The Beast Unleashed
Interviews – David Kaye Master of the Beasts!!!

Part of a Collection
About this Episode
Hey, this is David Kaye, and you're listening
to the Geekcast Radio Network. This is Megatron,
leader of the Predacons, and you're listening
to all things Transformers. Predacons, terrorize!
This is Optimus Prime, and you're listening to
all things Transformers. Hello and welcome to
All Things Transformers. I'm one of your hosts,
Steve Megatron. Joining me on this adventure
into the Transformers fandom is TFG1 Mike. Hello.
Returning to the Geekcast Radio Network is the
one, the only, David Kaye. Hello. How are you
doing, David? I'm good. How are you? Doing well.
Good. I have my... I have my wine. I didn't have
any yesterday, so I thought this evening I...
I brought a little up. It's 7 o 'clock. It's
after dinner, so I have a little, yeah, just
enjoy a little California sunshine. I guess that
says a lot about us here at the Geekast Radio
Network, folks. Our guests have to be drunk to
be on the podcast with us. That is absolutely
not true. No, it's... I kid, I kid. I hope nobody
takes that and runs like... It's a joke, folks.
No, it is a joke. No, I have, it's just, it was
just, it was a good, good busy day today. And
I had dinner. I went, you know what? I got a
little something. And you are a bit of a wine
connoisseur, are you not? I'm a nerd when it
comes to wine. I mean, you know, yeah, wine geek,
bottle nerd. I don't know. I just, I love it
because it's like, yeah. It's got history and
geography and topography and things. It's farming.
It's hard -ass work. It's blood, sweat, and tears.
I don't know. It's a bunch of old guys squishing
grapes with their smelly feet is what it is.
Well, if you're enduro, that's what happens,
making port. But no, it's a lot of young people
getting dirty. I had a chance to do that. I actually
felt like I was doing something for, you know,
not that this job is not like you're doing something,
but on my 50th birthday, I was at a winery in
Napa, and I got a chance, my wife and I, to bring
the grapes that are coming in. It's harvest,
and I'm doing punchdowns, and I'm bringing the
grapes in. I'm stacking crates, and I left one
thinking, now that's work. That's real work,
and I felt like I didn't want to go. I thought,
what am I doing? Making goofy voices. This is
people, you know, working their butts off. Anyway,
it's hard work. It's hard work, man. Definitely
the appreciation for it. Yeah. Anyway, I digress.
So before we get started, it's been a while since
we've talked to you. The first time was in 2009
and then in 2011. So what's been going on in
that time since we last talked to you? Oh, boy.
Kind of sounds like my agent said. I haven't
seen my agent. He's retiring, the main agent.
I haven't seen him for three years, and we meet
at a restaurant. He goes, okay, I want the whole
story. So what happened? What's going on? Where
are you? You're living out here now? What's happening?
And so I gave him the whole tour. But yeah, we
live in Ventura County now. We moved north of
the city of Los Angeles, and I can sleep. I hear.
owls and crickets and frogs in the gully as I
can see mountains and I can see ocean. I go,
oh God. So yeah, the great migration during the
pandemic where everybody thought, okay, what
are we doing? What's important? What's going
on? We ended up moving up here and yeah, it feels
good. So yeah, we're a little further north of
LA now and the conventions are coming back, have
done four already. Always been, you know, I was
always nervous about getting out there and doing
them, but everything's so far. Knock on wood.
It's been great. BotCon is back when it was in
Nashville. And I've met a lot of great people
there and friends I haven't seen for quite a
long time. A lot of people have beards now. longer
hair which is like yeah you know it's kind of
scary i've had a beard since i was 28 and that
was back in 2008 so yeah so so since we you know
since 2009 and now there's a lot more gray hair
and some more beards uh and younger fans which
is kind of really cool the parents are now exposing
their kids to uh the beast wars it's amazing
man i mean look who knew 20 it's been over 25
years and and uh people you know they still want
to hear this pleasant surprise you know so it's
um yeah i'm grateful grateful you know the only
thing wrong with that button is it has the wrong
faction symbol on it which one the new one should
have the right one Really? There's a new one?
Oh, yeah. This is the second run. Actually, the
symbol was designed. We didn't want to do any
crazy copyright stuff. The new one's designed
with the actual Predacon logo, but it's designed
by... She designs the wooden buttons. Oh, Candice?
No, not Candice. Again, she's, she's phenomenal
talent and she put a big yes across it. So we,
uh, these are selling really well. Yeah. These,
they're, they're, uh, they're a hit. Apparently
the first one's a bit of a copyright infringement
deal and we had to put, uh, we had to put a stop
to that. So, um, yeah. Yeah. I just watched that
video on your channel. I was like, you know,
Steve was like, yeah, that's the wrong faction
symbol on that thing. What, the new one? I've
seen the new one. No, the old one. No, the old
one. It had the Decepticon or something on it.
Oh, yeah. No, no. Yeah, that was a mistake. That
was old. Somehow it went, how did I not catch
that? That's been corrected. Yeah. It looks very
cool now. Mm -hmm. So can you give us the scoop
on what's going on in your world currently, and
are there any upcoming projects you're allowed
to kind of talk about or reveal? Well, there
was one project I cannot talk about, but I was
in the studio for it. I was in the studio for
the first time two days ago. What's today, Thursday?
Yesterday, I was in the studio for the first
time in two and a half years. Oh, wow. And you
walk in, you smell that sort of dusty electronic
smell. You go, oh, my God, I'm home. Because
my studio smells like home. Uh, when you go into
the studio, it's all, it smells like, Oh, this
is, it's like if you're an actor and you do stage
work, you walk into the theater and you smell
that grease paint and that sweat and fear and
you go, Oh yeah, this is it. I love this. And
it was just great to sort of interact with people
on the other side of the glass. You know, uh,
I really, really miss that. So last thing we
were doing, uh, before we're all shut down is
a He -Man masters of the universe and, uh, you
know, battle cat and, uh, and, and we were having
a ball at the whole cast. We're still actually
on a text thread. If somebody does something
stupid or we'll text each other. I mean, Freddie
Tatasciore is on it. Tom Candy. We're all, you
know, we're all still on this. It's such a great
cast. And we had to go home after that and did
the rest of it on, you know, over Zoom and in
our home studios. So, but there's, yeah, Farzar
is out there. It's a crazy, you know, way out
like a wacky adventure in space. Not for the
faint of heart. Not a family show. Yeah, it's
very Ren and Stimpy. Yeah, very. It pushes every
boundary. It's further than Ren and Stimpy, man.
