Altered Geek
Dumb Phones, Media Careers, and Geek Life Goals

About this Episode
Neil Ross here and it's time to get altered and
get geeky on Altergeek with Steve Megatron Hello
and welcome to Altergeek I'm your host Steve
Megatron Phillips and joining me on this endeavor
into crazy geekdom is Mike the Birdman Don That's
right, joining you from this week in Geek .net,
also TerribleWarriors .com, your resident geek,
nerd, dork, dweeb, what other derogatory terms
you wanna call me. I'm here to serve your needs
and sometimes something else you just have to
ask and pay a little bit extra. That's what she
said. Oh boy. So what's up? So... For those that
are listening to this episode. Yes, we recorded
this auto sequence of release and what I mean
by that is still have been An episode that's
released the week that this was recorded But
I recorded another altered geek prior to this
one earlier in the same week. So it sounds very
convoluted, but it's funny Because I I was like,
you know cover in the news sucks Everybody does
that we do that at twig. So if you want to do
news We do that every week. You come to Altergeek
for discussion. Yeah. And I mean, I've tried
to sprinkle in and as the show's like evolving
a little bit after the 300 mark, I'm kind of
trying to see where things go and what's sticking
and what's sounding like it's dragging too much
and what segments I want to do. But yeah, I'm
going to put interesting twists on some of them
just to make it. better, as it were. But yeah,
it's definitely an evolution, like trial and
error, seeing what gets downloads and what doesn't.
Exactly. I mean, as people who've been involved
in radio before, segments evolve, segments change,
people change how they produce. Their content
and because we want to make it more interesting
for you the listeners We always encourage interaction
via me and Steve on Twitter. I mean he's at SCP
21 I'm at Birdman Dodd and there is the altered
geek feedback email as well and you can comment
on episode posts, but We're trying to get you
to be more involved and like Steve said getting
things Part of evolving is change and be that
change good batter and different. It's kind of
like puberty Sometimes it hurts sometimes it's
fun and well, we're just just trying to make
things better overall Definitely definitely and
Speaking of some things that have that's trying
to make itself better Star Trek's Twitter handle
Is having fun right now because they're having
the Klingon takeover for what I suspect is a
mobile game Oh goody, because we need more of
those. Well, the thing is, is it came out last
month, or I should say actually end of September,
and it's Star Trek Fleet Command, which if you
misspell can almost get mistaken for that 1999
interplay Star Trek Starfleet Command. Which
was an awesome game, one of the first PC games
I ever owned. I think I've seen ads for this
on Facebook. But then again, for mobile games,
it's weird. The only ones I play are like Pokemon
Go clones. I'm only I'm playing Ghostbusters,
Walking Dead and Pokemon, and that's it. Star
Trek. Maybe I'll check out. Yeah. See, my my
whole thing is, is I well, it's like the Command
and Conquer thing. Like I was a huge fan of the
Command and Conquer series back in the day. And
when EA took over the studio that makes them.
I think it's Westwood 1 or something like that
or Westwood or something. Anyways, they made
the next game in the series and made the fatal
mistake of putting it on mobile. I remember watching
that E3 presentation and I remember the poor
guy who was up there doing it and he's like,
are you guys excited for mobile Command and Conquer?
And you could hear crickets. It was so friggin
bad. I actually just got an email about this
the other day It's like hey guys command and
conquer launches in December. Guess what? It's
six months later and nobody still gives a shit
Yeah Well in the thing is is I love the game
but to me playing command and conquer is almost
Like a mandatory has to be a PC game Yeah, or
if you're going to port it to console, it better
be highly optimized. Yeah, and that's the thing
too is they've had it on console before and I've
tried playing it and it's just miserable. I think
I liked the one that was on the PlayStation 3.
I think it was. Wasn't red. Oh, I forget what
whatever the hell it was called and I thought
it was alright But yeah, I mean a title like
that like especially RTS has to be PC. You need
keyboard and mouse I mean, I've seen a few games
attempt to do RTS on a console with middling
success One of the games I played this year.
I wish I could remember what the hell it was
called, but it was something called strike Some
stupid World War II game. It was so badly optimized.
Like trying to map keyboard and mouse controls
to an Xbox controller does not work. Command
and Conquer, trying to make that work on a mobile
phone. I mean, sure, it's been simplified right
out the ass, but this game looks so stupid. I
concur. I am not a fan of seeing this happen.
especially to such a series that had such a strong
legacy. And you know it's gonna be microtransaction
right out the ass. Which all of them are anymore.
Let's be real, most games nowadays are microtransactions
and that's where they make their money. However...
Well, as long as it's not pay -to -win, if it's
cosmetic, which it won't be. And it's EA, which
means it will be microtransactioned out the frigging
butthole. We'll have to wait and see what happens
with that, I guess. But I think they learned
their lesson on the battlefield games. Yeah,
and Battlefront 2, because they got kicked in
the face. Well, in Battlefield 1 to Battlefield
5, they... decided not to do like where everybody's
on the kind of same playing field and it's more
of a cosmetic thing than a, you know, fight to
win or pay to win. And so like, I feel like this
game is going to bomb horribly and then they're
going to be like, okay, so either we can not
make another Command and Conquer game or we should
go back to PC. And that's to me, like I'm still
playing Red Alert 2. Which is like ancient and
then I'm playing like the expansion of that still
like I have them and I have the entire Command
and Conquer collection on EA All access I bought
it like a while back they had a special on it
and I bought the whole package and so like to
me like I've enjoyed the series enough that I
would go back and play like really any of them
and To see it go that that down the toilet I'm
kind of like and and that's kind of the same
boat I am like they made a Transformers game
that was kind of in that same boat and in a DC
game and they've made you know like this there's
a couple Star Trek games that are doing this
now and into be honest like I would rather that
they Put all of this R &D into a good PC and
console game then doing what they're doing It's
cuz mobile games are cheap and easy to develop.
They're easy to microtransaction and they all
I need is a few good whales People who spend
a lot of money to make it profitable to keep
it going But since we're talking about EA I wanted
to bring this up because I'm really curious to
see what you'll think of this So EA has battlefield
V or five or whatever the hell it's called coming
out later on this month. Yep five cool You're
not getting your battle royale mode until the
spring That's okay. I'm not buying it. This game
is gonna get crushed Be over fortnight and call
of duty and I can't believe They're gonna release
it without their battle royale mode I would have
delayed it until fourth quarter and Had the sales
bump up right? Right at the end of the year because
there's no point in releasing it in a crowded
holiday season in my opinion If you don't have
the thing that's gonna make it stand out against
its competitors No, I totally agree with you
and to be honest my brother actually cancelled
his pre -order And opted just to go with the
EA all -access pass so that he could play other
games under EA rather than deal with it because
Battlefield one kind of left a poor taste and
a lot of the players mouths after they they got
their feel of it and they were like Okay, this
is like a one -trick pony like I'm done And a
lot of them went back to play Battlefield 3 and
4 Wow, what a kick in the face and Even when
the game was new they were going back and playing
Battlefield 3 and 4 like they were just like
and then I mean I because like I played in a
clan like a group and the fast -action response
team go figure on the acronym but they They all
were like, I'm good. They kind of went back and
started playing the other one and a lot of them
are very disinterested in Battlefield V and a
lot of it had to do with a lot of the announcements
that were surrounding it. I gotta say, unless
it has some monumentally epic single player campaign,
which it likely will have a really good single
player, no one cares. This year is dominated.
By multiplayer and fortnight's still doing amazingly.
Well blackout or sorry blackout Well, that's
what everybody's playing call of duty black ops
is doing tremendously. Well The c the cwl which
is the competitive league for call of duty starts
up in december um, so i'll be very interested
to see how the The competitive community takes
this because I like battlefield's competitive
feel But I don't think it's not at the e -sports
level yet. At least as far as I can see it, but
I'm not in that particular competitive circle.
