GeekCast Radio
Interview with Fox from Geek Scholars Movie News

About this Episode
Let me take your order, jot it down. You ain't
never been like me. You're listening to the Keycast
Radio Network. slam into you, he didn't bump
you, he didn't nudge you, he rubbed you. And
Ruben's son is racist. Hello and welcome to Geekcast
Radio. This is episode 70 .5 and no, just because
it's a point five does not mean it's not going
to be a full episode. I am your, one of your
hosts TF2 and Mike. Joining me is Steve Megatron.
Hello. Hello. And we are continuing the syndication
nation spotlight here on GCR. This time around,
we talk to Fox from Geek Scholars Movie News.
Hello, sir. Hi, guys. How you doing? Thanks for
having me. Awesome. Yeah, it's good to have you.
What number in line were they, Steve? I forget.
You just send me the applications and I say yeah
or nay. I don't remember. It was number six.
Okay, so you're the sixth overall. syndicated
partner on the GCRN. Why don't you give us and
give the listeners a little bit of background
on yourself. I would be happy to. So again, my
name is Fox from Geek Scholars Movie News. We
are a podcast team of four people with Jill,
Chris, and Lauren. We've been in business for...
Just about three years now, we cover more of
the movie news aspect of cinema, so instead of
doing actual movie reviews week to week, we try
to cover the headlines and talk about each headline
in sort of a pundit -style discussion each week.
Awesome. Awesome. Yeah, I've caught a few episodes.
You guys really do a really good job. Thank you.
Better than I could do, because I found out that
I... Mike doesn't have the personality for news
because it infuriates him because of how back
and forth it makes him. Yeah, I found out in
the last six months or so that news stories,
I tend to approach them as I approach almost
everything else in life. I either really love
them, really hate them, or I'm indifferent. And
it's just one of those things that it constantly,
constantly frustrates me. We get news stories,
whether they be real, fake, or otherwise. I'm
sorry. Warner Brothers and Legendary split up.
Yes, it did. That is so fake. For a piece of,
you know, cinema that isn't even coming out until
God knows when, you know. When you say it's fake,
can you elaborate a little bit? I'm trying to
avoid this because I know some of our listeners
don't like me ranting and raving about the BS.
About the BS that is BVS. There was a trailer.
I don't know if you saw it. There was a trailer
that came out of a mock trailer. A mock trailer
that came out with Batman and he's watching his
giant bat computer in the Batcave. On the front
of it, it had Legendary and Sin copy as part
of the thing. And I'm thinking, yeah, that's
fake. Because Legendary and WB, I mean, that
story was last year that they broke up. And just
some of the news out there that isn't even really
a news story. just really kind of makes me so
mad. Well, I think it's a fair point there, Mike.
I think that there is something we try to make
sure we do is if we're going to talk about something
that is clearly a rumor, we label it as such
and we talk about the conjecture and labeling
it again as such. What we really try to feed
off of are the press releases that come from
official sources, official casting announcements
where the ink is dry on the contract, everything
else. I agree with you. There are too many sites
that try to make a living off of sensationalism,
and we are not proponents of that in any nature.
I agree with you in that stance. And see, I think
a lot of these sites, and a lot of them are very
reputable in certain aspects, but a lot of them
aren't in certain aspects. I think all these
sites are online tabloids at this point. Well,
I think you make a good point there. I think
there's a difference between being reputable
and popular. And unfortunately, I think a lot
of websites are trying really hard to be popular.
We see it even across Facebook and Twitter, where
you see headlines that, you know, top 10 things
about Batman. You won't believe number six. And
they really... clickbait and it's really a shame
because I think there is a there is room in the
conversation to have just an honest intellectual
if not academic conversation about cinematic
happenings even if they are pulpy cinematic happenings
even if it's about transformers or Batman v Superman
those are fun conversations to be had if they're
portrayed in a light that is less speculative
and more based on fact i love a friend of mine
on facebook uh... derek ferguson from the podcast
better in the dark he uh... every now and then
i'll see him post your daily dose of blah ha
ha ha ha it'll have some lincoln's so like i
think the latest on the something to do with
that the the uh... star wars episode seven was
insured and i think you know it's just like oh
wow So what made you guys want to, how did the
Geek Scholars crew kind of come together? What
made you guys want? Why movie news? Why is that
something that you guys wanted to talk about?
Oh, it's a great question, Mike. So it started
several years back. One of the geek scholars
on the show knew I was taking a trip and she
had been getting it, Jill, and she had been getting
into podcasting. And I said, I really needed
some. I had horrendous layovers and whatnot.