Yeah, exactly. It pushes every boundary. And
that was fun for me to do sort of a primetime
comedy show, work with Waco, Gwynn, and Roger
Black. And so, yeah, that's out there. I mean,
there's still people talking about Psychonauts
2 and Honey Pepper Ballback and Four Crawlers
back, and I worked with Jack Black on that one.
And the Ratchet and Clank thing is out. James
Arnold Taylor and I actually, speaking of Ratchet
and Clank, are finally doing a con together.
I can't believe we actually have not done one
together as a duo. I think it's in Pensacola,
Florida in February. So that'll be exciting.
That's if Florida survives. There's a lot of
things going on down in Florida right now at
this moment. It's just... What do you say? I
have a lot of friends down there. I have a family
that's actually down there. They went down to
put new windows in their house down there, and
I'm not sure if the windows might be standing,
but I don't know. It's hard to say. So hopefully
by the time that comes around in February, things
will be a little better situation. Everyone in
Florida, stay safe and stay away from Cheetor.
It's all Cheetor's fault. Oh, Cheetor. Ian. My
finger. Oh, my finger, Ian. Yeah. I think you
do a better Gary Chalk than Gary Chalk does a
Gary Chalk. It's funny because over the course
of the pandemic, we're all desperate to reach
out to people. And we're seeing doing Zoom and
FaceTime and talking to people we haven't talked
to for a while because no one knows where this
thing is headed. So the phone rings one day and
it's early in the pandemic in 2020 and it's like,
Hey, David Kaye. I go, Gary, how you doing? Not
bad. I haven't talked to Gary. I've seen Gary
for so long because I'm a Californian. I left
in 2007. He's up in Canada. Him and I, actually,
we talked more during the course of the past
two years than we had in the... All the years
I've been down here, which is just great. Ian,
I've seen Ian numerous times, and he splits his
time, I think, between here and the desert and
up there, I think. And who else? Yeah, so it
really has been. And the first convention I'd
done in a while where the Canadian crew that
I used to work with were in Dallas. And it was
like all home week. And, man, we couldn't stop
talking and laughing. And it was such a great
thing to see everybody that I'd sort of started
with and used to hang out with. in Vancouver,
some great, great memories. And yeah, it's like
time had never, had never ceased to exist. It
was, it was fantastic. But yeah, we're all still
friends. We all still hang when we can. Absolutely.
All right. We're going to talk about acting for
a moment. And obviously acting is the general
term for the craft, but we all know that there
are differences and different. genres of acting
from voiceover to on -camera, whether that's
film or television, there's stage acting. What
is it about acting that you love the most after
all these years of being an actor? Not having
to be yourself all the time is number one. Oh,
I don't have to be me? Oh, good. Thank God. Well,
you know, the whole idea of people, it's acting
is the thing they call it. I tend to call it
just being. I keep telling people, you know,
when you step in behind a microphone, it has
to be every character you create and you're doing,
whether it's either on camera, on stage or behind
the microphone, especially because all the nuances
the mic picks up. It has to be truthful. It has
to be part of you. It has to be honest. It has
the character has to live and breathe and have
a heartbeat and laugh and smile and cry. You
have to bring all that to the character. Someone
who's a professional and someone who's, you know,
trying to get, you know, to that to that point
is the truth in it all. Whether you're reading
a narrative piece, whether it's a trailer, whether
it's a, you know, a character or this long form
it. Look, I spent many years trying to figure
out who the hell I am. And it's one thing about
acting teaches you. It's you start to figure
out who you are. And for the most of our lives,
including me and everyone else, we wear masks
every day. We go around and. We think we know
who we are, and we put on this facade and this
face and this mask, and we get home, and our
pajamas are on, and we're watching, and we're
ourselves. So my whole thing is to tell people,
look, you've got to be yourself. You've got to
be who you are, and especially the mic's going
to pick that up because the mic calls bullshit,
and it's easy. We've all heard commercials and
spots and shows and characters. We go, I don't
believe that. It just sounds like they're reading
it. Yeah. for the most part. It's hard to get
to that point. So my little thing on acting is
what I love about it is it teaches you about
yourself and who the hell you are. And to be
able to figure that, you've got to, man, you've
got to travel. I think, what, 14%, 15 % of Americans,
we travel. And everybody in Australia, they're
traveling. Like, you can be in the middle of
the Gobi Desert in the middle of nowhere, and
the first person you come across is, can I, Mike,
what's going on? Oh, Australia. Yeah, because
they're in front of a freaking island, and they've
got to go. You got to go somewhere. You know,
you go nuts, but it's travel and read as much
as you can. And, and, and, and empathy is a big
thing because you got to, if you're going to
be playing a character or doing something, you
have to empathize with their situation. You have
to know how that feels. Right. And it's got to
be fricking truthful. So it's a game. It's a
fun game to play to see if you can get to, if,
if, if the character you're doing is, is it comes
across as real and believable. Yeah, absolutely.
Oh yeah. So following that up and kind of focusing
on the voice acting from animation to video games
to narration, you know, with all the different
types, what is your favorite type of voice acting
to do? Wow. I mean, I love, you know, look, everyone
loves animation cartoons. I mean, God, we all
grew up with cartoons. My favorite thing to do
and what I always wanted to do was trailers.
you know, a career in trailers. One of my mentors,
Don LaFontaine and Donna became good friends
before he passed away. And he's the guy who invented
in a world, you know, there's something there
in trailer. There is a right way. And there's
a wrong way to do it. And I always tell people
there's a, when you're thinking of doing narration
for movie trailer, you know, okay, sell me the,
sell me the movie, but don't sell me the movie.
Give me everything, but give me nothing. It's
like this tightrope you walk in the reed. And
I always just love the game of trying to find
something, trying to, you know, out of that.
And it took many years of scratching. I'm still
scratching. It's been how many, frigging 15,
whatever it is, 12, 13, 14 years. And I get hired
more often than not these days. But in the beginning,
you're like, what am I going to do? And it was
one day. And I'd had, you know, jobs here and
there, and it's gone along pretty good. And I
finally was sort of, it was a frustrating day.
And I had this thing come across for Richard
Jewell, the Clint Eastwood, the Malpaso Productions
film. And I just, I said, geez, man, I have no
idea what to do. And I sort of stepped, stepped
up to the mic and was, Richard Jewell, rated
PG -13, in theaters Friday. You know, I just,
I did that. And I thought, okay, you know what,
I'm sending it. I don't know. And it didn't do
anything. And then I get a call back. Hey, they
love you for the, for the, I go, what? Because
yeah, they love, they want to put you in another
movie with, so they go. holy crap so i didn't
do anything exactly so so and there in life sort
of found me because in trailers i do these i
do this summer i do this sort of this christmas
i can do an old man like a storyteller i can
sort of put on a thing i've done english and
i've done Different things. I did. What was it?
