CINEMA GEEKS
Kevin Smith Retrospective: Clerks Review

About this Episode
cinema geeks as we begin our Kevin Smith director
retrospective we are going to begin reviewing
every Kevin Smith film starting with today as
we talk about clerks we've done Hami Izaki we've
done Quentin Tarantino and now the man and myth
legend Kevin Smith. Joining me on this journey
as always is hard candy Mandy how's it going?
Hey Dan. Hey hey hey and of course Kevin optimist
Lola Wanted to come up with something as clever
as Amanda's heyo with the last retrospective
and I got nothing I'm just gonna say random words
that nobody knows the definition of Yeah, I can't
be like Kevin And last but of course not least
the person who actually Put in Kevin Smith as
the option that ended up winning out Matt Fridley
sent I win You're gonna say that every time aren't
you Yes, Cinema Geeks is the place where the
popular vote actually does win. But yes, if you've
not listened to our past retrospectives, go ahead
and do that. In our very last episode of the
Haya Miyazaki retrospective, we announced that
Kevin Smith was going to be our next selection.
We also gave kind of a brief overview of our...
introduction into the world of Kevin Smith, where
we're coming from, and I guess maybe we can just
touch upon it briefly for those who did not listen
to that. Letting people know if we've watched
his films previously, if this is his brand new
territory for us, and Amanda, starting with you,
what is your experience with Kevin Smith's films
prior to coming into this? Is this the first
time we've actually seen his any films, or have
you watched a number of them? I've seen... Quite
a few I would say some of the earlier stuff Clerks
chasing Amy I haven't seen but I do enjoy the
films that I have seen of his I would say maybe
in like the middle of the timeline here as far
as his work goes and not the most recent stuff
like yoga hosers or tusk or anything like that,
but I like Some of the films like dogma. I love
so I do enjoy stuff Kevin and I remember correctly
you said you've watched a little bit some of
his movies, but never fully through if that's
not if that's true Yeah, I don't think until
this spotlight that I have will have ever have
seen any of his films from beginning to end with
no interruptions I have seen a lot of parts of
Jay and Silent Bob on multiple occasions. I've
seen Snippets of dogma here and there like scenes
and whatnot, but I've never sat down to watch
like from beginning to end any Kevin Smith movie
I know the characters I know style a little bit,
but this will give me a lot better bearing on
kind of his filmography, obviously, and give
me a chance to actually watch from beginning
to end most of these films. Nice. And Matt, considering
that he was your selection, I'm guessing you're
coming into this pretty well -versed in the world
of the Smodcast world and everything of that
nature. View askew you remember Smodcast is this
podcast network. That's just massive. Yeah, I've
seen I've seen at least half this movies if he's
appeared as silent Bob I've seen that also I've
seen like cop out but I haven't seen any of his
horror movies because I don't like horror movies
and so it occurs to me that maybe this wasn't
the greatest choice because I mean like yeah
tusk you got yoga hosers was the other one moose
jaws which hasn't come out red state which is
a Thriller more than horror. I'm told I've been
told I need to see it and I guess I have to now
I I've seen I think 90 % of his films. I have
not seen cop -out. I've not seen Jersey girl
and I've seen only like I haven't really fully
watched tusk or you'll go hersers I've watched
like I've gotten through as much as I could and
then I had a tap out so oh Yeah, so I wouldn't
say they're bad. It was just more so I don't
need to watch this so I'm not going to Yeah,
now I do now I do so I would eventually have
gone back and watched them again just because
I'm complete us but Up to this point. I haven't
talking about this movie clerks. I saw a lot
as a kid growing up Probably much a lot earlier
than I should have manna You mentioned that this
was the first time you watched xd. You haven't
watched a lot of his earlier films and I'm actually
really kind of curious about this because This
is, it feels like a very, directed very much
towards the Gen X generation, if this would really
work with audiences today, and if people would
really enjoy it to the level that it was enjoyed
around the time it came out. So watching this,
you know, 20, over 20 years after it came out
for the first time, you know, what were your
overall impressions of Clerks? Ah, man. Well,
I think that I've seen Clerks too. So I think
that I noticed a lot of similarities in this,
but I feel like I saw a progression already between
the two, like in his work. And I avoided Clerks
for a long time because it's filmed in black
and white and it's really hard for me to watch
black and white movies. And I didn't really all
the way like the filming style here. It definitely
felt like... his first movie. Not to say that
it was bad, but I wouldn't count this among favorites.