And she recommended a few that she found. And
they were all pretty similar, Mike. They were
all movie reviews that ended up being reviews
longer than the actual film I was amazed at how
people were putting together podcasts where they
would discuss a film that Just seemed to go on
and on and on I understand that people like to
dedicate a lot of time To the movies that come
out and have long conversations about them, but
I I was lacking I I felt there was a gap in that
I couldn't find a program that really Discussed
film again more from a scholarly academic point
of view and had a fun conversation about other
aspects of cinema rather than what was playing
at your local box office. Casting decisions,
directorial decisions, cinematic decisions overall
in terms of the big blockbusters as well as the
smaller independent films. And so I eventually
reached out to a friend of mine who is economist
by trade and he just is a very smart individual
and he really, I thought he could... Sort of
at an angle to the news where he would talk about
trends in the way people went to see films in
terms of Spending their money and IMAX and 3d
and he he jumped on board And then we brought
on an art historian of all people. She is a pastry
chef and a baker, and we wanted her to talk about
the artistic nature of film. And then finally
we added the person who gave me the idea in the
first place, Jill, who represents, I think, sort
of the idea of the average filmgoer who... loves
a little bit of everything and wants to figure
out a way in which she connect to all different
kinds of films. So we thought the four of us
would add really unique perspectives to discussing
the week's headlines and offering a way of bringing
the news to people who want to know what was
going on in film, beyond just what was happening
at their box office each week. That is interesting.
I know that when Steve and I started up Movie
Week in Review, he wanted it to be that. He wanted
it to be a news show. Um, well, I kind of wanted
a combination, which is what spawned, uh, it's,
it's actually, uh, funny concept enough is, uh,
three and a half years later, uh, my cohorts
here on the network decided, oh, we're going
to, we want to do, uh, uh, a movie, you know,
like a small movie review of up to date films
along with news. And I was like, that's. Basically,
the same concept I had, only I kind of lacked
the motivation to sit down weekly and do it at
the time. Or the time. It's a time crunch. It's
a time suck. At the time, we had just started
the GCRN and I was so burnt out. 2008 2009 this
guy started like four or five shows and was okay
Yes, that is true, but that's not what I was
gonna say Over on Steve's original show that
he will be you know laying to rest and in a you
know spark chamber near you on all things transformers
we I got to the point where all the rotten of
the fallen stories are just that they're not
even stuck like when tfw two thousand five dot
com you know bless them they do amazing work
over there but when they put new stories of oh
hey the movie is filming here oh hey the movie
is film location story those are not story i
agree and i i just got so burnt i understand
it on on doing Like you said, it takes a lot
of time and a lot of dedication, and it's a very
much a time suck. I said to Steve, I said, well,
I'd like to do that if we could actually dedicate
the time to do it. And I said, why don't we just
do... review a movie every week and right just
have it as like a Saturday matinee because Movie
week in review actually used to air on Saturday
morning Saturday afternoons And at the time in
2009 I had this gigantic DVD collection. I'm
like, okay, I can just go down the list Yeah,
and I want to jump in there Mike's I think what
you guys do is creaks I think that you need a
unique voice and perspective and I'm okay with
great movie review Podcasts like yours that really
I think add a unique perspective and a unique
voice and some Comradery and some comedy to it.
That's all well and good. I think what I got
tired of was the the regurgitation of the film
and spoiling it and things of that nature and
so What I appreciate with what you guys do is
you add a little bit of levity to the situation
You definitely are enjoying yourselves and that
comes through and what the craft that you guys
put together And let's be honest when I started
this I was not thinking about doing What is in
your theater this week, right? I was thinking
of doing it made more sense to us to do the you
know, what's in our collection because You pretty
much own what you like Right, of course. That,
and most of the movies are 20 and 30 years old.
And if you need a spoiler warning for a 20 year
old movie, there's something wrong with you.
You've missed out. Exactly. You've already missed
the train. You should not be listening to this
show pretty much. You should be going to watch
that movie we're talking about. Yes, exactly.
And sometimes we will say that at the beginning
of a show, you know. You know I will say not
necessarily put it as a spoiler warning But I
will say you know we're gonna sit here and talk
about this we're gonna dissect it We're gonna
spoil the hell out of it if you haven't seen
it turn the podcast off Go watch the damn movie
and then come back and listen to our opinion,
and I think that's perfectly fair What would
you like to ask him Steve so As far as is As
far as going through podcasting, what do you
see the next evolution, so to speak, of your
podcast? Yes, Steve, it's an excellent question.
I think that more and more, and we even get requests
for this frequently, is to have a video component,
which I find very fascinating. I think that people,
for whatever reason, like to see the hosts, what
they look like, their facial responses, and I
understand that. I think it adds a level of connectivity
to the conversation that I think people are craving.
I honestly don't think the Geek Scholars is going
to do that anytime soon. I think we enjoy the
fact that we have to work a little bit harder
that you can understand our tone and our inflection
and our insinuations just through the way we
use our voices. I think we like the radio aspect
of it as our medium, but I do think that more
and more we're going to see more podcast evolving
as you put it very eloquently to a more visual
medium. I think we're going to see more production
value because it's much easier to make those
kinds of videos where you will have sort of the
pardon the interruption ESPN sort of overlays
on top of the people talking much more like a
homegrown talk show. And so I think that's where
the podcast realm is headed. It'll be interesting
to see if the ones that are Audio only can survive.