Coda on the Academy Award. Coda in theaters Friday.
Just a younger version of me. And and so I realized
that if I just do nothing and just be me, that
it works. I'll go. That's me. Because, yeah,
because I've tried all my life and trying to
feel who am I? What is my read? What is the David
Kaye read? And three little words in theaters
Friday, you know, whatever. I go, oh. Well, that's
okay. So that's, so I could finally hang my hat
on something. Cause I was always doing characters.
So it was just trailers has always, it's been
a thing for me. And I've ever, since I was a
kid and went to the movies in my hometown and
saw a legend of boggy Creek, it was like a Halloween
thing. And my, my, my, my friend went to, we
were very young. I'm at 12, 13. I don't know.
And I heard the voice coming this summer. You
know, the reads were different back then. And,
um, And I thought, oh, I never forgot that. I
never forgot that voice. And I always thought
all along when I get into radio and I, I thought,
I want to do that. How do you do that? I want
to, how do I get into that? And, uh, it's just,
so for me, when I do a trailer and I listened
to it back, I get goosebumps. Cause I think that's,
that's a dream come true. That's like, oh my
God. Uh, so that's one of my favorite things
to do out of all of it, but Hey, it's all good,
man. It's all, it's all good. That's very awesome.
Yeah, absolutely. And as far as I know, to this
point, because of the delays and everything else
and all that's going on within Hasbro, I don't
think there have been any trailers yet or any
anything. for rise of the beasts can you imagine
if they got you to do the voiceover for the rod
transformers rise of the beasts well i would
love i would love that now here's here's another
thing um i was i did the eternals as arishem
and um i did and i i they booked me the uk i
do a bunch of trailers in the uk as well they
have american voices they hire over there and
um and i did the trailer for the eternals you
know it was eternals available now and you know
And it was kind of cool that I was in the movie
and I did the trailers. So that would be kind
of cool to be. And at this point, it might be
the only way I'll ever get close to any of this
fancy schmancy film work to do with Beast Wars
or Transformers. Dave Kaye's not on their radar
as much as I'd love to. But look, it's their
deal, man. And, you know, it's nothing to do
with me. I mean, still, that would be amazing.
It's just like when you hear Don's voice on any
classic trailer that Don ever did. It's the same
thing. Like, Steve and I both, to him a little
bit more than me, because he does a facsimile
of Megatron. He's probably the best one that
does it. I try. Go ahead. Don't try. Do. Yes.
Welcome to All Things Transformers. Yes. That's
not bad. Get there. I hear the Sean Connery in
there. I hear the, yeah. Yeah. I thought you
were made of sterner stuff. Oh, wow. You're.
No, Mike, Mike has fun throwing me under the
bus when we record the, uh, the beast wars, uh,
comic, like the, uh, the reading the, through
the dialogue of it. Cause I can do, I can do
like the dino bot and tarantulas and all of those
characters. Yeah. Those are so much fun. I do
like, I'm the same way when I read comic books,
I have to put the voice in my head or I have
to say, Oh yeah. It makes us so much better.
Yeah. And my point in saying that is it would
be really, really cool if, again, like I mentioned
with the Don LaFontaine stuff, if, oh, my God,
it was the voice of Beast Wars Megatron and TFA.
Like, oh, wow, he's doing the trailer for a Transformers
movie. That would be great. Yeah. Paramount,
if you're listening, hire the man. I just quickly,
before we go to the next, I was just talking
to another, I was doing another show the other
day and I said, you know, it is, you know, Hollywood
is this thing. And if you're doing your own movie,
you have your own people and it's your, your
vision is in your whatever. The fact that I get
to inhabit these characters for five minutes
is outstanding to say the least, but it's always
great. And as Transformers fans, we all know
it's always great when the powers that be. listen
to the fandom oh yeah and listen and and sort
of listen to what the fans would like is it's
always such a rush the people who don't know
go oh yeah it was a great movie you know they
really but the fans are what keep the franchise
alive and they know this the backstory and they
they they're a very uh hip and they're very well
aware of every character involved in their place
in the universe and You got to listen to the
fans, man. Get an idea of what's going on in
the fandom. It's great to do your project and
do a thing, but you can glean certain things
from the fandom that would just pop the movie
or pop the project. It's little Easter eggs or
fun little things because people dig that stuff.
Yeah, absolutely. Oh, yeah. All right, sir. You
are, as the next section says, you are now the
Master of the Beasts because you are now a part
of two of the biggest franchises ever in Transformers
with Beast Wars Megatron, TFA Optimus, and more,
as well as now being the voice of Cringer slash
Battle Cat in the new CGI He -Man and the Masters
of the Universe. What's it like now being a part
of two of these long -running franchises? I remember
when I was living in Canada and living in Vancouver.
Of course, that's where things started with G
.I. Joe and stuff. But I remember Michael Donovan
and some of the other people I knew and Scotty
McNeil, Gary, I think, they did He -Man up there.
I can't remember. Was it Deke Animation, DIC,
or who was up there? New Adventures, I think,
was Deke. I don't remember. It was always stood
for done in Canada. But I remember, oh, man,
I wanted to be so I kind of I kind of arrived
too late on the scene to kind of get involved
with that. Who knows if I had ever, you know,
got a part on it. But I always was disappointed
as it was a series that I remember when I was
a young kid, I had. We all had some toys laying
around, and I didn't have a ton of those toys.
I went into goofy stuff like Tex Avery and Bugs
Bunny. I was a bit of G .I. Joe. I had a couple
of the characters and a couple of the Amigo dolls,
I remember. But I did have a He -Man. I remember
my friend and I was into it, and I always said
it would be kind of cool one day to be in He
-Man. Then, of course, it came out, and then,
oh, it came out again, and I wasn't able to read
for it. Then, all of a sudden, there's... two
series and I read for both of them. Um, I know
I got close on something with the other one,
but the one I really wanted was the one I got
and which, which a battle keg. That's awesome.
I know that it wasn't what the original was.
It was kind of a goofy voice, and they played
it a little differently. And I thought, here's
an opportunity for me to use one of my favorite
actors in the Game of Thrones series, Liam. Liam,
what's his name? He was the, who was the king?
