dragon Ball Z GT website. And then it eventually
went to the Dark Dragon Ball and became the Cyber
Dragon Ball. And yeah, so I went through a lot
of name changes, mostly just because I was playing
around in Geo cities. And, you know, that was
the kind of era that we were in. So it, of course,
was before Dragon Ball Kai and Dragon Ball Super
and Dragon Ball Daima or Daimyo, which is the
one they've changed the whole. Timeline of the
Dragon Ball thing like GT technically doesn't
exist, but it technically exists in a weird way
So you get Dragon Ball you get Dragon Ball Z
or Kai whichever one you prefer I've never watched
Kai, so I have no idea. You know what I'm getting
in for but Dragon Ball Z As far as I know is
longer, and it's older animation, and it's kind
of Lengthened compared to Kai and then What's
funny is after the the Boo Saga where they kind
of jump back to a tournament with Oob and Goku's
wearing like the blue getup at the end, they
explain that that's supposed to be like 10 years
later. However, Dragon Ball Super takes place
directly after the Boo Saga, as far as I can
understand it. And so. They. They kind of wrap
that in there in in an odd way. And I find it
funny because they've got all these magnificent
moves and all these special powers and, you know,
Super Saiyan God and Super Saiyan Blue and Ultra
Instinct, all these things that, you know, are
a little odd. But it also shows that. Goku is
still quite immature during Super, and at the
end of Z, he's supposed to be more. More of that
kind of trainer set up. So it's kind of interesting
how they're going there. And then Dragon Ball
Daimyo or Daimyo or what? I can't pronounce it.
I haven't heard it yet, so I can't pronounce
it. But it takes place after Super, apparently.
And then it goes like because it knocks like
Goku and all of his friends down to like children
level, kind of like GT did to begin with. And
then it's supposed to like they're supposed to
get back to normal. And then it's the end of
Z. So it's it's rather confusing how it all goes
like I would have seen super is after Z and then
like the daimyo I was like why but I don't know
either way I'm kind of excited to kind of cover
some of that and I've kind of gotten into some
of the figures there's I've discovered there's
like three different price tiers you get your
SH figure arts figures, which are like 60 bucks
and then you get your your Bandai Bandai Namco
Figures which are around like 20 to 30 dollars.
They're kind of higher detail come with a little
bit more hands or faces or things like that.
I I want those, however, I've kind of committed
to the ten dollar figures because those are the
Dragon Ball Super Evolve and they have like more
bend ability to them. They have a little bit
nicer of a. Pose ability and aspects they do
feel cheaper. I will admit that they're very
light and they're very cheap However, I like
the sizing scale and I like the fact that they're
$10 so I've I've already got Super Saiyan blue
Vegeta Super Saiyan blue Goku and Super Saiyan
blue Gojira coming I would love to get my hands
on like Super Saiyan to Goku In his uniform not
with like the torn uniform and then Super Saiyan
like the yellow gold hair of Gogeta and Vegito
to go with it, because I while I like the blue,
like I'm still fairly new to that. And for my
nostalgia sake, I like the gold hair thing. So
I'm still kind of hunting for those. And they're
very rare. If you find them like I can find Ultra
Instinct, Goku and Trunks and Goku without any
Super Saiyan, which I might pick that up yet.
Like because I'm more of a Goku fan from the
whole series, but I'm not a I'm not one of those
guys like unless it's Beast Wars or Transformers.
I don't pick up the villains, which is amazing
because I like playing the villain character.
I like playing the the voice of the villain.
Like I have Cobra Commander from G .I. Joe. That's
the only G .I. Joe figure I have, but it's him
with a deak. battle armor. And then I have, you
know, all these other, you know, heroes from
everything else except for when it comes to Transformers
or Beast Wars. And so so, yeah, I'm kind of getting
into a little bit of Dragon Ball stuff. And as
you've noticed over the years. Whatever I happen
to get into at the time That's kind of what I
collect like I was into huge into Beast Wars
And so I've got some of those and I'm well, I'm
happy with it. I'm not collecting any new ones
So I'm not getting like Silverbolt Tiger Hawk,
you know stuff like that I'm not getting any
more of the trans art stuff because there's really
nothing that resonates with me outside of the
optimus and Megatron stuff G1 I want I want some
of the stuff, but again, it's not anything I
absolutely have to have some kind of done there
and same thing with like Star Trek and and Power
Rangers and let's play mates comes out with something
immaculately awesome. I don't see myself buying
any of those, but I'm kind of into Dragon Ball
Z stuff, Dragon Ball Super at the moment. So
I'm I'm kind of going that direction with it.