I think they can but I think it's going to get
the competition is gonna grow stiffer The competition
might grow stiffer, but everybody wants Real
radio programming. I hope so. I think that there's
there's a nice balance between the two I think
that for some people they really enjoy the visual
and Don't get me wrong, sometimes I enjoy it
as well. If I have time to kill and I'm sitting
here on the computer and I just have a window
popped up on either really small window or my
other monitor and then I kind of listen and watch
as I'm doing other things. But it's also nice
to have the audio element because if you're on
the go, like say in your car or you're doing
an outside job. It makes it nice having it on
your MP3 player to sit there and listen to on
your headset so that you can kind of take the
show on the go. No, I agree with you. I think
I think we try to be for the multitasker, the
people who are believe they can do multiple things
at once. And therefore they're cooking their
dinner and listening to us or going for a bike
ride and listening to us. They're on the metro
making their commute to work and listening to
it. And I think we actually really appreciate
that. I think because we're all. People who do
that in our own lives and we look for shows Like
yours or like NPR that we can feel stimulated
by audibly by at the same time doing something
else with our hands or some other medium Absolutely,
cuz I you know, there's only a couple of podcasts
that I watch the video version of there's a network
I watch various podcasts from called after buzz
TV and sure If their servers aren't working properly
and I can't doubt it it happens a lot more than
you think For some weird reason this this network
that was started by Kevin under Garo and Maria
Manuno's of all people Sometimes their podcast
won't download properly or they haven't gotten
them up on the server By the time they said they
were going to etc etc etc So I'll just go to
their YouTube channel and I'll find the episode
that I'm wanting to Listen to and I'll just I'll
click the video, but I won't watch it I'll put
it in the background and I'll just listen to
it. It's just one of those things where unless
it's a Video series specifically my buddy Jason
Duvall and Dave Draper They have a series on
their site called bored. Okay, where they take
a look at video games from the 1950s all the
way up to today and it's a It's a cute little
videos video series that's done once a week for
about ten weeks at a time and You know that you
have to watch you don't necessarily have to watch
the review of the board game But I mainly watch
it for the intro and the closing because it's
just hilarious. Oh good You know so I'll watch
stuff like that podcast in general to me that
you know I've said this for the last four or
five years They are the new, the next evolution
of radio. You know, we always talk about, oh,
well there's talk radio and there's AM radio
and everything else. Well, half the stuff on
FM radio, depending on what it is, you know,
depending on your musical tastes, half the stuff
is, and I understand why this is, because they
need to pay for it, but half of, every time I
turn on the station on the FM dial, it's like
commercial. commercial. I get it. They need to
use those to pay for their, you know, you know,
and all that stuff. But it's like, wow, I'd rather
just, you know, listen to something that, you
know, I care about more so than have to hear
ad after ad after ad. And we use ads and our
stuff and everything else. What I try to do and
what I excel at is the review shows. And what
I try to do is I try to create something that
As I'm editing the show, obviously, I put the
theme music on the beginning and the end. Right,
sure. If we're doing an episode review, I'll
put a clip from that episode, and then we'll
do a discussion clip from the next episode, et
cetera, et cetera, et cetera. And every now and
then I'll throw in a commercial with the He -Man
show that we're doing. I sometimes will throw
in that old Castle Grayskull audio. Excellent.
It's that kind of thing. Yeah, well, I think
you bring up an interesting discussion there
Mike I mean more and more I think the thing that
turns me off from many podcasts even well respected
podcasts with celebrities or or high -end hosts
is is too many ads I or ads that don't make sense
in the context of the content that I'm listening
to and that's something that I I really have
an issue with I feel more and more that It detracts
from the overall narrative of the show and that's
something I'm not in favor of I don't mind shows
that really try to integrate Advertisements or
promotions or sponsorship for things that are
directly related to the content in which I'm
listening to But there are way too many shows
like when I'm listening to Neil deGrasse Tyson's
show and he does an ad about microwaves or or
recliners or lazy boy, you know, that seems so
out of place. It's almost like breaking the suspension
of disbelief in a movie. It would be like watching
a Star Wars film and then suddenly in the middle
of it, seeing an advertisement for McDonald's.