And I think that it definitely had some stuff
that would translate over still today. But seeing
how dated some of the stuff was, it kind of takes
you back and makes it even more cheesy really
than I think it was meant to be. Seeing it now
in this generation. Interesting, interesting.
Kevin, watching it actually fully through this
time, what were your memories of it and are you
starting off on a good note when it comes to
retrospective or are you a little bit worried
about what's coming next? Actually, what I found
out from this one is this is one that I had seen
none of before. So I had seen some of the Jay
and Silent Bob stuff, like in the movies that
are coming up, but I had never seen a minute
of this. So this was definitely a first time
watch all the way through everything. So I do
agree that you can tell it's a debut film, so
to speak, like you can see the... I don't know
if it's from a production value standpoint or
if it's just like you can kind of... tell that
it's someone learning as they go somewhat. So
I think that's evident but I don't think that
necessarily says anything about the quality of
the film overall if you're critiquing it. I think
it's just an observation more. I'm kind of torn
because I really like some aspects of this film
and then some other aspects bring it down a little
bit for me but I think I'm going to be overly...
Fairly positive on this one. I Enjoyed enough
of it especially when it comes to like the the
dialogue and some of the The writing I think
there's some intelligence there. There's some
clever Aspects to how this is how this goes down.
I do like movies kind of of this style where
you kind of have you know, just a group of people
in a certain setting somewhat coming of age or
somewhat trying to find their way in the world
or that type of thing. So I've seen movies like
that from this exact time period and I'm a fan
of those. So I think overall I enjoyed it for
the most part. Matt, how about you? Was this
everything you remembered or opinion changed
at all compared to the last time you've watched
Clerks? I mean, I've seen Clerks a handful of
times, you know. It's it's getting to the point
where it's almost nostalgic even though I hadn't
seen it until I was an adult the first time so
it hasn't been that long since the first time
I viewed it but like Looking forward to certain
things and remembering certain things and that
you like I really enjoy this movie I think it's
one of the most relatable movies I bet like everyone's
had a bad day at work and that's what this essentially
is It's just like one really bad day at work.
We're uh, uh, you know a kind of a child in an
adult body Tries to become a man finally, although
you'll see through the rest of his his experiences
that he's not quite there yet But like yeah,
like I think this is like it definitely has rough
edges and things that like Kevin Smith's gone
on record saying the way he afforded this movie
was he took out as many credit cards as he possibly
could and Then he racked them all up and then
tried to sell it And that was how he did it.
So there wasn't a lot of money for like reshoots
and stuff that you'd have in a modern Hollywood
movie. And so there are like moments where people
flub a line and they just leave it in the movie
because they don't have that, that budget. And
so like, yeah, it's got, it's got some rough
edges for sure. It's interesting. I would highly
recommend there's actually like the making of
this is Actually on youtube I watched it and
honestly the story behind clerks is maybe more
fascinating the actual movie itself like everything
that went into it how As luck would have it there
was a flood and he lost a lot of his possessions
and able to cash in insurance checks and all
these other things and credit cards who's able
to put this all together to make this movie and
how Ultimately like clerks almost never happened
and how hard he had to sell it and like it's
I would really I don't want to obviously, you
know the outcome but I think what people didn't
realize is that like it wasn't well received
at first when I first debuted in on the festival
circuit and it like there was questions if this
would actually come to anything and it actually
did and it's I would highly recommend it because
I feel like like there is a potential to make
a movie about the making of this movie that would
actually be quite good because it's it's a really
fascinating story to hear like everything that
just lined up how they were doing shoots at night.
And this was actually done at a convenience store.
They were using a real life convenience store.