I have no idea. Yeah. Anyway, people who've seen
it might know who, but he was kind of a protector
of the, of one of the Kings. And then Liam Neeson
has always been a favorite actor of mine. I've
always voiced doubled him a few times. I saw
this Irish American sort of here, you know, this,
and then this other Liam on game of Thrones and
has this sort of English part. And I sort of,
I wanted to be a protector of Adam. I wanted
to have this thing, this fatherly figure and
to be, to watch out for him. And I just thought
it was a perfect opportunity to kind of bring
that out. And it seemed to fit. We did a sort
of demo cartoon. And then, yeah, they cast me
in that role. And it was just such a thrill because,
you know, he's iconic. Before Steve asks you
the next couple of questions, I have said since
that CGI series has come out, it is today what
filmmation was for us as kids in the 80s. It
is the new, the next new, like. Anyone who has
kids today should be showing their children this
CGI He -Man thing to build them up, just like
how our parents, my parents in the 80s, showed
me the Filmation He -Man, and I grew up on that,
because it is the next best thing for kids. Yeah,
it's great. I'll say this here and now, that
there's not many things that I have done of all
these IMDB stuff, and even I'm like, I didn't
do that. I did that? I can't remember. But I
rarely have seen anything all the way through.
I think I've seen like three or four Beast Wars
all the way through. If that, maybe. TF animated,
maybe I've seen a few. If that. And I sat down
and I said, okay, this came out because we're
still in pandemic mode pretty much. And when
this dropped, I said, okay, I'll just binge watch
this. Everything else is depressing. And so I
cranked it up. Five episodes in, I'm thinking,
I'm still watching this. And I forgot about,
this is a cool thing is when you're in it, you
couldn't listen to your, you're paying attention
to what you did. And for the most part, I hate
everything I do. So, but I stopped listening
to me and I just was into the story. And I went,
oh, hey, that's kind of cool. I was into it.
And I thought it was great. I still have to go
back and finish it. But I really, really was
enjoying it. And, of course, season three has
just recently dropped. And, you know, I can't
wait to get there. Don't tell me. No spoilers.
Because I can't remember. It was really good.
It was good. Good. But, yeah, it's pretty cool.
I liked it. I liked it as well. Big style. Brian
Q. Miller, if you're listening, awesome. Everybody,
yeah. Very cool. Very cool. How do you separate
your character voices from talking as Beast Wars
Megatron to, say, talking as Cringer or Battle
Cat? It's all music. It's all doing music on
a scale. It's all jazz. It's all rock and roll.
It's all different parts of, to me, it's like
kind of music, but it's voice placement. Megatron's
very... Very, you know, in the chest and in the
throat here. And Cringer's more of a fatherly
figure, a little softer, but powerful. And, you
know, so Shomer is kind of back in, you know,
whatever he is. And then Clank is more like a
robot. It's kind of like I envision sort of the
voice in different parts of my, you know, from
the mouth all the way down to the diaphragm and
where it's coming from. It sort of all comes
from a different spot. And it is all music. Clank
is very, he's a personality, but he's robotic.
We want you to care about him. So we give him
sort of a personality. Ratchet, I miss you. You
know, we want people to care about him. And Megatron's
very Shakespearean. Battlecat, Cringer is the
protector. So there's certain words that I say
and hear, and I kind of know where I want to
place the voice. And, you know, other characters
much the same. TF animated Optimus is pretty
much me, basically. Just a little more swagger.
You know, who's with me? We got to stop. I just,
you know, whatever that was. It took four or
five episodes to sort of feel comfortable with
that character. But again, it's more like me.
gee whiz uh being uncomfortable with being who
you are is the bane of our existence so i tell
people be comfortable who you are because that's
that's what you want to be that's what you got
to figure out not that i'm going to do this but
i really want to subtitle this interview title
now he is uncomfortable in his own voice Yeah,
exactly. Right. It's true. I mean, it's, but,
but up until, up until probably about five years
ago, I was like, well, who, what, you know, and
it was trailers that got me out of that. Just
don't do anything. Be you. And it's just freeing.
Once you, if you're like 18, stop caring what
people think. Put the social media is a pain
in the ass. It's, it's. Just be yourself. And
that's where the magic is. And we're trying to
be other people or be this. One of the greatest
lessons I learned was from a listener once. I
was 17, I think, 17 or 18. I was working on the
air overnights on the radio station in my hometown.
And I was into Letterman at that time. And I
loved Letterman. And I used to do his bits on
the air because I didn't know what I was doing.
I'm 17. So what? I'll do Letterman bit. And I
did some kind of top 10 thing or whatever it
was. And then some listener called. And I was
like, hey, it's the KPT around the air. Stop
doing Letterman. And he hangs up. And I was like.
I was scarred. I was like, well, why did he say
that for? But he's right. Whoever that was changed
my trajectory of my career because stop trying
to be other people and figure out who you are.
And everything, all these characters are an element
of what we're made of and our experiences. So,
yeah. Does that make sense? Absolutely. I rambled.
Oh, yeah. Yeah. I, I've discovered that just
doing voices on my own, uh, started out emulating
and then, uh, I ended up inadvertently creating
one that now I'm, I'm doing. So like your own
voice is fantastic. You could be like the star
of like Rick and Morty. Like you don't need to
do anything. It sounds like, Oh, this guy could
be on Rick and Morty. This is, this is hilarious.
You don't need to do anything. You know what
I mean? It's brilliant. Yeah. So, uh, that's
what I love about it. People spend all this time
going, well, how do I do this? And how do I just,
just be yourself. Just be genuine. Genuine. And
have fun with it. Yeah. Yeah. There's a couple
of times that I'm no voice actor. Steve is the
voice actor amongst the two of us. But there
are times where I've tried to turn it and go
deep. But I'm holding my throat as I'm doing
this. Yeah. So I can't do it. I'm not. What you're
doing is, I have an old acting teacher. So you're
acting. You're acting. Stop acting. And I go,
I never figured that out. I go, oh, like you're
– oh, I see. You're forcing it. Okay, I got it.
Yeah. Yep. So do you have any particular way
that you kind of sort them up in your head so
you can call them up much easier? No, it's only
like if we're coming back to do a show we haven't
done in a while, they'll have reference, obviously,
audio ref. But it's more like a – I don't know.
I kind of place it. If I remember the laugh or
a particular phrase. When I'm at a convention
and I have to do Megatron against me, you know,
how many years has gone by, I always do the phrase
like, oh, Commander Rattrap, what a pleasant
surprise. And I kind of get into it. No, side
guns. Oh, you know, this whole alpha and omega.