Right. Exactly, Steve. Exactly. It really detracts
from the overall experience. And so I think I
think it's an interesting point you bring up
there, Mike, how ads are permeating more and
more into the into the narrative. And that's
kind of upsetting. We don't try to be elitist
in any way about this, but we made a commitment
and we're going to try and stick to it as long
as we possibly can. The Geek Scholars has no
ads. There are no ads on our site. There are
no ads on the podcast. And I think we're fortunate
in that we love doing it so much that even if
we had three listeners per week, our moms and
dads, I think we'd still do it. And we're going
to try and keep doing it as long as we can in
that fashion. Or we've said if we get an ad or
a sponsorship, it has to be directly related
to what we're all about. It would have to be
something cinematic, entertainment related that
really complemented what we were trying to do
on the show. With some of the ads like we usually
try it like when we do them Put shows like if
it's an animation show or it's like some kind
of or we talk about maybe Batman We'll talk,
you know throw in our Batman ad for that podcast
that makes perfect sense. Yes, but but like Like
I've listened to this week in tech and they'll
have okay and now an ad from stamps Yeah. It's
like you're a tech show. I can see audible, I
can see carbonite, but stamps, really? Right,
yeah, it really breaks, again, that suspension
of disbelief. It takes you out of the element
that you wanted to be in when you decided to
hit play. You decided at some point that you
were gonna dedicate your hard earned time. to
this medium, to this art form, and then suddenly
there's something very jarring in the middle
of it. I find that very disconcerting. There's
a couple, I don't know if they do this anymore,
but there's a couple of things, a couple of shows
that I listen to on that AfterBuzz TV network
where they used to... right in the middle of
conversation, stop the entire conversation to
transition into an Amazon ad. And that I don't
like when you do it mid -show. If you're going
to say, OK, we're going to take a break, you're
going to hear an ad and we'll come back on the
other side. If you're going to say something
like that, fine. But if you're just going to
stop the complete conversation or interrupt somebody's
conversation mid -sentence. That's a little ridiculous.
I try my best unless it's something that we just
started or unless it's something that came back
I'll put an ad at the very beginning of the show
But our ads are 30 seconds or less and then at
the end of the show like take I was talking earlier
about the he -man podcast what I'll do is I Want
the listener to have the experience of remembering
watching the cartoon, so I'll take uh -huh We
usually do three cartoon episodes per podcast,
so I'll take the three PSAs that were done for
those cartoons. I'll put a PSA, I'll put a podcast,
I'll put a PSA, I'll put a podcast, you know,
that kind of thing at the very end of the show,
like after the people have already heard the
main discussion. And that's kind of fun, though.
There's a little bit of nostalgia in that. There's
a little bit of wink wink, which I think is is
fun entertaining. Yeah, but they're just some
oh god don't even get me started on Kevin Smith
now I used to listen to him as much as I like
the guy as much as I like his one I was in a
Kevin Smith movie once oh really which one I
was in the worst of them all Jersey girl Oh my
gosh. Yes, I had a scene with Ben Affleck in
the Hard Rock Cafe Hotel, actually. And so that
was my Kevin Smith experience. And he is, to
be fair, a really wonderful, heartwarming fanboy
in real life with people he doesn't know as well
as he does. I will give him that credit, but
I... No, yeah, and I will, but it's like, it's
one of those things when I first started listening
to the show Fat Man on Batman, the second, third
or fourth episode, I counted it on Fat Man on
Batman episode four. The first nine minutes of
the show is him pimping out all the other stuff
that he's doing. Like, it's... Wow. Well, let's
move off the advert. Yeah. Yeah What are your
specific Favorite moments so far from 2014 and
movies. Oh gosh, that's it. That's a fantastic
question. Um You know, they usually my favorite
moments in film are honestly the moments I share
with other people I will give you one example
off the top my head, which is a little obscure
I got to see Veronica Mars at South by Southwest
with the cast of Veronica Mars with a bunch of
fans who had literally Financed the film Veronica
Mars was the first successful kick -started film
it went off at a modest Two million dollar goal
it raised something like six point five Which
is for those who don't know Veronica Mars was
a three seasoned A television show starring Kristen
Bell about a young detective type person, sort
of a cross between the Hardy Boys and Nancy Drew,
who solved mysteries. It was cut a little bit
short, at least in terms of the fan perspective.
And then several years later, they got together
and literally financed their own film. Watching
something like that, Steve and Mike, with people
who, again, felt a deep connection to it and
reacting to the product that they helped bring
to the screen was fantastically fun and really
uplifting. In terms of a movie going experience,
that was one of my favorites. In terms of sort
of the mainstream big blockbusters, I was a huge
fan of the Lego movie. I found it wildly creative.
I found the script to be deep and complex and
comedic in ways that were very unexpected. I've
been very happy with the way that comic book
movies have sort of changed this year. Captain
America, The Winter Soldier, and X -Men Days
of Future Past be less of the sort of explosion
-heavy action adventure, more like the political
thrillers that I think back from the 70s, often
starring people like Robert Redford. And so there's
been something for everyone this year, which
I've really appreciated from the box office.
Going to the Kickstarter thing, I think it's
just awesome that people We're able to put their
money where their mouth is more or less and and
keep alive what they actually wanted to see Yeah,
rather than get handed something they didn't
want. I agree I think that's important that they
had sort of a stake in it. They had sort of a
Sort of well, it made it more personal. Yes.