I mean, don't get me wrong. I really like the
previous games in the series. I really like Battlefield.
I loved Hardline personally. See, I didn't even
have those games. I pretty much started playing
around, I think I played it when 1942 was out,
like on the GameCube and like the PC when it
was like new. And I played with my brother on
that. And it had a lot of like the some of the
aspects that are in like Battlefield 1 were involved,
at least in some of the design areas. But they
same token, they My family got me involved when
Battlefield 4 came out and all the expansions
and that's kind of when I decided that, hey,
I'm going to play the Battlefield series again
and it was a lot of fun and I did the whole thing
with... Battlefield one as well and and I enjoyed
it and I played I even got alpha and beta access
and the the trial of Battle the EA all access
right up until battlefield one came out and then
I got that in an expansion and then after that
it kind of After a while started getting old
and then when the expansions came out They really
sucked to be honest There was nothing really
drawing you to really want to play the new levels
that were in it. They were just I Don't know
like unbearably bad like to the point that I
would rather just go back and play battlefield
for and so I guess it's kind of Going full circle.
I think that's kind of what's starting to kill
battlefield as and where Call of Duty faltered
when battlefield one came out so I mean it I
think that the roles have reversed and especially
the funny thing is is Epic was the one that kind
of had one of the the best first -person things
for going for a while and that was Unreal Tournament
and they they've since come out with Fortnite
which is kind of their their Pony show now where
they're they're kind of running the Running the
arena now with the the first -person thing again
Like they did when you used to watch like television
and see eSports with like Unreal Tournament 2004
and so it's it's kind of come full circle with
the epic Yeah, like one of the things I love
about fortnight is it's got such an interesting
competitive scene a couple as of this recording
twitchcon is just recently concluded and they
had a fortnight events at twitchcon they had
the streamer invitation or they invited content
creators some you some pros and Some people who
were just good streamers playing fortnight and
there are people who could team up with their
favorite streamer if they Got like a golden ticket
or something like that and it's interesting to
watch the meta evolve Like basically people who
are really you could tell who's a really good
streamer and who was a pro People weren't engaging
in gunfights stuff like that. Like there was
no incentive for kills, but that's me talking
about the comparison of meta but what I'm trying
to get at is Epic has captured this cartoony
violence that doesn't have violence I mean sure
you sure you're still shooting people but there's
no blood it's animated enough for kids and just
hardcore enough for adults like us to get into
now Fortnite is a game I've dumped maybe 30 bucks
into I gave up on it when Call of Duty 4 came
out or when Black Ops came out Because I'm terrible
at building the battle royale mode blackout,
which is basically pub G but it works Is really
fantastic. I'm really curious to see how that's
gonna evolve in the eSports scene, but Treyarch
has a lot of they're really gonna have to work
on fixing things like audio cues and everything
whereas Fortnite you can do hot fixes on the
fly there's the seasons every other like month
or so it seems like that game prints money and
it's not pay to win, you're just buying cosmetic
items. There are people who can sell their accounts
because they have so many skins, their battle
pass is ranked up right up the ass, stuff like
that. There's like the skull trooper skin that's
ridiculous. There's like this galaxy skin that
you can only get from buying a certain phone,
which was really funny. There were people going
into stores. To demo the phone they'd log in
on the phone in the store into their fortnight
account steal the skin and then the phone was
like oh, I don't want this anymore and The skin
is now permanently locked to their account So
there's a way to screw people by the way. Don't
do it kids because that's bad Um, but it's not
I've heard of people doing that for other things
But I can't think of the examples off the top
of my head But I know people are if there's a
way to screw the system people will find it Totally
totally but anyway So we've rambled on a lot.
Yeah, so kind of going back full circle to the
the whole Star Trek mobile game Yes, when I noticed
that they they started having their little Klingon
take over on the thing to kind of boost promotion
of their account, which by the way the account
that's associated with the whole thing is It
barely had any followers When I looked at it
earlier today It has 147 followers for the start
at star Star Trek fleet which is Star Trek fleet
command And then there's another one that's Klingon
council or Klingon victory on Twitter, which
is Klingon High Council, and it's got 499 followers.
And then I guess they've got a Romulans one,
too. But it's all very Kelvin universe. They've
got Kelvin Scotty, and then they've got a bunch
of the Kelvin design ships. And so I made a snarky
remark like... They were talking, you know, every
every member of at federations, you know, unite.
Well, we're a red tunic when we spill their blood
in battle, you know, cannon fodder, blah, blah,
blah. And I says, why are all the ships Kelvin
universe? And they had another thing of, you
know, if you're reading this, you still have
a chance to choose your manner of demise. How
would you wish to die? Batleth orbital strike
the dagger and then eating by targs. And then
I just posted like a. a GIF of data laughing
hysterically. And so I wasn't even really replying.
I was doing passive aggressive posts, but using
Star Trek GIFs. It says, we laugh at you pathetic
humans and your precious Twitter. It took us
mere seconds to take control of this account.
How long do you think it will take to infiltrate
your Federation defense protocols? And so I posted
the clip from Star Trek 6 where Kirk's like,
he goes. Don't believe them. Don't trust them
See you should use swear track, but I guess they
want to keep this PG Which is why I was using
like clips from the show They had another thing
it says there is no honor in at Twitter We tweet
only to proclaim that the end of the Federation
is at hand and then I did the thing where Kurt
goes fire and They fire the torpedo from the
Enterprise and it blows up the Klingon ship There
was one other good when I one other good jab
I got in there that got retweeted a bunch of
times Oh, that's where it is. They had Krudge
like choking Kirk in Star Trek 3, which was Christopher
Lloyd. And then it says throwback Thursday Klingon
takeover. And so I says, you do realize the Klingons
almost always end up six feet or more under when
dealing with Kirk or humans in general. And people
thought that was kind of funny, but. Because
Krudge ended up more than six feet under. He
was on Genesis. Yeah, but yeah, he's kind of
completely screwed. Yeah, he was space oblivion.
So yeah, it was it was quite funny. I was having
fun with that earlier today, among other things
that were going on. But yeah, so I guess we should
get down to the actual topics of the show. Yes,
the actual topic of the show. So Steve messaged
me earlier this week and said, OK, Mike, we're
going to chase things up here in Altered Geek.
We're going to have a few discussion points,
if we will, kind of give you our thoughts, feelings,
and opinions on certain topics suggested, not
just by you, the listeners, but sort of us having
meetings of the minds between ourselves. And
the topics that we've chosen to speak about today
are three things kind of very near and dear to
me and Steve. And it's going to be. Would you
ever go back to a dumb phone? So we're talking
pre -smartphones, so I think pre -2006. Basically,
getting into the media and radio is hard, to
which me and Steve can both speak to that extensively.
And finally, what are goals for geek life? So
basically looking at adaptation, evolution. and
then kind of settling off into the sunset for
something a little bit happier, something a little
bit more positive as we look at positive goals
for our lives. So I guess let's kind of start
the discussion. Would you ever go back to a dumb
phone? And I kind of want to start this off simply
because you know what? If we all had dumb phones,
you know how much better the universe might be.
Because let me tell you, and this is the only
time I'm going to get political in this entire
conversation. If your president had to type out
old school text numbers, like if you had to enter
nine like five times to enter Z or Z or whatever,
I'm pretty sure Twitter would be a lot quieter
a place if you had to type out those 100 or those
200 characters. and it will take you like 20
minutes to type out a single tweet. It would
be a frigging ghost town. Typing in QWERTY keyboard.
Yeah, that's what I was looking for, QWERTY.
Yeah. I mean, just think about that. I love it.