And then, of course, you know, we're going to
get into the topics, but. It's it's just kind
of. It's it's kind of crazy, I guess you could
say. With just some of the stuff that's been
going on in the podcast and geek world. I. I've
seen like some different. Interesting topics
like. I don't know how many people like frequent.
LinkedIn, I see a lot of like geek and like tech
culture things kind of pop up in there. And so
it it makes me very interested in the topics
that are that are kind of popping up. And. I
I've been experimenting with, you know, do I
talk about these? Do I not talk about these?
Like I've seen some stuff about like streaming
prices nearing tipping point. That was posted
like three weeks ago because people are just
kind of you know, they're figuring out how to
turn a profit by charging people more and You
know the the years of prioritizing user growth
with low prices are over Because like Disney
Plus and you know Max and Peacock Paramount and
everybody are all jacking their prices up now
and It's oddly enough pushed a boon for people
to move back to physical media, DVDs, Blu -rays,
CDs like. It's. It's really quite amazing, to
be honest. You know, you're seeing more more
cheaper and supported models, however, you know,
while they're cracking down on password sharing
and other things, but they're they're doing price
hikes. Like I even saw a report from Streamyard
that they were like doubling and tripling in
some cases, the pricing people were using that
service for for live streaming. I mean, there's
other alternatives. There's there's discord,
there's video dot ninja and or ninja dot video
or something. I don't know. I don't know what
it's called, but there's that option. There's
OBS. There's there's just all kinds of things
in in that neighborhood that are kind of interesting
to see that, you know, services are just wanting.
all reward and no risk, kind of like Hollywood
with doing upcoming shows and sequels and tried
and true genres of things like mysteries and,
you know, sitcoms and sequel series and revivals.
And I mean, I talk ad nauseam about this stuff,
you know, but they're kind of going with like
no risk shows. I find it. I do find it humorous.
I'm not going to lie. Because. There's just.
All the things this year as far as movies and
media that have done well, you know, Beetlejuice,
Beverly Hills cop, Deadpool, Sonic, like those
things are nostalgia, but they were good. Which
makes it kind of interesting because media companies
are They're wanting to remake pretty much anything
that was Something big like media companies are
also wanting to like and laugh out loud comedies
and reboots that come with built -in audiences
believing people want to be cheered up after
the pandemic and heading into a tense election
season and Like Some are making fewer titles.
You know, I'm looking at you, Disney and leaning
on sequels over originals after a state string
of box office flaps. It's funny because they
say even a lot aren't guaranteed to have a buyer
like CBS known for reboots and revivals is reviving
Batlock with Kathy Bates, which I. I do agree
with the idea of a reboot fatigue. I think that
we're kind of hitting this grand point where
people are just kind of tired of seeing a lot
of this stuff. They've they've. Created these
weird situations where. They're just not willing
to try anything new and I get it like there's
there's some things to be said for nostalgia.
I do understand that because nostalgia is kind
of that built in money bags, but same token.
I don't necessarily enjoy seeing. A reboot or
revival or a prequel of something. Like we keep
getting these like stories that I don't necessarily
believe we need. Like we had, you know, Pennyworth,
we've had the acolyte, we've had. Again, like
these things that they just don't. I don't think
we need them like I I didn't need Star Trek Discovery,
although I will give it merit for reviving the
Trek franchise. It's again, it's it's. kind of
just getting old, seeing a lot of this stuff
kind of popping up. And then, of course, we're
kind of going the other direction on some stuff.