I just sort of find it there from certain things
and phrases I remember. And that's how I sort
of find it. I love keywords or phrases or a laugh
or something that gets me. Right back into it.
Awesome. Very cool. So do you have kind of switching
gears to narration on commercials? Do you have
a favorite ad that you've done narration for?
Yeah. Well, recently I did work for Fox Sports
for the baseball game in Iowa, Field of Dreams.
And it was the opening for Field of Dreams. And
they did a whole. These guys and girls for Fox
Sports write. The writing is freaking amazing.
I've worked for them a few times. I've also worked
for CBS Sports and done stuff for. for soccer
for the opening, uh, of certain matches. Um,
uh, and, uh, it's a bit of a character read.
It's, it's, uh, the writing number one is, is
amazing. You can really dig into it. And I remember
doing one, uh, job for CBS and, and, and I kind
of felt like, uh, it kind of called for, it was
in Rome and the sweeping vistas and the, and
the coming over the Coliseum. And it just called
for something, uh, British and something more
along the lines of a Russell Crowe type, um,
And I sort of started in here. And I just kind
of found that through reading through it. And
when it came across the computer and I was reading
for the project, I just felt, I just kind of
dropped in because the writing is so good. um
for the field of dreams it took a bit i was really
worked on that one because i knew it had to be
truthful because they were looking for i'd seen
the movie was still the one to this day one of
my favorite films of all time is field of dreams
just because that the message about you know
about it and uh i know all i could think of was
is that house in the middle of A very, you know,
a big cornfield, nobody around, and there's a
big porch, and there's an older guy sitting,
and he's looking out, you know, after a hard
day. He's worked the land for many years, and
I thought, okay, there's the guy. And he's talking
to maybe his grandson about baseball, about what
it meant to him. And I sort of... I had that
vision, and I went in with that, and I started
to find the truth in it. And I would do it a
couple times, and it just doesn't sense. It's
not there yet. Not there. And I would start to
add breaths and nuance, just like we talk as
human beings. When people start to do voiceover
and commercial work, there is certainly a time
limit. You have 30 or 60 seconds. These, thank
goodness, there's not a big time limit. They
kind of leave it open. And that means you can
be a human being and breathe. and have thoughts
between a sentence, you know. So when you say
something like, I don't know, there was a time
in my life I thought, you know, you just sort
of take a moment. You can live your life for
a second and not worry about time constraints.
And that just came across, it seemed to work.
I don't know. The words are great. And I want
to listen back to it. It's one of the few things
I go, well, that kind of, oh, man, I got goosebumps
because you see the visuals. You see a bit of
the, you know, the movie that I loved. And then,
you know, it's such a story in baseball, such
a story part of Americana. You kind of feel like,
you know, you're contributing to the story of
baseball. And as an expat, you know, an ex -Canadian.
In my home country, when they asked me one year
to do game seven of the Stanley Cup playoffs,
the opening, much the same type of narration.
But, you know, all those slow motion shots and
the great goals. All the stuff. And I could just.
I just found this voice and this storyteller
and it took me back to a time as a kid and maybe
see an uncle or an elder telling a story about
the great game of hockey. And then when they
played it in my, this is, you know, I'd been
out of Canada for quite a while. And when they
played it, my mother called me and said, now,
for those of you who don't know, Ron McLean is
a, he's worked for the CBC and Hockey Night in
Canada. And Ron was, is. is sort of one of those
personalities that everyone in Canada knows who
Ron McLean is. He's the guy that opens Hockey
Night in Canada. He's the voice of reason. He's
the face and voice of hockey in Canada. And my
mother called me and said, hey, we were just
watching. It just sounded so good. I said, Ron
McLean said your name. I go, what? I don't know.
Ron McLean doesn't know who I am. He goes, no,
we heard your father and I. He said, come in,
Lynn, come in here. He said you said David's
name. And I go, no, he didn't. You know, you
think your parents are telling the story. But
what the hell would he say my name for? Who even
knows? Anyway, so I get a copy of it. And the
guy said, oh, yeah. He said, Ron McClane sent
me the copy of it. And I played the thing in
the game seven. Game seven. Stanley Cup, you
know, was this whole thing. And then it ends
and the music and everything else. And then they
come out. And Ron McClane says, the voice of
David Kaye. And I go, holy shit. As an ex -Canadian,
well, as I'm dual citizen, but as a former Canadian
citizen, I thought, my God, they like what I
did. My own country recognized me. That's awesome.
I had to leave my country to get recognized by
my country. That's crazy. Holy crap. And so in
Canada, hockey, it's religion. As we know, like
like baseball is is here. And so to be able to
narrate the national sports of these two great
nations is a thrill. And to give it, you know,
depth and nuance and really tell a story was
I love that. I just those are really important
milestones for me. It was those those two events.
So there you go. Very, very cool. So you've been
putting these these ad run throughs on your YouTube
channel. And is this to be kind of like teachable
moment, like a behind the scenes to kind of show
other people how it's done? I guess I look, I
enjoy them. I know. And a lot of people do it.
It's neat. I never know. I think I always think,
well, no one's going to no one cares what I what
I do. But. And my publicist says, stop it. She
says, stop that. This is what you do. This is
what, you know, bring joy to people. And because
I don't really quite think about it, but I started
doing these things because I wanted people to
sort of know how it came together and what it
looks like. Because it's quite, for a lot of
people, it's kind of a mystery, you know. And
I don't like the idea of it not being a mystery.
At the same time, they are teachable moments
because you realize that a lot of people would
love to get into voiceover. And God bless them.
Go for it. Go and do it. Just the nuance. There's
a certain skill that it took me, I don't know,
30 years plus to try and figure out just to get
to the point where I'm getting asked to read
for that stuff. I don't know, maybe somebody
gets something out of it. It's about truth. And
so it's a behind -the -scenes look at what I
do. And if it brings people joy, that's great.
My relationship with social media is a fractured
one. I have a publicist, and she's wonderful,
Michelle. She's phenomenal. And she helps me.
Let me help you. Help me help you. I said, can
you do, can you do this? Cause I, I always go
on, I get depressed and then I don't want to
do it anymore. And then I got it. Then I got
to do it. Rob Paulson. I had this conversation
back and we're, when was it back? We're doing
a Transformers animated. It's dedicated. It was,
or it was Ben 10 or something. I'm the reason.