That's a great way of putting it Steve That is
it that is a fantastic way of putting and I think
the producers especially the director Rob Thomas
Saw that and felt like they had to make a movie
For once not for Warner Brothers not the people
who are going to market it and put it out and
distribute it but for the fans and Veronica Mars
is more a movie for the fans that I've seen in
any other movie. And the only thing I can compare
it to is Serenity, which was Joss Whedon's Firefly
follow -up. But this is even more so a fan love
letter, Veronica Mars, the film. And so I had
to applaud that. I had to applaud the cojones
on the director for making a film that really
did not try to bring in new fans. It only tried
to serve as something the fans from the original
series would appreciate. Absolutely So what would
be if you if you had to pick so far Would be
your top five films of 2014 gosh top five Okay.
Well, it's tough with it being so far because
they're still Under six months left of good film.
Yes, we have I mean we probably what's really
interesting Mike and Stephen tell me if you agree
with this Isn't it funny to think at this point
that probably all the Oscar nominees for all
the major categories probably haven't even been
released yet Isn't that kind of interesting I
find like it probably won't be even released
till October November December right now We're
in the popcorn season, you know, and it's really
fascinating It's funny because you get you start
out the year with most of your train wrecks and
then you go into your your heavy action slash
superhero slash sci fi. Right. Right. And then
you move on into to slight horror, thriller or
based on a book. And then you move on to your
your Oscar nominees and then you move into a
couple last either sequels of previous films
of. whether it's action or comedy or fantasy.
No, I think you're absolutely right, Steve. There's
a certain cadence to each year, which is very
fascinating, I think. It always sort of interests
me to see how it doesn't change. It's always
the same sort of musical notes hit each month.
But to answer your question, Mike, more pointedly.
So if I had to think about my favorite movies
of the year. Definitely the Lego movie would
be on that list. I would think I would also add
Edge of Tomorrow. That film, the film with Tom
Cruise, which is really Groundhog's Day meets
Aliens, surprised me in a fantastic way. It had
a lot of humor in it. It had a lot of great action
and adventure. I really enjoyed the empowerment
of Emily Blunt's character. I loved X -Men Days
of Future Past as a fan of the comic, the original
comic. I thought they really did their due diligence
and showed reverence to the narratives that were
put forth earlier on paper with pen and ink and
brought to the big screen in a fantastic way.
A few others that I really enjoyed, I'm going
to call out Calvary, which was a recent Brendan
Gleeson film about a priest who is threatened
and confessional of all things. He's told he's
going to be murdered and the rest of the film
is sort of about him reconciling that and deciding
how he's going to handle that situation. A few
others, Grand Budapest Hotel, I think Wes Anderson's
perhaps finest film is... magnificently beautiful
in the different aspect ratios, creating these
unique settings with fantastic templates and
palettes of colors and characters and complexities.
Really was a fan of that. Am I up to four so
far, I think? Gosh, if I had to pick one more,
it's tough. Let's go with something a little
more off the off -beaten path. I'll take Chef,
which was John Favreau's recent debut, a film
about a father trying to reconnect with his son
on a cross -country trip in a food truck, of
all things, and the bonding he does between his
son and him, and trying to understand him for
the first time, being a parent who is immersed
in this world of work and the culinary arts,
and trying to pass that on. and what does that
pipeline look like into the next generation?
I thought that was very fascinating. So that
would be my five, maybe even gone to six there,
I lost track, but an eclectic mix of fun things
this year. Breaking bad without the drugs You
know Bavro is so off his rocker in that game.
It's so high strong He's only one step away from
cooking meth next to his enchiladas. It really
really just one extra ingredient It would make
it all the more interesting Those weren't really
Angelatos. Exactly. Exactly. But it was great
because Favreau really put his heart into it.
I think it's a movie he wanted to make for a
long time and it has some discernible missteps
in terms of casting and some of the relationships
don't go... quite where you would think they
would. I mean, does anyone really buy Sofia Vergara
marrying Jon Favreau? Does anyone buy Scarlett
Johansson having the hots for Jon Favreau? There's
a little bit of a fantastical element to these
things, maybe wish fulfillment. But when you
put that aside. Well, it's almost like the Judd
Apatow movies. Right. You got the kind of dorky
dude with the insanely hot woman. Yeah, I mean,
how many hot girls really could Seth Rogen attract,
right? I'm with you. Exactly. But Favreau is
such a master of language and a master of detail.
One of the things I loved about Chef was that
he really trained how to cut the vegetables.
And that's such a minor thing. That's such a
minor, minor detail. And yet when you see in
the film, you believe that Favreau could create
these culinary wonders. And I appreciate that.