You know, there's people freaking out about a
possible digital dark age because people are
like, well, the Internet is not forever. You
know, people are worried about like digital footprints.
being just wiped from existence because they're
talking about having an online heritage with,
you know, protecting it because like the Internet
Archive wants to do that. And I'll get to them
in a minute. But, you know, they're talking about
like saving family photos or, you know, having
magazines, you know, looking back after decades
and, you know, like centuries and things like
that. You know, because I think some of the there
were some websites that kind of just went the
way of the dodo. And the Internet Archive is
trying to back things up and trying to archive
stuff. But even they're kind of hitting brick
walls on some stuff like the court system went
after the Internet Archive recently about. allowing
access to scan digital copies of books because
publishers sued them, which they're a nonprofit
organization. They're kind of equating it to
like a physical library. However, I will say
it is easier. To find outdated and copyrighted
materials on the Internet Archive, like you can
find old games, you can find old magazines, old
comics, old movies, old TV shows. old CDs, old
podcasts like you can find pretty much anything.
That's older than five years old. And so I do
somewhat agree with like the publishers, however,
there's a lot of cases where because like they're
they're facing like a 400 million dollar copyright
infringement lawsuit from a group of record labels
because of stuff, and then they've been getting
in trouble with book labels. I. I think. And
this is kind of like really touchy. I think I
agree in the sense of. Archiving this stuff.
But it is out there to the public, so it's kind
of creating situations where. They'll end up.
being like ebook lending and regulations on what
is able to be archived. For instance, like I
wrote an article for our war for Cybertron Transformers
Review Kingdom years back. And when we were doing
the website migration, it got wiped. I was able
to go to the Internet Archive, find the original
document, the original post, find the date, find
the all the information. And they'd scraped it
perfectly. I was able to go back and copy my
original post and put it and republish it back
for the same date on the website like it was
never gone. So, I mean, I like them, but I also
I understand the lawsuit part of it and the copyright
infringement and the licensing agreements and
things that they're going to have to be more
vigilant with protecting intellectual. intellectual
property rights. Can't speak tonight. But yeah,
I mean, I'm I'm a big proponent on saving and
kind of archiving a lot of this stuff. I do think
that in a lot of cases, like some of these publishers
either need to have a way for you to get it.
Like an old book that you cannot find anymore
or an old game that you cannot get your hands
on anymore. There needs to be a legal way of
having it accessible and not charging an arm
and a leg for it. I. And this is again, this
is another reason for going back to physical
media over having streaming or having digital
files, because all it takes is somebody to get
a hair up their butt and make it disappear. Like
it's not. It's not something that you can count
on always being there. We've been seeing it a
lot like it's like Disney they would do the digital
vault and Kind of lock things away and then bring
them back out for a DVD release. Oh, it's a new
platinum edition Oh, it's a new gold edition.
It's a new you know diamond edition you know
they just create a new edition and have it come
back out with something else, but they would
create that sense of limited time only and I
didn't like that because they would just kind
of nickel and dime you every time it came out
and charge an extra like three, four bucks every
time it come out and basically milk the money
out of the same product. And. I like being able
to access like the older nostalgia pieces without
being ripped off. However. If they're going to
if they're going to like throw this big of a
tantrum over copyright infringement, they need
to make it accessible. If they're not, let the
Internet Archive be the Internet Archive and
have it freely available. If nothing else, you're
getting someone into whatever the medium is and
in hopes that they will buy something that is
new, that is in that same franchise that you're
publishing today. So soapbox ended there. And
then, of course, we get into other realms. We
have. Nokia at the end of August released a dumb
phone. European manufacturers of Nokia launched
a Barbie branded flip phone in partnership with
Mattel, and it's only available in the UK for
130 bucks, which I think is kind of steep. They
do plan on having it come out in the US, harnessing
the digital detox trend. The model is a dumb
phone with no internet access and only basic
camera and text messaging options The phone's
debut comes a full year after the 2023 blockbuster
release of the Barbie movie They're still forecasting
brisk sales of 400 ,000 units in the UK. I find
it interesting because Again, it's a flip phone.
I mean no key is kind of known for this anyway,
and it kind of looks cool Like I mean, it's a
flip phone. I don't I mean, obviously I wouldn't
get a Barbie version, but I mean, I do like the
idea of a dumb phone. I loved my Motorola Razr
3 V3, and it was by far my favorite flip phone,
by far my favorite dumb phone before I got a
smartphone. I I do agree to some extent that,
you know, despite it being nostalgic and in retro.