The reason why those doors, like they don't open
the doors and they say they're locked because
of gum, was because they were shooting at night
so they couldn't open those doors in order to
keep it better lit. So they just wrote that into
the script so it'd be easier to shoot and things
like that. And it wasn't black and white because
it's more expensive lighting -wise and film -wise.
And they did all the editing. I think... even
if you don't necessarily like the movie, what
it did for independent films is really notable
and it reminds you of how far independent films
have come, what we can do now with an iPhone
and everything that had to go into making a movie
like this then, with how much digital has changed
the game and even things out a little bit. I've
had a weird relationship with this movie. I remember
when I was a kid loving it, but because I feel
like a lot of the humor really worked for me.
And then when I watched it later as an adult,
I was kind of almost put back by it. But now
watching it again, I still really appreciate
it because I think, yeah, there are a lot of
like really jokes that may turn some heads, but
I think there's some intelligence to it too.
And as Matt mentioned, it's really good at just
encapsulating. This life and what it was like
and I think like listening to a lot of the reactions
at the time what was really notable about it
was how it showed how people really talked to
it or a certain group of people talked in real
life and it brought a new kind of vocabulary
to the world of film and uh, like just that like
the conversations that wouldn't necessarily happen
in your everyday movie and Especially like the
the meta conversations the nerd talk Today, it's
commonplace. We have a podcast. But at the time,
that was really, really brand new. And these
are a lot of unprofessional actors. Actors have
never really done much beforehand and some not
much after. But it's just impressive what Kevin
Smith did with a really limited resource. And
I still could rethink this, but watching this
now, I think it's his best film. It is at times
really funny it can some not all the jokes work
But it also I think has some interesting things
to say about relationships and the way we perceive
them Amanda you mentioned like you were not a
big fan a fan of black and white weren't able
to You know the very static shots the very you
know Clearly independent film making style of
the movie was did that provide any type of barrier
into getting into the movie? Like did it? Did
it seem like a little bit until you actually
could kind of buy this as a film? I think that
it did kind of I put up my walls with this film
at first I didn't I couldn't quite vested it
especially like coming from me being like a chick
like a lot of this is like kind of guy humor
too and So sometimes I kind of felt like I didn't
get the joke because it wasn't meant for me or
whatever like it didn't didn't work for me So
there was a couple things that kind of built
my walls up in this but um it's definitely watchable
and i think that um i'm glad i watched it so
the younger me that didn't want to watch this
um i'm glad that i watched it now as someone
who can like appreciate film a little bit more
yeah kevin as this was like you watched some
of the Kevin Smith's films beforehand was it
in you realize that you haven't seen this before
was there any backlash realizing just like how
Wow He has actually has someone grown as a filmmaker
compared to where we began with Clark's I don't
I think this is his bread and butter like this
is this highlights and we'll see I mean I haven't
seen all of his other films, but I feel like
this is where He made his mark on being able
to have intelligent writing, you know clever
dialogue witty lines throughout his films. So
I think that's I'm hoping that's a staple because
I that's what I think of when I think of Kevin
Smith like so I would hope that most of his films
are gonna highlight that in some way shape or
form so I don't know if it's necessarily like
I Don't know. I think what's gonna be more interesting
is seeing what he does it help him or does it
hurt him when all sudden he has the money to
do other things like it was is it more is it
sometimes better for a director to just kind
of be all Reliant on the art of what you're doing
and kind of what you're writing and what you're
putting out there and this and the Scenes that
you're deciding to shoot and do some directors
maybe suffer when they get more Rope or when
they have more means because they get carried
away with that. I don't know like I Guess it's
like George Lucas. You know what I mean? Like
he wrote something that was great, but once he
had like Unlimited resources. He just got so
wrapped up in that so I don't know if something
similar happens with Kevin Smith I guess we'll
have to wait and see but I'm Thinking that the
dialogue the clever writing is something that
we will see like kind of follow through this
whole line Because I think if you take that away
that this movie would fail utterly I do think
I agree with a lot of what you're saying like
it does Do a good job with the kind of representing
just everyday people and some of these relationships
and what would happen just in a regular thing
so you it's a lot more relatable probably a lot
of people at least people that lived in that
generation or at least can some I don't know
if a kid watching it today would get much out
of this film but I'm not a kid today so I can't
speak for them but they might find a little bit
more foreign ground for them but I do think it
does a good job for kind of capturing a moment
in time so to speak so I think that's good I
think my biggest gripe with the film and it's
not really a great but I guess my biggest problem
is just the acting in general and I know he has
a very limited budget and I know he's got not
access to a bunch of you know great big Hollywood
stars and whatnot but the acting is just literally
atrocious I think the only person that I felt
was like doing a decent job or or had potential
was Randall for me like I thought he actually
felt somewhat natural with what he was doing
and seemed like he was completely in the role,
but everybody else just seemed like they were
waiting for the next cue or they were waiting
for the next marker or line or whatever they
were looking for. So I think that was my biggest
hang up, but the only thing that was preventing
me from really just being head over heels with
this film was the acting because I think, like
I said, the writing, the dialogue, everything
else is fantastic. Interesting. Matt, how do
you feel about that when it comes to the acting?