Or if we didn't have Snapchat. Basically, if
we went back to dumb phones, social media would
not exist. Now, that being said, I used to live
journal on my phone with a QWERTY. I am a glutton
for punishment. So there are people like me who
exist. you destroyed your hands oh my god they
were so cramped and i'm talking i would write
easily a thousand words a day on my live journal
because i'm an emo kid um so just imagine a world
without smartphones but that also means no snapchat
so you can't instantly reply that means no twitter
no facebook the world would be so different it
would be such a different media landscape to
look back at it. And in a certain way, I kind
of wish we could go back to a more innocent time,
don't you? You know, that's and I guess that's
kind of the same boat I'm in. I feel like if
we put less emphasis on being attached to our
devices, and I'm guilty of it, like I'm horribly
guilty of it as well. Because I there's not a
minute that goes by that I'm not thinking I should
check to see if I've got an email I should check
to see if I you know and I've turned off most
of my notifications other than email and when
I turn on the screen like other email and text
but when I turn on the screen I'll have like
notifications for like Twitter and LinkedIn and
Stuff like that, but It ultimately it's like
it's it's a constant anxiety in the back of your
head That you have to check something and they've
got it embedded in our heads because we've you
know and I used to complain when I had a dumb
phone and this is my my second smartphone the
thing is is I've had a smartphone for about six
years and yes it was more of a pain when I needed
to check my email on the go or my Twitter or
things like that because I didn't have internet
on my phone and the new modern flip phones do
have wi -fi. and 4G LTE, unlike the old stuff,
because you can still use it with your data plans
and whatnot. But I feel like a lot of these problems
that we're having now with people just being
constantly on would go away because you wouldn't
have all of these people just constantly blowing
smoke into the ether and hoping something sticks.
Yeah, I completely agree with you. I mean, I'm
trying to reduce my screen time, but even now,
while we're doing the show, I'm tweeting. It's
so hard to disconnect. And I don't know, it's
so weird because kids these days do not understand
that. They've grown up in this era of the smartphone.
Hell, do you remember when the T -Mobile Sidekick
was a thing? Like way back in the, yeah, like
it was a huge device because you could text so
fast. These kids have grown up in this era of
texting, instant messaging, social media. You
and I grew up in the era before that. Yeah, I
mean, we grew up in the era where we had like
almost like the monochrome cell phone, you know,
the stationary monochrome cell phone that just
sucked and it was huge, like a TV remote. Yeah.
I mean, we grew up in the Matrix era of phones.
Yeah. And then, and then like, cause I remember
that I remember my first flip phone, you had
to pull the, um, the antenna out and it was,
it was the green screen type thing. And I was
playing chess on my phone. And that was literally
the only thing to do on the phone because like
I managed to, I think it came with chess and
I was like, Oh, I can play a game on here. And
to me, that was like a game, you know? And so.
And then I was typing in the QWERTY keyboard,
which is just a royal pain and I I hated text
messaging because of it. I was I had it You just
reminded me of something speaking of games and
QWERTY keyboard specifically What's the most
difficult game you could think to play on a QWERTY
keyboard? Off the top of your head first person
shooter. Okay. Okay close I played on a QWERTY
keyboard Mega Man 2 Oh, that's awesome. I beat
the son of a bitch with a corny keyboard. I don't
know how I did it, but I did it Now try to imagine
trying to fight that dragon boss or those jumps
in wily stage three good friggin luck If I remember
correctly, and I'm 90 % sure that I remember
this right, but yeah, I mean I remember when
games evolved on those phones, when there was
like Snake, Chess, and Solitaire, and that started
out coming into the 2000s. Then once you got
people like Nokia and stuff like that, like developing
different phones, and the flip phones came out
with different games and stuff on them. Then
you had that weird hybrid, which was like a taco
you could talk into, which was the Nokia N -Gage.
And then you started getting - I remember that.
the first generation of Android and smartphones
like the iPhone, which is 2008, 2009, give or
take, things have changed so rapidly. And they
have. And not only have the phones and the landscape
changed. I mean, between the data, I remember
the data was like not a lot, like between like
an entire account, like it was. barely what it
is now and then oh yeah and then they bumped
it to unlimited and then they realized once the
smartphone revolution started that uh that was
really dumb and they didn't have the infrastructure
to back it up so they went they backpedaled on
it and then now they've got it again because
they have the infrastructure but um we don't
have that in canada because we get screwed so
bad like the worst When this was in the era of
the smartphone -ish, on my old iPhone 3G, guess
how much I had in data over just one month? I
don't want to guess, but... $900! Yeah, that's
ridiculous. Yeah! Let's just say my parents were
none too happy with me. They're like, Michael,
what are you doing? I'm like, I don't know, what
do you mean? Went over I went over like 75 bucks
and then my parents are like, okay, we're taking
your phone and so like my my instant response
to that was you can you can take my phone and
Shove it well Well, no because I being a rebelistic,
you know teenager at the time Not much different
than now It is you know I went to Cricket Wireless
because you only had to be 16 to go get a cell
phone. Oh, you showed them. I did. And it I went
and paid cash for my phone. Bought it outright,
like $200. I was like, I don't care. I got money
in the bank and like I was working, so I didn't
really care either. And then I bought I paid
for the monthly plan. I come home with a new
cell phone and I'd spent like. three hours that
evening, like manually typing in all of my contacts
from one phone to the other. And then I walk
in the house and I give the other phone back
to my mom and she's like, what's this? You know,
that's your phone. I says, not anymore. And I
did. And then when I bought when I got in trouble,
the next time they took my phone away, talking
to my my girlfriend at the time, now wife. And
I was rather upset. They took my phone. I I was
like I bought the phone They're like you're in
my house and I'm like don't want to be here So
it was just it was really funny, you know, cuz
how your brain works when you're a kid, but But
yeah, I mean I remember going through all those
different stages of the phone thing and then
finally going to you know multiple flip phones
up until 2012 when I got my HTC Evo, which was
utter garbage. My favorite flip phone was the
Motorola Razr because everybody had one. I still
did you know that that thing goes for like three
hundred dollars on eBay or not eBay, Amazon?
Why? I don't know. That's what I just super reliable
or something. I will. I will give you this. That
was by far my most favorite phone that I'd ever
had. It looks like you can buy one. Oh, you can
buy you can buy a couple of used ones actually
now for for anywhere from 20 to 50 dollars, but
the original one mind you But yeah, it's I Remember
when they came out with a razor to yeah, which
didn't really go over as well as the first one
There is one phone I would trade my iPhone for
now And I would rely on a tablet exclusively
if I could have this phone the matrix phone from
the matrix Reloaded the one or or the first matrix
where it shot down Because they released a version
like the one from the movie was a prop phone
and it didn't like like the real phone didn't
do that But they released a version for the Matrix
Reloaded that was Neo's phone, and the talk piece
would shoot down. And it was like $600. And I
remember thinking and scheming when I was a child
thinking, how can I get $600 without becoming
a hooker? I don't think this is possible, but
I'm really, really, really going to think about
it. So I was like, oh, I want this phone. And
now it sells for ridiculous amounts on the secondary
market because everybody still wants it. As far
as I know, it still works because the cell networks
still have the lower bands are still active.
I think it's a more stable phone, if I remember
correctly, in terms of quality for its calls.
It just means you can't use data and shit. Or
if you can, you just can't do a lot of stuff
on it. But if, since we're living in this neo
cyberpunk era we call 2018, I would still rock
that thing. Just the fact that I'd be cruising
down the street in my wheelchair. I'd have my
matrix phone. I'd be like, yeah. Nerd. Yep. It's
true. I would so rock that because that'd be
so cool. I'm sorry, I love the Matrix stuff.
I would love to have the Razr again. Like I wish
that they would like redo. I honestly would love
a smartphone that's a flip phone. I'm surprised
there isn't one available. I mean, I bet you
there's probably some Chinese knockoff that does
it, but I can't think of anything from any of
the major manufacturers. I will say my Razr was
by far like my calls never dropped. I never had
a problem with the phone. Yeah, the cameras suck.
but that was like every phone back then. It's
still a majority of them now, but my battery
life on that thing was like ridiculous. Like
I could go like days without plugging it in.