It's funny that what's old is new again. But
it's also fun to see the trend kind of coming
back. It's also fun to see that people are kind
of second guessing this whole digital medium
of being always connected at the hip. Honestly,
if. I was going to have a. a new phone and it
wasn't a smartphone, I would go back to a flip
phone. But I mean, I think I've gotten so connected
with being able to do everything from my phone
and not necessarily needing a desktop. Like I
can play games, I can write, I can do Canva and
create business cards. I can work on geekcastradio
.com if there's an issue. And I can do it from
anywhere. And that's kind of the point. But also
then you're always connected to your work. I
do have access to work. However, I also have
to put boundaries and blinders on like I'm not
going to touch this when I'm not being paid.
And it's more so just because I will get carried
away and log in because it's available. Whereas
if I had a dumb phone or like the Motorola razor
or, you know, things like that, it's a lot harder
to text. It's a lot harder to stay connected.
It's just strictly a phone. And I think sometimes
that's what we need. But yet we're not always
on that kind of wavelength. And I feel like sometimes
we get a little bit overboard. So, I mean, I
if I was going to get a phone for my kid, it
would likely be a dumb phone like this, because
while I would want to teach them. The. The concept.
of, you know, the phone, the digital phones that
are out now. I don't know if I would want him
and my boys being always connected at the hip,
because I feel like it screws with your mental
state in a lot of ways, just being always on,
like always available. And then, you know, of
course, I do this, too. You're always preoccupied
and staring at the phone. And so like it makes
it difficult. And I think that's a why we've.
have a lot more like people having issues like
and to leave with like anxiety and stress and,
you know, you're dealing with social media and
then you're always connected and then you got
to check this and you got to check that. You
got to, you know, there's no downtime. There's
no boredom. There's no element to make us just
sit back, relax, think, take, you know, a pause,
breathe, kind of find a hobby that's not connected
to digital. I sometimes struggle with this, too.
I've. I've definitely struggled with it, which
I would love to get back into my 3D printing
and my painting, but just haven't quite gotten
there yet. But yeah, I mean, it's it's kind of
interesting that what's old is new again. And
then, of course, kind of rounding out the last
two topics here, there was somebody made in in
like Bloomberg was talking about. Shortening
attention spans and podcasters is finding it
that it pays to go longer and. I think it's funny.
Because they're talking to the host of acquired,
which went there was like a podcast with Elon
Musk and Neuralink executives that went nine
hours. To me, that's like excessive, like I have
a hard time going over an hour and a half. My
attention span drops and I'm just done like as
the host. Like I'm done. Like it's it's very
difficult. I have to be very engaged or the topic
has to be kind of something that I'll stay engaged
with and so I mean It's funny because there this
podcast was mentioning that 70 % completion of
a recent three and a half hour episode noting
that every time they made something longer people
only seem to love it more and It's you know,
they're like podcasts are no longer only 30 minutes
or even half even hour -long affairs increasingly
podcasters are pushing the outer limits of episode
length while stress testing their audience endurance
Popular podcast episodes can now run on for half
a workday or longer. Well, I think it's funny
that they're kind of making this joke and then
they're they're like. You know, giving audiences
what they want to some degree or having, you
know, more topics. I also kind of think that
there is still a place. I kind of go by that
creed of. Podcasts are as long as they need to
be. Not a minute longer, not a minute less. Like,
talk about what you have to talk about and stop.
Like, stop recording. Don't ramble. Don't let
it go on. You know, if it's if the topic warrants
it, record by all means. But when the topic dries
up, it's time to shut it down. Like, I don't
feel like I need a four hour episode of Altered
Geek. Like, I don't feel like I need a four hour
episode of All Things Transformers. I mean, if
it's a top 100 thing. Yeah, I mean, if I'm going
to hit three and a half hours, that's going to
be the exception. I don't feel like I need like
an all day live stream or I need an all day episode
of recording. I wouldn't mind recording multiple
shows in that time span, but I don't necessarily
need one podcast running on for three hours.
So I don't know what you guys think on this.
Like, I don't know what the perfect time frame
is for you or like if you just have a drive time
thing or if it's, you know, you listen sporadically
throughout the day. Like, I would be interested
in hearing this because like I'm seeing these
like Bloomberg and, you know, all these things
because I'm frequenting like the marketing and
all these different news on LinkedIn. And it
kind of struck me as funny. And I'm like, well,
no, duh. Like people have always recorded longer.
It's just that it's not really been as noticed.