I appreciate that when I watch even the cast
members who are trained to act as if they love
the food they're eating, I believe them. And
that's a great subtlety that I appreciate in
what Favreau did in Chef. Such a big deal out
of Scarlett Johansson. I always tell him, go
back to 1998 and watch the horse whisper and
then you will feel completely creepy. Yeah. She
was young once. Yes. She's only two years older
than me, so I don't have to feel that way. There
you go. She's also an extremely nice and heartwarming
person, if I may say so myself. Alright, so what
would be your most anticipated things for the
rest of the year? Oh gosh, it's tough And because
one of the reasons I mentioned earlier at this
point of the year We're not entirely sure what
will actually make it into theaters at the end
of the year just today I was sent the first trailer
for the imitation game, which is a drama starring
Bennett Karibash, starring as Alan Turing as
a man during World War II who unlocks the secrets
to the German code. And it's a really fascinating
story. I'm really hoping it's the movie that
puts Benedict Cumberbatch onto a higher plateau,
makes him a household name. It really could be.
So that's something I'm really looking forward
to. In the immediate future, I can't say that
I can't hide my absolute love of Guardians of
the Galaxy. I love what James Gunn has done with
that property, and I think it's going to be a
huge success. Beyond that, I like the fact that
the fall is a little bit of a mystery. I think
there's a lot of things coming down the road
that I have no idea what they're going to be.
there's an inherent joy in that. There is an
inherent joy in knowing that I have no idea the
performances are gonna wow me. I have no idea
the directorial efforts that I'm going to be
amazed by. Like I was last year with things like
12 Years of Sleep. And I think those films are
yet to come. I think there's lots of things that
audiences have no idea are coming. And there's
something kind of exciting about that. Awesome.
All right, this was just one of the things that
I thought of before we started the show tonight.
So I was watching Iron Man 3 for God knows how
many of the up -to -date amount of times. It
caught it on stars. And you know, the Iron Man
movies, they are... the 21st century Superheroic
versions of the first lethal what three lethal
weapon movies? Okay, can you elaborate if you
look at that? Well, you got Robert Downey jr.
And you get? Murtaugh, I'm sorry. Yeah, he's
got roadie and Okay, sure the first Iron Man
movie is Very very dark. There's not a lot, but
it's higher, huh? Well, right, but but what I'm
saying What I'm saying is, yes, it is Iron Man.
It is his origin, or a version of his origin.
And it's very, very dark, much like the first
Lethal Weapon movie was. I mean, if you look
at Tony Stark being a counterpart to Riggs, I
mean, Tony... even though he does want to live.
I mean, he's not suicidal, but it's just one
of those things where I thought of that and I'm
like, hmm. He's lost. He's lost. He's meandering.
He's trying to find some purpose. We meet Riggs
in the beginning of the first Richard Donner
film. Riggs is definitely a man without cause,
a man without purpose. And I would agree, or
he's used to doing the same thing. He's undercover.
He's doing the drug trafficking and things like
that. He's tracing the... But he's not challenged
and I think we meet iron man. We meet Tony Stark
in a similar place He's good at what he does,
but it doesn't challenge him anymore Exactly
in the second film Gary Shanley Gary Shanley
is so Joe Pesci In the second movie every scene
that that Tony and Gary have together, it's more
so... Gary Shanling is this huge prick this huge
guy that's in Tony's way? Just an hammer isn't
a better analogy the sort of the annoying prick
who pops up literally over Tony's shoulder putting
his arm around him like aren't we best friends
come on come on come on come on you know like
that that idea I mean no because hammer is not
funny at all hammer is just boring There was
a personality there he had some crazy flair Formage,
you know, I yeah, but but Pesci would not do
what what? What Rockwell did that's the thing
like like Leo gets does not dance. I Don't know
if I see you busting some moves over there the
Pesci's got it and then Yeah, that's true. And
then the third movie. It's It's lethal weapon.
Well, no, it isn't really Is kind of I would
say it's more lethal weapon three because you
have The whole Tony roadie thing going on with
them teaming up and you know mostly being out
of the suits But you also have this whole thing
with him and pepper which is kind of even though
by now they're more into their relationship than
rigs and and Lorna were in the third film for
neighbors, but but It very much feels like that
to me. I don't know. It's just one of those things
where I'm like, hey, they super -herified Riggs
and Murtaugh. Great. And obviously, the third
one is more so a lethal weapon than anything
else, really, because of, obviously, Shane Black.
Right. Oh, yes. But that was just something that
I thought was, I thought of that today and I
thought it'd be interesting to bring up on the
show. No, I mean, I see the comparisons. I mean,
clearly you're, but again, like I think you said
it best, we have Shane Black, the herald of the
first film, who I think many people don't remember
was associated with it. And again, I asked the
question, why is every Shane Black movie revolving
around Christmas? He has some weird obsession
with that holiday that I almost don't want to
get into. Oh my God, Steve. Shane Black for Die
Hard 6, 7, and 8. You know, it wouldn't be that
bad considering he knows how to write a buddy
cop film. I agree. And I'm not impressed with
what happened with Die Hard 5 in any sense of
the word. That was not a Die Hard movie. Oh,
the last Die Hard film? Yeah. Oh, yeah, that
was awful. That was terrible. The Olympus Has
Fallen should have been Die Hard 5. Yeah, that
would have been much better, actually. I wonder
if you could get Reginald Bell Johnson out of
retirement. Well, I hear from the scribe of Die
Hard 6 that they're talking about bringing Sam
Jackson to work with us. Oh, okay. It's not going
to happen. Dude, it's not going to happen. There's
no way. Oh, come on. Nick Fury can drop his eye
patch every now. Oh, wait. He already did. Sorry.