So yeah, I don't know. I really would love to
see like a new, and I'm tempted just to like
pick one up just to see if I could still use
it. There was one time. I remember my battery
on my old Qualcomm would last for like, I sort
of got days. The battery on my iPhone 7 plus
will last maybe, maybe 12 hours. But I use the
thing pretty heavily. So it's probably closer
to six, maybe eight. I don't know, man. And iPhone
batteries you can't replace. That's one thing
I do like about most androids. Well, that's changing
batteries. That's changing. Oh, really? Yeah.
Over the last year and a half, they've pretty
much gone proprietary battery. Well, they've
gone to where it's like an all like a unibody
for a lot of the phones. So you can't you can't
change them out. Like my Galaxy S5, I could replace
the battery anytime I feel like it. Like I actually
have an extra battery that's that's charged just
in case. But I mean, I work by my computer, so
I keep it plugged in all day. into my car I have
a charger so like I really don't like it's plugged
in right now next to me I mean it's I it's not
good for the battery but the battery sucks so
like same time I don't have to worry about my
battery going dead if I need to take it off the
charger but yeah I mean it's I don't know like
I'm kind of like I've been and I was talking
to Mike Powers about the whole phone thing the
other day on the previous episode of if I was
going to get a new smartphone, what I would get.
But the same token, like, I don't know if that's
necessarily, like, the best idea of getting another
smartphone because they cost, like, for a good
one, it costs between, like, $5 ,000 and $1 ,000.
Yeah. I was actually thinking about my wife right
now was thinking about getting a new phone. And
I wanted to get an iPhone because they're reliable,
but I know the Google Pixels are quite good,
too. But. It's just they're so expensive, like
they're all expensive and it's it's terrible.
Like I want a new iPhone, but I am not paying
fifteen hundred dollars. I can get a good editing
computer for that much money. Screw you. I don't
leave the house that much. Well, and that's that's
that's my boat, too, is like. for the price of
two of these phones, I could buy another computer
fully decked out. That's a tenth of my wheelchair.
My electric wheelchair costs $13 ,000. That's
like 10 % of my wheelchair is a phone. No, I
can use Skype to call people. Well, my thing
is, is when I can buy a brand new Laptop Dell
laptop, you know, pretty pretty middle ground,
you know nothing, you know fancy or anything
for $500 And I have to pay like a thousand for
a piece of machinery that sits in my pocket Like
it's not it's not worth it for me That's why
I've been going on four years on this phone and
have not upgraded yet You know, here's one thing
and I want you to think about this because we
briefly touched upon this imagine a cultural
perspective on this Let's say tomorrow all the
smartphones stopped working. Now I want you to
picture walking through a mall. How different
that experience might be. You'd actually have
people talking. Yeah. I mean, I think going back
to the dumb phones would bring back the lost
art of conversation. If anything, and this might
be a little far fetched, but follow me through
the weeds here. There's a dating app called Tinder.
and it's always swipe left if you like the person,
swipe right if you don't, I think, or maybe it's
the other way around, either way. Imagine how
dating would change. I mean, sure, you could
still text people, but it wouldn't be, hey, I'm
gonna send you nudes, maybe you could, I don't
know. But people would change. Like, the social
landscape would change drastically. It would
change overnight if smartphones just... did away.
Sure, there's tablets and everything, but let's
just say the smart technology is gone. I would
love to see what the world would be like in a
year. Just to see how things would change socially.
I think it would benefit us a great deal. As
you said, people would actually have to talk
to each other because there's the nuance of conversation,
the little details that you miss when saying,
see, you'd actually have to laugh out loud as
opposed to lol. Which man I don't have the words
these kids make up okay lit I Understand I don't
know do people stay do people still say on fleek
anymore. I don't know I have no idea like to
be honest Like I see a lot of these different
acronyms now and I have to Google them because
I have no idea what they are Urban dictionary
is yo friend. Yeah. Yeah, it's just it's I don't
know. It's it's strange and Since we're talking
about flip phones Samsung has a concept for 2019
of a a new flip phone. Mm -hmm. That's a smartphone
because they're using the It's kind of that bendable
AMOLED screen and they they have a They're expected
to make a release it's supposed to have a Qualcomm
processor like everything nowadays, more RAM,
and it's going to have the two 4 .2 -inch displays,
dual rear cameras, you know, basically your normal
set of things that they would have on a flip
phone. However, the only thing is it's like a
leaked image, so there's no telling if it's true.
But Motorola has been working on something, I
guess. Motorola executives are insisting that
the Motorola Razr V4 handset might be coming
out in 2019. And it's a funny thing of talking
about the Razer phone, the V3 that we had on
way back when in the dumb phone era. It's got
how in the front where they have the smartphone
buttons and have the time and the date. Yeah
front so that parts is a screen and on this you
know concept that they have And then it folds
out and then you have the full screen on the
interior, but it holds that old razor style So
the device so it's got that lip at the bottom
just like the old phone That's interesting. I
mean, I'd be curious to see what this thing would
be like handed on. I'm pretty sure we'll see
it at the Consumer Electronics Show if it's real
in January, or at least there'll be some kind
of tech anyway. Yeah, and I'm kind of interested
because they're saying that it would have the
multi -display, they would have the Qualcomm
6 gigs of RAM, and it would probably be expensive.
But if I was going to throw down any money for
this device, If I was gonna throw down money
for any of these phones, like an obscene amount,
it would probably be this one. Because you could
fold it up. That might get me to move away from
iPhone. Maybe. And that says a lot. If you had
basic Android on it, like not the proprietary
crap that Samsung puts on their machines. Just
like most of the Motorola's that are out now.
If they had that, I would for sure jump ship.
I would get this device hands down. This is what
I would get if I had an option. I don't know.
It might behoove me to wait. I don't know. Because
I don't know if this is an actual possibility
for 2019 or if this is all still up in the air.
But I know that this would be the defining factor
of if I were to jump ship. Because I would love
to have a smartphone that folds up and goes in
my pocket the size of my wallet. Or thinner than
my wallet, but it would fold up. It still has
the same horsepower, basically. Yeah. I would
be down for that. And then it would be significant
enough change for me to warrant wanting to do
this in the first place. But yeah, I don't know.
I'm kind of of that mentality with the phone
situation that I think that we've come to this
era of some people are going to start going back
to dumb phones. Because they're hip like that.
Yeah, because now it'll be a status thing. Oh,
I've got a dumb phone because it's better. Because
I'm just cool. Look at me. Yeah. I mean, I don't
use any of the apps. I mean, for the most part,
I don't really download anything. I use it mostly
to check my email. I use mostly the camera, my
email, and I chat on Discord and I play a few
games. Truth be told, that's why this iPhone,
as long as the iOS doesn't screw me, which it
will, I have 256 gigabytes of storage. I can
record entire movies on this thing. Hell, I could
shoot movies with this thing if I so do. I think
my camera's 4K. I'm not 100 % sure, but I know
it's 1080p. But I bought it when I like with
in mind of doing it as a vlog camera the fact
that I can do Facebook live from it I think is
pretty impressive. I'm just impressed with what
the tech can and can't do but That's almost a
discussion for a different day. Yes. Yes, so
moving on the media industry as Some of you know,
I used to work in it And I hope to again And
myself, I have got training in the media industry.
I guess I'm what you call a podcaster slash influencer.
I'm considered an influencer in the quote unquote
geek Canadian media sphere when it comes to video
games. Like I myself get review copies of a lot
of games. I get a lot of movies early, a lot
of. a lot of television shows. Steve and I both
have a relationship with Netflix and stuff like
that. So we are in the media. I myself have training,
as some of you may know, from Niagara College
and Mohawk in radio television presentation and
public relations. So I do know the media sphere
quite well. I've been working in and around it.
since 2007. So Steve pitched this idea to me
this afternoon about getting into radio and media
is hard and specifically I really want to talk
about this not to discourage people. But to realistically
set expectations, because I see a lot of people
who say, oh, I want to be this next YouTube success,
or I want to be the next Twitch streamer, because
people see people like Ninja who rakes in half
a million dollars a month streaming. You know
what's funny? I've never heard of that guy up
until like about two weeks ago when somebody
was talking about it on Twitter. Yeah, it's crazy.