Until recently like I think that like a lot of
this is just way behind in the news And they're
just like we got nothing else to do that's that's
mentioned how podcasts should go longer I don't
know. It's it's it's weird, but yeah Let me know
what you guys think feedback at key cast radio
calm or just let me know on the episode post
And then finally transformers one is coming out
and IGN had the gall as they always do. They
gave it a 5 out of 10. They said, though the
tragedy of Optimus Prime and Megatron's storied
rivalry could have felt larger than life, Transformers
1 is mostly content with half -hearted puns and
barely legible Cybertronian battles that could
have been used some major transforming before
rolling out. I hate IGN. I'm not hiding it. I
really do. I hate them with a passion. I feel
like so many of these sites, like I saw something
from Screen Rant earlier and it made me like
chuckle. And I was like, these guys are putzes.
Like they had a the top like a worst worst to
best rating of the Marvel Cinematic Universe,
which I'm going to go over with TFJ1 Mike at
some point on Studio 2009, because I want to
have us give our rating because Theirs was so
off base, like everybody in the comments was
going for this screenwriting article. They're
like, did you even watch the movie? It was it
was amazing the. The way that they ranked all
of the films, like some of the ones that should
not have been in the top 10 were in the top 10
and some of the ones that were in the bottom
10. should not have been in the bottom 10. It
was amazing. But we'll we'll bring that up in
a future episode. I would I wouldn't mind seeing
what everybody else's thoughts are on the, you
know, 32 Marvel films that have come out in the
last like 15 years. But back to the Transformers
one article here. Yeah, I. I thought it was kind
of amazing that they managed to bring this up.
and the gall that they had with it to say this
and like TF Hype Guy on X said appalling showing
from IGN terrible review that doesn't look good
on their already terrible record for reviews
and then of course Proto Man Daniel Arsenault
goes IGN is owned by Ziff Davis Inc that makes
Sure that traditional toy play is no more in
the wake of digital gaming always follow the
motive and you know, of course I put Also IGN
and most of these public entities are shallow
reviewers who are unaware of what is actually
good this film looks like a breath of fresh air
for the franchise like Beast Wars was back in
the 90s and the 2007 film was in its time if
IGN is against it. I am on board And of course
like TF2 and Mike goes well said somebody else
on on X goes they gave rise of the beast at seven
Which okay, it was it was halfway decent You
know and this person was like if they gave it
a seven then TF1 is at least an eight or a nine
or a ten I don't know. I'm so I hate like like
Rotten Tomatoes changing their whole structure.
It's funny because somebody else goes IGN has
been handing out sevens like it's their job and
now that gets a five, which has been praised
by literally every review other than theirs must
have not gotten paid enough. I I don't even know,
man, I I hate IGN. I so can't stand them. Someone
else goes, this is how you know it's a good movie.
If IGN says it's a no, it's definitely good.
Somebody else says if it's IGN or it's IGN, if
they don't like it, then it must be good. Barely
legible that battle, somebody has put the all
the battles were great. They're like, remember,
they gave She -Hulk a nine, so their opinions
do not matter. Somebody else goes my dude, it's
IGN. They don't have real fans working for them
there They have wannabes who only view content
and do reviews so they keep their views counts
up Somebody says I had the privilege yesterday
to see the movie and I loved it ten out of ten
transform and rollout I I can't I can't believe
this I Everybody's everybody everybody on there
on this this Twitter thread is going. It's IGN
like they're using that as the excuse. Common
IGN loss. They gave it the same score as Madame
Web. Wow, yeah, I don't know. I. This this is
kind of this is kind of the market. We're in
with reviews They all suck like all these review
companies like you get the Mary Sue you get these
guys you get You know screen rant you get they're
all terrible like the none of them none of them
Do this very well anymore, but I would love to
hear what you guys think and when you see it
what your review is Let us know and of course
get a hold of us on the website. Let us know
your feedback And as always, thank you for listening
to Altered Geek. I've been your host, Steve Megatron
Phillips. You know, interact with us on X at
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on Facebook and of course, always on GeekCastRadio
.com. We're working on getting this feed on other.
digital distribution platforms. A lot of the
stuff got screwed up when Spreaker had it. So
we're still ironing those details out. But you
can always listen on GeekCastRadio .com, Spotify
and iTunes or Apple Podcasts. So until next time,
get altered, get geeky with the Altered Geeks.
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