Obviously you're some of the Very unprofessional
actors that were just some of her friends that
are actually now starring in their own reality
TV shows on AMC But when it comes to people like
Dante or Randall some of the bigger parts Did
the acting and alternate off or do you were you
okay with it? Like I think Kevin's right that
Randall is by the best on screen. I think Dante's
fine. I think the girlfriend is probably the
worst of the larger roles. And I think she flubs
more lines than anyone else. But yeah, it definitely
feels like a guy who did get his friends together
to shoot a movie, and he made it very personal
about the things he likes, like Star Wars and
comic books and stuff. Even like, hey, I like
to play hockey, and I like to hockey, so let's
just throw a hockey scene in there. Like it had
it has that like very personal feel and So yeah,
like the actors aren't maybe the best. I would
say it's about 50 -50 with the main cast I don't
know if you anybody anyone was aware But did
anyone ever see the alternate ending to what
Clark's was the original ending for Clark's?
No, I've heard about it, but I haven't seen it
So it actually ends on a more much more dour
to model it off of something like do the right
thing where you have kind of more innocuous type
of stories a lot more humor and then it ends
on something rather rather tragic and he was
trying to Use that as an inspiration. So in the
end of clerks originally when it first rained
Dante actually gets killed by a mugger and like
that's where the movie ends and And it's like
the scene still you can still see it I think
it's on some of the DVD and blu -ray releases
and I think the some of the clips are online
and It's not not not a great moment, but it was
actually removed out of suggestion when it was
released again an end where it ends because You
know people thought it was a really bad way of
ending it and it just it didn't really flow with
the rest of the film And it seemed kind of just
like one of those Big changes for changes sakes
if it did have its original ending with that
impact at all your viewing viewing Do you think
it would actually improve the movie in any way
if it did kind of go for that? Big shock moment
or do we think it's better off where it ended?
For me, I think that would detract from it because
I think what I appreciated most about the film
is that it did seem like just an everyday scenario
of kids who have been given some responsibility
but aren't being watched so they can kind of
they're left to their own devices, but it's also
still like believable like it's something that
you can see you can relate to it's something
that you there's not a lot that happened in the
scene that you're like there's no way that could
ever happen and not that people don't get mugged
and people don't kill the center but i i think
it's it just would feel fake to me it would feel
like artificial like you're putting that in for
a shock value and that's not what would happen
in these kids lives but maybe that's just my
take I think it would bum me out, like, super
hardcore if he died. I mean, not like the movie
was on, like, an upbeat or anything, but I think
it would... I don't know, the movie, although
some, like, kind of bad stuff was happening,
it was all very minor bad stuff. So if you're
gonna up the ante and then kill somebody, like,
it just doesn't seem like it fits with everything
else that was going on. Like, you're taking it
from, like, this guy had to come in on his day
off to now he's fucking dead. Like I'm gonna
take the other side of this and say that it might
have it might have even Improved the movie a
little bit like I like clerks how it is and you
know, you don't need to change it You don't need
to Lucas it whatever but I think it's one of
the most relatable like we've all had days we
weren't supposed to work like we were promised
to have it off or whatever been called in and
and we've had bad days, but like if if Dante
dies at the end and it's and it's a like a mugging
situation like a suicide or something then it
shows that oh this this bad day escalated into
the worst day and it almost like makes all of
your bad days, be like, well, at least at the
end, no one killed me. Like, I'm still alive,
and I'll have a good day tomorrow or whatever.