People like that make millions of dollars or
a more contemporary example of a YouTuber you're
probably more familiar with is PewDiePie. Now
he's had his own share of controversies and whatnot
over the last few years by saying the wrong thing
at the wrong time and taking it's just a joke
guys or another contemporary example who people
love to hate and arguably you probably should
Logan Paul or the Paul brothers or you might
remember the Fine Brothers who do try the trademark
the whole blank so -and -so react, that whole
debacle. Yeah, that was a whole tool moment on
their behalf. Yeah, so getting into the media
and radio. Do I recommend it? If you want my
professional opinion, if you're going to do radio,
you do it because you love it. Getting into the
media in terms of television, don't do it because
you want to be famous. Now, the reason I'm giving
this approach, I have to give this with a preface.
I came into this industry for the wrong reasons.
I came into this wanting to be famous. Did I
achieve a degree of fame? I would argue I'm notable
in geek circles, but not much beyond that. And
I got that mostly because of my association with
another website whose name I'm not going to mention
here. Eventually, that changed through the course
of talking with my professors. I wanted to cover
news. I hunger for news. I want the truth. Investigative
journalism is sort of one of my talents that
I think I still have, not as much as I used to
when I was back in school, but I digress. Point
of the matter is with Twig, for example, the
other podcast that I work on with Steve sometimes,
is I believe information yearns to be free. Information
should be provided to the people free of charge
no matter what. Should I be paid for what I do?
It would be nice, but I'll never charge people
for it. That being said, if I was given charge
of a newsroom, I would love that. To me, hunting
the truth down, information, getting unbiased
reporting. is what I crave. That's why when I
look at pundits on CNN or Fox News, one leans
very left, one leans very right. Somewhere in
the middle is the truth of all that. And it makes
me upset the fact that reporting slants one way
or the other, and it's difficult to see the forest
for the trees, if you kind of get what I'm saying.
Or maybe that's the other way. So anyway, point
of the matter is, I want to stay in this for
the news, plus getting all the free stuff is
nice because I get a chance to review it for
you and tell you whether it's worth it or a piece
of crap. But that also being said, things in
the media landscape have changed so much. Because
I know people who go to school for digital media
right now are going with the intention of being
streamers or YouTubers, but for every Person
who makes it there's 10 ,000 people knocking
at the door whose skills are just as good as
yours Whose content is just as good as yours
and can pump it out faster even at times It's
a highly competitive landscape and I don't know
whether people are getting into it for the right
reasons Well, and I think that that's why there's
a lot of burnout in it, too Well, absolutely
because if you watch a lot of people are like
I'm gonna be a podcaster to be internet famous
and it's like You don't want that necessarily.
It could go either way. And what I mean by that
is the numbers on this show are not as well as
they used to be. And that could be for a variety
of reasons. It could be because they've changed
how the metric standards work. It could be because
people don't like the show or like things that
I've said in the past. It could be also the fact
that I'm Canadian and they hate me. Or it could
just be because of the direction that the shows
traversed over the years and changed and they
just liked the original rendition because it
was new. But that being said, it's still kind
of, I started this whole podcasting journey because
one, I always wanted to work in radio and broadcast.
It had nothing to do with the fact I was trying
to get money. Now, would it be nice? Yes. Do
it at times. I think that I would love to monetize
more of the content or put things behind a paywall.
Yes, I do. But at the same time, it would have
to be something substantial for me to even bother
with that. And it would have to be something
that's completely new. It would not be something
that I've been doing for years for free. And
if I was able to get into podcasting professionally
again like I once was. There's a variety of things
I'd love to try and love to do, especially with
a team to work with and kind of bounce ideas
off of and being able to produce different kinds
of content that I either A, don't have the time
or the funds to do at this time. Well, yeah,
I mean, it's so hard to produce content now because,
like, you hit it right on the head there. You
need a team. You need resources. You look at
a website like, say, The Nerdist or Geek and
Sundry. Those are their jobs because there is
a corporation behind them backing them. Me and
Steve are hobbyists. Like, our podcasts are powered
by love, labor, and occasionally some freebies.
Pretty much. And I haven't got much in the way
of freebies lately, but that's yeah Yeah, I mean
like twig is a labor of love for example, and
I do it because I love entertaining people and
I genuinely do and that's getting into this is
Like I said, I think part of my reason I don't
like a lot of youtubers because they're doing
it to be famous They're not doing it because
they love the art of entertaining and I'm not
saying you should go busk on a corner and sing
for your supper I kind of consider podcasters
and this is gonna sound really weird. We're like
the modern -day bards Do we get paid sometimes?
Yeah. But bards love to entertain. They tell
stories. They relay the news. They are entertainers
at heart. And if you want to get in the entertainment
industry, radio or television, you have to understand,
are you doing it for the art? Are you doing it
for fame? Like some people can get famous by
just being a beautiful person and they become
Instagram models and they get product deals flying
at them left, right and center. Know a couple
of people that are Instagram famous and they
don't make a lot of direct money But they do
get a lot of endorsements or they get free products.
Sometimes they'll get paid to hey, can you follow
my page and write of Review but even that's something
that can be fallen behind too because there are
false Instagram people that are famous because
you can buy followers like there's Twitter famous
and in this era of Reddit, do you really want
that? Well, and you could do that with any platform.
I mean, you can go on Fiverr and you can pay
somebody to boost your podcast in the Apple charts,
which the Apple charts are a joke anyway, but
because there's no real standard in that, it's
just, it's kind of, you know, you can pay your
way to get to the top or you can just have these
same shows that show up in there every week.
And it's not, it's not a true. you know, up and
new and noteworthy. It's not like it doesn't
actually cycle through their whole catalog. It's
just whoever happens to be the their top tier
picks. And that's kind of like the same boat
is like the the I heart radio podcast awards.
They they announced there, you know, that the
first ever podcast awards, you know, exclusive
at I heart radio is is going to be taking place.
And there's been podcast awards around for 14
years now. Yeah podcast awards calm on the 14th
annual people's choice podcast awards You know
it just happened this year and they they bring
off the winners at podcast movement in September
So like I don't know like there's a lot of invasion
from the radio industry But they're trying to
say that oh, it's a it's a it's a billion dollar
industry blah blah blah, and you know, they're
like They don't really understand podcasting.
It's not about it's not about you know, a quick
fix to get this money It's it's about the journey
and about the the message that you're conveying
and they miss that I mean a lot of radio stations
that I've noticed is repackaged stuff from their
morning shows and just put it in a podcast form
basically it takes a guy 20 minutes to Edit it
together slap some ads in front of it and I could
say the so -and -so podcast show brought to you
by so -and -so's organic turkey bacon or something.
Yeah, I mean, and that's what majority of traditional
radio does. And they, you know, having been on
that side of it, I because I worked for a online
radio station broadcast network that does like
television on through their own through their
own network and does radio and does podcasts.
All the podcasts were repackaged podcasts from
their radio broadcasts minus the live radio.