Can we be getting paid for this? I mean, I don't,
I don't, I, it's unbelievable. Like we're having
fun and they're going to give us money. Are you
kidding me? I mean, cause I never think about
that. I never think about, I'm actually getting
paid. I go in there and go, Oh, right. Right.
There's a paycheck after that. I forgot. Because
you're in there making goofy voices. Can you
believe this? Boy, we fooled somebody. They're
going to find out. I don't know, man. It's just
such an honor to do. It's a social media thing
for me. And Rob said to me, and my point was
Rob said, this whole social media thing, when
it was getting going, he said, it's like a job.
It's a second job. And it is. It's like and some
people are so good at it. So great at it. And
I'm like, oh, man, my day is done. I'm like,
I want to binge watch something or watch. Look,
it's important. You guys important for you guys
because it's on. You know, this is what we're
doing. But. This is the great thing about it.
The thing I don't like about it is how it can
make you feel. Now, if I'm a 50 -some -odd -year
-old male and I look at something and it makes
me feel like shit, I can't imagine if it's a
13 -year -old who has no life lessons and doesn't
have a point of reference. I go, oh, I can see
how that can really F somebody up. So that's
my issue with it. That's where I kind of go,
you know, Roger Craig Smith and I have these
existential conversations about this and about
we wonder without it, would the nation be a little,
you know, less fractured, a little less, you
know, torn apart? And I kind of wonder, yeah,
I don't know. Maybe, maybe, maybe so. So like
the Internet and like the yin, the yang, there's
always with the good, the bad. It's good versus
evil. It's the same stuff. And so as long as
you use it for good, I guess. Absolutely. This
is my take on it. Yeah. No, I agree. I came from
the generation that didn't have it. We didn't
have it. Neither did. Yeah. I was born in 80.
I mean, I'm not as, you know, I'm a little younger,
but like. I was born in the 80s, Steve was born
in the 86, so we didn't grow up having it either.
No, we were still the generation before, like,
when dial -up was fresh. Yeah, I remember that.
Those stupid AOL chimes. Oh, God. Yeah, it's
like an MRI machine. That's what I know. It's
doing such a scan. Yeah. I'd rather hear Mimi
Driver strangling a cat in Goldeneye. There you
go. All you need for an audience. I'm strangling
the cat. Strangling a cat? That is Irina, my
mistress. Pretending to go? Irina! Take a hike!
There's a point of reference. That nobody but
the three of us are going to get because that
movie is almost 30 years old. But they'll dig
it out again. They'll dig it out. But yeah, so
that's where we're coming from. But yeah, kids
now, it's like a piece of furniture. It's just
the way it is. It is what it is. We're here.
Your phone, your computer, your tablet, they're
all your armchairs now. Yep. That's right. So
I am – well, I'm originally from Massachusetts.
So I have a love affair with sports because if
you're from Massachusetts, sports is kind of
a big thing. Oh, yeah. Love it. And I loved it
before Brady was there and I loved it after he
was gone. So it doesn't really – it isn't about
one person. It's about the team. So your sports
stuff that you've done and the specific one that
I remember is the Nationals versus the Astros.
How did you come up with the cadence for that
ad? How did you change your voice to do that?
Yeah, which one was that? Now, I remember that.
I love that one because there's another one,
World Series. Yeah, it was World Series. It was
Game 7, I think. Yeah, that was a huge. What
a series that was. Oh, my God. Yeah, that was
amazing. I'm just sort of looking it up here
for a second just to remember. Because it was
one of those things, again, about how important
the writing is. Oh, yeah. And I don't know if
they realize how good they are. think they do
and i'm sure they do yeah but i really don't
know if they realize how bloody good they are
writing that i'm just looking for uh i don't
know where they would uh if my if marcus my my
uh my web guys put it it sits somewhere around
here if you can find it the original one that
was houston yet game seven man uh damn Because
I really love that. I'd love to hear that again.
Game three, World Series. Can you remember the
last time the World Series was played in D .C.?
You can't, can you? Well, new history is being
written. Just not with a quill and ink. What
a start for the Nationals. The nation's capital
is now at the center of the baseball universe.
In a city where monuments define our nation.
These players look to leave their mark for future
generations. Nationals up two games to nothing.
In their path, a group eager to take it back.
There it goes. Goodbye. But here they stand,
closing in on history in a city that defines
it. It's game three of the World Series. That
was a hell of a series. It also helps, look,
if you're not into baseball, if you're not into
sports, and they want you for the job, you bloody
will have to sound like this is your life. So
that's where the acting comes in. That's where
you have to be somebody else and make it truthful.
That's the fun of it. And I can't find, if you
guys can find it, great. It's buried somewhere,
Marcus put it. I don't know where it's gone.
But yeah, the cadence, because I want to hear
what you meant by the cadence. Well, it's like
you've changed your voice to be something like,
it's not. In a world. But it's similar to that,
and it's like, oh, my God. When you hear a voice
or when you hear something like that, my idea
is, when I'm reading it, is to try and, much
like what Don said to us and to me, is when you
hear, in a world, you want to be taken out of
your world and put into this one. Because maybe
your life is shitty, and you don't want to think
about that right now. You want to be in a dark
room. taken away from yourself and into some
other world. And that's exactly where that phrase
came from in a world. Okay. Lights are down.
You don't want somebody going in a world. That's
going to, Oh my God, it's natural. Um, you know,
uh, a story about him. Okay. Story. You're, you're
like, it's sucking you in, you know, and that's
what I'm trying to do with these, these things.
I'm trying to honor the words. Number one, because
it's so bloody brilliant. But, um, yeah, the,
yeah, the writing on that one was just great.
Let's see. What was it? It was Houston. Game
three, yeah. Game three or four. I think. Houston
versus. Who was it? Houston versus. It was Houston
versus the Nationals because it was all about
the history. It was about the, you know, history
will be made. Right. Opening. I don't know. Gosh,
that was a long time ago. 2019. Jeez. Yeah, long
time ago. It seems like such a... 2019. Remember,
that was like way back in the day. I remember
2020, I was at a big New... What was it? A New
Year's Eve party, and we're all screaming, 2020
is going to be awesome! It's going to be the
best year ever! Woo! Little did we all know.
Little did we know. That's it. That's the case.