So, like, I'm not gonna say that the movie should
have had that, but, like, I can see how the movie
could benefit from that ending. I just think
it takes away from that final scene where they're
just literally, like, okay, the day's over. We're
gonna walk out of here and come back and do the
exact same thing tomorrow. Like, that is, to
me, one of the best parts of the film, and that
would be gone with that. alternate ending so
like i don't know i think it takes way too much
for me and also that that kind of shows like
his growth like where it's like well i mean it
was a bad day but it's only been one and and
what tomorrow we'll do another thing and if you
kill him then he doesn't get that growth really
like right what do you think i'm conflicted i
feel like Knowing the reasoning behind it, knowing
what he was going for and the reference that
he was trying to make, I think in a way that
makes me lean towards thinking it's a bad idea
because I think that's not to knock on Kevin
Smith's interpretation of do the right thing,
but I think there's more to what's happening
and do the right thing than be the reasoning
for what he did in Clerks. Actually, I have watched
the scene and just knowing the scene itself isn't
it's not particularly well done. It seems it
So I haven't seen it in the context of the movie.
I saw it isolated So maybe it worked better,
but I thought the scene itself was a little little
weak and it like was uh, just almost felt like
Almost going for somewhat comedic just because
the acting and it wasn't wasn't wasn't super
but I think it's a better idea where they left
it because it didn't really flow. I see Matt's
point in how it does make you think that, but
if this purpose of this film is to highlight
what life is like within with this group of people,
once you do that, I feel like that ends up becoming
the story, him getting killed, not what you were
highlighting everything beforehand. So in a way
you may end up like undercutting your message
a little bit. Does this make anyone else nostalgic
for video stories? Because it kind of made me
nostalgic for video. Yeah, because they're so,
and this was like the go -to thing like when
in the 90s if you wanted to make like a coming
-of -age or like a just a slice of a day in the
life of like a teenager whatever like this is
where you went like it was either a pizza place
or a video store like I don't know how many movies
there's got to be at least a half dozen if not
more films that are exactly in those settings
like so I think yeah I was ready to go right
back into it I mean we go to a video store but
it's it's not quite the same as like when you're
a kid I think so it definitely made me a little
bit nostalgic Amanda what how much does it remind
you of just going to the video store like we
do every week anyway Well, I've been going to
that same video store since I was little, that
same chain. I don't know, it's really not much
different than it is now, except I can joke with
the people that work there more because they
see me every week, but I don't know, it didn't
really make me nostalgic at all because the age
that they are is kind of the age that I'm almost
at right now. If they made a movie of a day in
the life of the people that work at the video
store that we go to, would it be like this? No,
because they're way cooler. They're way cooler?
Yeah. Dang. They feel like they have their shit
together. You didn't think Randall was cool?
No, I didn't think he was cute. No, I thought
Randall was a jackass. Like he's brilliant because
he knows that he doesn't really have to fucking
do anything at his job But it made me pissed
off that like bro. I worked my ass off at my
job. What are you doing? You're like turning
away customers because you're such a dick and
you don't care and you're doing it on purpose.
I loved it and Come on, you don't you don't wish
you could be that you don't I don't want to be
a despicable looking human being to every person
I meet. I mean, his humor worked for him. And
you can tell that he really was like a good friend
at the end of the day, I guess. Like, he was
a good guy. He was just he was a dick because
he could be a dick. And he doesn't change, like.