Well, minus the live radio ads that would be
on terrestrial and they put dynamic ad insertion
points during those empty spaces on the podcast
to fill that void. And while it does work, some
of that content could have easily been chopped
down and they could have easily made it like
a shorter show instead of being like a repackage
of the entire show. They could have like they
could have because they had daily episodes. So
like it was it was kind of that boat. And they
did have some podcasters that were syndicated.
um which didn't do as well because they weren't
on that you know live radio feed uh and they
weren't the main personalities in the network
but it you know this i don't know like i saw
them as more like taking care of the podcast
itself like the show and like their message whereas
the other one was like how many uh you know and
i guess that's kind of the boat i fell into for
a minute uh working for that for so long is it
was How many messages and how many news topics
can I talk about in my allotted slot? And that's
kind of like I feel like that's kind of like
part of the downfall of radio into podcasting
is because they don't understand the space. Yeah,
I mean, with podcasts, you really have to, in
my opinion, make the most of your time, because
with morning radio, people are tuning in and
out over the course of, say, a morning show,
which is, say, four hours like podcasts. You're
gonna hold someone's attention for maybe an hour,
maybe an hour and a half, if you're lucky? Well,
they actually say that the amount of time, the
average over X amount of podcasts ranging from
10 minutes to three hours, the longest that people
generally listen is about 38 to 43 minutes. Okay,
so about your average television show length,
which is something that I definitely see Like
for example with twig. I always try to keep us
Try to go close to an hour usually go about an
hour 15 hour 30 depending I figure if I want
to be as long as a horror movie or a shitty action
movie, because I figure that's how long it's
going to take you to get to work, depending.
And that's there and back, depending. So we're
always with you in your car or when you're working
out. At least that's a lot of the feedback I've
gotten. Yeah, and that's the feedback I've gotten.
I've gotten feedback about shows being too long
or shows being not long enough. And it's kind
of difficult to ride the line there. But I mean,
I've kind of come to this conclusion that the
show's as long as it needs to be. I mean, yeah,
I'm not going to go on for hours on end. And
my general rule of thumb is I won't go over an
hour and a half. Yeah, same here. That's my hard
rule as well. um because to be honest like i'll
turn out even on my own stuff or other people's
like like even when i'm subscribed to shows on
itunes like there's a majority of shows i'm listening
to right now because i work uh in in an environment
where I work in front of my computer, they're
playing Pandora out in the middle of the store
and I'm in the back and so I just plug my headphones
in and listen to just different podcasts, just
one so I can kind of get a vibe of how other
podcasts run and what they do and to kind of
refresh myself on it because I'd been out of
that general listener loop for so long. I'm trying
to get a variety of different shows under my
belt. I am the worst podcast listener. I don't
listen to any outside of morning radio, which
I know gets repackaged into a podcast. I am the
worst podcast listener you can imagine. Frankly,
it comes down to time. Sorry, go ahead, Steve.
I feel like if you don't listen to new podcasts,
you don't fully get the taste of where podcasts
are going. So I feel like in order to evolve
your own show, you have to be listening to some
of the shows of that current time that you're
producing for because things I produced nine,
10 years ago don't apply today. Not only do the
topics not stick, but the way that it was handled
doesn't stick, because it's a totally different
social environment. I guess with me, I model
the Twig show after morning radio now, where
we still have our news, weird news, and now we
have a segment called Satan's Pantry, where we
try new weird food each week, usually with disastrous
results. I've eaten some real shit on that show.
Oh my god, Steve. It's not I've listened I actually
I actually listened to an episode earlier today
and the only thing that I that I had a critique
on which I don't know if you want me to say that
on air It's fine. I I felt like the the review
should have been much shorter Oh, yeah, because
sometimes we just keep going. Well, and it was
it was and this is no slight against against
Alex, but it was... I knew it was going to be
him. I knew it. It was way too long. Like, just
in general, like, I find that with people's attention
spans, it's like, you know, tell me, you know,
the who, what, why, and where. and all the W's
that they taught you in school and they teach
you in broadcasting, teach me why I should care
about this and then just kind of leave it in
the air and give your brief opinion. But I feel
like if you're doing it in a segment show, it
should be shorter. But I also, I realized that
on my own from having done that in a previous
week when I was trying to segment this show.
And so it's kind of... I don't know. It's just
kind of playing around with the formula. I mean,
whatever works for your listeners kind of thing.
But yeah, same time. I mean, things evolve over
time. And that's part of the reason why getting
into podcasting or media and radio is so hard,
because the industry changes so often. I mean,
myself, specifically getting into radio specific
stuff, you have to keep up. With the music and
the formats of your music and I've noticed this
very very distinctly Canadian rock radio is so
different from American rock radio you guys have
such a different style of DJing of doing talk
bits of basically communicating with your listeners
and building community A lot of the stations
up here are not manned 24 7 or if there is somebody
there may be in the newsroom There's an engineer
maybe someone doing Maybe a satellite shift which
means they're just doing hey guys. It's three
o 'clock in the morning You're listening to so
-and -so. It's currently 12 degrees outside,
you know that sort of bullshit well whereas listening
to radio like the radio station i listen to and
i love and i'll worship these guys till the end
of the earth is a station out of philly called
wmr 93 .3 and they are live 24 7 they interact
they do contests literally 24 hours around the
clock and there's something about building community
sorry steve i i keep cutting you off oh no it's
fine What I was gonna say is like majority of
the ones that are here in my local Michigan area
are that way as well. And just some of the things
I've learned while interviewing with a lot of
these companies, because I have gotten several
interviews and just not for whatever reason.
Just not gotten anything past it. I mean, I've
had ones where I've thought have gone really
well and then just they'll ghost me. And then
I'll never hear from them again, even if I send
them an email like, hey, what's going on? Am
I still in the loop? And then I'll just never
hear from them again, which is just really odd.
But some of the things that I've learned, though,
is that they want people that can handle the
talent and handle the podcast side of things,
but at the same time, they don't. Fully understand
the podcast division of it like or how to make
it work within traditional radio because they're
thinking traditional radio terms not Modern terms
because they also make the talent have to blog
write X amount of articles per week They make
like these people have to motivate, you know
and edit their stuff They make them have to do
like live streams. They make them have to do
like, you know Just very things various things
to draw attention to the talent and the station
and so like they have to wear many hats now and
so it's like it's kind of a different landscape
that you know they're they're having to build
themselves up almost to the point that like celebrities
do when they guest star on like talk shows yeah
but they're doing it by themselves some of the
djs i follow uh from philly They do a lot of
interaction with their community, so I wonder
if that's how they get around having to blog
and microblog, but they do a lot of community
involvement where they go out, say, hey, go check
out this car dealership or go do this, that,
the other thing. Well, they're paid to do those.
Yeah, they're paid to do that. But there's also
other things like one of the guys I really like
produces a morning show and it's air. It's a
public affair show that airs at six thirty in
the morning. So I can only imagine what the listenership
numbers are like. But sometimes there's some
really damn good radio. It just seems out of
nowhere I guess it's to fulfill some fcc requirement.
You have to provide so much local airtime, I
guess um but that being said It the the market
is you have to understand what what you're going
into and specifically If anybody listening wants
to pursue a career in radio I'm gonna say this
love the music, love the format, be adaptable.
You're gonna run into a lot of, and I hate to
say this, Steve, because we're trying to keep
the show as PG -13 as possible, you're gonna
run into a lot of fuckhead program directors
who wanna tell you what to do and how to run
your shift. If you're entertaining, if your talk
bits are very general, if you know your music,
you can make beautiful broadcast. You will entertain
people, your phone lines will light up, you'll
build a community not just on Twitter, but with
your audience that was willing to call in and
talk with you. Like one of the best people that
I know who builds their radio up so much is a
guy, once again, going back to Philly, his name
is Jackie Bam Bam, or another guy called Lockdown,
his name's, he's underscore radio Kevin, I think,
on Twitter. These guys will talk to you. If they
got the time between songs, they'll get a chance
to know you. Or if you email them, they'll get
a chance to know you. But they also know their
music. They know their playlist back to forward.
And they can give you interesting anecdotes.
And particularly, if you're willing to start
small and be ambitious in a small radio market,
I know a guy who cut a really creative demo.
and he got hired in a really small radio station
and now he works for one of the larger stations
in Toronto now. He's their digital content producer.
That can work well too. If you're willing to
take, he took his podcast experience from what
we're doing now and turned it into a career at
a large radio station. Now admittedly, he's producing
little things that I think are really fantastic.
He does something called Behind the Vinyl. where
they talk to an artist like, hey, you did this
album back in 1994. What was it like? What was
the number one single? Blah, blah, blah, blah.