How did you do that? It is said home is where
the heart is. Yet in this world series, home
is where the heartbreak is. In an unprecedented
twist, the home team has been humbled in all
six games. In a best -of -seven championship
series, that's never happened in any sport. Which
brings us here to an improbable one -shot winner
take all. The Nationals, on the verge of bringing
the World Series title home to our nation's capital
for the first time in 95 years, start their ace
in the Lone Star State. The Astros, dominating
in D .C., hammered three times in Houston, still
stand ever so close to an astonishing second
trophy and a spray of champagne. Is Washington
king of the road? Will the Astros rock it in
their raucous home sweet home? Tonight, the two
greatest words in baseball. Game seven. What
a fall classic. The World Series on Fox. I don't
know. It's sort of like, I'm not sure where.
it can't it comes from it's a it's a place i'm
looking at like one of the highlights and it
brings you back to that that was a hell of a
series oh my god yeah well and just the way that
you had voiced that it was just again going to
what you're saying about them writing it but
we as the people whether we're just watching
the ad not your behind the scenes stuff but the
at the the final product we hear that and we
think, okay, yes, somebody wrote that, but that's
David flipping K voicing that. And it's like,
Oh my God, where, you know, part of that is like,
you know, and history will be written, but it's
not going to be written with a quill and, and,
you know, yeah, yeah, yeah. And I'm like, How
did he come up with that part of his voice to
do? It's sort of, and this is a very intimate
thing. So what I'm going to say, the word is
intimacy. So it's between you and I, and I'm
sucking you in, and this is the storytelling.
And it sort of comes in here. And if I text you
the voice and put it down on the throat, it becomes
a different person. It becomes somebody who I'm
telling a story to you. And the voice doesn't
need to be, you know, every syllable and constant
doesn't need to be. It's a real person. It's
not like an announcer. Yeah. So, you know, history
won't be written with a quill and ink. It's sort
of a, I don't know, there's this quality, there's
this softness and this texture. It's the gravel
that Christian Bale should have had as Batman.
Yeah, this is incredible. Yeah. But, yeah, man,
it's hard to say where these things come from.
Honestly, when people say, well, how do you prepare?
How do you do this and all that? You know what,
man? Sometimes I open the mic and hope something
comes out and hope it sounds good. Like, the
best thing for me when I get a script is I don't
even read through it. There's all these things
that, oh, you should read and mark the thing
and read it down from time to time, blah, blah,
blah, blah, blah. And look, if that works for
you, fantastic. For me, it comes in. I don't
even know what the direction is. All I do is
just start reading it, and I might find something.
And then after I finish it, I go back and read
the direction. Oh, well, that was completely
wrong. Or, oh. The words sometimes dictate what
the feel should be. With these sports things,
like anything, it has to come from truth. It
can't sound like you're reading. It's got to
really sound from the heart. That's the only
thing I can say. I'll say that forever and ever
and ever. It's got to come from your heart, man.
It's got to be truthful. Truth. Who is it? Bob
Odenkirk. Talking to him, it was a snippet I
saw somewhere of Bob Odenkirk. They asked him
a question about acting. How is importance and
all this sort of stuff? How do you this and how
do you that? He said, you know what? Make acting,
make it like second or the third thing in your
life. Make living your life number one. Make
that the priority. Acting maybe two, three, four.
Make your life a priority. And as a voice actor,
a voice performer, whatever, I think it's really
important for people to hear because some people
don't think they're enough. They don't think
they're worthy. And I say, you know, everyone
has their own journey, their own life, and you
got to live your life because that's what interprets
how you. a piece of copy or something you're
reading. It's your life experience. Yeah. So
without that, you know, I remember, man, early
in my career, I was doing some on -camera stuff,
but when I was living in Vancouver, did a couple
X -Files episodes and different series up there.
It's kind of cool. And I liked it, but I was
always the guy who was, they couldn't find on
set. Where's David Kaye? Has anybody seen David
Kaye? I'd be hanging with the audio guys and
the DOP and behind the scenes. I'm like, because
I thought that was really interesting. And I
got kind of like, oh, I got to learn lines. Oh,
shit. So I was like, like, I loved it. And I
think it was kind of cool. But I don't know.
It wasn't me. What was the point I'm trying to
make? The point you're trying to make is acting
isn't the overall... No, everybody, yes. Everybody
thought it was, oh my God, it's the most important
thing we're doing. Oh, you can't be late. Oh,
you can't this, you over this. And it is, it's
important. There's a lot of money riding on this
project. No, absolutely, but it's not the everything.
No, a lot of people, a lot of actors, figured
it was the world revolved around them and this
is the only thing and this is the most important
thing in the world right now. I thought, well,
it's more important for me, you know, that a
fireman saves someone's life or, you know, a
cop is helping somebody out or somebody, you
know, doing something good for somebody or helping
them do their math homework. I mean, that to
me is like, well, that's a lie. That's good.
That's stuff right there. That's real stuff.
What we're doing is make believe, you know, we're
trying to make a project that those people can
watch. to take them out of their lives and make
it truthful. But it wasn't like brain surgery
or saving someone's life. Some people treated
it like it was the most important thing in the
world, and it was like, come on. But the thing
is, to kind of counterpoint that really quickly,
the thing is, and trust me, I know I went through
brain surgery in 2019. You are a person who has
contributed to all of our lives in some point
or another, whether it was your radio days, whether
it was your live actions. Like, literally, Christmas
of 2019, right before everything started happening,
I got a package from VEI Entertainment. It was
the Complete Series DVD set of Viper. From 1994.
And I'm watching through this show because I
remember this show. I love this show because
it was like, oh, my God, Knight Rider's over.
Fine. No more David Asloff. Fine. Oh, hey, here's
Viper, this transforming car. And all of a sudden
I'm like halfway through the series and I see
an episode. I'm like, what the hell is David
Cade doing in there playing a villain? What's
going on with you? You and your character's wife
were like these. evil televangelists or something.
I don't even remember what it was, but I'm like,
Oh my God, David Kaye has brown hair. Holy crap.
Yeah. You know, but you're a person just like
everybody else in our lives that has, like you're
saying about the entertainment, the escapism,
you have helped us escape for 30, 40, however
long you've been doing this. You know what I
mean? Like it's surreal. Yeah, absolutely. No,
I agree, and that's our job. And I'll add to
that saying one of these Transformers conventions
we were at, and it was Bumper and Tara and I,
and a mom was with her kid in the audience, and,
of course, people put up their hand and asked
a question. She said, so I don't have a question.
I just want to just make a point and just say
that, you know. My son went through a terrible
time. I think it might have been cancer. It might
have been something serious. And his son was
in the hospital for quite a while. And she just
wanted to let you know. And she started kind
of tearing up. He watched Transformers animated,
and it kept him going. And we all started trying
to swallow our tears. And I went down, and I
said, hey, man, come on. I brought him up on
stage, and I had him sit with us. And at that
moment, it was awesome. Oh, okay. Now I get it.