I don't think no one, no one. I mean, I guess
Dante has a little bit of growth mostly with
his relationship, but yeah. Sorry, I love Randall
Like everybody doesn't nobody does that but everybody
thinks that at least at some point you've all
had a job in which as you dealt with like the
public or with customers and you've had to have
thought that at one point like I wish I could
just be that character not that anybody's actually
going to be that character but I want to be a
functioning part of society you're much better
person than me so new like I'm talking about
like when you're a teenager like when you're
working at like whatever I worked at a nightclub
I had a great first job you had a different path
yeah a badass path I mean like the first time
I ever dealt with a customer while working I
was like 27, so I can't really talk Yeah, I mean,
maybe I just had a more I worked at Target for
10 years during high school and college and trust
me there was times where I wanted I've been screamed
at by people I don't get out of my face and get
out of here. I'm still gonna do my job awesome
Anyway, anybody else have a do you like Dante
better Amanda? I thought he was kind of a whiny
bitch Like he kept saying like I'm not supposed
to be here like okay we get it dude But you are
here like we've all had those days I'm not supposed
to be here in my day shit like we all get in
those little frumpy moves or whatever But I don't
know he just was like so Down about everything
like I don't think he was happy about a single
fucking thing in this What do you think about
the debate that he was having with his uh with
his woman friend. About how many people they
had been with? Uh, that was a little hypocritical
on his part. It was a little one -sided, I guess,
or, yeah, hypocritical. Like, he definitely went
off the deep end. I was like pissed off at him
for that. I was like, all right, bitch, like,
I'd be out of there, too. I can't believe she
came back and brought him food. I'd be like,
nope. I'll bring you some food back, pipe and
hot lasagna in your face. Make me feel like that.
Just because you're not of a big as a mac daddy
as I am doesn't mean you got to come in here
and try to Play it up like she's a slut so I
mean turn to the coin if he had been with like
47 chicks or whatever 37 then He probably like
I'm the man, but he didn't so that's why he was
salty so so Having seen a lot of Kevin Smith
movies. This is actually a common reoccurring
thing about guys not quite knowing how to like
handle their women being better at hooking up
than them But like I like how Kevin Smith uses
it and I want us I want to highlight that now
so that later in other movies you can see that
like Almost well not almost all but a bunch of
his movies are written from the point of view
of very almost naive men and very empowered women.
I'm hoping that in every film we go through that
we get at least one obscure reference that most
of the people watching won't understand. And
for me that one here was Dorothy Hamill. Like
how many people got the Dorothy Hamill reference?
Like that was gold for me. Does anybody know
who she was? I don't even remember what you're
talking about. She was like a figure skater from
like the 80s or 90s and the fact that they threw
that reference in there was gold for me. Anyway.
Did she win the gold? Yes. Of course. Very nice.
Well, any other points anybody want to bring
up regarding the clerks in our first entry into
the Kevin Smith retrospective? I mean, anytime
there's Star Wars debates, discussions, or references
in a film, I'm going to give it brownie points.
And this was the one that kind of started that
whole thing. All right, well, let's go around
and give our final thoughts and overall grades
for clerks. Amanda, let's start with you. Final
grades and overall thoughts. Oh man, I liked
it more than I thought that I would, but I'm
still, I don't know if I would ever rewatch this.
Like I feel like I got what I needed out of it
in this one walk, but I'll give it, I'll give
it a six. Sick starting office. I mean passing
grade. So starting off at least passing grade.
So that's good Hopefully goes up from here Kevin.
How about yourself? I mean, I think one thing
that you can't forget is that this is his first
film and most directors don't have like a home
run on their first film much less something that's
been as much of a cult classic as this has turned
into much less do most directors have a first
film that's fantastic on a $30 ,000 budget. So
I think you've got to give a lot of credit to
what he was able to do here with that budget
and for a first film, even if you can see that
it is clearly a first film, even though you can
clearly see that it's only made for $30 ,000.
Like those things are very evident, but I think
if you can get by that a little bit and kind
of take that as it is and really appreciate...
what he's doing in the writing and kind of the
sequences that he sets up. I think there's a
lot to love here, so I'm definitely positive.