Yeah. He's like, I'm retiring. What so I'm gonna
turn the tables on you guys a little bit. What's
next for you? What's what's I mean? We've been
talking you guys have been doing such a great
job of interviewing all the podcasts in your
network What do you guys see is the future as
of your network as it grows? You start paying
us money people Trust me I've said it a million
times in the past six. I've been podcasting since
December of 2008. They're still ignoring I've
been saying since December 2008, this is pretty
much my full -time job. I'm a disabled person
for the most part. Having an actual quote -unquote
real job isn't an option for me a lot of the
time So I figured oh, okay I can do this and
I got better and better and better as it went
along And I've always said, you know I don't
want to have a set salary for this because then
it would actually feel like work I've gotten
to the point now where I can sit down in one
morning or one afternoon and Completely edit
five different podcasts in one day and have them,
you know be the the quality standard that people
expect. Well, that you expect. Right, well, obviously.
Well, no, I mean, that's an important standard.
You know, and it's one of those things where
I've gotten so good at the editing part of it
where it's like in the beginning, you don't even
want to, don't even tell him, you don't even
want to know how I was editing in the beginning.
That's why in the beginning, Steve was doing
a lot of the work. He was like, Steve, put the
two feeds together. Because we recorded Audacity
on each other's end, like, and I pieced it together.
That was a nightmare. Was as far as the future
of the network, we're just gonna keep continuing
to grow at least, you know The more voices we
have the better Yeah I'm pretty much not necessarily
cutting back, but I'm also Not doing 20 shows
all at once. That's probably for the best. Well,
see that here's the thing because I am you know
because I am physically disabled and I have a
lot of time on my hands I figure okay well I
can do this and it will take up a lot of my time
so you know putting a lot of it into this is
is a good thing and it's one of those things
that I really enjoy doing it that's good as you
should yeah and I mean any number of topics.
I mean, it's just one of those things where I
like looking and I know Steve sometimes does
like this and sometimes he can't stand when I
do this. I think, what was it, the first year?
First year we started Movie Week in Review. I
had the next 15 plotted out in a schedule. I'm
one of those big pictures. He was floating into
20. 21 or something like that I I had to see
and Obviously now we you know move it around
and whatever else but I needed to see something
is one of the most important points of advice
that I ever got before I even started podcasting
was Set yourself up with what you're gonna do
before you actually do it. It's kinda like, oh
god, I can't believe I'm even gonna reference
this because I can't stay on the character. It's
kinda like Springer from Transformers the movie.
Think about what you're gonna do before you do
it. And it's one of those things where I sometimes
have, you know, You know, things rattle around
in the back of my head that I'm like, Oh, okay.
Well, if I do, and I love doing the review shows
cause they're so easy. They're so simple. Um,
you know, you watch a couple of cartoons per
episode of a podcast, you write down your thoughts,
you record them. Bing, bam, boom, you're done.
Um, I think the longest. Cartoon review show
we will have Will be pixels in the animation
which we are doing nine different video game
cartoons over 100 episodes it started in 2012
and it'll probably go till 2017 so there'll be
the second longest show on the entire network
outside of my or in GCR and whatever else and
I don't know Steve. What about you? Where do
you see our future? Well for instance when I
I you know originally first started podcasting
it was like 2007 so it was before I even knew
Mike but I Never saw myself going this far honestly
Would I change anything no I continue to see
this network growing. We just launched our year
five design which I think is very clean and easy
to get to content. I like all the new renovations.
I still have things planned to make it more of
a social network of sorts as we progress. Just
lacking the time to do so. Of course. I've had
plans in the past to try and do live shows, whether
it be through Google Hangouts or through some
other different methods. I've tried playing around
with that. Eventually, I hope to get that working.
I was doing a video show for a little bit on
YouTube, and I actually switched it to a podcast,
which is Altered Geek. So I eventually hope to...
make the time to get back to that as well. I
just see adding more fellow geeks and fans and
just our peers to the site to help share our
collective knowledge in a place that more or
less won't... I'm trying to think of the nice
way of putting this. that won't essentially hoard
themselves out for money, like to do it for the
wrong reasons. No, I'm with you. So that's where
I see it going. Well, in the short term, what
I want to ask you guys about is any thoughts
on this week's Comic Con? Is that something you
guys pay attention to, excited about, think it's
a lot of baloney? What's your stance on the matter?
This episode actually won't air until after comic
-con, but kind of in general I like it. I think
it's a great thing. I think it's gotten to look
like I actually a couple weeks ago I just did
a show about this okay and on someone else's
podcast I I'm a guest on talking about my generation
with Doug Abel, but it's one of those things
where I myself am not good with people in real
life and comic -con especially how crowded Comic
-Con is, and probably 98 % of the people don't
shower. I don't think it is that. I think it's
actually the fact that it's so compact. It's,
yeah. It is more about, basically think of me
as Casey. What's this about staying down here?