And there's another moment was in, in, in Detroit
doing a con. And some, uh, girl comes up to me,
you know, dressed as Trey's Gush Renata. And
she, uh, we had a good talk and she's like, she
gave me a letter and she said, look, I hope you
don't mind. It's just that I just want to let
you know that this character, uh, you voice,
it helped my, I had some horrible times at home
and I guess things were pretty, pretty bad. And,
and she said, I think it probably saved my life.
And I'm like, huh? So yeah, that's when I realized
that, you know what? yeah, this is our job. This
is what we do, and this is what makes it worthwhile.
And I hope people don't, you know, my point is
don't ever take this job for granted. Don't ever
forget that. It's not about, you know, being
a celebrity or personality. That's what makes
it special, you know. At the end of the day,
that's what really matters. And Bob Odenkirk
has a point. Make your life your priority. Absolutely.
All right. Just a couple of random questions
and then we will go through the closing. All
right. So if there was a chance for a live action
Beast Wars movie to happen, would you try to
be in it? Yes. Next question. Yeah. That was
an obvious thing. But no. Do you do you miss
getting to work with anyone in particular from
the cast? There are a few from the team that
aren't doing much anymore. Have you had contact
with any of them? From the Beast Wars folks?
Yeah. I really miss all of them. From Blue Mancuma,
Alec Willows who played Tarantulas, Venus is
just a sweetheart. Her and I did the first BotCon
together in Rochester way back. Yeah, who else?
I mean, Richard Newman. I was in contact with
him. I haven't heard from Richard in a bit. Hope
everything's okay. But him and I sort of touched
base again last year. Gary, I talk to all the
time. Ian, I talk to all the time. Scotty, I
haven't talked to for years. I'm not sure where
Scotty is. I think he's still doing his thing.
Yeah, we would love to get him on one of these
interviews. Yeah, I have no idea. Yeah, I lost
contact with Scotty. I still, you know, the Dobson
brothers are all, you know, friends of mine and
Sam Cuth. And so the group they used to live
in Vancouver with, you know, still around. And
I still see them once in a while. Peter Calamus.
They weren't in Beast Wars, but that's that group.
Yeah. Voice actors. Yeah. Yeah. Yeah. I don't
know. Oh, right. Yeah. I remember it was so weird
for me as a 16 year old hearing Venus as a evil
character in Beast Wars. I'm like, what is Princess
Lana from Captain? I had a crush on her in Captain
and the Game Master. I'm like, wait a minute.
What's Princess Lana doing as an evil spider?
What's going on here? No. And again, all of you
people, all of you actors that. that have contributed
to our lives. Just thank you because yes, it's
made them better every time, you know, Steve
goes through episode. Like I remember, and this
is funny and he's probably going to kill me for
saying this. He was at a dentist or a doctor's
appointment laying on some extra. I was doing,
um, You're doing plasma. He was having his blood
sucked out of him by a vampire. He's laying there
watching The Agenda Part 1 or something. Thank
you so, so much. Before we let you go, where
can people interact with you online if you would
like to give that out? Oh, please. Of course.
Twitter is where I'm most active. And from time
to time, I'm on Insta as well. But Twitter at
DKVO, D -K -A -Y -E -V -O. That's where I'm most
active on there. Stuff like what's coming up
and little things. There's the website. There's
the YouTube channel as well. You can see all
those videos where I've done some of the behind
-the -scenes stuff. You just do a search and
it'll be up there. IMDB, which I'm always afraid
to look at. I haven't really looked at it for
quite a while, but it's there. Oh, so it's funny
you mentioned that. As we were doing this, I
actually tried to look it up and I typed in and
I typed it in the way it's supposed to be typed
in. And apparently there's more than one David
Kaye. Yeah, he's another Vancouver actor. Younger.
I think he was my son. Yeah, like seriously,
I'm looking at your picture that they have and
his. I'm like, holy crap, David Kaye had a son
that looks like Chris Evans? Wow. All right then.
Nope. Yeah. Oh, yeah. Thank you so, so much.
This has been awesome catching up with you. Yeah,
no problem at all. Great questions. It's neat
to spend. Spend an hour just going over my stuff.
But yeah, I really appreciate it. I mean, we
wanted this to be a little bit more conversational
because this is our third time talking to you.
And it's like, hey, let's just catch up. Well,
we're going to have to do this again. Now I sound
like Vin Scully. I do this again. Great day for
a poor old, you know, because there's about.
Five different projects that you're going to
love. A couple in particular you're going to
freak out over when I talk about it. You'll have
to have me back next year. Oh, yeah, definitely.
All right. Well, we're going to go to a quick
ad break, and we're going to come back and close
the show after this. Of course, off air, we're
going to pound David to figure out what all these
new projects are that we won't be able to talk
about for a whole year. I know he won't tell
us anything, but we'll be right back after this.
So he talked about. Hello, all sentient beings.
Want the latest on everything going on in the
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So listen to the Marku 42's Universe Podcast
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-grana -weep -ninny -bong. Hey guys, it's Rodimus
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Join me as I have Transformers discussions, retrospectives,
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and roll out and be sure to check out my content
till all are one Discover a world of vintage
and modern toys that's more than meets the eye
with the Triple Takeover ToyCast. Hosted by toy
writers and photographers Toybox Soapbox, Sixo
and TF Square One, this informal and chilled
out series of discussions cover everything from
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and more, be it nostalgic or current. Whether
you're a seasoned collector or a casual robot
enthusiast, all are welcome. Triple Takeover
ToyCast. No, side guns! All right, folks, we
are back. David Kaye, thank you so, so much.
This has been awesome. You're very welcome. It's
been a lot of fun and a neat way to spend an
evening. Talking about stuff. Mm -hmm. Stuff
and things and things and stuff. Yep. Very much
so. Yes. Okay, Waspinator. Well, that's really
good. That's where Scott McNeil went. Steve replaced
him. That's very good. Very, very good. That's
really good. That's very good. Thank you. Thank
you. Look out, Scott. Look out. Oh, boy. See,
universe does love Waspinator. All right, folks,
you can reach us on the socials at allthingstfv3,
at GeekCastRadio. I am at TF2 and Mike. Steve,
what is your Twitter? At SCP21. And, yeah, transform
and transcend with us next time here on All Things
Transformers. Yay! That is very good. Very, very
good. Yes, yes, yes, Smuggletron. Boy, that's
really good. Yes. I wish to speak to my lawyer.
No chapter markers for this episode.