I think it's a good start. I think if this is
where he's starting, it should be better things
on the horizon, but Dan, you said that this might
be the best film, so I don't know. That scares
me a little bit, so I'm going to go ahead and
give this one a 7 out of 10. Matt, how about
yourself? Oh, man. I really like this movie.
I think again, like I said, I think it's one
of the most relatable movies that I've ever seen,
but it is also still a first movie. Rough around
the edges on a cheap budget, black and white,
but not for any like creative reasons, just like
as a way to be cheaper. So like I should lose
some points for that, right? I got it's a seven.
It's a solid seven. It's like definitely. If
you average out all the movies, I would say I
would rather watch this than most movies But
it's it also like isn't it isn't the best kevin
smith movie And it's not even like near the best
movie we watch in these retrospectives interesting
Yeah, maybe best of his I think I think it's
clearly the one that's had the biggest impact
on his career. Maybe the better way of putting
that yeah and his byline is gonna be the movie
I think he's most known for, I think still to
this day. I think it's like, it is obviously,
like we said, it's a very raw film, but I think
that's kind of also what's impressive about it
and just the guerrilla tactics it took to make
this movie work the way it did and how there's
a lot of ways for this movie to go wrong and.
when mistakes happen they kind of had to go with
it. It was a lot of learn as you go and to me
I think that's what makes it well and I think
that there's a hunger there when it comes to
this. You can tell like this is a guy that has
something he really wants to say. Maybe he doesn't
have every tool. Maybe he hasn't find his craft
but his voice is really strong and it's really
notable and I think that's really what's still
makes clerks work. I'm hesitant to like, you
know, go to a college and show this to a bunch
of college -age kids because a, college -age
kids could scare me. And I don't know if they
would enjoy a movie. I think a lot of what makes
it work may not, it may be seen like as old hat
by people today just because it's what was groundbreaking
once is now commonplace. But still, I think you
still have to give credit where credit's due.
So for me, it's an eight out of 10. Again, filmmaking
issues aside, acting issues aside. What works
really works. So that's why it's eight out of
ten for me. I got a question for you guys and
there was the 18 title cards that were put up
at different points of the movie with one word
on the screen Does anybody remember a single
one of those? Anybody remember any of the words
that were put up? I mean, it's got juxtaposition.
That's one of them. That's a good memory. That
was like three weeks ago. I don't Nope. Matt,
you remember anyone? No. It was Dante, vilification,
Jay and Silent Bob, Randall, syntax, vagary,
purgation, malaise, harbinger, perspicacity,
paradigm, whimsy, quandary, lamentation, juxtaposition,
catharsis, denoment, and the end credits. I still
need to look up half of those to see what they
mean. Just half? Hey, why not? Yeah, so this
is the very beginning of the Kevin Smith retrospective
We'll be going through all this films next up
I believe will be mall rats, which if you go
back it was basically, you know, just the critic
response to it was hugely negative it was really
looked down upon as like the beginning of a sophomore
slup, which is Kind of become commonplace. I
think for a lot of directors So I'm be interested
in seeing I feel like there's been a lot like
mall rats is one of those movies that has gained
and Respect from a lot of fans as years has gone
on. I That's one. I've only seen once as Matt.
Have you I'm assuming you've seen mall rats.
Yeah, no Yeah, and I'm guessing Kevin and you
don't know and Amanda you haven't no i haven't
i've seen parts okay okay so coming at that and
all different levels i've only seen it once so
i i want to go back and rewatch it again so but
we can also like to hear your thoughts on what
you thought of clerks and any anything we should
keep in mind as we continue in this retrospective
you can go to geekcastreater .com you can also
mention us on twitter we're the twitter for the
show it is at cinema geek cast everyone else
is also on twitter amanda what is your twitter
name At Hard Candy Man, the eyes know lies. Kevin?
Mine is At Optimus Solo. Matt? I'm At Fridley
Sunt. And I'm At Movie Revolt, but that'll be
it for this week. Join us next time as we continue
our Kevin Smith retrospective as we give our
thoughts on mall rats. Until then, thanks for
listening.
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