You're claustrophobic. What'd you just call me?
Yeah. I'm asleep. You know, it's just one of
those things where I don't do well in a crowd.
I understand. I just don't. And I love the idea
of Comic -Con. I love seeing all the exclusives
that come out of Comic -Con. I actually, a couple
of years ago, I think two years in a row, I did
a Full -on six -hour podcast live as comic -con
was going on for the Saturday with radio free
Cybertron over at TF radio net And I was on there
talking about the news as it happened, coming
out of Comic Con for six hours that whole Saturday.
Yeah, I did that two years in a row. I really
enjoyed doing it because I was reacting in the
moment. Some of the news I liked and some of
the news I didn't like. Yeah, that makes for
good radio. Sure. Yeah. And I think now, you
know, in 2014, there's just they beat it to death
with news stories about any any topic you can
think of. I think that it's gotten. I mean, don't
get me wrong. I would love don't get me wrong.
I would love to go to a full fledged comic con.
It's just the money and the ability to get there.
Like, more or less, I can't afford to pay for
plane tickets or the tickets to get in or the
place to stay. So it's just one of those things
that I can't go. So I have to watch the the stuff
as it kind of tumbles through social media. Now,
if I could go, I would go look at everything
and have it all go to the site. But being that
I have to see it all after the fact, it's kind
of... And I think that there's so many different
Comic -Cons now. Yeah. Because these, like the
San Diego or the C2E2 or the New York Comic Con,
I think that they get so flooded with people
because everybody is so enthusiastic about it
and pop culture has blown it way out there that
everybody's making these smaller ones so that
they can actually have a more personal experience
with it. Whereas these have become such large
shows that you're fighting to get to every every
little piece of the event and and actually, you
know, besides that, I mean, the long lines to
get to everything. Yeah, no, it's it's it's gosh.
I mean, yeah, they make you work for it, don't
they? Especially for the fans. I mean, now we
hear reports of people literally sleeping in
line overnight, you know, almost close to if
not 24 hours. Yeah. I mean, it's amazing how
it's evolved and changed. And I don't know if
it's for the better, but people love it. It's
a supply and demand kind of economy, especially
on the fan side. And so as long as there are
fans out there eager to see just a glimpse of
the stars from the next young adult novel adaptation,
there will be tents set up outside of San Diego's
convention center. And I think that's only going
to continue going forward. I just think personally,
I think San Diego Comic Con is, honestly, it's
worse than trying to do everything at Disney
World. I mean, you know, you get 10 days, you
can go to Florida, you can, you know, 10 days,
maybe 14 days, two weeks, you can do almost everything
at Disney World. Right. Five days for San Diego
Comic Con, you can do maybe 20 things in that
five days. And that doesn't even count. the half
a million other things they have. Well, the one
benefit of them having so many events at the
one at the one place and then having it, you
know, in this huge complex is not everybody's
into everything. No, it's true. It gives people
the opportunity to kind of split. No, and I and
I agree with that. Yeah, I'm not saying that
that everyone's going to have the same interest
or not. I honestly wish that Comic -Con would
in general, the overall wizard world, whatever
the hell the main corporation is called, I wish
they would split it up and make it smaller throughout
the entire year. Like Steve said, you've got
Comic -Con Dallas, New York Comic -Con. I live
in Michigan. Granted, there's Motor City Comic
-Con, which it's neither here nor there. I've
heard horror stories of that one. That's like
an anthill compared to going to San Diego. And
that it somehow happens to follow my anniversary
every year, so I can't go. So there's that. Plus,
I mean, I would love to see some of these travel
around just so that you can still have the same
experience, but have it in different locations
and have, you know, maybe the different venues.
And I would think that. I mean, it's essentially
the same thing for San Diego or New York or C2E2.
It's all the same basically convention. I mean
different companies put it on but it's the same
basic concept. Alright Fox, where can the people
besides going to geek cast radio calm? Where
can the people find Geek Scholars movie news?
Well geek cast radio is the best place to find
us But if you are so inclined to find us independently,
we are at geek scholars comm you could follow
us at geek scholars on Twitter We're on Facebook
Facebook comm slash geek scholars. We respond
by protocol to every piece of mail and We comment
criticism question we get We accept mail at mail
at geek scholars comm We love interacting with
people who want to write in whether you love
us hate us. We would love to hear from you So
we encourage everyone to contact us. However,
they see fit Awesome. All right coming up next
in the syndication spotlight. We will have Some
turtle flakes get your Saturday morning cereal
ready, ladies and gentlemen We'll be back Next
time. Damn, I screwed that up. Oh, fuck. Unleash
the geek in you. We won't catch you next time.
I gotta go to the bathroom. Please don't say
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