And it's like a five minute thing. Sometimes
it's longer. But if you're willing to put in
the work and know your music or know particularly
what your format you're going is for, say you're
going into talk radio, produce something kind
of not fun. But serious or if you want to do
something fun, you could do that too Like hey,
we're gonna talk about the history of I don't
know bubblegum Let's say you're his say the town
is a history with bubblegum. You know, it's it's
a thing or Say you have particularly famous Political
person produce a focus on them and say hey be
willing to put it together and you might get
a job Just by saying hey, here's five minutes.
I did on senator so -and -so Maybe you got people
who grew up around them as interview subjects,
people on the streets. You never know. That kind
of initiative can really show a radio station
that, hey, you really want this job. You want
to make it more than a job. You want to be a
career. And I think that's the big reason I want
people to understand when you go into media and
into radio or any kind of entertainment, it has
to be about The art it has to be about conveying
something important Being more than a paycheck
don't go if you want to work in radio and be
a paycheck work in promotions work in sales There's
always a need for people in sales in radio. I
can tell you that right now There's always a
need to be someone who wants to work in the editing
department and even still that's creative to
like Cutting together commercials and doing something
fun. That's something that that like you can
do too If you don't get on air your commercials
can make it on air and some people will remember
those jingles forever See and that's the thing
is I personally want to be a Creative person
and so And I, you know, don't get me wrong. I
would love to help make decisions and do things
in that nature, too, but, you know... I want
to do something with digital content. I want
to edit. I eventually want to be on the air of
something. And if not, I've got the podcast,
but it's not a big thing. I tried to do the YouTube
thing a long time ago, and I decided that that
really wasn't for me because... You couldn't
pay me to go on YouTube. No frigging way. Well,
and it wasn't even me visually. I've done both.
I've done me visually and I've done voiceover
with... gameplay. And to be honest, like to me,
like it doesn't fit my personality. And so I'm
going to try to do live video thing again, and
I've got a green screen and I just have to figure
out what I want to do with it. But I just I don't
know, I think that it's a very difficult business
to get into. It is it is absolutely one of the
hardest businesses I've ever come across. And
I've tried to go into computers. I've tried to
go into television behind the scenes, which is
just as competitive, if not more so in some ways.
It's not who you know, it's what you know. And
even then it's cutthroat. Myself. That's very
true. I mean, myself, if I had to choose one
career path, if I had to leave podcasting behind.
I want to do community -focused radio, and I
wouldn't mind even being in a small market like
less than 50 ,000 people. I want to be not that,
hey, that's Mike on the billboard. I want to
be like, hey, guys, it's drive time. I'm going
to be with you from noon till 4 o 'clock, and
we're going to play some of the best music from
the 80s, 90s, and the 2000s. Let's rock and roll.
Let's open up my prize box. Let's see what I
got ready to roll for you today. Hey, I got concert
tickets to the farewell tour of Kiss. Do you
want them? Call me at whatever, whatever, whatever.
I want to do. And I think just talking right
now, you can hear that in my voice. That's the
presentation side of me coming out. Radio, talk
radio or music based radio is my, it's my jam.
Cause I don't like as fun as it might be to talk
about geek stuff every single day. I think that
would burn me out. Like I don't know how certain
podcasters can put out an hour or two hours of
content every single day and not hate their life
with music Yeah, I don't know. I guess to me
it's about presenting something different to
me when I listen to MMR For example again, I
love you Philly. Um, I hear Probably about an
eight -hour loop of music Sometimes some repeats,
like believe it, the amount of times I hear ghost
rats in a day would drive you crazy. Or Metallica
spit out the bone, but that's just their particular
music director. But anyway, side note aside.
It's something about bringing the music to life
for people, to entertain. And I think that's
where I'd most be happy. is bringing music to
people, bringing something entertaining like
that. And sure, geek stuff is fun and everything,
but you know what? Maybe that's not where I should
be all the time. I guess I'm more of a music
guy than I thought I was, but I'm never gonna
stop giving up the podcasting thing as long as
people are willing to listen to me ramble about
who'd win between a Power Ranger and a Ghostbuster.
Why the hell not, I guess? Yeah, and I'm kind
of the same mindset like I I Enjoyed talking
so Which is really odd and and I discovered the
the knack for it really a long time ago like
doing the podcast but The even even if I were
to do it in person I could do it now. I know
because Well, I did it at that Star Trek event
so Yeah, I mean I I love doing personal appearances
when I used to get invited to conventions a lot
I'd be in front of a panel in front of probably
a couple of hundred people Like if I'm filling
a room and they're just listening to me talk.
That was a lot of fun I loved that live vibe.
I totally dug that but I could see how that could
get a exhausting too for certain people but I
guess to swing this conversation around we mentioned
this is hard and the thing that'll make it hard
is your passion your reason why you do it and
I know I keep hammering that home because I want
you people that are listening if there's any
impressionable listeners out there you got to
follow your passions but sometimes your passions
don't always pay the bills I guess the best piece
of advice I can say is make sure you're in this
for the right reasons and be willing to sacrifice
a lot. But if you do, if you do and you get lucky,
you can land yourself into some marvelously rewarding
work. And if you don't happen to land that job
at the radio station or whatever, your little
podcast, your little YouTube channel or whatever
it is. You couldn't make somebody happy as long
as you're fulfilling yourself creatively and
artistically then I say keep keep on doing it
Yeah, and I agree like I'm If this were for money,
I would have quit a long time ago, but It's it's
definitely not there are times where I feel like
I need a break and I just refuse to take it because
I'm I always make it a point to take off December
into mid -January every year so I don't get burned
out. See, I've never taken any time off other
than when I've actually been on vacation. And
even then I'm like, I can't tune it out. I'll
have something prerecorded. Oh yeah, same here.
Which I think that on this it's probably as good
of a place as any to announce that I'm gonna
have more guest hosts. kind of episodes Well,
I'm gonna pre -record As many days as I possibly
can this month of November so that December What's
that? It's good. So you can get ahead of it too.
And that's another reason Or not a reason that's
a trait if you're in media being really well
organized will really help you. If you're piss
port time management, your life will suck. Yep.
Yep. And I've gone back to doing my Google Docs
for my notes on various things when I use it
for something. I even go to the point of trying
to go through my Twitter likes and things like
that. But anyways, I'm going to use these pre
-recorded episodes that I'm doing all like as
much as I can So that I can take off a few weeks
in December and not lose my mind Yeah, I'm gonna
pre -record some stuff with Alex and the rest
of twig and I'm gonna play through my backlog
of stuff because I really want to play the Witcher
and I'm two years behind I'm playing that so
That would be something I'd like to do I'd like
to put some more hours into Assassin's Creed
Odyssey and I'd like to play fallout vault 76
to completion so Yeah, I haven't played too many
video games but lately but that's more so just
cuz I don't have time I get home and I'm tired
So I guess like goals for geek life if your goal
is to be in radio and in Podcasting and media
in general. We've kind of talked about that.
Yep I my other goal is I've recently gotten the
taste of wanting to get back into voiceover.
So it's but I want to do it like for real. So
and I know that it's not an easy journey either
just as much as regular radio. So, yeah, that's
that's going to be a journey on its own. But
yeah, we'll see. I guess my goal for geek life,
and this is a subtle plug, I'm working on a Patreon,
which I hope to launch early next year called
Bard Looking for Job, and it's to be a professional
storyteller. I don't know whether I want to work
in the RPG industry proper, like writing books
or writing rule sets and crunch and fluff and
everything, but I like the idea of creating adventures
of DMing for hire, if you will. Say you don't
have a group of dungeon masters around you to
help set you on your adventures through Greyhawk
or Forgotten Realms, I can do that for you. Stuff
like that. So I guess one of my goals is just
to be a perf - literally to be a bard. That's
what I really want to do, except I don't play
a friggin' loot and don't have a stupid hat.
I really want to do the entertainment thing.
And I guess I was watching something, I can't
remember what it was, but - It showed a guy in
a tavern sitting by this roaring hearth. Yeah,
I think that's what it's called, hearth, whatever.
And he's sitting there talking. People are just
listening to him tell this tale. And I want that
to be me, except in modern times. And I guess
I really am the twig in Terrible Warriors. People
listen to the stories and the worlds that I create.
And I dig that. And as I've said before, I didn't
fancy myself a creative person until a couple
of years ago when I started to get a lot of feedback
on it. People saying, man, you're really awesome
at this. You should keep going. And it's very
encouraging. It's very much a geek goal to create
something. Epic and monumental and right now.
I'm working on something for the other podcast
terrible warriors right now Called the Cambridge
Chronicles, which is sort of the side project
and I'm running a world called shadow run and
it's one of my favorite fictional universes basically
imagine D &D but with guns and more magic, I
guess, if you wanted to put a bit of a slant
on it. So imagine a troll with a friggin' sniper
rifle, I guess. And I'm trying to create this
magnum opus where I've created Toronto in the
year 2054, the neon soaked streets of Toronto
and political intrigue, corporate espionage,
and all sorts of cool things for my characters.
And one of my goals is to bring shadow run or
cyberpunk back into the forefront. I mean, we
live in a cyberpunk society right now where information
is a weapon. Culture is so radicalized now that
we sort of having cybernetic limbs, which I will
soon have in the future when I get my prosthetic
limb, I will be a cyborg. I've literally become
Shadowrun. So I guess a goal for geek life is
to just bring cyberpunk storytelling back a little
bit. Maybe bring the William Gibson -esque worlds
of Neuromancer and the Difference Engine, though
I don't... I think he wrote that? Anyway, stuff
like that. And just be a little bit more well
-rounded in that respect. I mean... Another thing
I'd love to accomplish for a geek goal in life
is I really want to be knowledgeable on one subject
and I guess I've taken that subject to be role
-playing games which is Memorizing a lot of math
and I'm frankly terrible at math um, but it's
finding the the tricks in math and Looking at
the different rule systems because it's kind
of funny. I can now see when people say This
system was designed in the 1980s. This was designed
in the 90s. This is a modern RPG. And it's so
fascinating to see how the parts all flow together.
Like, do you remember that scene in The Hangover
where Alan, Zach Galifianakis' character has
all the numbers floating around his head? I feel
like that when I look at role -playing math.
I'm thinking, I get this. holy crap, I get this,
I see how this functions, I see how this part
works with part A and part B and it's fascinating.
And I guess that's the thing, I really want the
goal for geek life, my geek life, is to entertain
and educate people, to bring something a little
bit new to them. Because if I enjoy it and I
love it, Maybe I can spread that joy to somebody
else because I've had people like my friend Derek
Spread his love of power Rangers to me now. I've
collected most of the mighty Morphin era zords
I've got the legacy power line of Figures at
least all the mighty Morphin figures. I even
got a Lord dragon for my buddy linkara. Thank
you, Lewis. You're a friggin superstar and stuff
like that and I'm starting to get into Japanese
Super Sentai. So I'm learning so much more about
another culture. And you learn things about their
culture, not just through their superheroes,
because it goes further back at how their medieval
culture influenced it, how some of their folk
tales have influenced and stuff like that, like
reading up about common riders, not just guy
gets signs, buckle fights, monster of the week.
There's so much more to it, stuff like that.
There's like one of them where they're like a
detective or something like that. It's weird.
But I guess to sum it up succinctly, my goal
for geek life is to entertain, educate, and bring
a depth of knowledge to myself I did not possess
before. I wish to be more than what I was when
I came in. Yeah, I think that that kind of resonates
with myself as well. I think I've gotten this
kind of knack of, I'd rather be informing people
and teaching them something rather than just
kind of, I hate this television show because,
or I like this television show because, I don't
know, something of meaning. Want to be I mean
one of the greatest moments I've ever gotten
I I'm pretty sure I've mentioned it on this show
before is I was telling a terrible warrior story
a couple of years ago and It was in the anime
neon Genesis Evangelion. I was using the GURPS
set of rules Good system complicated, but good
system point of the matter is I had my friend
Dr. Tara want who's Toronto's greatest soup supervillain
My friend Erica, Scotty, and my friend Julian.
I had three of them on the verge of tears, crying
in a room no bigger than most people's kitchens
on a Sunday afternoon when nothing is wrong but
to tell an emotional story, to drag that emotion
out of somebody. That is what I crave. I crave
emotion. I love being able to tell stories that
are that potent and powerful, or to scare someone.
We did this with Ravenloft, had people unsettled
thinking, oh man, what's gonna jump out of the
darkness next? Why did that doll move? What's
whispering in my ear? And I'm just speaking words
as if we're talking right now, telling a story.
And... That's where I think I want my deep goals
to me. I mean because of certain Difficulties
I have ahead of me will I ever work in radio?
realistically, I don't know because of physical
limitations my skills may be out of Maybe at
a whack, but I'm never gonna lose the podcast
but that being said Never gonna give up always
gonna be entertaining always talking always telling
stories in some capacity Yep, I think that you
you pretty well nailed that one right on the
head I My my eventual goals is to do to do voiceover
whether it happens or not. I don't know. I've
been having a lot of fun doing podcast roles
and Fandubs and in audio plays and things like
that, but you know if it ever happens it happens
but if not then you know, whatever but I'm currently
working towards that I'm working towards getting
into radio like traditional radio and television
so just because I I enjoy the the process and
I enjoy the the being able to make a difference
and and entertain and inform and so that's That's
kind of why I want to get into it. It has nothing
to do with money. I mean, yeah, I want enough
to live on, but I don't want to do it to get
rich. Just cover my bills, cover my travel. I'm
generally pretty happy. I know I'm not going
to get rich playing D &D. Yeah. But hey, geek
and sundry, if you're hiring, man, if you can
find a way to not put me on camera and just give
me a voice, I'm good to go, man. Any day of the
week, I'm good to go. Yes. Put him on camera
in the background. I'll be a hand puppet. Give
him a CGI character. Yes. But yeah, so that pretty
much about wraps it up here for us here on Altered
Geek. Hopefully you've enjoyed our conversation
as we've talked about dumb phones. Would we ever
go back to a society that knew how to talk to
each other? The difficulties of getting into
radio media, some of the reasons the Why it's
hard why we think it's hard and why you maybe
should or shouldn't get into it Just follow your
passions. And then finally we just talked about
some of the geek goals We have set up for ourselves
be them life's ambitions or something a little
bit more simple We've definitely buried our souls
to you in this particular episode of alter geek
as always if you want to get in contact With
the show Steve if they wanted to do that, they
would do They would at us on the Facebook's and
the Twitter's at alter geek or myself at SCP
21 You can follow me on Twitter Instagram and
Facebook at Birdman Don You can also email me
Mike at this week in geek dotnet always looking
for you interacting with you We're also trying
out something new. We haven't got it quite figured
out just yet. But if you're on discord We have
a discord server where perhaps you can come out
and talk with us. I'm on there constantly So
if Steve wants to post up the discord in the
episode notes, he can do that So be sure to be
following us on there. I reply to any and all
questions and Yeah, so hopefully next time when
Steve has his next guest host in they'll be talking
about a variety of topics both deep insightful
and Entertaining to you the listener. We always
welcome your interactions with the show. So Please
feel free, also please feel free to leave us
a review on iTunes or wherever you're listening
to this podcast. It helps us out, lets us know
what we're doing right, what we're doing wrong,
and if in fact we are worth your time, but I
think we are. So until next time, listeners,
I've been Mike the Birdman, joined with Steve
Megatron Phillips, and Steve, take us out. So
until next time, get altered. Get icky, yes!
Get icky. It's not Halloween. So until next time,
get altered. Get geeky with the Altered Geeks.
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